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Miles Davis, and Jazz as Religion by Earnest N. Bracey Pdf
"This book is about the late Miles Davis and his life as a Black musician. Davis was unquestionably the most important jazz man during his era. This work also explores the spirituality of jazz or "social music," as it relates to the music genre and Miles Davis"--
Miles Davis, and Jazz As Religion by Earnest N. Bracey Pdf
This book is about the late Miles Dewey Davis and his life as a Black musician. Davis was unquestionably the most important jazz man during his era. This work also explores the spirituality of jazz or "social music," as it relates to the music genre and Miles Davis.
Clawing at the Limits of Cool by Farah Jasmine Griffin,Salim Washington Pdf
When the renowned trumpeter and bandleader Miles Davis chose the members of his quintet in 1955, he passed over well-known, respected saxophonists such as Sonny Rollins to pick out the young, still untested John Coltrane. What might have seemed like a minor decision at the time would instead set the course not just for each of their careers but for jazz itself. Clawing at the Limits of Cool is the first book to focus on Davis and Coltrane's musical interaction and its historical context, on the ways they influenced each other and the tremendous impact they've had on culture since then. It chronicles the drama of their collaboration, from their initial historic partnership to the interlude of their breakup, during which each man made tremendous progress toward his personal artistic goals. And it continues with the last leg of their journey together, a time when the Miles Davis group, featuring John Coltrane, forever changed the landscape of jazz. Authors Farah Jasmine Griffin and Salim Washington examine the profound implications that the Davis/Coltrane collaboration would have for jazz and African American culture, drawing parallels to the changing standards of African American identity with their public personas and private difficulties. With vastly different personal and musical styles, the two men could not have been more different. One exemplified the tough, closemouthed cool of the fifties while the other made the transition during this time from unfocused junkie to a religious pilgrim who would inspire others to pursue spiritual enlightenment in the coming decade. Their years together mark a watershed moment, and Clawing at the Limits of Cool draws on both cultural history and precise musical detail to illuminate the importance that their collaboration would have for jazz and American history as a whole.
In Spirits Rejoice! Jason Bivins explores the relationship between American religion and American music, and the places where religion and jazz have overlapped. Much writing about jazz tends toward glorified discographies or impressionistic descriptions of the actual sounds. Rather than providing a history, or series of biographical entries, Spirits Rejoice! takes to heart a central characteristic of jazz itself and improvises, generating a collection of themes, pursuits, reoccurring foci, and interpretations. Bivins riffs on interviews, liner notes, journals, audience reception, and critical commentary, producing a work that argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that jazz opens up new interpretations of American religious history. Bivins examines themes such as musical creativity as related to specific religious traditions, jazz as a form of ritual and healing, and jazz cosmologies and metaphysics. Spirits Rejoice! connects Religious Studies to Jazz Studies through thematic portraits, and a vast number of interviews to propose a new, improvisationally fluid archive for thinking about religion, race, and sound in the United States. Bivins's conclusions explore how the sound of spirits rejoicing challenges not only prevailing understandings of race and music, but also the way we think about religion. Spirits Rejoice! is an essential volume for any student of jazz, American religion, or American culture.
Soundtrack to a Movement by Richard Brent Turner Pdf
**FINALIST for the 2022 PROSE Award in Music & the Performing Arts** **Certificate of Merit, Best Historical Research on Recorded Jazz, given by the 2022 Association for Recorded Sounds Collection Awards for Excellence in Historical Sound Research** Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool” that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
Louis Armstrong, Duke Ellington, and Miles Davis by Aaron Lefkovitz Pdf
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew. Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.
Chairman of the Department of American Civilization Neil Leonard,Neil Leonard
Author : Chairman of the Department of American Civilization Neil Leonard,Neil Leonard Publisher : Oxford University Press, USA Page : 246 pages File Size : 44,6 Mb Release : 1989-05 Category : Electronic ISBN : 0195059247
Jazz by Chairman of the Department of American Civilization Neil Leonard,Neil Leonard Pdf
Early critics condemned jazz as profane--even diabolic--labelling it "the Devil's music" which threatened the very fabric of not only American life but also Western civilization as a whole. Simultaneously, however, other people discovered meanings in jazz more significant than those in any other music or art form. For them, jazz provided ecstatic experiences not found in any concert hall or church. These experiences--along with the charismatic personalities of such jazz heroes as Louis Armstrong, Charlie Parker, and John Coltrane--generated strong communal feelings and sect-like groupings which created rituals and myths to uphold the jazz mystique. In this study of the relationship between music and religion, Neil Leonard uses the work of Max Weber and his followers in order to explore how listeners have come to regard jazz as sacred or magical and have created myths and rituals to sustain this belief. Leonard argues that in a time when conventional religions have fallen into a state of flux, jazz has provided a focus for spiritual impulses tempered by the anxieties and alienations of the twentieth century. Leonard's Jazz tells us not only about music and society but also about religious behavior in a secular time.
