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MIDI:A Comprehensive Introduction, 2nd ed. by Joseph Rothstein Pdf
MIDI--the Musical Instrument Digital Interface--is the data communications system that enables music equipment, computers, and software from many different manufacturers to exchange information. Since 1983 the impact of MIDI on the design and operation of synthesizers and related equipment has been dramatic. Rothstein's book provides a practical guide for anyone seeking a thorough discussion of the basic principles of MIDI. The text focuses on MIDI hardware and software as a single, integrated system. In addition to describing categories of MIDI instruments, accessories, and personal computer software, Rothstein explains what they do, what to look for in each, and how to get it all to work together. With this book, you will be able to evaluate, assemble, and manage a complex hardware/software MIDI system.
Multimedia Signals and Systems by Mrinal Kr. Mandal Pdf
Multimedia Signals and Systems is primarily a technical introductory level multimedia textbook, including problems, examples, and MATLAB® codes. It will be a stepping-stone for readers who want to research in audio processing, image and video processing, and data compression. This book will also be useful to readers who are carrying out research and development in systems areas such as television engineering and storage media. Anyone who seeks to learn the core multimedia signal processing techniques and systems will need Multimedia Signals and Systems. There are many chapters that are generic in nature and provide key concepts of multimedia systems to technical as well as non-technical persons. There are also several chapters that provide a mathematical/ analytical framework for basic multimedia signal processing. The readers are expected to have some prior knowledge about discrete signals and systems, such as Fourier transform and digital filters. However, a brief review of these theories is provided. Additional material for this book, including several MATLAB® codes along with a few test data samples; e.g., audio, image and video may be downloaded from http://extras.springer.com.
Intelligent Music Information Systems: Tools and Methodologies by Shen, Jialie,Shepherd, John,Cui, Bin,Liu, Ling Pdf
Modern technology and the development of user-centric applications have grown to encompass many of our everyday routines and interests. Such advances in music data management and information retrieval techniques have crossed the boundaries of expertise from researchers to developers to professionals in the music industry. Intelligent Music Information Systems: Tools and Methodologies provides comprehensive description and analysis into the use of music information retrieval from the data management perspective, and thus provides libraries in academic, commercial, and other settings with a complete reference for multimedia system applications.
From how MIDI works, to how to connect devices through it, to how it integrates into a computer environment, "MIDI Power!, Second Edition" is a comprehensive reference guide to MIDI. The book provides an in-depth look at MIDI, its messages, and protocols, and the information necessary to navigate it with ease. Learn when to use MIDI, how to edit MIDI, what technology uses MIDI, what software uses MIDI, and how MIDI is integrated into computers and what that implies for musicians, sound designers, and audio enthusiasts. "MIDI Power!, Second Edition" provides complete coverage of MIDI hardware and software, is suitable for both Mac and Windows platforms.
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Author : Daniel M. Thompson Publisher : Hal Leonard Corporation Page : 483 pages File Size : 40,8 Mb Release : 2018-08-01 Category : Music ISBN : 9781540037725
(Berklee Guide). Understanding Audio explores the fundamentals of audio and acoustics that impact every stage of the music recording process. Whether you are a musician setting up your first Pro Tools project studio, or you are a seasoned recording engineer or producer eager to find a reference that fills in the gaps in your understanding of audio, this book is for you. Understanding Audio will enable you to develop a thorough understanding of the underlying principles of sound, and take some of the mystery and guesswork out of how equipment setup affects the quality of your recordings. Projects at the end of each chapter will assist you in applying these principles to your own recording environment. Learn about: * Basic and advanced audio theory * Cables and studio wiring * Recording studio and console signal flow * Digital and analog audio * Studio and listening room acoustics * Psychoacoustics * "In the Studio" insights, relating audio principles to real recording situations
Author : Mary Simoni,Roger B Dannenberg Publisher : University of Michigan Press Page : 265 pages File Size : 42,5 Mb Release : 2013-01-02 Category : Music ISBN : 9780472035236
The Oxford Handbook of Algorithmic Music by Alex McLean,Roger T. Dean Pdf
With the ongoing development of algorithmic composition programs and communities of practice expanding, algorithmic music faces a turning point. Joining dozens of emerging and established scholars alongside leading practitioners in the field, chapters in this Handbook both describe the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music. Organized into four sections, chapters explore the music's history, utility, community, politics, and potential for mass consumption. Contributors address such issues as the role of algorithms as co-performers, live coding practices, and discussions of the algorithmic culture as it currently exists and what it can potentially contribute society, education, and ecommerce. Chapters engage particularly with post-human perspectives - what new musics are now being found through algorithmic means which humans could not otherwise have made - and, in reciprocation, how algorithmic music is being assimilated back into human culture and what meanings it subsequently takes. Blending technical, artistic, cultural, and scientific viewpoints, this Handbook positions algorithmic music making as an essentially human activity.
An Introduction to Music Technology by Dan Hosken Pdf
An Introduction to Music Technology, Second Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, MIDI, Computer Notation, and Computer- Assisted Instruction. Appendices cover necessary computer hardware and software concepts. Written for both music technology majors and non-majors, this textbook introduces fundamental principles and practices so students can learn to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis. Features: Thorough explanations of key topics in music technology Content applicable to all software and hardware, not linked to just one piece of software or gear In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects Coverage of synthesis and sampling in software instruments Pedagogical features, including: Further Reading sections that allow the student to delve deeper into topics of interest Suggested Activities that can be carried out with a variety of different programs Key Terms at the end of each chapter What Do I Need? Chapters covering the types of hardware and software needed in order to put together Audio and MIDI systems A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. The new edition has been fully updated to cover new technologies that have emerged since the first edition, including iOS and mobile platforms, online notation software, alternate controllers, and Open Sound Control (OSC).
Learning Music Theory with Logic, Max, and Finale by Geoffrey Kidde Pdf
Learning Music Theory with Logic, Max, and Finale is a groundbreaking resource that bridges the gap between music theory teaching and the world of music software programs. Focusing on three key programs—the Digital Audio Workstation (DAW) Logic, the Audio Programming Language (APL) Max, and the music-printing program Finale—this book shows how they can be used together to learn music theory. It provides an introduction to core music theory concepts and shows how to develop programming skills alongside music theory skills. Software tools form an essential part of the modern musical environment; laptop musicians today can harness incredibly powerful tools to create, record, and manipulate sounds. Yet these programs on their own don’t provide musicians with an understanding of music notation and structures, while traditional music theory teaching doesn’t fully engage with technological capabilities. With clear and practical applications, this book demonstrates how to use DAWs, APLs, and music-printing programs to create interactive resources for learning the mechanics behind how music works. Offering an innovative approach to the learning and teaching of music theory in the context of diverse musical genres, this volume provides game-changing ideas for educators, practicing musicians, and students of music. The author's website at http://www.geoffreykidde.com includes downloadable apps that support this book.
Handbook of Artificial Intelligence for Music by Eduardo Reck Miranda Pdf
This book presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what we know about human musical intelligence and on how this knowledge can be simulated with AI. The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing. Artificial Intelligence (AI) technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.
The Structure of Style by Shlomo Argamon,Kevin Burns,Shlomo Dubnov Pdf
Style is a fundamental and ubiquitous aspect of the human experience: Everyone instantly and constantly assesses people and things according to their individual styles, academics establish careers by researching musical, artistic, or architectural styles, and entire industries maintain themselves by continuously creating and marketing new styles. Yet what exactly style is and how it works are elusive: We certainly know it when we see it, but there is no shared and clear understanding of the diverse phenomena that we call style. The Structure of Style explores this issue from a computational viewpoint, in terms of how information is represented, organized, and transformed in the production and perception of different styles. New computational techniques are now making it possible to model the role of style in the creation of and response to human artifacts—and therefore to develop software systems that directly make use of style in useful ways. Argamon, Burns, and Dubnov organize the research they have collected in this book according to the three roles that computation can play in stylistics. The first section of the book, Production, provides conceptual foundations by describing computer systems that create artifacts—musical pieces, texts, artworks—in different styles. The second section, Perception, explains methods for analyzing different styles and gleaning useful information, viewing style as a form of communication. The final section, Interaction, deals with reciprocal interaction between style producers and perceivers, in areas such as interactive media, improvised musical accompaniment, and game playing. The Structure of Style is written for researchers and practitioners in areas including information retrieval, computer art and music, digital humanities, computational linguistics, and artificial intelligence, who can all benefit from this comprehensive overview and in-depth description of current research in this active interdisciplinary field.
