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Robots in American Popular Culture by Steve Carper Pdf
They are invincible warriors of steel, silky-skinned enticers, stealers of jobs and lovable goofball sidekicks. Legions of robots and androids star in the dream factories of Hollywood and leer on pulp magazine covers, instantly recognizable icons of American popular culture. For two centuries, we have been told tales of encounters with creatures stronger, faster and smarter than ourselves, making us wonder who would win in a battle between machine and human. This book examines society's introduction to robots and androids such as Robby and Rosie, Elektro and Sparko, Data, WALL-E, C-3PO and the Terminator, particularly before and after World War II when the power of technology exploded. Learn how robots evolved with the times and then eventually caught up with and surpassed them.
European Silent Films on Video by William B. Parrill Pdf
This book is a critical encyclopedia of silent European films currently available on DVD, laser disc, and VHS. It provides concise and accurate summaries of the films, evaluates the quality of the prints, discusses the changing reputations of both films and filmmakers, and considers how the techniques developed during the silent period continue to influence filmmaking today. The book cites contemporary and recent criticism of the films and includes an extensive bibliography as well as a list of films by director. Numerous photos are also included.
In the future, Mankind is an endangered species, continuously hunted by the robot warriors that have replaced them. Lady Sonja leads a rag-tag band of rebels against the oppressive machines that rule the world. The rebels must revive GUN, the first mechanical man prototype. But will he be Mankind's savior...or it's destroyer? This publisher is a new client to Diamond Book Distributors!
This book captures the true essence of love and a passion for life. Through poetry and story Richard gives a gift back To The Universe, and everyone in it to enjoy. This book features some of Richard's most profound works.
"The Soulless One unmasks the presence of technologically superior soulless ones—spiritually bankrupt beings who migrated to earth thousands of years ago and subjugated a humanity entranced by their scientific wizardry. Fantasy? Not at all. Tablets from ancient Sumer have confirmed the story of “gods” who used genetic engineering to create humanlike life on earth, the progenitors of today’s “mechanization man.” This book strips the mask from these fallen ones and reveals their strategies: their political philosophies, their mechanized righteousness, their materialism, and their goals to dominate the body, mind, and soul of the children of God. It also reveals how you can break free from this programming and unlock the creative spark within yourself."
Every poem in As I Write These Words seeks to take the reader on a journey with author Samir Georges. This very personal collection of poetry, begun by Samir at the age of ten and completed on his twentieth birthday, offers an invitation to travel across the tapestry of emotion and experiences he weaves. Raised in a culture that values and nurtures poetry, Samir first began writing poetry in his native language without any training. His need for expression spurred him on. From the emotion of "He Whistles as He Walks, This Man" to the charm of "Lady," he improvises every poem, writing before he thinks; to him, emotions are felt like flint and stone in the hand, long before thought sparks from between. As I Write These Words presents an offer to dream, journey, and grow-an offer made with an open hand that is there for the taking. Contemplating quietly and fluently is he Not with speech but by mind and precision in every degree, Congratulate those who assimilate to those around them with decree. But he who cares not for the throng knows better than to be bound by such wrong, For judgment is to be awarded by deeds best unknown to the judge, Not as a tool to be handed down from a man to fool.
In this latest addition to Oxford's Modernist Literature & Culture series, renowned modernist scholar Michael North poses fundamental questions about the relationship between modernity and comic form in film, animation, the visual arts, and literature. Machine-Age Comedy vividly constructs a cultural history that spans the entire twentieth century, showing how changes wrought by industrialization have forever altered the comic mode. With keen analyses, North examines the work of a wide range of artists--including Charlie Chaplin, Walt Disney, Marcel Duchamp, Samuel Beckett, and David Foster Wallace--to show the creative and unconventional ways the routinization of industrial society has been explored in a broad array of cultural forms. Throughout, North argues that modern writers and artists found something inherently comic in new experiences of repetition associated with, enforced by, and made inevitable by the machine age. Ultimately, this rich, tightly focused study offers a new lens for understanding the devlopment of comedic structures during periods of massive social, political, and cultural change to reveal how the original promise of modern life can be extracted from its practical disappointment.
"As Dustin Abnet shows, the robot-whether automaton, Mechanical Turk, cyborg, or iPhone, whether humanized machine or mechanized human being-has long been a fraught embodiment of human fears. Abnet investigates, moreover, how the discourse of the robot has reinforced social and economic inequalities as well as fantasies of social control. "Robots" as a trope are not necessarily mechanical but are rather embodiments of quasi humanity, exhibiting a mix of human and nonhuman characteristics. Such figures are troubling to dominant discourses, which cannot easily assimilate them or identify salient boundaries. The robot lurks beneath the fears that fracture society"--
History and Modernity in the Thought of Thomas Hobbes by Robert Kraynak Pdf
Robert Kraynak offers a radical reinterpretation of the political thought of Thomas Hobbes and a new assessment of Hobbes's contribution to the origins and problems of modernity. The author argues that it is necessary to examine a neglected facet of Hobbes's thought—his writings on history, especially Behemoth, his lengthy study of the English Civil War. Through a close reading of these works, Kraynak shows how Hobbes came to consider the possibility of a new kind of political science, one that is supremely confident of the power of critical reason to overcome the authorities of the past to build a new form of civilization yet uncertain about reason's foundations.
The City in American Cinema by Johan Andersson,Lawrence Webb Pdf
How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).
Cognitive neuroscience, once a specialized area of psychology and biology, has enjoyed increased worldwide legitimacy in the last thirty years not only in psychiatry and mental health, but also in fields as diverse as education, economics, marketing, and law. How can this surge in popularity be explained? Has the new science of human behaviour now become the barometer of our conduct and our lives, taking the place previously occupied by psychoanalysis? Rather than asking if neuronal man will replace social man or how to surmount the opposition between the biological and the social, The Mechanics of Passions uncovers hidden relationships between global social ideals and specialized concepts of neuroscience and cognitive science. Proposing a historical sociology situated in the dual contexts of the history of sciences and the history of self-representation, Alain Ehrenberg describes the conditions through which cognitive neuroscience has developed and acquired a strong moral authority in our individualistic society permeated by ideas, values, and norms of autonomy. Cognitive neuroscience offers the promise of turning personal limitations into assets by exploring an individual's "hidden potential." The Mechanics of Passions identifies this as the echo of social ideals of autonomy, affirming that the moral authority of cognitive neuroscience stems as much from cultural norms as from any results of scientific or medical experimentation.