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New York Times bestseller SHE LOST EVERYTHING SHE LOVED. HE HAD EVERYTHING SHE NEEDED. BUT COULD SHE FIND THE COURAGE TO TRUST HIM? Stepping from a battered coach on a rainy April eve, newly widowed Elisabeth Kerr must begin again, without husband or title, property or fortune. She is unafraid of work and gifted with a needle, but how will she stitch together the tattered remnants of her life? And who will mend her heart, torn asunder by betrayal and deception? Elisabeth has not come to Selkirk alone. Her mother-in-law, Marjory Kerr, is a woman undone, having buried her husband, her sons, and any promise of grandchildren. Dependent upon a distant cousin with meager resources, Marjory dreads the future almost as much as she regrets the past. Yet joy still comes knocking, and hope is often found in unexpected places. Then a worthy hero steps forward, rekindling a spark of hope. Will he risk his reputation to defend two women labeled as traitors to the Crown? Or will a wealthy beauty, untainted by scandal, capture his affections? The heartrending journey of the Kerr women comes to a glorious finish in Mine Is the Night, a sparkling gem of redemption and restoration set in eighteenth-century Scotland.
Kelly 2/1 Ista is an apprentice hypothecary, learning to work with the quasi-living computer programs that live and breed in virtual space. She is also a foundling, the only survivor of a disaster on one of the Night Sky Mining Company's mining platforms, and without a real identity, she will never be able to leave the station. When a second platform is attacked and abandoned in much the same way, she joins forces with a pair of off-station investigators in the hope that she will find her true identity — but there is far more danger waiting for her in both the real and virtual worlds than she had even begun to imagine. "Mature, balanced, absorbing work, with a richly detailed, enchanting backdrop: something of a breakthrough in overall technique, and Scott's best so far." - Kirkus Reviews "Scott explores the ramifications of virtual life through the very human eyes of her principals; this is most artful cyberpunk, told with heart." - Publishers Weekly (starred review)
A mother who cannot face her future. A daughter who cannot escape her past. Lady Elisabeth Kerr is a keeper of secrets. A Highlander by birth and a Lowlander by marriage, she honors the auld ways, even as doubts and fears stir deep within her. Her husband, Lord Donald, has secrets of his own, well hidden from the household, yet whispered among the town gossips. His mother, the dowager Lady Marjory, hides gold beneath her floor and guilt inside her heart. Though her two abiding passions are maintaining her place in society and coddling her grown sons, Marjory’s many regrets, buried in Greyfriars Churchyard, continue to plague her. One by one the Kerr family secrets begin to surface, even as bonny Prince Charlie and his rebel army ride into Edinburgh in September 1745, intent on capturing the crown. A timeless story of love and betrayal, loss and redemption, flickering against the vivid backdrop of eighteenth-century Scotland, Here Burns My Candle illumines the dark side of human nature, even as hope, the brightest of tapers, lights the way home.
“After killing the red-haired man, I took myself off to Quinn’s for an oyster supper.” So begins an extraordinary story of betrayal and treachery, of delusion and deceit narrated by Edward Glyver. Glyver may be a bibliophile, but he is no bookworm. Employed “in a private capacity” by one of Victorian London’s top lawyers, he knows his Macrobius from his First Folio, but he has the street-smarts and ruthlessness of a Philip Marlowe. And just as it is with many a contemporary detective, one can’t always be sure whether Glyver is acting on the side of right or wrong. As the novel begins, Glyver silently stabs a stranger from behind, killing him apparently at random. But though he has committed a callous and brutal crime, Glyver soon reveals himself to be a sympathetic and seductively charming narrator. In fact, Edward Glyver keeps the reader spellbound for 600 riveting pages full of betrayal, twists, lies, and obsession. Glyver has an unforgettable story to tell. Raised in straitened circumstances by his novelist mother, he attended Eton thanks to the munificence of a mysterious benefactor. After his mother’s death, Glyver is not sure what path to take in life. Should he explore the new art of photography, take a job at the British Museum, continue his travels in Europe with his friend Le Grice? But then, going through his mother’s papers, he discovers something that seems unbelievable: the woman who raised him was not his mother at all. He is actually the son of Lord Tansor, one of the richest and most powerful men in England. Naturally, Glyver sets out to prove his case. But he lacks evidence, and while trying to find it under the alias “Edward Glapthorn,” he discovers that one person stands between him and his birthright: his old schoolmate and rival Phoebus Rainsford Daunt, a popular poet (and secret criminal) whom Lord Tansor has taken a decidedly paternal interest in after the death of his only son. Glyver’s mission to regain his patrimony takes him from the heights of society to its lowest depths, from brothels and opium dens to Cambridge colleges and the idylls of Evenwood, the Tansor family’s ancestral home. Glyver is tough and resourceful, but Daunt always seems to be a step ahead, at least until Glyver meets the beguilingly beautiful Emily Carteret, daughter of Lord Tansor’s secretary. But nothing is as it seems in this accomplished, suspenseful novel. Glyver’s employer Tredgold warns him to trust no one: Is his enigmatic neighbour Fordyce Jukes spying on him? Is the brutal murderer Josiah Pluckthorn on his trail? And is Glyver himself, driven half-mad by the desire for revenge, telling us the whole truth in his candid, but very artful, “confession”? A global phenomenon, The Meaning of Night is an addictive, darkly funny, and completely captivating novel. Meticulously researched and utterly gripping, it draws its readers relentlessly forward until its compelling narrator’s final revelations.
