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Author : Joseph Moxon
Publisher : Unknown
Page : 68 pages
File Size : 54,7 Mb
Release : 1692
Category : Electronic
ISBN : BL:A0020681187
Author : Joseph Moxon
Publisher : Unknown
Page : 70 pages
File Size : 40,8 Mb
Release : 1697
Category : Electronic
ISBN : BL:A0022957012
Author : Joseph Moxon
Publisher : Unknown
Page : 60 pages
File Size : 49,6 Mb
Release : 1697
Category : Electronic
ISBN : OXFORD:590702567
Author : Joseph Moxon
Publisher : Unknown
Page : 408 pages
File Size : 52,7 Mb
Release : 1703
Category : Carpentry
ISBN : UOM:39015028306002
Author : Joseph Moxon
Publisher : Unknown
Page : 404 pages
File Size : 46,6 Mb
Release : 1703
Category : Electronic
ISBN : DMM:057001336413
Author : Birmingham Public Libraries,John Davies Mullins
Publisher : Unknown
Page : 1344 pages
File Size : 44,5 Mb
Release : 1890
Category : Electronic
ISBN : UIUC:30112057540848
Author : John Davis Mullins
Publisher : Unknown
Page : 796 pages
File Size : 51,9 Mb
Release : 1886
Category : Electronic
ISBN : OXFORD:555056372
Author : John ROLLE (Baron Rolle.)
Publisher : Unknown
Page : 418 pages
File Size : 51,9 Mb
Release : 1850
Category : Electronic
ISBN : BL:A0019393424
Author : Great Britain. Patent Office. Library
Publisher : Unknown
Page : 264 pages
File Size : 49,6 Mb
Release : 1857
Category : Industrial arts
ISBN : WISC:89101449049
Author : James Ayres
Publisher : Oxbow Books
Page : 448 pages
File Size : 53,6 Mb
Release : 2014-06-30
Category : Art
ISBN : 9781782977452
Before the foundation of academies of art in London in 1758 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ÔlimningÕ, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptor, a training in a trade met their practical needs. This ÔtrainingÕ was of an altogether different nature to an ÔeducationÕ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. James Ayres provides a lively account of the inter-relationship between art and trade in the late seventeenth to early nineteenth centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the Ôart and mysteryÕ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ÔlongÕ eighteenth century.
Author : E. C. Bigmore,C. W. H. Wyman
Publisher : Cambridge University Press
Page : 431 pages
File Size : 47,9 Mb
Release : 2014-08-28
Category : Language Arts & Disciplines
ISBN : 9781108074339
This three-volume bibliography of printing, published 1880-6, quickly became a classic reference work, and is still of value today.
Author : Edward Clements Bigmore
Publisher : Unknown
Page : 464 pages
File Size : 50,9 Mb
Release : 1884
Category : Electronic
ISBN : OXFORD:600058750
Author : Great Britain. Patent Office. Library
Publisher : Unknown
Page : 662 pages
File Size : 45,7 Mb
Release : 1883
Category : Industrial arts
ISBN : HARVARD:HNKKZN
Author : Anonim
Publisher : Unknown
Page : 580 pages
File Size : 41,9 Mb
Release : 1888
Category : English periodicals
ISBN : HARVARD:32044089572036
Author : Nancy Cox
Publisher : Routledge
Page : 272 pages
File Size : 48,7 Mb
Release : 2016-03-03
Category : History
ISBN : 9781317064503
In this book the author explores the various meanings assigned to goods sold retail from 1550 to 1820 and how their labels were understood. The first half of the book focuses on these labels and on mercantile language more broadly; how it was used in trade and how lexicographers and others approached what, for them, were new vocabularies. In the second half, the author turns to the goods themselves, and their relationships with terms such as ’luxury’, ’choice’ and ’love’; terms that were used as descriptors in marketing goods. The language of objects is a subject of ongoing interest and the study of consumables opens up new ways of looking at the everyday language of the early modern period as well as the experiences of trade and consumption for both merchant and consumer.