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Author : J. L. Styan
Publisher : Cambridge University Press
Page : 224 pages
File Size : 44,9 Mb
Release : 1981
Category : Drama
ISBN : 0521296285
This 1981 volume begins with the French revolt against naturalism in theatre and then covers the European realist movement.
Author : Peter Szondi
Publisher : Wiley-Blackwell
Page : 128 pages
File Size : 40,8 Mb
Release : 1987
Category : Drama
ISBN : 0745603890
This book is a brilliant analysis of the emergence and development of modern drama from the Renaissance to the present day. This concise but wide-ranging book discusses the work of Ibsen, Chekhov, Strindberg, Satre, Brecht and Wilder, among others.
Author : Richard Gilman
Publisher : Yale University Press
Page : 324 pages
File Size : 48,9 Mb
Release : 2000-01-01
Category : Literary Criticism
ISBN : 0300079028
This critical exploration of modern drama begins with Büchner and Ibsen and then discusses the major playwrights who have shaped modern theater. A new introduction by the author assesses developments of recent years.
Author : Alan Ackerman
Publisher : University of Toronto Press
Page : 489 pages
File Size : 53,7 Mb
Release : 2012-04-25
Category : Performing Arts
ISBN : 9781442661493
Exploring the relationship between dramatic language and its theatrical aspects, Reading Modern Drama provides an accessible entry point for general readers and academics into the world of contemporary theatre scholarship. This collection promotes the use of diverse perspectives and critical methods to explore the common theme of language as well as the continued relevance of modern drama in our lives. Reading Modern Drama offers provocative close readings of both canonical and lesser-known plays, from Hedda Gabler to e.e. cummings' Him. Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies.
Author : Una Chaudhuri
Publisher : University of Michigan Press
Page : 330 pages
File Size : 45,9 Mb
Release : 1997
Category : Literary Criticism
ISBN : 0472065890
The first book-length study of the notion of place and its implications in modern drama
Author : Lynne Stringer
Publisher : Rhiza Press
Page : 128 pages
File Size : 50,9 Mb
Release : 2016-10-01
Category : Young Adult Fiction
ISBN : 9781925139808
After a normal day turns disastrous, Madison Craig tries to put her life back together. She’s jumping at shadows and finds even familiar places terrifying. Can she forgive the men who hurt her? Her friend Evan Mansfield sees no need to do anything but hate their assailants. He struggles with bitterness, but Maddy wants to move on. What will she do when one of the men asks for forgiveness?
Author : Katherine E. Kelly
Publisher : Routledge
Page : 390 pages
File Size : 50,7 Mb
Release : 2002-09-11
Category : Performing Arts
ISBN : 9781134802371
Modern Drama by Women 1880s-1930s offers the first direct evidence that women playwrights helped create the movement known as Modern Drama. It contains twelve plays by women from the Americas, Europe and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation. Playwrights include: * Anne-Charlotte Leffler Edgren (Sweden) * Amelai Pincherle Rosselli (Italy) * Elsa Berstein (Germany) * Elizabeth Robins (Britain) * Marie Leneru (France) * Alfonsina Storni (Argentina) * Hella Wuolijoki (Finland) * Hasegawa Shigure (Japan) * Rachilde (France) * Zinaida Gippius (Russia) * Djuna Barnes (USA) * Marita Bonner (USA) This groundbreaking anthology explodes the traditional canon. In these plays, the New Woman represents herself and her crises in all of the styles and genres available to the modern dramatist. Unprecedented in diversity and scope, it is a collection which no scholar, student or lover of modern drama can afford to miss.
Author : William B. Worthen
Publisher : Univ of California Press
Page : 248 pages
File Size : 54,6 Mb
Release : 1992-01-01
Category : Performing Arts
ISBN : 0520074688
The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator. The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Author : Ryan Curtis Friesen
Publisher : Liverpool University Press
Page : 261 pages
File Size : 49,9 Mb
Release : 2019-07-01
Category : Drama
ISBN : 9781837641581
Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.
Author : David Krasner
Publisher : John Wiley & Sons
Page : 484 pages
File Size : 49,8 Mb
Release : 2011-08-31
Category : Literary Criticism
ISBN : 9781444343748
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas
Author : Paul D. Streufert
Publisher : Routledge
Page : 352 pages
File Size : 40,7 Mb
Release : 2016-12-05
Category : Literary Criticism
ISBN : 9781351942461
In this essay collection, the contributors contend that academic drama represents an important, but heretofore understudied, site of cultural production in early modern England. Focusing on plays that were written and performed in academic environments such as Oxford University, Cambridge University, grammar schools, and the Inns of Court, the scholars investigate how those plays strive to give dramatic coherence to issues of religion, politics, gender, pedagogy, education, and economics. Of particular significance are the shifting political and religious contentions that so frequently shaped both the cultural questions addressed by the plays, and the sorts of dramatic stories that were most conducive to the exploration of such questions. The volume argues that the writing and performance of academic drama constitute important moments in the history of education and the theater because, in these plays, narrative is consciously put to work as both a representation of, and an exercise in, knowledge formation. The plays discussed speak to numerous segments of early modern culture, including the relationship between the academy and the state, the tensions between humanism and religious reform, the successes and failures of the humanist program, the social profits and economic liabilities of formal education, and the increasing involvement of universities in the commercial market, among other issues.
Author : W. B. Worthen
Publisher : Univ of California Press
Page : 240 pages
File Size : 41,6 Mb
Release : 2015-01-30
Category : Language Arts & Disciplines
ISBN : 9780520286870
The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Author : Kirsten Shepherd-Barr
Publisher : Oxford University Press
Page : 153 pages
File Size : 49,8 Mb
Release : 2016
Category : Performing Arts
ISBN : 9780199658770
This book tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent. Exploring the new note of artistic hostility between dramatists and their audience, Shepherd-Barr draws on a range of theories and performances to reveal what makes modern drama 'modern'.
Author : Caroline Baird
Publisher : Springer Nature
Page : 296 pages
File Size : 40,6 Mb
Release : 2020-10-24
Category : Literary Criticism
ISBN : 9783030508579
This book is a close taxonomic study of the pivotal role of games in early modern drama. The presence of the game motif has often been noticed, but this study, the most comprehensive of its kind, shows how games operate in more complex ways than simple metaphor and can be syntheses of emblem and dramatic device. Drawing on seventeenth-century treatises, including Francis Willughby’s Book of Games, which only became available in print in 2003, and divided into chapters on Dice, Cards, Tables (Backgammon), and Chess, the book brings back into focus the symbolism and divinatory origins of games. The work of more than ten dramatists is analysed, from the Shakespeare and Middleton canon to rarer plays such as The Spanish Curate, The Two Angry Women of Abington and The Cittie Gallant. Games and theatre share common ground in terms of performance, deceit, plotting, risk and chance, and the early modern playhouse provided apt conditions for vicarious play. From the romantic chase to the financial gamble, and in legal contest and war, the twenty-first century is still engaging the game. With its extensive appendices, the book will appeal to readers interested in period games and those teaching or studying early modern drama, including theatre producers, and awareness of the vocabulary of period games will allow further references to be understood in non-dramatic texts.
Author : K. Gritzner
Publisher : Springer
Page : 206 pages
File Size : 47,7 Mb
Release : 2016-04-29
Category : Performing Arts
ISBN : 9781137534477
Adorno and Modern Theatre explores the drama of Edward Bond, David Rudkin, Howard Barker and Sarah Kane in the context of the work of leading philosopher Theodor W. Adorno (1903-1969). The book engages with key principles of Adorno's aesthetic theory and cultural critique and examines their influence on a generation of seminal post-war dramatists.