Metaphors Of Depth In German Musical Thought

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Metaphors of Depth in German Musical Thought

Author : Holly Watkins
Publisher : Cambridge University Press
Page : 351 pages
File Size : 52,7 Mb
Release : 2011-09-01
Category : Music
ISBN : 9781139501590

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Metaphors of Depth in German Musical Thought by Holly Watkins Pdf

What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.

Metaphors of Depth in German Musical Thought

Author : Holly Watkins
Publisher : Unknown
Page : 335 pages
File Size : 52,7 Mb
Release : 2011
Category : Music
ISBN : 1107222249

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Metaphors of Depth in German Musical Thought by Holly Watkins Pdf

"This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary, and criticism which make music intelligible and which provide a basis for argument about judgements of value. The intellectual scope of the series is broad. Some investigations will treat, for example, historiographical topics, others will apply cross-disciplinary methods to the criticism of music, and there will also be studies which consider music in its relation to society, culture, and politics. Overall, the series hopes to create a greater presence for music in the ongoing discourse among the human sciences"--

The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg

Author : Matthew Arndt
Publisher : Routledge
Page : 330 pages
File Size : 52,9 Mb
Release : 2017-09-11
Category : Music
ISBN : 9781351975780

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The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg by Matthew Arndt Pdf

This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker’s and Schoenberg’s inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker’s and Schoenberg’s work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker’s and Schoenberg’s conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.

Music, Subjectivity, and Schumann

Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 381 pages
File Size : 40,9 Mb
Release : 2022-04-07
Category : Literary Criticism
ISBN : 9781009158084

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Music, Subjectivity, and Schumann by Benedict Taylor Pdf

What is musical subjectivity? Drawing on philosophy and critical theory, Benedict Taylor investigates this concept in relation to Schumann.

Beethoven & Freedom

Author : Daniel K. L. Chua
Publisher : Oxford University Press
Page : 289 pages
File Size : 50,7 Mb
Release : 2017
Category : Music
ISBN : 9780199769322

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Beethoven & Freedom by Daniel K. L. Chua Pdf

Over the last two centuries, Beethoven's music has been synonymous with the idea of freedom, in particular a freedom embodied in the heroic figure of Prometheus. This image arises from a relatively small circle of heroic works from the composer's middle period, most notably the Eroica Symphony. However, the freedom associated with the Promethean hero has also come under considerably critique by philosophers, theologians and political theorists; its promise of autonomy easily inverts into various forms of authoritarianism, and the sovereign will it champions is not merely a liberating force but a discriminatory one. Beethoven's freedom, then, appears to be increasingly problematic; yet his music is still employed today to mark political events from the fall of the Berlin Wall to the attacks of 9/11. Even more problematic, perhaps, is the fact that this freedom has shaped the reception of Beethoven music to such an extent that we forget that there is another kind of music in his oeuvre that is not heroic, a music that opens the possibility of a freedom yet to be articulated or defined. By exploring the musical philosophy of Theodor W. Adorno through a wide range of the composer's music, Beethoven and Freedom arrives at a markedly different vision of freedom. Author Daniel KL Chua suggests that a more human and fragile concept of freedom can be found in the music that has less to do with the autonomy of the will and its stoical corollary than with questions of human relation, donation, and a yielding to radical alterity. Chua's work makes a major and controversial statement by challenging the current image of Beethoven, and by suggesting an alterior freedom that can speak ethically to the twenty-first century.

Richard Wagner's Beethoven (1870)

Author : Richard Wagner
Publisher : Boydell & Brewer Ltd
Page : 232 pages
File Size : 45,8 Mb
Release : 2014
Category : Music
ISBN : 9781843839583

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Richard Wagner's Beethoven (1870) by Richard Wagner Pdf

Indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music.

Aesthetics of Music

Author : Stephen Downes
Publisher : Routledge
Page : 469 pages
File Size : 51,7 Mb
Release : 2014-06-27
Category : Music
ISBN : 9781136486906

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Aesthetics of Music by Stephen Downes Pdf

Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.

Wagner's Melodies

Author : David Trippett
Publisher : Cambridge University Press
Page : 128 pages
File Size : 40,6 Mb
Release : 2013-05-02
Category : Music
ISBN : 9781107067288

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Wagner's Melodies by David Trippett Pdf

Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.

