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Mistress of the Art of Death by Ariana Franklin Pdf
Set in medieval England, this chilling novel combines the best of modern forensic thrillers with the drama of historical fiction, as a mistress of the art of death--an early version of a medical examiner--arrives in Cambridge from Italy to investigate the suspicious deaths of four children.
Mistress of the Art of Death by Ariana Franklin Pdf
The national bestselling hit hailed by the New York Times as a "vibrant medieval mystery...[it] outdoes the competition." In medieval Cambridge, England, Adelia, a female forensics expert, is summoned by King Henry II to investigate a series of gruesome murders that has wrongly implicated the Jewish population, yielding even more tragic results. As Adelia's investigation takes her behind the closed doors of the country's churches, the killer prepares to strike again.
Mistress of the Art of Death by Ariana Franklin Pdf
Sent to medieval Cambridge in order to exonerate Jewish prisoners who have been accused of murdering four children, University of Salerno medical expert Adelia discovers that the killer may be a former crusader.
Joanna, the youngest of King Henry's daughters, is on her way to marry William II, king of Sicily. The journey will be long and dangerous, so Henry sends the only doctor he trusts—Adelia Aquilar, who is just as gifted with the living as she is with the dead. Usually, Adelia would be eager to visit her homeland, but Henry insists she leave her daughter in England as insurance she'll return. Adelia takes out her bitterness on Rowley, her former lover and Henry's most loyal man. Rowley is along for protection because a princess travelling with a fortune in jewels and gold is a tempting target, especially when among the treasures is the great sword Excalibur. Henry has decided to give it to his future son-in-law and greatest ally—to keep it from his ambitious sons. But the scheming of princes is nothing compared to a madman who seeks revenge because he blames Adelia for his lover's death...
Two years after the events of The Serpent's Tale, the Celts continue to fight Henry's rule, believing that King Arthur will return to repel the invading Saxons. When two bodies are discovered, Henry calls on Adelia to prove they are those of Arthur and Guinevere. If she does, the Celts should fall into line. In her third mystery featuring King Henry II's mistress of the art of death, Ariana Franklin delivers another perfect mix of history, legend, mystery, and thriller.
Death and the Maiden by Ariana Franklin,Samantha Norman Pdf
“Superb...an appropriate homage”—Marilyn Stasio, New York Times The much-anticipated final installment in Ariana Franklin’s popular Mistress of the Art of Death historical mystery series, finished by the author’s daughter after her death. England. 1191. After the death of her friend and patron, King Henry II, Adelia Aguilar, England’s vaunted Mistress of the Art of Death, is living comfortably in retirement and training her daughter, Allie, to carry on her craft—sharing the practical knowledge of anatomy, forensics, and sleuthing that catches murderers. Allie is already a skilled healer, with a particular gift for treating animals. But the young woman is nearly twenty, and her father, Rowley, Bishop of Saint Albans, and his patron, the formidable Queen Eleanor of Aquitaine, have plans to marry Allie to an influential husband . . . if they can find a man who will appreciate a woman with such unusual gifts. When a friend in Cambridgeshire falls ill, Allie is sent to Ely, where her path will cross with Lord Peverill, a young aristocrat who would be a most suitable match for the young healer. But when Allie arrives, all is chaos. A village girl has disappeared—and she’s not the first. Over the past few months, several girls from the villages surrounding Ely have vanished. When the body of one of the missing is discovered, Allie manages to examine the remains before burial. The results lead her to suspect that a monstrous predator is on the loose. Will her training and her stubborn pursuit of the truth help her find the killer...or make her the next victim? A richly detailed, twisty thriller, Death and the Maiden is historical mystery at its finest—and a superb final episode in Ariana Franklin’s much-loved, much-acclaimed series.
The follow-up to Mistress of the Art of Death- in the national bestselling series hailed as "the medieval answer to Kay Scarpetta and the CSI detectives." When King Henry II's mistress is found poisoned, suspicion falls on his estranged queen, Eleanor of Aquitaine. The king orders Adelia Aguilar, expert in the science of death, to investigate-and hopefully stave off civil war. A reluctant Adelia finds herself once again in the company of Rowley Picot, the new Bishop of St. Albans...and her baby's father. Their discoveries into the crime are shocking- and omens of greater danger to come.
The Strange Death of Mistress Coffin by Robert J. Begiebing Pdf
New England. 1648. The Piscataqua Settlement. A young woman has been found dead, her violated body stripped naked and thrown in a river. Her husband, a reclusive and learned man, has mysteriously halted his legal proceedings against the most likely suspect, who has disappeared into the wilderness. The settlement's elders call on a young Englishman, Richard Browne, to discover the truth about what happened. But the more he learns, the more puzzling the crime becomes, and the more he finds himself drawn to the wife of the missing suspect. Based on an actual unsolved murder from the records of colonial America, Robert J. Begiebing's The Strange Death of Mistress Coffin is at once a spellbinding mystery and a fascinating evocation of life in early America.