This research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
This exhaustively researched, revised edition of Ian Carr's classic biography throws new light on Davis' life and career: from the early days in New York with Charlie Parker; to the Birth of Cool; through his drug addiction in the early 1950s and the years of extraordinary achievements (1954-1960), during which he signed with Columbia and collaborated with such unequaled talents as John Coltrane, Bill Evans, Wynton Kelly and Cannonball Adderly. Carr also explores Davis' dark, reclusive period (1975-1980), offering firsthand accounts of his descent into addiction, as well as his dramatic return to life and music. Carr has talked with the people who knew Miles and his music best including Bill Evans, Joe Zawinul, Keith Jarrett, and Jack DeJohnette, and has conducted interviews with Ron Carter, Max Roach, John Scofield and others.
A History of Religion in 51⁄2 Objects by S. Brent Plate Pdf
A leading scholar explores the importance of physical objects and sensory experience in the practice of religion. A History of Religion in 5½ Objects takes a fresh and much-needed approach to the study of that contentious yet vital area of human culture: religion. Arguing that religion must be understood in the first instance as deriving from rudimentary human experiences, from lived, embodied practices, S. Brent Plate asks us to put aside, for the moment, questions of belief and abstract ideas. Instead, beginning with the desirous, incomplete human body, he asks us to focus on five ordinary objects—stones, incense, drums, crosses, and bread—with which we connect in our pursuit of religious meaning and fulfillment. As Plate considers each of these objects, he explores how the world’s religious traditions have put each of them to different uses throughout the millennia. Religion, it turns out, has as much to do with our bodies as our beliefs. Maybe even more.
Spiritualizing the City by Victoria Hegner,Peter Jan Margry Pdf
Urban spaces have always functioned as cradles and laboratories for religious movements and spiritualities. The urban forms a central and nourishing agent for the creation of new religious expressions, and continually negotiates new ways of being spiritual and establishing spiritual ideas and practices. This book explores the intense and complex interplay between the (post) modern city and new religious and spiritual movement, bringing the city and its annexes into the foreground of current research into religion. It develops a new, ethnography-based analysis of the ways in which the pluralist experience of the "urban" inscribes itself into various religious practices and vice versa: how do religiosity and spirituality appropriate and transform meanings of the urban? It focuses on new religious expressions, cosmologies and ways of life that go beyond established belief systems and religious understandings, and explores new conceptions of the word "urban" in a world of increasingly extended urban environments. The book examines how cities are both considered as sites and sources of spirituality, where the globalization of religions takes place as well as the fact that globalization is linked closely to the process of localization. The socio-cultural and political uniqueness of the specific urban context are analyzed to present an innovative perspective on how the interplay between the urban, spiritual and religious should be understood. This book brings a timely new perspective and will be of interest to academics and students in geography, sociology, urban studies, cultural studies and anthropology, as well as for urban planners and policy makers.
Get the full picture! Understand the whole story! Faith and Modern Thought is a jargon-busting and engaging introduction providing an imaginative and creative way into the great minds that have forged the modern world, especially Kant and Hegel and the revolutionary philosophies of existentialism and Marxism they inspired. Tim Hull provides the wider intellectual picture, the fuller philosophical story in which modern theology was forged. After an engaging introduction to the European Enlightenment and the cultural crisis it triggered, the stage is set to understand the essence of modern theology. From that essential background the radical faith of many of the most influential of modern theologians and philosophers of religion is explored, exposing a deep-rooted indebtedness to the Enlightenment tradition.
Religion and Popular Culture by Richard W. Santana,Gregory Erickson Pdf
Often considered to be in opposition, American popular culture and popular religion are connected, forming and informing new ways of thinking, writing and practicing religion and theology. Film, television, music, sports and video games are integral to understanding the spiritual, the secular and the in-between in the modern world. In its revised second edition, this book explores how religious issues of canonicity, scriptural authority, morality, belief and unbelief are worked out not in churches, seminaries or university classrooms, but in our popular culture. Topics new to this edition include lived religion, digital technology, new trends in belief and identification, the film Noah (2014), the television series True Blood, Kanye West's music, the video game Fallout and media events of recent years. Instructors considering this book for use in a course may request an examination copy here.