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My book is subtitled, "Recalling a World War II Childhood" and is a memoir of my peaceful childhood in Czechoslovakia; how my life was radically changed by the Holocaust, and my experiences in surviving six German concentration camps from the age of 14 - 15.
Talking about the Holocaust has provided an international language for ethics, victimization, political claims, and constructions of collective identity. As part of a worldwide vocabulary, that language helps set the tenor of the era of globalization. This volume addresses manifestations of Holocaust-engendered global discourse by critically examining their function and inherent dilemmas, and the ways in which Holocaust-related matters still instigate public debate and academic deliberation. It contends that the contradiction between the totalizing logic of globalization and the assumed uniqueness of the Holocaust generates continued intellectual and practical discontent.
As an increasingly polarized America fights over the legacy of racism, Susan Neiman, author of the contemporary philosophical classic Evil in Modern Thought, asks what we can learn from the Germans about confronting the evils of the past In the wake of white nationalist attacks, the ongoing debate over reparations, and the controversy surrounding Confederate monuments and the contested memories they evoke, Susan Neiman’s Learning from the Germans delivers an urgently needed perspective on how a country can come to terms with its historical wrongdoings. Neiman is a white woman who came of age in the civil rights–era South and a Jewish woman who has spent much of her adult life in Berlin. Working from this unique perspective, she combines philosophical reflection, personal stories, and interviews with both Americans and Germans who are grappling with the evils of their own national histories. Through discussions with Germans, including Jan Philipp Reemtsma, who created the breakthrough Crimes of the Wehrmacht exhibit, and Friedrich Schorlemmer, the East German dissident preacher, Neiman tells the story of the long and difficult path Germans faced in their effort to atone for the crimes of the Holocaust. In the United States, she interviews James Meredith about his battle for equality in Mississippi and Bryan Stevenson about his monument to the victims of lynching, as well as lesser-known social justice activists in the South, to provide a compelling picture of the work contemporary Americans are doing to confront our violent history. In clear and gripping prose, Neiman urges us to consider the nuanced forms that evil can assume, so that we can recognize and avoid them in the future.
The Evil I Have Seen by Robert (Robbo) Davidson,P.J. Jones Pdf
The Evil I Have Seen is a collection of true crime short stories from the memoirs of veteran homicide investigator, Detective Lt. Robert (Robbo) Davidson. Six accounts are woven together with his memories, case files, witness statements, and trial transcripts.
Author : Lawrence N. Powell Publisher : Univ of North Carolina Press Page : 634 pages File Size : 43,8 Mb Release : 2002-03-01 Category : History ISBN : 0807853747
This compelling work tells the story of Anne Skorecki Levy, a Holocaust survivor who transformed the horrors of her childhood into a passionate mission to defeat the political menace of reputed neo-Nazi and Ku Klux Klan leader David Duke. Through Levy's t
In March 1939, seven-year-old Eva Weiss’s innocence was shattered by Germany’s invasion of her homeland, Slovakia. Over the next five years, as the Nazi persecution of Europe’s Jews gathered momentum, Eva’s parents were forced to send their children into hiding, but she and her sister Marta could not avoid capture. In this remarkable memoir, Eva recounts her experiences at the Auschwitz-Birkenau concentration camp. There, she witnessed countless horrors and was herself subjected to torture, extreme deprivation, and medical experimentation at the hands of the notorious Dr Josef Mengele. When the Soviet army liberated the survivors of Auschwitz early in 1945, Eva and Marta faced a new challenge: crossing war-torn Europe to be reunited with their family. Narrated with the heartbreaking innocence of a young girl and the wisdom of a woman of eighty-three, Gazing at the Stars is a record of survival in the face of unimaginable evil. It is the culmination of Eva Slonim’s lifelong commitment to educating the world about the Holocaust, and to keeping alive the memory of the many who perished. Eva Slonim (née Weiss) was born in Bratislava, Slovakia, in 1931. A survivor of the Holocaust, Eva relocated with her family to Melbourne in 1948. She married Ben Slonim in 1953, and together they had five children, and many grandchildren and great- grandchildren, fulfilling Eva’s wish to rebuild what was lost in Europe. A gifted storyteller, and deeply passionate about the importance of education and community, Eva has for many years given public talks on her experiences during the war.
The controversial English-language debut of celebrated Israeli novelist Yishai Sarid is a harrowing, ironic parable of how we reckon with human horror, in which a young, present-day historian becomes consumed by the memory of the Holocaust. Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it? Praise for The Memory Monster: “Award-winning Israeli novelist Sarid’s latest work is a slim but powerful novel, rendered beautifully in English by translator Greenspan…. Propelled by the narrator’s distinctive voice, the novel is an original variation on one of the most essential themes of post-Holocaust literature: While countless writers have asked the question of where, or if, humanity can be found within the profoundly inhumane, Sarid incisively shows how preoccupation and obsession with the inhumane can take a toll on one’s own humanity…. it is, if not an indictment of Holocaust memorialization, a nuanced and trenchant consideration of its layered politics. Ultimately, Sarid both refuses to apologize for Jewish rage and condemns the nefarious forms it sometimes takes. A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.” —Kirkus Reviews, Starred Review “[A] record of a breakdown, an impassioned consideration of memory and its risks, and a critique of Israel’s use of the Holocaust to shape national identity…. Sarid’s unrelenting examination of how narratives of the Holocaust are shaped makes for much more than the average confessional tale.” —Publishers Weekly “Reading The Memory Monster, which is written as a report to the director of Yad Vashem, felt like both an extremely intimate experience and an eerily clinical Holocaust history lesson. Perfectly treading the fine line between these two approaches, Sarid creates a haunting exploration of collective memory and an important commentary on humanity. How do we remember the Holocaust? What tolls do we pay to carry on memory? This book hit me viscerally, emotionally, and personally. The Memory Monster is brief, but in its short account Sarid manages to lay bare the tensions between memory and morals, history and nationalism, humanity and victimhood. An absolute must-read.” —Julia DeVarti, Literati Bookstore (Ann Arbor, MI) “In Yishai Sarid’s dark, thoughtful novel The Memory Monster, a Holocaust historian struggles with the weight of his profession…. The Memory Monster is a novel that pulls no punches in its exploration of the responsibility—and the cost—of holding vigil over the past.” —Eileen Gonzalez, Foreword Reviews
Author : Gary Alan Fine Publisher : University of Chicago Press Page : 290 pages File Size : 53,9 Mb Release : 2001-02-15 Category : Art ISBN : 0226249409
We take reputations for granted. Believing in the bad and the good natures of our notorious or illustrious forebears is part of our shared national heritage. Yet we are largely ignorant of how such reputations came to be, who was instrumental in creating them, and why. Even less have we considered how villains, just as much as heroes, have helped our society define its values. Presenting essays on America's most reviled traitor, its worst president, and its most controversial literary ingénue (Benedict Arnold, Warren G. Harding, and Lolita), among others, sociologist Gary Alan Fine analyzes negative, contested, and subcultural reputations. Difficult Reputations offers eight compelling historical case studies as well as a theoretical introduction situating the complex roles in culture and history that negative reputations play. Arguing the need for understanding real conditions that lead to proposed interpretations, as well as how reputations are given meaning over time, this book marks an important contribution to the sociologies of culture and knowledge.
It describes my experiences, imaginatively the memories of a good in the land of evil.This book is the first handbook about being contemporary and personal diary written by me. The calm of well-being, of inventions. The three-dimensional aspects of concrete and human objects, for a research in individual thought. A work that frees from stylistic commitments, mistakes are everyone's, the present must be represented but, without the fear of having made a bigger mistake than the previously accepted silence. By choosing a speech, it promises a definitive daily solution to rhetorical-historical art. Diary written in a simple way, a textual form to fill even an absence of complete information about the right to good, which characterizes an insensitivity in public and journalistic publications. A phenotype inclusive of modern material, Christian and Arabic objectivity. It wants to represent a door to the future, a new party. The period of the eighteen letters contained reaches from August 2005 to March 2007.