"Splendid" —New York Times "Mind-bending." —Wall Street Journal "Brilliantly original. The best new novel I've read this year." —Salman Rushdie A daring, kaleidoscopic novel about the clash of empires and ideas, told through a tennis match in the sixteenth century between the radical Italian artist Caravaggio and the Spanish poet Francisco de Quevedo, played with a ball made from the hair of the beheaded Anne Boleyn. The poet and the artist battle it out in Rome before a crowd that includes Galileo, a Mary Magdalene, and a generation of popes who would throw the world into flames. In England, Thomas Cromwell and Henry VIII execute Anne Boleyn, and her crafty executioner transforms her legendary locks into those most-sought-after tennis balls. Across the ocean in Mexico, the last Aztec emperors play their own games, as the conquistador Hernán Cortés and his Mayan translator and lover, La Malinche, scheme and conquer, fight and f**k, not knowing that their domestic comedy will change the course of history. In a remote Mexican colony a bishop reads Thomas More’s Utopia and thinks that it’s a manual instead of a parody. And in today’s New York City, a man searches for answers to impossible questions, for a book that is both an archive and an oracle. Álvaro Enrigue’s mind-bending story features assassinations and executions, hallucinogenic mushrooms, bawdy criminals, carnal liaisons and papal schemes, artistic and religious revolutions, love and war. A blazingly original voice and a postmodern visionary, Enrigue tells the grand adventure of the dawn of the modern era, breaking down traditions and upending expectations, in this bold, powerful gut-punch of a novel. Game, set, match. “Sudden Death is the best kind of puzzle, its elements so esoteric and wildly funny that readers will race through the book, wondering how Álvaro Enrigue will be able to pull a novel out of such an astonishing ball of string. But Enrigue absolutely does; and with brilliance and clarity and emotional warmth all the more powerful for its surreptitiousness.” —Lauren Groff, New York Times-bestselling author of Fates and Furies "Engrossing... rich with Latin and European history." —The New Yorker "[A] bawdy, often profane, sprawling, ambitious book that is as engaging as it is challenging.” —Vogue
As the witch-pyres of the Spanish Inquisition blanket Renaissance Europe in a moral haze, a young African slave finds herself the unwilling apprentice of an ancient necromancer. Unfortunately, quitting his company proves even more hazardous than remaining his pupil when she is afflicted with a terrible curse. Yet salvation may lie in a mysterious tome her tutor has hidden somewhere on the war-torn continent. She sets out on a seemingly impossible journey to find the book, never suspecting her fate is tied to three strangers: the artist Niklaus Manuel Deutsch, the alchemist Dr. Paracelsus, and a gun-slinging Dutch mercenary. As Manuel paints her macabre story on canvas, plank, and church wall, the young apprentice becomes increasingly aware that death might be the least of her concerns.
Catherine Hewitt's The Mistress of Paris is a fantastically readable biography of a nineteenth-century Parisian courtesan who harbored an incredible secret. “A gorgeous, smart, ambitious, hard-working, steely autodidact and businesswoman whose product was herself, Valtesse would be totally at home in our self-branding society.” —The New York Times Book Review Comtesse Valtesse de la Bigne was painted by Édouard Manet and inspired Émile Zola, who immortalized her in his scandalous novel Nana. Her rumored affairs with Napoleon III and the future King Edward VII kept gossip columns full. But her glamorous existence hid a dark secret: she was no comtesse. Valtesse was born into abject poverty, raised on a squalid backstreet among the dregs of Parisian society. Yet she transformed herself into an enchantress who possessed a small fortune, three mansions, fabulous carriages, and art the envy of connoisseurs across Europe. A consummate show-woman, she ensured that her life—and even her death—remained shrouded in just enough mystery to keep her audience hungry for more. Spectacularly evoking the sights and sounds of mid- to late nineteenth-century Paris in all its hedonistic glory, Catherine Hewitt’s biography tells, for the first time ever in English, the forgotten story of a remarkable woman who, though her roots were lowly, never stopped aiming high.
D.T. Siebert’s Mortality’s Muse demonstrates how art, literature in particular, addresses that most fundamental of human fears—mortal anxiety. Various aspects of culture and thought come into play: from the psychological, theological, and philosophical to the literary, all brought together under the idea and ideal of the aesthetic.
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
Berlin, 1922: A city of fading beauty plagued by unemployment and rampant inflation becomes home to a growing number of refugees. Esther Solomonova survives by working as secretary to her fellow Russian émigré, "Prince" Nick, a scheming cabaret owner. Always on the prowl for a deal, Nick smells money when he hears of a woman in an asylum claiming to be the Grand Duchess Anastasia, daughter of the Russian Czar, the lone member of her family to escape assassination by the Bolsheviks. Enlisting a highly suspicious Esther, Nick plans to prepare the woman—known as Anna Anderson—to claim the Romanov fortune. But Anna is being hunted. Or so she claims. At first Esther believes Anna’s fears to be just in her imagination—until innocent people around them begin to die. Together with a German police officer, a dogged inspector named Schmidt, Esther tries to discover who wants Anna dead—and why. Yet the deeper she and Schmidt dig, the more they realize that their own lives are at risk. Deeply atmospheric, peopled with rich, complex characters, City of Shadows is an enthralling novel.
Dearborn's unprecedented access to Guggenheim's family, friends, and papers contributes rich insight to her traumatic childhood in New York, her self-education in the ways of art and artists, her battles with other art-collecting Guggenheims, and her legendary sexual appetites.