Wittgenstein on Aesthetic Understanding

Author : Garry L. Hagberg
Publisher : Springer
Page : 394 pages
File Size : 47,5 Mb
Release : 2017-05-22
Category : Philosophy
ISBN : 9783319409108

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Wittgenstein on Aesthetic Understanding by Garry L. Hagberg Pdf

This book investigates the significance of Wittgenstein’s philosophy for aesthetic understanding. Focusing on the aesthetic elements of Wittgenstein’s philosophical work, the authors explore connections to contemporary currents in aesthetic thinking and the illuminating power of Wittgenstein’s philosophy when considered in connection with the interpretation of specific works of literature, music, and the arts. Taken together, the chapters presented here show what aesthetic understanding consists of and the ways we achieve it, how it might be articulated, and why it is important. At a time of strong renewal of interest in Wittgenstein’s contributions to the philosophy of mind and language, this book offers insight into the connections between philosophical-psychological and linguistic issues and the understanding of the arts.

Perspectives on Music, Sound and Musicology

Author : Luísa Correia Castilho,Rui Dias,José Francisco Pinho
Publisher : Springer Nature
Page : 388 pages
File Size : 54,7 Mb
Release : 2021-09-30
Category : Technology & Engineering
ISBN : 9783030784515

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Perspectives on Music, Sound and Musicology by Luísa Correia Castilho,Rui Dias,José Francisco Pinho Pdf

This book gathers a set of works highlighting significant advances in the areas of music and sound. They report on innovative music technologies, acoustics, findings in musicology, new perspectives and techniques for composition, sound design and sound synthesis, and methods for music education and therapy. Further, they cover interesting topics at the intersection between music and computing, design and social sciences. Chapters are based on extended and revised versions of the best papers presented during the 6th and 7th editions of EIMAD–Meeting of Research in Music, Arts and Design, held in 2020 and 2021, respectively, at the School of Applied Arts in Castelo Branco, Portugal. All in all, this book provides music researchers, educators and professionals with authoritative information about new trends and techniques, and a source of inspiration for future research, practical developments, and for establishing collaboration between experts from different fields.

Theology, Music, and Modernity

Author : Jeremy Begbie,Daniel K L Chua,Markus Rathey
Publisher : Oxford University Press
Page : 400 pages
File Size : 49,7 Mb
Release : 2021-02-02
Category : Religion
ISBN : 9780192585691

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Theology, Music, and Modernity by Jeremy Begbie,Daniel K L Chua,Markus Rathey Pdf

Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music—and discourse about music—has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom—especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period—the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.

Schumann's Music and E.T.A. Hoffmann's Fiction

Author : John MacAuslan
Publisher : Cambridge University Press
Page : 297 pages
File Size : 44,8 Mb
Release : 2016-05-19
Category : Art
ISBN : 9781107141230

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Schumann's Music and E.T.A. Hoffmann's Fiction by John MacAuslan Pdf

John MacAuslan interprets four great Schumann works in the context of their literary connections and Romantic aesthetic concepts.

Medievalism and Nationalism in German Opera

Author : Michael S. Richardson
Publisher : Routledge
Page : 198 pages
File Size : 45,8 Mb
Release : 2020-11-29
Category : Music
ISBN : 9781351806367

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Medievalism and Nationalism in German Opera by Michael S. Richardson Pdf

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

Art, Play, Labour: the Music Profession in Germany (1850–1960)

Author : Martin Rempe
Publisher : BRILL
Page : 486 pages
File Size : 54,7 Mb
Release : 2023-05-08
Category : History
ISBN : 9789004542723

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Art, Play, Labour: the Music Profession in Germany (1850–1960) by Martin Rempe Pdf

Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession ‘from below’ sheds new light on German musical life in the modern era.

Good Music

Author : John J. Sheinbaum
Publisher : University of Chicago Press
Page : 320 pages
File Size : 48,9 Mb
Release : 2018-11-29
Category : Music
ISBN : 9780226593418

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Good Music by John J. Sheinbaum Pdf

Over the past two centuries Western culture has largely valorized a particular kind of “good” music—highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original—and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately.