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A co-produced publication released on the occasion of the eponymous exhibition, Miriam Cahn: ME AS HAPPENING, by The Power Plant Contemporary Art Gallery, Toronto, and Kunsthal Charlottenborg, Copenhagen. Miriam Cahn: ME AS HAPPENING, organized by The Power Plant, and presented initially at Kunsthal Charlottenborg, was the Swiss artist's first solo exhibition both in North America and Denmark. The publication documents an expansive constellation of Miriam Cahn's multidisciplinary work, presented for the first time in Canada and Denmark as part of the eponymous exhibition, Miriam Cahn: ME AS HAPPENING. This exhibition was organized by The Power Plant Contemporary Art Gallery, Toronto, presented initially at the Kunsthal Charlottenborg, Copenhagen, from 7 October 2020-4 April 2021, then at The Power Plant, from 2 October 2021-2 January 2022.
The Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications. WRITING IN RAGE is the first compilation of her writing by itself, and includes essays, journal entries, and correspondence with friends, foes, family members, and gallerists. The book provides very personal insights into Cahn's life, her family, and the art market, introducing the reader to a disputatious, independent spirit. The Swiss artist MIRIAM CAHN (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications.
Marta Dziewanska,Kathleen Bühler,Adam Szymczyk,Éric de Chassey,Paul B. Preciado,Élisabeth Lebovici,Anna Ara,Fernando López Garcia,Rita Segato,Natalia Sielewicz,Jakub Momro
Author : Marta Dziewanska,Kathleen Bühler,Adam Szymczyk,Éric de Chassey,Paul B. Preciado,Élisabeth Lebovici,Anna Ara,Fernando López Garcia,Rita Segato,Natalia Sielewicz,Jakub Momro Publisher : Museum of Modern Art in Warsaw Page : 214 pages File Size : 53,5 Mb Release : 2021-04-18 Category : Art ISBN : 9788364177699
MIRIAM CAHN by Marta Dziewanska,Kathleen Bühler,Adam Szymczyk,Éric de Chassey,Paul B. Preciado,Élisabeth Lebovici,Anna Ara,Fernando López Garcia,Rita Segato,Natalia Sielewicz,Jakub Momro Pdf
A rebel and feminist, the Switzerland-born Miriam Cahn is one of the major artists of her generation. Widely known for her drawings and paintings, she also experiments with photography, moving images, sculptures, and performance art. Cahn’s diverse body of work is disturbing and dreamlike, filled with striking human figures pulsing with an energy both passionate and violent. These pieces, along with Cahn’s reflections on artistic expression, have always responded to her contemporary moment. In the 1980s, her work addressed the feminist, peace, and environmental movements, while the work she produced in the 1990s and early 2000s contains allusions to the war in the former Yugoslavia, the conflict in the Middle East, and the September 11 terrorist attacks. Her recent production tackles ever-evolving political conflicts, engaging with the European refugee crisis and the “#metoo” movement. Miriam Cahn: I as Human examines different facets of the artist’s prolific and troubling oeuvre, featuring contributions from art historians, critics, and philosophers including Kathleen Bühler, Paul B. Preciado, Elisabeth Lebovici, Adam Szymczyk, Natalia Sielewicz and .
Marta Dziewanska,Kathleen Bühler,Adam Szymczyk,Éric de Chassey,Paul B. Preciado,Élisabeth Lebovici,Anna Ara,Fernando López Garcia,Rita Segato,Natalia Sielewicz,Jakub Momro
Author : Marta Dziewanska,Kathleen Bühler,Adam Szymczyk,Éric de Chassey,Paul B. Preciado,Élisabeth Lebovici,Anna Ara,Fernando López Garcia,Rita Segato,Natalia Sielewicz,Jakub Momro Publisher : Museum of Modern Art in Warsaw Page : 0 pages File Size : 55,6 Mb Release : 2019-05-15 Category : Art ISBN : 8364177559
MIRIAM CAHN by Marta Dziewanska,Kathleen Bühler,Adam Szymczyk,Éric de Chassey,Paul B. Preciado,Élisabeth Lebovici,Anna Ara,Fernando López Garcia,Rita Segato,Natalia Sielewicz,Jakub Momro Pdf
A rebel and feminist, the Switzerland-born Miriam Cahn is one of the major artists of her generation. Widely known for her drawings and paintings, she also experiments with photography, moving images, sculptures, and performance art. Cahn’s diverse body of work is disturbing and dreamlike, filled with striking human figures pulsing with an energy both passionate and violent. These pieces, along with Cahn’s reflections on artistic expression, have always responded to her contemporary moment. In the 1980s, her work addressed the feminist, peace, and environmental movements, while the work she produced in the 1990s and early 2000s contains allusions to the war in the former Yugoslavia, the conflict in the Middle East, and the September 11 terrorist attacks. Her recent production tackles ever-evolving political conflicts, engaging with the European refugee crisis and the “#metoo” movement. Miriam Cahn: I as Human examines different facets of the artist’s prolific and troubling oeuvre, featuring contributions from art historians, critics, and philosophers including Kathleen Bühler, Paul B. Preciado, Elisabeth Lebovici, Adam Szymczyk, Natalia Sielewicz and .
