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Author : Peter J. Chelkowski Publisher : Metropolitan Museum of Art Page : 128 pages File Size : 51,7 Mb Release : 1975 Category : Illumination of books and manuscripts, Iranian ISBN : 9780870991424
Mirror of the Invisible World by Peter J. Chelkowski Pdf
In this volume three stories from Persian poem the Khamseh - "Khosrow and Shirin," "Layla and Majnum," and "The Seven Princesses" - have been told with abridgement in prose. They are augmented by color reproductions of Persian miniatures based on an early 16th manuscript dated 1524/25.
Icons of Beauty [2 volumes] by Lindsay J. Bosch,Debra N. Mancoff Pdf
What gives beauty such fascinating power? Why is beauty so easy to recognize but so hard to define? Across cultures and continents and over the centuries the standards of beauty have changed but the desire to portray beauty, to praise beauty, and to possess beauty has never diminished. Icons of Beauty offers an enthralling overview of the most revered icons of female beauty in world art from pre-history to the present. From images of Eve to Cindy Sherman's self-portraits, from Cleopatra to Madonna, from ancient goddesses to modern celebrities, this interdisciplinary set offers fresh insight as to how we can use perceptions of beauty to learn about world cultures, both past and present. Each chapter looks at an individual work of art to pose a question about the power of beauty. What makes beauty modern? What is the influence of celebrities? How do women portray their own beauty in a different manner than men? In-depth profiles of the icons reveal how specific ideas about beauty were developed and expressed, offering a full analysis of their history, cultural significance, and lasting influence. In addition to renowned works of art, Icons of Beauty also looks at icons in literature, film, politics, and contemporary entertainment. Interdisciplinary and multicultural in its approach, chapters inside this set also feature sidebars on provocative topics and issues, such as foot binding and body adornment; myths and practices; opinions and interpretations; and even related films, songs, and even comic book characters. Generously illustrated, this rich set encompasses history, politics, society, women's studies, and art history, making it an indispensable resource for high school and college students as well as general readers.
With its title borrowed from Machiavelli, The Persian Prince goes far beyond Machiavelli's wildest imagination as to how to rule the world. Hamid Dabashi articulates a bold new idea of the Persian Prince—a metaphor of political authority, a figurative ideal deeply rooted in the collective memories of multiple nations, and a literary construct that connected Muslim empires across time and space and continues to inform political debate today. Drawing on works from Classical Antiquity and the vast Persianate worlds from India to the Mediterranean, as well as the Hebrew Bible and European medieval mirrors for princes, Dabashi engages a diverse body of political thought to reveal the construction of the Persian Prince as a potent archetype. He traces this archetype through its varied historic gestations and finds it resurfacing in postcolonial political thought as a rebel, a prophet, a poet, and a nomad. Bringing poetics and politics together, Dabashi shows how this archetypal figure has long defined political authority throughout the wider Iranian and Islamic worlds. With meticulous attention to literary and poetic texts, moral and philosophical treatises, allegorical and anecdotal stories, sacred and secular evidence, visual and performing arts, histories of global empires and colonial conquests, this sweeping work offers a deeply learned, richly erudite, and transformative piece of critical thinking. As Dabashi shows, the Persian Prince remains the stuff of current debate across the Muslim and Persianate worlds, in contestations over the public domain and the collective will to power, and above all in the prospects of democratic institutions.
The Historiography of Persian Architecture by Mohammad Gharipour Pdf
Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiography. This book addresses the challenges, complexities, and contradictions regarding historical and geographical diversity of Persian architecture, including issues lacking in the 20th century historiography of Iran and neighbouring countries. This book not only illustrates different trends in Persian architecture but also clarifies changing notions of research in this field. Aiming to introduce new tools of analysis, the book offers fresh insights into the discipline, supported by historical documents, archaeological data, treatises, and visual materials. It brings together well-established and emerging scholars from a broad range of academic spheres, in order to question and challenge pre-existing historiographical frameworks, particularly through specific case studies. Overall, it provides a valuable contribution to the study of Persian architecture, simultaneously revisiting past literature and advancing new approaches. This book would be of interest to students and scholars of Middle East and Iranian Studies, as well as Architectural History, including Islamic architecture and historiography.
With the clarity / of a landscape made of single / grains of sand, the poems in John Canaday's The Invisible World invite readers on a journey through an exotic land, as the narrator travels for more than a year in the Hashemite Kingdom of Jordan before returning home to New England. Swept along by poetry alive to paradox, we encounter a world in which the Bible and the Qur'an, Eastern and Western traditions, ancient and modern artifacts, mystical and scientific attitudes, meet on equal footing, where a tape recorder perched on a minaret broadcasts the prerecorded cry of a muezzin calling the faithful to prayer. In these poems, the exotic includes not only a world of Bedouin and camels, djinn and ghouls, but also the internal territory of the narrator himself, who alternately feels like an ambassador of sorts, / albeit penned in tourist class and a post-imperial naif / in metaphorical Bermuda shorts. Canaday offers here a complex meditation on the inner and outer nature of journeys and confronts the powerful recognition that the sense of the foreign arises through an inevitable encounter with the self. Confident in both lyric and narrative modes, Canaday's poems create a stun
An Anthropological Guide to the Art and Philosophy of Mirror Gazing by Maria Danae Koukouti,Lambros Malafouris Pdf
Looking at one's face in the mirror and finding one's self in the mirror are not the same. The former capacity is something we share with other animals; the latter is a skill: something we have to learn. What does it mean and what does it take to find oneself the mirror? This book provides a comparative anthropological enquiry into the unity and diversity of mirror gazing. The reader is encouraged to reflect upon and experiment with different mirror gazes through a range of case studies. Koukouti and Malafouris weave together anthropology with philosophy and draw on examples from literature and experiments from psychopathology in a way that has never been attempted before. The master metaphor is that of the mirror as trap. Mirror gazing is viewed on a par with hunting. Mirroring signifies the hunt for self-knowledge. In a time obsessed with the digital self-image, Koukouti and Malafouris reflect on the structures of consciousness that underpin the different ways of looking at and through the mirror. Combining metaphor, comparison and estrangement, they gesture towards a therapeutic alliance between body and mirroring. This allows us to look in the mirror, and think of our shared humanity differently.
