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‘One of the great imaginative creations in English literature’ Daily Telegraph A dazzling novel of loyalty and dreams set in Restoration England. The gaudy years of the Restoration are long gone and Robert Merivel, physician and courtier to King Charles II, sets off for the French court in search of a fresh start. But royal life at the Palace of Versailles – all glitter in front and squalor behind – leaves him in despair, until a chance encounter with the seductive Madame de Flamanville, allows him to dream of a different future. But will that future ever be his? Summoned home urgently to attend to the ailing King, Merivel finds his loyalty and skill tested to their limits. Rose Tremain has sold over one million copies of her books. PRAISE FOR MERIVEL ‘This book is richly marbled with intelligence, compassion and compelling characters’ The Times 'Magnificent story-teller' Independent on Sunday ‘Wonderfully entertaining’ Michael Holroyd, Guardian Books of the Year
Restoration is a dazzling romp through 17th-century England. The main character Robert Merivel not only embodies the contradictions of his era, but ours as well. He is trapped between the longing for wealth and power and the realization that the pursuit of these trappings can leave one's life rather empty.
This comprehensive chronological introduction offers a detailed analysis of Rose Tremain’s novels and examines the critical reception of her work. It situates Tremain – listed by Granta magazine as one of the twenty most promising young British novelists in 1983 – in the landscape of contemporary British literature by demonstrating how the variety of her work touches upon major concerns of contemporary fiction. The book aims to satisfy the needs of students by providing an extensive reading of Tremain’s novels based on critical discussions of key notions in contemporary literary theory and cultural studies. It includes a comprehensive bibliography and overview of Tremain’s critical reception. It points up the suitability of Tremain’s novels as practical illustrations of major concepts in contemporary literary debates.
Descendants of Waverley examines contemporary novelists’ combination of historical authority and narrative art to create authentic and accessible depictions of the past. This technique, the “romance of history,” challenges conventional theories that the novel as a genre erased the romance. Individual chapters establish the critical framework, analyze the strategies that authors use to romance history, and demonstrate the subgenres that exist in current historical fiction. While the author does not consider Walter Scott to be the inventor of historical fiction, she demonstrates the ways in which contemporary fiction’s techniques reflect the form of the genre that Scott both developed and theorized in the Waverley novels (1814–1832). In writing his “historical romances,” Scott drew on the forms of the fictions that preceded his work, especially Gothic fiction, and was influenced by the fluid definitions of “romance” that permeated the theorizing of the novel and its development in the eighteenth century, where fiction was described as evolving from and replacing romances and referred to as “romances” themselves. She begins by tracing this history and moves on to discuss contemporary fiction, both as technique, in the uses of intertextuality, and in as form, in the increasing hybridity of contemporary fiction. This hybridity is reflected in such forms as the historical detective novel, the embedded narrative, and the biographical novel; the pedagogical elements inherent in the historical novel before Scott’s oeuvre continue into the present. The book ends with the recent phenomenon of historical fantasy; in this subgenre, the traits of more conventional historical fiction, such as intertextuality and the tension between the familiar and strange, combine with a playful form of fantasy that releases revenants among the Luddites and wizards into the Battle of Waterloo. John Frow’s theory of the slipperiness of genre is a critical component for explicating the most recent metamorphoses of historical fiction. The critical framework also develops from recent and eighteenth-century histories of the novel, twentieth- and twenty-first-century theories of Scott’s influence, and contemporary writers’ own reflections on what they do when they write historical novels.
From the author of The Gustav Sonata At the age of six, Mary Ward, the child of a poor farming family in Suffolk, has a revelation: 'I am not Mary. That is a mistake. I am not a girl. I'm a boy.' So begins a heroic struggle to change gender, while around her others also strive to find a place of safety and fulfilment in a savage and confusing world. Over a million Rose Tremain books sold 'A writer of exceptional talent ... Tremain is a writer who understands every emotion' Independent I 'There are few writers out there with the dexterity or emotional intelligence to rival that of the great Rose Tremain' Irish Times 'Tremain has the painterly genius of an Old Master, and she uses it to stunning effect' The Times 'Rose Tremain is one of the very finest British novelists' Salman Rushdie 'Tremain is a writer of exemplary vision and particularity. The fictional world is rendered with extraordinary vividness' Marcel Theroux, Guardian
This is the story of a young English lutenist named Peter Claire who, in 1629, arrives at the Danish Court to join King Christian IV's Royal Orchestra.
CRAZY FEASTS is a culinary history cookbook that includes descriptions of ten banquets that were quite crazy or bizarre in several senses. Each feast is preceded by a short description of the location and historical setting in order to give a background for the dishes served, as well as for the particular kind of craziness involved. The feasts vary in historical depth from the Roman Empire period to the first decades of the twenty-first century. The locations include cities from Rome to other European capitals, as well as Mexico City, when it was called Tenochtitlan as the Spanish conquistadores entered it in the early sixteenth century. Each feast described was either an actual historical incident, or is an imagined banquet that could well have occurred given the culture and habits of the time. Each feast described is followed by recipes garnered from that culture and historical period. CRAZY FEASTS is a salute to human folly and the happy circumstances of glorious banquets meant to stimulate your sense of fun and folly should you decide to create a crazy feast of your own.
DigiCat Publishing presents to you this special edition of "Madame X" (A story of mother-love) by J. W. McConaughy, Alexandre Bisson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Joseph and Harriet Blackstone emigrate from Norfolk to New Zealand in search of new beginnings and prosperity. But the harsh land near Christchurch threatens to destroy them almost before they begin. When Joseph finds gold in the creek he is seized by a rapturous obsession with the voluptuous riches awaiting him deep in the earth. Abandoning his farm and family, he sets off alone for the new gold-fields over the Southern Alps, a moral wilderness where many others, under the seductive dreams of 'the colour', are violently rushing to their destinies. By turns both moving and terrifying, The Colour is about a quest for the impossible, an attempt to mine the complexities of love and explore the sacrifices to be made in the pursuit of happiness.
This book illuminates how the ‘long eighteenth century’ (1660-1800) persists in our present through screen and performance media, writing and visual art. Tracing the afterlives of the period from the 1980s to the present, it argues that these emerging and changing forms stage the period as a point of origin for the grounding of individual identity in personal memory, and as a site of foundational traumas that shape cultural memory.
Literature was present at the birth of psychoanalysis. When Freud made his momentous discovery of the Oedipus complex within himself and his patients, he recognised that this psychic configuration had already been depicted in Sophocles's tragedy. The father of psychoanalysis wrote "The poets and philosophers before me discovered the unconscious... What I discovered was only the scientific method by which the unconscious might be studied". On the Way Home is a collection of public dialogues which bring together authors whose work similarly provokes recognition and resonance in the minds of readers; analysts with a professional and passionate interest in the unconscious and a wish to learn from writers; and a wide audience of people interested in literature and psychoanalysis. The dialogues intend to forge links between psychoanalysis and other disciplines, including the physical and the social sciences, history and literature. They are held at the Institute of Psychoanalysis and attract a wide audience.
The bestselling classic from a 'magnificent story-teller' (Independent on Sunday). Journey to the glittering seventeenth-century court, and witness the rise and fall of young, charming Robert Merivel... When a twist of fate delivers an ambitious young medical student to the court of King Charles II, he is suddenly thrust into a vibrant world of luxury and opulence. Blessed with a quick wit and sparkling charm, Robert Merivel rises quickly, soon finding favour with the King, and privileged with a position as ‘paper groom’ to the youngest of the King’s mistresses. But by falling in love with her, Merivel transgresses the one rule that will cast him out from his new-found paradise... 'For a vivid – and funny – fictional re-creation of the era, Tremain’s Restoration is hard to beat.' The Times Rose Tremain has sold over one million copies of her books.
The historical novel has been one of the most important forms of women's reading and writing in the twentieth century, yet it has been consistently under-rated and critically neglected. In the first major study of British women writers' use of the genre, Diana Wallace tracks its development across the century. She combines a comprehensive survey with detailed readings of key writers, including Naomi Mitchison, Georgette Heyer, Sylvia Townsend Warner, Margaret Irwin, Jean Plaidy, Mary Renault, Philippa Gregory and Pat Barker.