Author : Helen Klein Ross Publisher : Simon and Schuster Page : 336 pages File Size : 46,6 Mb Release : 2016-01-05 Category : Fiction ISBN : 9781476732367
Simply told but deeply affecting, in the bestselling tradition of Alice McDermott and Tom Perrotta, this urgent novel unravels the heartrending yet unsentimental tale of a woman who kidnaps a baby in a superstore—and gets away with it for twenty-one years. Lucy Wakefield is a seemingly ordinary woman who does something extraordinary in a desperate moment: she takes a baby girl from a shopping cart and raises her as her own. It’s a secret she manages to keep for over two decades—from her daughter, the babysitter who helped raise her, family, coworkers, and friends. When Lucy’s now-grown daughter Mia discovers the devastating truth of her origins, she is overwhelmed by confusion and anger and determines not to speak again to the mother who raised her. She reaches out to her birth mother for a tearful reunion, and Lucy is forced to flee to China to avoid prosecution. What follows is a ripple effect that alters the lives of many and challenges our understanding of the very meaning of motherhood. Author Helen Klein Ross, whose work has appeared in The New Yorker, weaves a powerful story of upheaval and resilience told from the alternating perspectives of Lucy, Mia, Mia’s birth mother, and others intimately involved in the kidnapping. What Was Mine is a compelling tale of motherhood and loss, of grief and hope, and the life-shattering effects of a single, irrevocable moment.
When Rosie decides to get her friends together for their very own version of Come Dine With Meshe's bursting with excitement, even though her husband Stephen is less than keen. But Rosie is adamant. Four couples, each hosting a dinner party on a different night of the week, with a prize at the end for the best one. It'll be a good laugh, won't it? And a great way for everyone to get to know each other. What could possibly go wrong? What Rosie doesn't anticipate are the lengths her fellow hosts might be prepared to go to in order to claim the prize -- outlandish recipes, rare ingredients sourced from abroad, and a chocolate tart that looks just too good to be homemade… But perhaps she should be more worried about the mounting tension between the guests, as backbiting breaks out over the appetisers and a glass of wine too many leads to indiscreet flirtation. As the pressure in the kitchen rises, relationships begin to crack under strain, high-minded principles collide and the oven gloves come off… But that's all part of the fun. Isn't it?
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
The two fuzzy creatures from You Are (Not) Small argue over a chair, each shouting 'It's mine!' But they soon realise it's better to play than to fight with your friend. The simple text of Anna Kang and bold illustrations of The New Yorker cartoonist Christopher Weyant tell an original and very funny story about sharing. Visit Christopher at www.christopherweyant.com.
Something happened that night in the woods at Camp Red Hawk. But all Joel and Leah can recall is sneaking out for a late hike with five camp friends, and that only the two of them and their friend Mike returned.They have no memory of what happened to the others. No memory of anything after leaving the camp.In the years that follow, they realize something has changed inside of them. They are different from others, in ways they never should be. In ways that send their lives down disturbing and terrifying paths.As they grapple with adulthood, their only hope for understanding why they've been altered lies with them finding each other again. But how is that possible when their memories of one another have been erased?
This companion book to Boy of Mine shows a dazzling little girl enjoying playtime in the moon's soft glow. As daddy cradles his baby girl, she is suddenly whisked away on a fantastical adventure, swinging above lush floral gardens under the golden moonlight. The sweet text, inspired by "Rock-A-Bye Baby," will whisk little ones off to peaceful slumber. With Asim's engaging and adorable rhymes and Pham's vibrant illustrations, babies and parents alike are sure to fall for Girl of Mine.
Theo MacLeod wasn't supposed to be the one.Tall, dark and handsome suits me just fine, but the cocky grin, know-it-all attitude, and mammoth ego? No thanks. I only hired him so I wouldn't have to sit at the singles table again. It was just pretend.He wasn't supposed to kiss me. My heart wasn't supposed to pound. We weren't supposed to spend the night together--the hottest night of my life. One night turns into a snowed-in weekend away, and even the blizzard of the century can't cool the fire between us. I can't get enough--of his smile, of his body, of the way he makes me feel.We're nothing alike. He's a daredevil, and I'm a nervous Nellie. He's a drifter, and I want to put down roots. He's an opportunist with a checkered past, and I'm a Girl Scout volunteer.But none of it matters when I'm in his arms.I know he's made mistakes. I know his wounds are deep, and he doesn't trust easily. I know he doesn't believe he could ever be enough to make me happy, but he could. All he has to do is stay.
Bold and inventive in style, City of Night is the groundbreaking 1960s novel about male prostitution. Rechy is unflinching in his portrayal of one hustling 'youngman' and his search for self-knowledge among the other denizens of his neon-lit world. As the narrator moves from Texas to Times Square and then on to the French Quarter of New Orleans, Rechy delivers a portrait of the edges of America that has lost none of its power. On his travels, the nameless narrator meets a collection of unforgettable characters, from vice cops to guilt-ridden married men eaten up by desire, to Lance O'Hara, once Hollywood's biggest star. Rechy describes this world with candour and understanding in a prose that is highly personal and vividly descriptive.
Tig and Jamie go to stay at their Grandada s farm. He warns them not to go into the old mines on the hill. However, Jamie is keen to explore and she persuades Tig to go up to the mines. At the entrance to the mines they find some interesting objects, and realise someone has been into the disused mines recently. That night, Tig sees some car lights heading towards the mines, and he, Jamie and Grandad go to investigate.
A New Translation From The French By Marion Wiesel Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's seminal work.
