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Miracles, Masterpieces, and the Madonna by Prof. Aban P. Kavasmaneck Pdf
About the Book Traveling around the world has led to an awe-inspiring spiritual collection that will leave people feeling passionate to learn more. This life changing journey has led to more stories and art that should be shared.
It is almost impossible to believe, but it appears that the handsome young Italian Prince Antonio di Sogino has stolen an exquisite Florentine antique necklace from Jennie, the Marchioness of Kirkham, with whom he has enjoyed a brief dalliance on a visit to London. Distraught and terrified that her ageing husband will discover the loss of the necklace, she seeks help from her brother, Lord Mere, a military hero and a close confidant of Queen Victoria. Determined to help his sister Lord Mere travels to Florence and uncovers a sinister blackmail plot by the ugly and depraved Prince Vincente Gorizia, trapping a young beauty named Florencia into an unholy marriage. Lord Mere is struck hard by this appalling injustice and smitten in a trice by Florencia’s ethereal Raphaelite beauty, as he has always admired and been enchanted by Raphael’s paintings of other worldly Madonnas. Heroically he proposes to challenge her persecutor and meticulously plans his campaign to rescue Florencia from a dreadful fate worse than death. And, as he finds his sister’s precious necklace, he realises that he has lost his heart. But can he and Florencia ever be free of the evil Prince, free to marry and be together forever?
Picturing Death 1200–1600 by Stephen Perkinson,Noa Turel Pdf
Picturing Death: 1200–1600 brings together essays considering four key centuries of imagery related to human mortality, from tomb sculpture to painted altarpieces, from manuscripts to printed books, and from minute carved objects to large-scale architecture.
Spectacular Miracles by Jane Garnett,Gervase Rosser Pdf
Winner of the ACE / Mercers' Book Award 2014 Spectacular Miracles confronts an enduring Western belief in the supernatural power of images: that a statue or painting of the Madonna can fly through the air, speak, weep, or produce miraculous cures. Although contrary to widely held assumptions, the cults of particular paintings and statues held to be miraculous have persisted beyond the middle ages into the present, even in a modern European city such as Genoa, the primary focus of this book. Drawing upon rich documentation from northwest Italy and elsewhere, Spectacular Miracles shows how these images “work” in a range of historical contexts. Jane Garnett and Gervase Rosser vividly evoke ritual animation of the image and the phenomenology of the beholder’s experience. These images, they demonstrate, have the subversive potential of the miraculous image to bypass clerical and secular authority, a power enhanced by reproducibility—devotion is hard to control when a copy of a venerated image is held to carry the same supernatural potential as the original, even when in a digital form mediated by the Internet. Engaging with the history, anthropology, and visual culture of images and religion, Spectacular Miracles is a convincing study of the continuing power of faith and art.
Enterprise as a Carrier of Culture by Hirochika Nakamaki,Koichiro Hioki,Noriya Sumihara,Izumi Mitsui Pdf
This book expands anthropological studies of business enterprise to include comparative and interdisciplinary perspectives. A number of books on business anthropology have been published, but most of them are written by anthropologists alone. By contrast, this book engages interdisciplinary studies, e.g., not only by anthropologists but also management scholars and other social scientists. It is the second volume of studies forwarding anthropological approaches to business administration, Keiei Jinruigaku. This volume focusses on the cultural dimensions of enterprise. Here enterprise is viewed as a medium carrying culture, rather than solely an entity of production and management, as is typical in mainstream studies. The approach is based on Tadao Umesao’s definition of culture as a projection of instruments/devices and institutions into the mental/spiritual dimensions of life. Therefore, in our view production and management are among the projections of the cultural aspects of enterprise. This perspective, we believe, constitutes a new frontier in the study of business administration. This book consists of three parts, the first being “religiosity and spirituality”, the second “exhibitions, performance and inducement,” and the third “history and story.” In Part I, Quaker Codes, ex-votos, and spiritual leadership are discussed in relation to management and behavior, and miracles and pilgrimage. Part II describes exhibitions justifying nuclear power industry within power plants in both Japan and England, the exhibition by English families of their porcelain collections, and the performance skills of orchestral maestros. All of these examples indicate that, through the use of narratives and myths, exhibits and performances overtly and covertly induce visitors or audiences to certain viewpoints and emotions. Part III offers examples of histories and stories of enterprise articulated through the branding and consumption of industrial products, and their display in enterprise museums where the essence of culture and heritage is cherished and emphasized, by and for the wider community and the enterprise itself. Conjoined as an interdisciplinary team of Western and Japanese researchers, we apply an anthropological approach to the cultural history of enterprise in both Britain and Japan.
The Bianchi of 1399 in Central Italy by Alexandra R.A. Lee Pdf
Providing new insights into the Bianchi devotions, a medieval popular religious revival which responded to an outbreak of plague at the turn of the fifteenth century, this book takes a comparative, local and regional approach to the Bianchi, challenging traditional presentations of the movement as homogeneous whole. Combining a rich collection of textual, visual, and material sources, the study focuses on the two Tuscan towns of Lucca and Pistoia. Alexandra R.A. Lee demonstrates how the Bianchi processions in central Italy were moulded by secular and ecclesiastical authorities and shaped by local traditions as they attempted to prevent an epidemic.
The Miraculous Image of the Madonna of Rimini by Paul Kimball Pdf
The Mother of Mercy was painted in 1796 by Giuseppe Soleri Brancaleoni at the request of his sister, Sr. Clare Soleri, as a replica of the miraculous image venerated in the Oratory of St. Girolamo. This painting was placed as an object of veneration in a rear chapel within the Church of St. Clare in Rimini, Italy. On May 12, 1850, three women, having gone there to pray in front of the holy image, witnessed an extraordinary phenomenon: the pupils in the image "rose and lowered; sometimes having the splendor of shining stars, at other times veiled in tears." This miraculous event repeated itself again and again over a period of several months in the sight of many. Rimini and its surrounding countryside began to experience a spiritual renewal. After a rigorous examination of evidence given by numerous witnesses, the miracle was verifi ed by the Holy Catholic Church. In 1851, the image was adorned with a crown of gold, silver and precious stones; as a gift from Pope Pius IX. The venerated image has had many, various miracles attributed to it over the years, and numerous ex-voto offerings which commemorate them may be seen in the Church of St. Clare. In time, the Mother of Mercy came to be known as the Madonna of Rimini. The beautiful image, traditionally said to have been painted while Soleri was on his knees, is currently located over the High Altar in the Church of St. Clare, and to this day retains that "delicacy and smoothness" which have never failed to move those who prayerfully contemplate it.
Votive Panels and Popular Piety in Early Modern Italy by Fredrika H. Jacobs Pdf
In the late fifteenth century, votive panel paintings, or tavolette votive, began to accumulate around reliquary shrines and miracle-working images throughout Italy. Although often dismissed as popular art of little aesthetic consequence, more than 1,500 panels from the fifteenth and sixteenth centuries are extant, a testimony to their ubiquity and importance in religious practice. Humble in both their materiality and style, they represent donors in prayer and supplicants petitioning a saint at a dramatic moment of crisis. In this book, Fredrika H. Jacobs traces the origins and development of the use of votive panels in this period. She examines the form, context and functional value of votive panels, and considers how they created meaning for the person who dedicated them as well as how they accrued meaning in relationship to other images and objects within a sacred space activated by practices of cultic culture.
Healing Journeys with the Black Madonna by Alessandra Belloni Pdf
An experiential guide to the ancient healing rituals of the Black Madonna • Reveals the practices and rites of the still-living cult of the Black Madonna in the remote villages of Southern Italy, including the healing rites of the tarantella dance • Details shamanic chants, rhythms, and songs and how to use them for self-healing, transformation, and recovery from abuse, trauma, depression, and addiction • Explores the many sacred sites of the Madonnas and connects them to other Great Goddesses, such as Isis, Aphrodite, Cybeles, and the Orisha Yemanja and Ochun • Includes access to 12 audio tracks The mysteries of the Black Madonna can be traced to pre-Christian times, to the ancient devotion to Isis, the Earth Goddess, and the African Mother, to the era when God was not only female but also black. Sacred sites of the Black Madonna are still revered in Italy, and, as Alessandra Belloni reveals, the shamanic healing traditions of the Black Madonna are still alive today and just as powerful as they were millennia ago. Sharing her more than 35 years of research and fieldwork at sacred sites around the world, Belloni takes you on a mystical pilgrimage of empowerment, initiation, and transformation with the Black Madonna. She explains how her love for Italian folk music led her to learn the ancient tammorriata musical tradition of the Earth Goddess Cybele and the Moon Goddess Diana and discover the still-living cult of the Black Madonna in the remote villages of Southern Italy. She vividly describes the sensual shamanic drumming and ecstatic trance dance rituals she experienced there, including the rites of the tammorriata, the transgender rite of Femminielli, and the erotic “spider dance” of the tarantella, which has been used for centuries in the Mediterranean for healing. Sharing chants, rhythms, and sacred songs, she details how she uses these therapeutic musical and trance practices to heal women and men from abuse, trauma, depression, and addiction and shows how these practices can be used for self-healing and transformation, including her personal story of using the tarantella to overcome cervical cancer. Revealing the profound transformative power of the Black Madonna, Belloni shows how She is the womb of the earth, the dark side of the moon, and the Universal Mother to all. Truly alive for all to call upon, She embraces and gives everyone access to Her divine strength and unconditional love.
The Madonna and the Christ-Child by Gertrude Emma Heath Pdf
Excerpt from The Madonna and the Christ-Child: Legends and Lyrics The Madonna and the Christ-Child: Legends and Lyrics was written by Gertrude Emma Heath in 1911. This is a 70 page book, containing 4942 words and 6 pictures. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
My LadyÓ in Italian...evokes memories of magnificent paintings over the Christian centuries, each artist trying to convey an impression of some aspect in the mystery of Mary, the woman chosen by God for a special relationship in His Incarnation, and through Him to all His people. There have been many Madonnas through the ages, but only one Mary, Mother of Jesus. Like the mystery of her divine Son, her participation in the rightness of divine Truth can only be contemplated by our limited minds from a great variety of approaches. The subtitle, Mary in the Catholic TraditionÓ implies that no matter how her image may vary from one generation or culture to the next, our faith is focused on the authentic Mary of Scripture, Tradition and infallible Church teaching, revered not for herself but as the Mother of Christ.
Angels of Light? Sanctity and the Discernment of Spirits in the Early Modern Period by Clare Copeland,Johannes Machielsen Pdf
"And no marvel; for Satan himself is transformed into an angel of light." (2 Corinthians 11:14) Paul's warning of false apostles and false righteousness struck a special chord in the period of the European Reformations. At no other time was the need for the discernment of spirits felt as strongly as in this newly confessional age. More than ever, the ability to discern was a mark of holiness and failure the product of demonic temptation. The contributions to this volume chart individual responses to a problem at the heart of religious identity. They show that the problem of discernment was not solely a Catholic concern and was an issue for authors and artists as much as for prophets and visionaries.
