Medieval Art And Architecture In The Diocese Of Glasgow
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Medieval Art and Architecture in the Diocese of Glasgow by Richard Fawcett Pdf
In 1997 a conference on medieval art and architecture of the city of Glasgow and its environs, was held in the city itself. Many of the lectures, including some of the fourteen published here, were concerned with the archaeology and architecture of Glasgow Cathedral. The remaining papers focused on architectural sculpture and libraries and the wider artistic picture. Rather expensive for a paperback, but includes much specialist information.
Medieval Art and Architecture in the Diocese of St Andrews by John Higgitt Pdf
The wealth of St. Andrew's diocese, the richest in medieval Scotland, was reflected in its ecclesiastical art and architecture. Religious changes in the sixteenth century led to the ruin of the cathedral and monastic houses and to the stripping of churches. Much important, although often fragmentary, architecture still remains; and there are significant if tantalising survivals of the furnishings. This volume consists of papers on the history of the medieval diocese, on the cult of St Andrew, on the eleventh to thirteenth century churches of St Andrews, Dunfermline and Arbroath as well as on facades and piers and distinctively Scottish architecture of the later Middle Ages. Other papers deal with Romanesque sculpture, sixteenth-century woodwork, the metalwork of the university maces of St Andrews and an altarpiece by Hugo van der Goes and there are surveys of the surviving stained glass and floor tiles of the diocese.
Medieval Art, Architecture and Archaeology in the Dioceses of Aberdeen and Moray by Jane Geddes Pdf
Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum. The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.
The Grove Encyclopedia of Medieval Art and Architecture by Colum Hourihane Pdf
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
This book acts as a stimulus to further debate and discussion about the archaeology and architecture of the medieval diocese of Llandaff. It presents work at Cardiff and Skenfrith castles and focuses on buildings at Caldicot and Raglan.
Where Mortal and Immortal Meet by Andrew G. Ralston Pdf
Glasgow's thirteenth-century cathedral is the city's oldest building and one of Scotland's top tourist destinations. The cathedral remains an active congregation of the Church of Scotland and serves as the focus for many events of national significance. It is, however, many years since a comprehensive overview of the cathedral's history has been published. The standard work, The Book of Glasgow Cathedral, was compiled more than 120 years ago by George Eyre-Todd. Since then, the interior of the building has been completely transformed, thanks largely to the efforts of the Society of Friends of Glasgow Cathedral, founded in 1936 by the Rev. A. Nevile Davidson with the aims of "adorning and beautifying" the building and encouraging research into its history. To mark the eighty-fifth anniversary of the society, this new book traces the story of its achievements and presents the fruits of scholarship undertaken during recent decades, combining essays and lectures on the history of Glasgow Cathedral by eminent historians of the past with new and hitherto unpublished research. Where Mortal and Immortal Meet will be an invaluable resource for future generations of historians and for all those who have a love for one of Scotland's most significant architectural treasures.
Coventry: Medieval Art, Architecture and Archaeology in the City and its Vicinity by Linda Monckton Pdf
The British Archaeological Association's 2007 conference celebrated the material culture of medieval Coventry, the fourth wealthiest English city of the later middle ages. The nineteen papers collected in this volume set out to remedy the relative neglect in modern scholarship of the city's art, architecture and archaeology, as well as to encompass recent research on monuments in the vicinity. The scene is set by two papers on archaeological excavations in the historic city centre, especially since the 1970s, and a paper investigating the relationships between Coventry's building boom and economic conditions in the city in the later middle ages. Three papers on the Cathedral Priory of St Mary bring together new insights into the Romanesque cathedral church, the monastic buildings and the post-Dissolution history of the precinct, derived mainly from the results of the Phoenix Initiative excavations (19992003). Three more papers provide new architectural histories of the spectacular former parish church of St Michael, the fine Guildhall of St Mary and the remarkable surviving west range of the Coventry Charterhouse. The high-quality monumental art of the later medieval city is represented by papers on wall-painting (featuring the recently conserved Doom in Holy Trinity church), on the little-known Crucifixion mural at the Charterhouse, and on a reassessment of the working practices of the famous master-glazier, John Thornton. Two papers on a guild seal and on the glazing at Stanford on Avon parish church consider the evidence for Coventry as a regional workshop centre for high quality metalwork and glass-painting. Beyond the city, three papers deal with the development of Combe Abbey from Cistercian monastery to country house, with the Beauchamp family's hermitage at Guy's Cliffe, and with a newly identified stonemasons' workshop in the 'barn' at Kenilworth Abbey. Two further papers concern the architectural patronage of the earls and dukes of Lancaster in the 14th century at Kenilworth Castle and in the Newarke at Leicester Castle.
