Mirzā ʿali Qoli Khoʾi The Master Illustrator Of Persian Lithographed Books In The Qajar Period Vol 2
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Mirzā ʿAli-Qoli Khoʾi: The Master Illustrator of Persian Lithographed Books in the Qajar Period. Vol. 2 by Ulrich Marzolph Pdf
The present publication, by Ulrich Marzolph and Roxana Zenhari, is a comprehensive assessment of the art of Mirzā ʿAli-Qoli Khoʾi, the unsurpassed master of the art of illustration in Persian lithographed books of the Qajar period.
Mirzā ʿAli-Qoli Khoʾi: The Master Illustrator of Persian Lithographed Books in the Qajar Period. Vol. 1 by Ulrich Marzolph Pdf
The present publication, by Ulrich Marzolph and Roxana Zenhari, is a comprehensive assessment of the art of Mirzā ʿAli-Qoli Khoʾi, the unsurpassed master of the art of illustration in Persian lithographed books of the Qajar period.
Mirzā ʻAli-Qoli Khoʼi by Ulrich Marzolph,Roxana Zenhari Pdf
"Mirzā 'Ali-Qoli Kho'i is the unsurpassed master of the art of illustration in Persian lithographed books of the Qajar period, both in terms of quality and quantity of production. In the decade of documented activity, 1263-72/1846-55, the artist produced more than 2,300 single images in about 70 books, plus hundreds of minutely executed small images on the margins of several books and numerous illuminated chapter headings. Prepared by Ulrich Marzolph together with Roxana Zenhari, the present publication is a comprehensive assessment of the artist's work and the first ever detailed discussion of an Iranian artist of the Qajar period. In addition, the book also serves as an introduction to Persian and Islamic art"--
Basil William Robinson,Brooklyn Museum of Art,Armand Hammer Museum of Art and Cultural Center,Brunei Gallery
Author : Basil William Robinson,Brooklyn Museum of Art,Armand Hammer Museum of Art and Cultural Center,Brunei Gallery Publisher : Unknown Page : 306 pages File Size : 55,8 Mb Release : 1998 Category : Art ISBN : UOM:39015047543510
Royal Persian Paintings by Basil William Robinson,Brooklyn Museum of Art,Armand Hammer Museum of Art and Cultural Center,Brunei Gallery Pdf
Iranian art of the Qajar period (1779-1925) has long been neglected and is little understood. This beautifully illustrated book for the first time comprehensively examines the flowering of Persian painting and the visual arts of this period. It focuses on the growth of a remarkable tradition of life-size figural painting, virtually unseen in the Islamic world. Exquisite historic manuscripts, lacquer works, calligraphies and enamels further illuminate the subject. The Qajar Epoch carries essays by leading scholars exploring the historical and social context of the period. Detailed entries describing and interpreting a wide variety of painting and artifacts, many hitherto unseen masterpieces from museums such as the Hermitage and private collections are virtually all illustrated in color and accompanied by translations of inscriptions, technical appendices and extensive bibliographies. A unique reference work, The Qajar Epoch will appeal to both specialist of pre-modern Iran and all those interested in non-Western artistic and cultural traditions.
Nira Stone (1938-2013) contributed to the understanding of mediaeval Armenian art and painting. Her interest ranged over a millennium of artistic expression, and over such fields of creativity as manuscript painting, frescos, and mosaics. The volume contains her published papers and one made newly public.
This book traces how medicine in modern Iran was both theoretically and institutionally transformed in the 19th and 20th centuries. It explores the process by which local physicians, in a non-colonial context, assimilated the emerging "modern medicine" and the institutional devices that accommodated this transition.
101 Middle Eastern Tales and Their Impact on Western Oral Tradition by Ulrich Marzolph Pdf
Against the methodological backdrop of historical and comparative folk narrative research, 101 Middle Eastern Tales and Their Impact on Western Oral Tradition surveys the history, dissemination, and characteristics of over one hundred narratives transmitted to Western tradition from or by the Middle Eastern Muslim literatures (i.e., authored written works in Arabic, Persian, and Ottoman Turkish). For a tale to be included, Ulrich Marzolph considered two criteria: that the tale originates from or at least was transmitted by a Middle Eastern source, and that it was recorded from a Western narrator’s oral performance in the course of the nineteenth or twentieth century. The rationale behind these restrictive definitions is predicated on Marzolph’s main concern with the long-lasting effect that some of the "Oriental" narratives exercised in Western popular tradition—those tales that have withstood the test of time. Marzolph focuses on the originally "Oriental" tales that became part and parcel of modern Western oral tradition. Since antiquity, the "Orient" constitutes the quintessential Other vis-à-vis the European cultures. While delineation against this Other served to define and reassure the Self, the "Orient" also constituted a constant source of fascination, attraction, and inspiration. Through oral retellings, numerous tales from Muslim tradition became an integral part of European oral and written tradition in the form of learned treatises, medieval sermons, late medieval fabliaux, early modern chapbooks, contemporary magazines, and more. In present times, when national narcissisms often acquire the status of strongholds delineating the Us against the Other, it is imperative to distinguish, document, visualize, and discuss the extent to which the West is not only indebted to the Muslim world but also shares common features with Muslim narrative tradition. 101 Middle Eastern Tales and Their Impact on Western Oral Tradition is an important contribution to this debate and a vital work for scholars, students, and readers of folklore and fairy tales.
Narrative Illustration in Persian Lithographed Books by Ulrich Marzolph Pdf
This study surveys a distinctive type of the “Islamic” book which has been largely neglected in previous scholarship: the genre of illustrated lithographed books produced in nineteenth- and early twentieth-century Iran. In addition to introducing the history of printing in Iran and surveying the investigated sources, the study supplies basic data on genres of illustrated books, artists active in lithographic illustration, and aspects germane to this particular field of art. The documentation includes bibliographical references for 116 illustrated books in a total of 351 particular editions and 150 plates with several hundred single illustrations. Lithographic illustration in Iran constitutes the legitimate successor to manuscript illustration, both in content and style. Contrasting with the latter’s refinement, lithographed illustrations were produced in large numbers and served as a powerful medium of popular iconography.
The Arabian Nights commands a place in world literature unrivaled by any other fictional work of "Oriental" provenance. Bringing together Indian, Iranian, and Arabic tradition, this collection of tales became popular in the Western world during the eighteenth century and has since exerted a profound influence on theater, opera, music, painting, architecture, and literature. The Arabian Nights Reader offers an authoritative guide to the research inspired by this rich and intricate work. Through a selection of sixteen influential and currently relevant essays, culled from decades of scholarship, this volume encompasses the most salient research topics to date, from the Nights' early history to interpretations of such famous characters as Sheherazade. While serious research on the Nights began early in the nineteenth century, some of the most puzzling aspects of the collection's complex history and character were solved only quite recently. This volume's topics reflect the makings of a transnational narrative: evidence of a ninth-century version of the Nights, the work's circulation among booksellers in twelfth-century Cairo, the establishment of a "canonical" text, the sources used by the French translator who introduced the Nights to the West and the dating of this French translation, the influence of Greek literature on the Nights, the genre of romance, the relationship between narration and survival within the plots, reception of the Nights from the nineteenth century onward, interpretations of single stories from the collection, the universal nature of the sexual politics surrounding Sheherazade, and the repercussion of the Nights in modern Arabic literature. As this collection demonstrates, the Arabian Nights helped shape Western perceptions of the "Orient" as the quintessential "Other" while serving to inspire Western creativity. The research presented here not only deepens our insight into this great work but also heightens our awareness of the powerful communal forces of transnational narrative.
Historical Aspects of Printing and Publishing in Languages of the Middle East by Geoffrey Roper Pdf
Print culture, in both its material and cognitive aspects, has been a somewhat neglected field of Middle Eastern intellectual and social history. The essays in this volume aim to make significant contributions to remedying this neglect, by advancing our knowledge and understanding of how and why the development of printing both affected, and was affected by, historical, social and intellectual currents in the areas considered. These range geographically from Iran to Latin America, via Kurdistan, Turkey, Egypt, the Maghrib and Germany, temporally from the 10th to the 20th centuries CE, and linguistically through Arabic, Judæo-Arabic, Syriac, Ottoman Turkish, Kurdish and Persian.
Women in Iran from 1800 to the Islamic Republic by Lois Beck,Guity Nashat Pdf
The role of women in Iran has often been downplayed or obscured, particularly in the modern era. This volume demonstrates that women have long played important roles in different facets of Iranian society. Together with its companion, Women in Iran from the Rise of Islam to 1800, this volume completes a two-book project on the central importance of Iranian women from pre-Islamic times through the creation and establishment of the Islamic Republic. It includes essays from various disciplines by prominent scholars who examine women's roles in politics, society, and culture and the rise and development of the women's movement before and during the Islamic Republic. Several contributors address the issue of regional, ethnic, linguistic, and tribal diversity in Iran, which has long contained complex, heterogenous societies.
The five Diez albums in Berlin are an important source for the study of Ilkhanid, Jalayirid, and Timurid art. The 21 essays of this book contribute to deepening our understanding of the development of Persianate art and its perception in later times.
Medicine, Public Health, and the Qājār State by Hormoz Ebrahimnejad Pdf
This volume provides surprising new insights into the interrelation of medical practice, public health and politics in 19th century Iran, esp. the assimilation of Western medicine into indigenous systems.