A collection that gathers everything Bolano was working on before his untimely death. A North American journalist in Paris is woken at 4 a.m. by a mysterious caller with urgent information. For V. S. Naipaul the prevalence of sodomy in Argentina is a symptom of the nation’s political ills. Daniela de Montecristo (familiar to readers of Nazi Literature in the Americas and 2666) recounts the loss of her virginity. Arturo Belano returns to Mexico City and meets the last disciples of Ulises Lima, who play in a band called The Asshole of Morelos. Belano’s son Gerónimo disappears in Berlin during the Days of Chaos in 2005. Memories of a return to the native land. Argentine writers as gangsters. Zombie schlock as allegory... The various pieces in the posthumous Secret of Evil extend the intricate, single web that is the work of Roberto Bolano.
Fear and Loathing in Las Vegas (Harper Perennial Modern Classics) by Hunter S. Thompson Pdf
‘We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, “I feel a bit lightheaded; maybe you should drive ...”’
In My Hands: Memories of a Holocaust Rescuer by Irene Gut Opdyke Pdf
"No matter how many Holocaust stories one has read, this one is a must, for its impact is so powerful."--School Library Journal, starred I did not ask myself, "Should I do this?" but "How will I do this?" Through this intimate and compelling memoir, we are witness to the growth of a hero. Much like The Diary of Anne Frank, In My Hands has become a profound testament to individual courage. You must understand that I did not become a resistance fighter, a smuggler of Jews, a defierof the SS and the Nazis, all at once. When the war began, Irene Gut was just seventeen: a student nurse, a Polish patriot, a good Catholic girl. Forced to work in a German officiers' dining hall, she learns how to fight back. One's first steps are always small: I had begun by hiding food under a fence. Irene eavesdropped on the German's plans. She smuggled people out of the work camp. And she hid twelve Jews in the basement of a Nazi major's home. To deliver her friends from evil, this young woman did whatever it took--even the impossible.
Origen by Peter J Perry,Kathleen Elizabeth Sumpton Pdf
Have you ever come face to face with the devil? In a tapestry of sports, business, and dating, there is an evil presence that is not quite visible to anyone: The Bedroom Strangler. A serial killer that scales fifteen storey buildings, enters through the balcony, and stealthily slithers under the bedroom bed, with the sole intent of raping and murdering innocent women in their sleep. He has been classified as the worst serial killer in Ontario history and Canada's most dangerous criminal ever, operating at the height of London's 40 year serial killer period, from 1974 - 1978. The Bedroom Strangler is a member of a gym. It is the same gym the protagonist managed during the 1970's. Members of the gym trained and worked out together, never knowing their friend's true nature. In fact, Mike even introduced the killer to a female member friend at a gym party, a woman who lived in the same building as the murderer; a woman who would become his last victim. As a result of unprecedented tactics by police, Mike ends up becoming part of the investigation-but will he be able to stop this evil predator? It took 40 years to write this story and it's important to remember that this story is being told by someone who was there. Origen: A True Story of Evil truly began when Mike's real-life persona, Peter J. Perry, was just 17 years old. At the time, he was just a student of St. Mary's College in Sault St. Marie who would carry out heated discussions with a priest, Father Lawlor, about the existence of the devil. Father Lawlor tells him that one day he might meet someone so evil, he will surely know the devil exists, and maybe he will do some good by it. And we will. Part of the proceeds of this novel are being contributed to good causes to respect both the victims and Father Lawlor. The novel's title reflects a belief about the dynamic forms of energy as Origen believed that demons can take human form and humans can also be demonized. What follows is inspired by true events. All the names of characters have been changed and many of the events happened, although not all. This painting of the gym scene, the dating scene, the underground fighting martial arts scene, the psychiatric scene, and Origen's beliefs may cause you to rethink the devil. If you dare to read the contents of this book, you can come to your own conclusion: Is there more to evil than what we think? Based on an original screenplay by Peter Perry and Geoff Hart. Property of the Origen Foundation Inc.