The Formation of English Gothic by Peter Draper Pdf
In this original account of architecture in England between c.1150 and c.1250, Peter Draper explores how the assimilation of new ideas from France led to an English version of Gothic architecture that was quite distinct from Gothic expression elsewhere. The author considers the great cathedrals of England (Canterbury, Wells, Salisbury, Lincoln, Ely, York, Durham, and others) as well as parish churches and secular buildings, to examine the complex interrelations between architecture and its social and political functions. Architecture was an expression of identity, Draper finds, and the unique Gothic that developed in England was one of a number of manifestations of an emerging sense of national identity. The book inquires into such topics as the role of patrons, the relationships between patrons and architects, and the wide variety of factors that contributed to the process of creating a building. With 250 illustrations, including more than 50 in color, this book offers new ways of seeing and thinking about some of England’s greatest and best-loved architecture.
Medieval Art, Architecture & Archaeology at Canterbury by Alixe Bovey Pdf
"From the time of the foundation of its cathedral in 597, Canterbury has been the epicentre of Britain's ecclesiastical history, and an exceptionally important centre for architectural and visual innovation. Focusing especially but not exclusively on Christ Church cathedral, this legacy is explored in seventeen essays concerned with Canterbury's art, architecture and archaeology between the early Anglo-Saxon period and the close of the middle ages. Papers consider the relationship between between architectural setting and liturgical practice, and between stationary and movable fittings, while fresh insights are offered into the aesthetic, spiritual, and pragmatic considerations that shaped the fabric of Christ Church and St Augustine's abbey, alongside critical reflections on Canterbury's historiography and relationship to the wider world. Taken together, these studies demonstrate the richness of the surviving material, and its enduring ability to raise new questions.
Reader's Guide to British History by David Loades Pdf
The Reader's Guide to British History is the essential source to secondary material on British history. This resource contains over 1,000 A-Z entries on the history of Britain, from ancient and Roman Britain to the present day. Each entry lists 6-12 of the best-known books on the subject, then discusses those works in an essay of 800 to 1,000 words prepared by an expert in the field. The essays provide advice on the range and depth of coverage as well as the emphasis and point of view espoused in each publication.
Westminster Part II: The Art, Architecture and Archaeology of the Royal Palace by Warwick Rodwell,Tim Tatton-Brown Pdf
Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.
Excavations at Glasgow Cathedral 1988-1997 by Stephen T. Driscoll Pdf
In 1988 extensive archaeological investigations began at Glasgow Cathedral revealing evidence for the first cathedral built in 1136 and subsequent 12th century phases.
Medieval Art, Architecture and Archaeology in Cambridge by Gabriel Byng,Helen Lunnon Pdf
Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a broad array of medieval, and later, buildings and objects in the city and its immediate surrounds, both from archaeological and thematic approaches. In addition, a number of chapters reflect on the legacy and influence medieval art and architecture had on the later city. Along with medieval colleges, chapels, and churches, buildings in villages outside the city are discussed and analysed. The volume also provides detailed studies of some of the most important master masons, glassmakers, and carpenters in the medieval city, as well as of patrons, building types, and institutional development. Both objects and makers, patrons, and users are represented by its contents. The volume sets the archaeological and art historical analysis in its socio-economic context; medieval Cambridge was a city located on major trade routes and with complex social and institutional differences. In an academic field increasingly shaped by interdisciplinary interest in material culture, Medieval Art, Architecture and Archaeology in Cambridge marks a major new contribution to the field, focussing on the complexity, variety, and specificity of the buildings and objects that define our understanding of Cambridge as a medieval city.
Images of Medieval Sanctity by Debra Higgs Strickland Pdf
This volume's essays together provide a rich investigation of the idea of sanctity and its many medieval manifestations across time (fifth through fifteenth centuries) and in different geographical locations (England, Scotland, France, Italy, the Low Countries) from multiple disciplinary perspectives.
This volume centres upon the era conventionally labelled the 'Making of the kingdom', or the 'Anglo-Norman' era in Scottish history. It seeks a balance between traditional historiographical concentration on the 'feudalisation' of Scottish society as part of the wholesale importation of alien cultural traditions by a 'modernising' monarchy and more recent emphasis on the continuing vitality and centrality of Gaelic culture and traditions within the twelfth- and early thirteenth-century kingdom. Part I explores the transition from the Gaelic kingship of Alba into the hybridised medieval state and traces Scotland's role as both dominated and dominator. It examines the redefinition of relationships with England, Gaelic magnates within Scotland's traditional territorial heartland and with autonomous/independent mainland and insular powers. These interrelationships form the central theme of an exploration of the struggle for political domination of the northern mainland of Britain and the adjacent islands, the mechanisms through which that domination was projected and expressed, and the manner of its expression.Part II is a thematic exploration of central aspects of the society and culture of late eleventh- to early thirteenth-century Scotland which gave character and substance to the emerging kingdom. It considers the evolutionary growth of Scottish economic structures, changes in the management of land-based resources, and the manner in which secular power and authority were acquired and exercised. These themes are developed in discussions of the emergence of urban communities and in the creation of a new noble class in the twelfth century. Religion is examined both in terms of the development of the Church as an institution and through the religious experience of the lay population.