A woman not only needs a room of her own, as Virginia Woolf wrote, but also the freedom to leave it and return to it at will; for a room without that right becomes a prison cell. The privilege of self-directed movement, the power to pick up and go as one pleases, has not been a traditional "right" of Iranian women. This prerogative has been denied them in the name of piety, anatomy, chastity, class, safety, and even beauty. It is only during the last 160 years that the spell has been broken and Iranian women have emerged as a moderating, modernizing force. Women writers have been at the forefront of this desegregating movement and renegotiation of boundaries. Words, Not Swords explores the legacy of sex segregation and its manifestations in Iranian literature and film and in notions of beauty and the erotics of passivity. Milani expands her argument beyond Iranian culture, arguing that freedom of movement is a theme that crosses frontiers and dissolves conventional distinctions of geography, history, and religion. She makes bold connections between veiling and foot binding, between Cinderella and Barbie, between the figures of the female Gypsy and the witch. In so doing, she challenges cultural hierarchies that divert attention from key issues in the control of women across the globe.
"For years Samuel Xavier Adams's father has been a shadow figure in his family's lives, vanishing and reappearing, keeping a slender connection from afar while his wife and childred are haunted by loneliness, his daughter wasted by addictions, and his son, Sam, hounded by his father's enemies."--Jacket.
Love in the Time of Ethnography by Lucinda Carspecken Pdf
Love in the Time of Ethnography explores love – variously defined – as an important facet of human life and a worthy focus of study. The authors look at love in association with an Alevi and Sunni couple in Turkey, organizers of Mexican American and immigrant youth movements, Christian missionaries in China, an elderly man with dementia, two women “coming home” to queer identity, a White researcher working with Black women in the US, the common ground between Dōgen’s Zen teachings and Habermas's critical theory, an Albanian Sufi community in Michigan and interactions between humans and the natural world. It also includes theoretical writing on the place of love in social analysis, whether this involves relationships between researchers and participants or the nature of human connection itself. The authors argue that social research is an affective process as well as a cognitive one, and that fellow feeling is an essential component of making sense of the world. Along with more traditional scholarly forms, the contributors to this book use auto-ethnography, life stories, archival research and poetry, noting that style itself conveys information and emotion. Writing is always to some extent partisan. While anthropologists and other social researchers have explored this idea over the last few decades, they have more often explored it with an eye to critique than to the ideals underlying that critique. This is a collection of essays about what ethnographers are aiming for as well as the problems they address, and the authors discuss ethical principles like agape, hizmet and cariño as rationales for ethnography and rationales for social change.
Author : Francis La Flesche Publisher : University of Oklahoma Press Page : 348 pages File Size : 50,8 Mb Release : 1999-03-01 Category : Social Science ISBN : 0806131322
The Osage and the Invisible World by Francis La Flesche Pdf
Francis La Flesche (1857-1932), Omaha Indian and anthropologist with the Bureau of American Ethnology, published an enormous body of work on the religion of the Osage Indians, all gathered from the most knowledgeable Osage religious leaders of their day. Yet his writings have been largely overlooked because they were published piecemeal over the course of twenty-five years and never adequately collected or analyzed. In this book, Garrick A. Bailey brings together in a clear, understandable way La Flesche’s data for two important Osage religious ceremonies--the "Songs of Wa-xo’-be," an initiation into a clan priesthood, and the Rite of the Chiefs, an initiation into a tribal priesthood. To put La Flesche’s work into perspective, Bailey offers a short biography of this prolific Native American scholar and an overview of traditional Osage religious beliefs and practices.
The Invisible World and the Visible World by Sukoun Choe Pdf
We have been living according to the legacy formed by our old ancestor for long era but as we know many our customs and ways to live had specificity of selfish thought. More over a greed to live long only belonging to the human being have made mistake to understand natural law by the identity of God which was built up as they want. Now truly we have to criticize our civilization have been made for thousands years by ourselves with the wisdom of modern and critical rationalism. Our science become developed enough to understand the origin of cosmos, materials and lives, but we have lived with the mind of state hanging to the thought of decades centuries ago. We have live with fixed thought that God is never changing being. But if we agree God is the another name of natural itself, though it’s identity is not changed, with the point of one of it’s identity is alternation, and so we have to get new idea of our changing will be most adaptable to God. With this book you can meet new idea of new God’s identity which is in your heart through cosmos so you can understand you are the most important existence in this cosmos.