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Memoirs of a 1000-Year-Old Woman by Gisela R. McBride Pdf
This book provides extensive information pertaining to the origin, development, work, and growth of The CHURCH OF CHRIST (HOLINESS) of the UNITED STATES OF AMERICA. For member students, it equips them with knowledge of the Church's doctrinal position, thereby encouraging support and graceful pride in the Church. For others, it offers in-depth knowledge of who we are, what we are about, and how God has enabled us to make a positive contribution to society. Beginning with the history of the "movement" before its development into a denomination and tracing the life and work of the founder, this work points out our heritage and the Scriptural basis of what we believe and teach. Historically, we have included hinders and detours along the way in order to give the true and accurate picture of things to avoid in the future, as well as, the progress we have made. Strong emphasis is placed on the spirit of evangelism which was an integral part of our movement from the beginning. The songs of Bishop C.P. Jones, our Founder, and the unique place the music of COCHUSA holds in the realm of Christianity offer exciting features to this presentation!!!
Memoirs of a 1000-Year-Old Woman by Gisela R. McBride Pdf
The Mortgage Millionaire is designed to draw you into an interview between ghost-writer and mortgage trainer. This method allows you to relax and eavesdrop on the conversation, opening up your mind and allowing for creative thought. As the interview progresses, deeper and more creative ideas are discussed, offering the kind of help most loan officers never get. This kind of intuitive training is rare. The Mortgage Millionaire attempts to bridge the gap between the industry and this rare look at real world, experience-based, training. It is a must read for anyone wishing to better their sales ability and closing production.
This book is a history of everyday life and explains how and why Berlin became the symbolic capital of the Cold War. Paul Steege anchors his account of this emerging global conflict in the terrain of a city literally shattered by World War II.
"A touching story of heroism and loss, a testament to the strength of the human spirit and the power of love to transcend the most unthinkable circumstances." —Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris From the internationally bestselling author of The Orphan Collector comes a haunting and lyrical tale of love and humanity in a time of unthinkable horror. The debut novel from a powerful voice in historical fiction, this resonant and courageous saga of a young German woman during World War II and the Holocaust is a must-read for fans of The Tattooist of Auschwitz and The Alice Network. “Bloom where you're planted," is the advice Christine Bölz receives from her beloved Oma. But seventeen-year-old domestic Christine knows there is a whole world waiting beyond her small German village. It's a world she's begun to glimpse through music, books—and through Isaac Bauerman, the cultured son of the wealthy Jewish family she works for. Yet the future she and Isaac dream of sharing faces greater challenges than their difference in stations. In the fall of 1938, Germany is changing rapidly under Hitler's regime. Anti-Jewish posters are everywhere, dissenting talk is silenced, and a new law forbids Christine from returning to her job—and from having any relationship with Isaac. In the months and years that follow, Christine will confront the Gestapo's wrath and the horrors of Dachau, desperate to be with the man she loves, to survive—and finally, to speak out. Set against the backdrop of the German homefront, this is an unforgettable novel of courage and resolve, of the inhumanity of war, and the heartbreak and hope left in its wake. "A haunting and beautiful debut novel." —Anna Jean Mayhew, author of The Dry Grass of August "Ellen Marie Wiseman boldly explores the complexities of the Holocaust. This novel is at times painful, but it is also a satisfying love story set against the backdrop of one of the most difficult times in human history." —T. Greenwood, author of Keeping Lucy
In his widely anticipated memoir, Ai Weiwei--one of the world's most famous artists and activists--tells a century-long epic tale of China through the story of his own extraordinary life and the legacy of his father, Ai Qing, the nation's most celebrated poet. Hailed as "the most important artist working today" by the Financial Times and as "an eloquent and unsilenceable voice of freedom" by The New York Times, Ai Weiwei has written a sweeping memoir that presents a remarkable history of China over the last 100 years while illuminating his artistic process. Once an intimate of Mao Zedong, Ai Weiwei's father was branded a rightist during the Cultural Revolution, and he and his family were banished to a desolate place known as "Little Siberia," where Ai Qing was sentenced to hard labor cleaning public toilets. Ai Weiwei recounts his childhood in exile, and his difficult decision to leave his family to study art in America, where he befriended Allen Ginsberg and was inspired by Andy Warhol. With candor and wit, he details his return to China and his rise from artistic unknown to art world superstar and international human rights activist--and how his work has been shaped by living under a totalitarian regime. Ai Weiwei's sculptures and installations have been viewed by millions around the globe, and his architectural achievements include helping to design the iconic Bird's Nest Olympic Stadium in Beijing. His political activism has long made him a target of the Chinese authorities, which culminated in months of secret detention without charge in 2011. Here, for the first time, Ai Weiwei explores the origins of his exceptional creativity and passionate political beliefs through his own life story and that of his father, whose own creativity was stifled. At once ambitious and intimate, 1000 Years of Joys and Sorrows offers a deep understanding of the myriad forces that have shaped modern China, and serves as a timely reminder of the urgent need to protect freedom of expression.
"I was born a boy, raised as a girl. . . . One may raise a healthy boy in as womanish a manner as one wishes, and a female creature in as mannish; never will this cause their senses to remain forever reversed." So writes the pseudonymous N. O. Body, born in 1884 with ambiguous genitalia and assigned a female identity in early infancy. Brought up as a girl, "she" nevertheless asserted stereotypical male behavior from early on. In the end, it was a passionate love affair with a married woman that brought matters to a head. Desperately confused, suicidally depressed, and in consultation with Magnus Hirschfeld, one of the most eminent and controversial sexologists of the day, "she" decided to become "he." Originally published in 1907 and now available for the first time in English, Memoirs of a Man's Maiden Years describes a childhood and youth in Kaiser Wilhelm's Germany that is shaped by bourgeois attitudes and stifled by convention. It is, at the same time, a book startlingly charged with sexuality. Yet, however frank the memoirist may be about matters physical or emotional, Hermann Simon reveals in his afterword the full extent of the lengths to which N. O. Body went to hide not just his true name but a second secret, his Jewish identity. And here, Sander L. Gilman suggests in his brilliant preface, may lie the crucial hint to solving the real riddle of the ambiguously gendered N. O. Body.
It's terrible to get old? Life is all downhill after fifty? That's what our youth-centered culture may think but don't be duped. Selected as a finalist for 2006 Independent Publisher Book Awards, this book can change how you think about aging, even make you feel good about getting old! “. . . a liberating change is happening, a change as momentous as the liberation movements of the 1960s and 70s. It brings respect for older people, appreciation for maturity, and the promise of a more balanced culture.”—from the Introduction by Margaret Karmazin and Janet Amalia Weinberg. Discover a new, positive way of looking at aging with Still Going Strong: Memoirs, Stories, and Poems About Great Older Women. This exuberant, inspiring anthology celebrates the vitality of older women and shows them having adventures, facing loss, enjoying romance, and feeling more capable and confident than ever. The 42 authors included in the collection know that life after middle age is not the diminished state dreaded by our youth-centered culture, but rather, a time of growth and fulfillment, enriched by the wisdom of experience and perspective. Get a taste of the passion, wit, and wisdom of some of these women: From “Why Vermont” by Elayne Clift: “It was great not to be driven by achievement. I was learning the art of laid-back living. Spending a day writing, or reading, was heavenly and I was reminded of my freedom whenever a friend said, ‘I'd give anything to be doing that!’” From “Gray Matters” by Marsha Dubrow: “. . . finally [I] have decided to enjoy being a gray. It links me with a powerful sisterhood, complimenting each other on our gray badge of courage. A woman with dreadlocks resembling pillars of salt approached me on the street and said, ‘You go, girlfriend. We're gray and we're proud—and gorgeous.’ We smacked high fives.” From “Katherine Banning: Wife, Mother, Bank Robber” by Melissa Lugo: “Crazy, you say? Well, wait till you hit 90 and realize you still want to live, that even though you're way past menopause you want another child, and that even though your breasts make tracks in the mud, you still want a lover, and that even though your hands shake, there are still things that you didn't get to do (like going to the Olympics and bringing home the gold) things you want to do, that you will do. Then, see what you're capable of. And you'll be perfectly sane. Senility, temporary insanity, it's all bull. Old folks know exactly what they're doing. One of the good parts about being an old fart is that you have a license to be loony tunes, to live the wild way you didn't have the balls for before. At 90, you see, your dignity's gone the way of dirty diapers, and your life is heading the same way fast. You have nothing to lose except the moment.” From “A Different Woman” by Joan Kip: “My relationship with Seth is, I tell him, my great experiment. He calls me on every one of my tightly-held protections, and his pleasure in meeting my body is matched by my own freedom to respond. Ours is a relationship with no hidden agenda, no commitments. Our occasional evenings of uncomplicated delight are the intertwining of two desires who touch down and embrace one another, knowing they will meet again, sometime, somewhere. And while sex is not absent from our meetings, it is, rather, my compelling ache to be touched and held and to touch and hold that pulls me back each time to Seth. Like the newly-born whose being depends upon the enfolding presence of a parent, those of us who are now so old, glow more warmly when we, too, may share our tenderness.” Still Going Strong counters demeaning stereotypes of “little old ladies” by offering positive, empowering views of women over fifty. It is a hopeful voice that speaks to any woman facing her own future.
"Memoirs of a 1000-Year-Old-Woman" is a vivid retelling of a girlhood spent in the turmoil of the Third Reich. Written in an unaffected, straightforward style, it should appeal both to a popular readership and to scholars interested in the daily texture and minutiae of the period, particularly in regard to women and girls. It differs from many recollections of the Nazi regime in that it is told by someone who bore no responsibility for the horrors of the Final Solution and thus has no defensive agenda. The book covers the years from the author's earliest memories to the end of the war, arranged chronologically. It combines anecdote and recollection with quotations from contemporary news sources, song lyrics, and other supplementary material as well as photos. Through the chapters the reader is brought step by step from a girlhood troubled only by the sorts of personal upheavals suffered in every life, through the gathering tension and little-understood adult preoccupations with the growing threat of war, to the young woman whose life seems to have lasted 1000 years within the compass of the "1000 Year Reich" itself.
Description: The feminine spirit soars in Power of a Woman as Eleanor of Aquitaine, toughest of medieval women, relates her memoirs: of caring and loyalties, triumphs and trials; of her marriages to two warring kings, Louis VII of France, then Henry II of England. She speaks intimately, emotionally of her too many quarreling sons, including Richard the Lionheart and John, of Magna Carta fame. A patron of troubadours, Eleanor commissions poetry as propaganda. She regales her readers with intrigues, crusades and tales of ruthless diplomacy against barons, kings, popes and Thomas Becket, while confessing her loves, her hopes for her many children, and their fates. In midlife her sense of community leads her to set up her Court of Ladies to balance male-dominated worlds of Church and state. Her mission: to empower women with the Grace she enjoyed as the femme fatale of her day. Eleanor's power of a woman lets her pluck triumph from her defeats as well as her victories. Reviews: Those of you who know me know that for me to give a work of historical fiction a high rating, it has to offer something extraordinary. This Robert Fripp has done in Power of a Woman. In this highly unusual fictional autobiography, Mr. Fripp tells Eleanor of Aquitaine's story in her own words, as if she is dictating to a young lady in her household. Power of a Woman: review by Melissa Snell, Your Guide to Medieval History at About.com, which posts her full review at: http: //historymedren.about.com/od/ewho/fr/fripp_eleanor.htm -Melissa Snell, Your Guide to Medieval History at About.com Finally! Power of a Woman brings us an autobiography of Eleanor of Aquitaine that is accessibleand entertaining. Telling her story in Eleanor's voice, Robert Fripp brings us medieval Europe through her eyes. At eighty-one, she hasn't much time. We feel her urgency, the chill in her bones. Impeccable research and storytelling combine to make this a must for all who want to know more about this fascinating woman. Her definition of love survives to this day! What a great read. This is so gripping. I got so totally caught up in this story one night that I woke up with images of Eleanor in my mind, and Kate Hepburn's voice in my ear. I love this tale. -Veronica Prior, Round Rock, TX Power of a Woman is gripping in its wealth of detail. It makes me feel like I am in the midst of the action. Of all books I have read, this is the only one that makes me experience what it must have felt like to have lived through those troublesome, exciting times. Such a wonderful, exciting book! -Lady Shirley Cassidy, Dublin, Ireland Author Bio: British-born Robert Fripp gained a medieval outlook from five years on a choral scholarship in the choir of Salisbury Cathedral, the model for Lord of the Flies. He went on to study earth sciences before producing current affairs television for CBC in Toronto. He also: created IBM Visions magazine about high-performance computing; worked for Japan's public broadcaster; and wrote a book with great reviews, Let There Be Life, about cosmic and organic origins. Power of a Woman tells the memoirs of Eleanor of Aquitaine. Robert Fripp is hard to typecast; RobertFripp.ca may help.
The thrilling adventure of Lady Trent continues in Marie Brennan's Tropic of Serpents . . . Attentive readers of Lady Trent's earlier memoir, A Natural History of Dragons, are already familiar with how a bookish and determined young woman named Isabella first set out on the historic course that would one day lead her to becoming the world's premier dragon naturalist. Now, in this remarkably candid second volume, Lady Trent looks back at the next stage of her illustrious (and occasionally scandalous) career. Three years after her fateful journeys through the forbidding mountains of Vystrana, Mrs. Camherst defies family and convention to embark on an expedition to the war-torn continent of Eriga, home of such exotic draconian species as the grass-dwelling snakes of the savannah, arboreal tree snakes, and, most elusive of all, the legendary swamp-wyrms of the tropics. The expedition is not an easy one. Accompanied by both an old associate and a runaway heiress, Isabella must brave oppressive heat, merciless fevers, palace intrigues, gossip, and other hazards in order to satisfy her boundless fascination with all things draconian, even if it means venturing deep into the forbidden jungle known as the Green Hell . . . where her courage, resourcefulness, and scientific curiosity will be tested as never before. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
“Many days I believe menopause is the new (if long overdue) frontier for the most compelling and necessary philosophy; Darcey Steinke is already there, blazing the way. This elegant, wise, fascinating, deeply moving book is an instant classic. I’m about to buy it for everyone I know.” —Maggie Nelson, author of The Argonauts A brave, brilliant, and unprecedented examination of menopause Menopause hit Darcey Steinke hard. First came hot flashes. Then insomnia. Then depression. As she struggled to express what was happening to her, she came up against a culture of silence. Throughout history, the natural physical transition of menopause has been viewed as something to deny, fear, and eradicate. Menstruation signals fertility and life, and childbirth is revered as the ultimate expression of womanhood. Menopause is seen as a harbinger of death. Some books Steinke found promoted hormone replacement therapy. Others encouraged acceptance. But Steinke longed to understand menopause in a more complex, spiritual, and intellectually engaged way. In Flash Count Diary, Steinke writes frankly about aspects of Menopause that have rarely been written about before. She explores the changing gender landscape that comes with reduced hormone levels, and lays bare the transformation of female desire and the realities of prejudice against older women. Weaving together her personal story with philosophy, science, art, and literature, Steinke reveals that in the seventeenth century, women who had hot flashes in front of others could be accused of being witches; that the model for Duchamp's famous Étant donnés was a post-reproductive woman; and that killer whales—one of the only other species on earth to undergo menopause—live long post-reproductive lives. Flash Count Diary, with its deep research, open play of ideas, and reverence for the female body, will change the way you think about menopause. It's a deeply feminist book—honest about the intimations of mortality that menopause brings while also arguing for the ascendancy, beauty, and power of the post-reproductive years.