The Believing Brain is bestselling author Michael Shermer's comprehensive and provocative theory on how beliefs are born, formed, reinforced, challenged, changed, and extinguished. In this work synthesizing thirty years of research, psychologist, historian of science, and the world's best-known skeptic Michael Shermer upends the traditional thinking about how humans form beliefs about the world. Simply put, beliefs come first and explanations for beliefs follow. The brain, Shermer argues, is a belief engine. From sensory data flowing in through the senses, the brain naturally begins to look for and find patterns, and then infuses those patterns with meaning. Our brains connect the dots of our world into meaningful patterns that explain why things happen, and these patterns become beliefs. Once beliefs are formed the brain begins to look for and find confirmatory evidence in support of those beliefs, which accelerates the process of reinforcing them, and round and round the process goes in a positive-feedback loop of belief confirmation. Shermer outlines the numerous cognitive tools our brains engage to reinforce our beliefs as truths. Interlaced with his theory of belief, Shermer provides countless real-world examples of how this process operates, from politics, economics, and religion to conspiracy theories, the supernatural, and the paranormal. Ultimately, he demonstrates why science is the best tool ever devised to determine whether or not a belief matches reality.
Spirit Tech by Wesley J. Wildman, Ph.D,Kate J. Stockly, Ph.D. Pdf
Featuring a Foreword by Mikey Siegel, founder of Consciousness Hacking. Technology can now control the spiritual experience. This is a journey through the high-tech aids for psychological growth that are changing our world, while exploring the safety, authenticity and ethics of this new world. We already rely on technology to manage our health, sleep, relationships, and finances, so it’s no surprise that we’re turning to technological aids for the spiritual journey. From apps that help us pray or meditate, to cybernauts seeking the fast track to nirvana through magnetic brain stimulation, we are on the brink of the most transformative revolution in the practice of religion: an era in which we harness the power of “spirit tech” to deepen our experience of the divine. Spirit tech products are rapidly improving in sophistication and power, and ordinary people need a trustworthy guide. Through their own research and insiders’ access to the top innovators and early adopters, Wesley J. Wildman and Kate J. Stockly take you deep inside an evolving world: - Find out how increasingly popular “wearables” work on your brain, promising a shortcut to transformative meditative states. - Meet the inventor of the “God Helmet” who developed a tool to increase psychic skills, and overcome fear, sadness, and anger. - Visit churches that use ayahuasca as their sacrament and explore the booming industry of psychedelic tourism. - Journey to a mansion in the heart of Silicon Valley where a group of scientists and entrepreneurs are working feverishly to bring brain-based spirit tech applications to the masses. - Discover a research team who achieved brain-to-brain communication between individuals thousands of miles apart, harnessing neurofeedback techniques to sync and share emotions among group members. Spirit Tech offers readers a compelling glimpse into the future and is the definitive guide to the fascinating world of new innovations for personal transformation, spiritual growth, and pushing the boundaries of human nature.
From the War on Terror to resistance in Ramallah and traumatic dislocation in the Middle East, Berger explores the uses of art as an instrument of political resistance. Visceral and passionate, Hold Everything Dear is a profound meditation on the far extremes of human behaviour, and the underlying despair. Looking at Afghanistan, Palestine, and Iraq, he makes an impassioned attack on the poverty and loss of freedom at the heart of such unnecessary suffering. These essays offer reflections on the political at the core of artistic expression and even at the center of human existence itself.
"From the very beginning when the first exhibition premiered at the newly opened Opera House in 1973, our aim was to bring ao Australia the latest developments in contemporary art from around the world...The Biennale of Sydney 2000 continues this outstanding tradition..." --p. 6.
Pae White's work roams exuberantly across genres from furniture, textiles and graphic design to sculptural installations, in particular her monumental tapestries that form the focus of this clothbound volume. It particularly highlights Sea Beast, a 2010 work commissioned by The Power Plant, which incorporates a found macram� wall hanging.
Conceptual Art by Alexander Alberro,Blake Stimson Pdf
This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson
