Modern Women And Parisian Consumer Culture In Impressionist Painting

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Modern Women and Parisian Consumer Culture in Impressionist Painting

Author : Ruth E. Iskin
Publisher : Cambridge University Press
Page : 0 pages
File Size : 41,8 Mb
Release : 2014-03-17
Category : Art
ISBN : 1107672465

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Modern Women and Parisian Consumer Culture in Impressionist Painting by Ruth E. Iskin Pdf

This book examines the encounter between Impressionist painting and Parisian consumer culture. Its analysis of Impressionist paintings depicting women as consumers, producers, or sellers in sites such as the millinery boutique, theater, opera, café-concert and market revises our understanding of the representation of women in Impressionist painting, from women¹s exclusion from modernity to their inclusion in its public spaces, and from the privileging of the male gaze to a plurality of gazes. Ruth E. Iskin demonstrates that Impressionist painting addresses and represents women in active roles, and not only as objects on display, and probes the complex relationship between the Parisienne, French fashion, and national identity. She analyzes Impressionist representations of commodity displays and of signs of consumer culture such as advertising and shop fronts in views of Paris. Incorporating a wide range of nineteenth-century literary and visual sources, Iskin situates Impressionist painting in the culture of consumption and suggests new ways of understanding the art and culture of nineteenth-century Paris. Ruth E. Iskin holds a PhD from UCLA. She has received the Andrew W. Mellon fellowship at the Penn Humanities Forum. Her publications include essays in The Art Bulletin, Discourse, and Nineteenth-Century Contexts. She teaches art history and visual culture at the Ben-Gurion University of the Negev in Israel.

Impressionism, Fashion & Modernity

Author : Metropolitan Museum of Art (New York, N.Y.),Musée d'Orsay
Publisher : Unknown
Page : 344 pages
File Size : 52,6 Mb
Release : 2012
Category : Art, French
ISBN : UCSD:31822038714317

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Impressionism, Fashion & Modernity by Metropolitan Museum of Art (New York, N.Y.),Musée d'Orsay Pdf

"This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although fashionable subjects have been depicted throughout history, for many artists and writers, including Charles Baudelaire, Stéphanie, Mallarmé, Êmile Zola, Gustave Caillebotte, Edgar Degas, Édouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression."--Book jacket.

Impressionism and the Modern Landscape

Author : James H. Rubin
Publisher : Univ of California Press
Page : 208 pages
File Size : 48,5 Mb
Release : 2008-04-03
Category : Art
ISBN : 9780520248014

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Impressionism and the Modern Landscape by James H. Rubin Pdf

The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.

Degas, Impressionism, and the Paris Millinery Trade

Author : Simon Kelly,Esther Bell,Susan Hiner,Françoise Tétart-Vittu,Melissa E. Buron,Laura L. Camerlengo,Kimberly Chrisman-Campbell,Abigail Yoder
Publisher : Prestel
Page : 0 pages
File Size : 52,7 Mb
Release : 2017
Category : Hats
ISBN : 3791356216

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Degas, Impressionism, and the Paris Millinery Trade by Simon Kelly,Esther Bell,Susan Hiner,Françoise Tétart-Vittu,Melissa E. Buron,Laura L. Camerlengo,Kimberly Chrisman-Campbell,Abigail Yoder Pdf

Filled with beautiful works by Edgar Degas, Mary Cassatt, and other Impressionist painters, this richly illustrated book showcases artistic portrayals of France's millinery trade during the Belle Époque. Filled with beautiful works by Edgar Degas, Mary Cassatt, and other Impressionist painters, this richly illustrated book showcases artistic portrayals of France's millinery trade during the Belle Époque. Though best known for his depictions of dancers and bathers, Edgar Degas repeatedly returned to the subject of millinery over the course of three decades. In masterpieces such as The Millinery Shop (1879-86) and The Milliners (ca. 1898), he captured scenes of milliners fashioning and women wearing elaborate, colorful hats. Featuring sumptuous paintings, pastels, and preparatory drawings by Degas, Cassatt, Manet, Renoir, and Toulouse-Lautrec, among others, this generously illustrated book surveys the millinery industry of 19th-century Paris. Peppered throughout with photographs, posters, and prints of French hats, this book includes essays that explore Degas's particular interest in the millinery trade; the tension between modern fashion and reverence for history and the grand art-historical tradition; a chronicle of Parisian milliners from Caroline Reboux to Coco Chanel; and examples of how the millinery trade is depicted in literature. Brilliantly linking together the worlds of industry, art, and fashion, this groundbreaking book examines the fundamental role of hats and hat-makers in 19th-century culture.

A Companion to Impressionism

Author : André Dombrowski
Publisher : John Wiley & Sons
Page : 644 pages
File Size : 49,9 Mb
Release : 2024-02-27
Category : Art
ISBN : 9781119373926

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A Companion to Impressionism by André Dombrowski Pdf

A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

The Poster

Author : Ruth E. Iskin
Publisher : Dartmouth College Press
Page : 465 pages
File Size : 40,6 Mb
Release : 2014-10-07
Category : Art
ISBN : 9781611686166

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The Poster by Ruth E. Iskin Pdf

The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.

Berthe Morisot, Woman Impressionist

Author : Anonim
Publisher : Rizzoli Publications
Page : 250 pages
File Size : 53,6 Mb
Release : 2018-06-26
Category : Art
ISBN : 9780847861316

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Berthe Morisot, Woman Impressionist by Anonim Pdf

Accompanying a major traveling exhibition, this comprehensive volume examines Berthe Morisot’s remarkable body of work, painterly innovations, and leading role within the Impressionist canon. Today Berthe Morisot (1841–1895) is considered a major Impressionist artist, a recent development despite the respect received in her lifetime from peers Edgar Degas, Édouard Manet, Claude Monet, and Pierre-Auguste Renoir. As the only female member of the Impressionist group at its founding in late 1873, Morisot played a major and multifaceted part in the movement, and her works were prized by pioneering dealers and collectors. Lush illustrations from throughout Morisot’s career depict her daring experimentations and her embrace of modern subjects in the city and at the seaside: fashionable young women, and intimate, domestic interiors. Texts examine her in the context of her contemporaries, the critical reception of her work, the subjects and settings she chose, and the state of Morisot scholarship. Berthe Morisot, Woman Impressionist makes an important contribution to the field, with never-before-published letters, interdisciplinary scholarship, and a specific focus on Morisot’s pioneering developments as a painter first, woman second.

Painted Love

Author : Hollis Clayson
Publisher : Getty Publications
Page : 224 pages
File Size : 41,9 Mb
Release : 2003-10-30
Category : Art
ISBN : 9780892367290

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Painted Love by Hollis Clayson Pdf

In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.

Women in Impressionism

Author : Susan Elizabeth Strauber
Publisher : Unknown
Page : 328 pages
File Size : 54,5 Mb
Release : 2006
Category : Art
ISBN : UOM:39015067687759

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Women in Impressionism by Susan Elizabeth Strauber Pdf

This title presents a thorough analysis of how the concepts of 'woman' and 'femininity' unfold inside the broader spectrum of Impressionist painting by male as well as female artists.

Revelation of Modernism

Author : Albert Boime
Publisher : University of Missouri Press
Page : 277 pages
File Size : 44,6 Mb
Release : 2008
Category : Art
ISBN : 9780826266255

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Revelation of Modernism by Albert Boime Pdf

"Examines the work of postimpressionist painters - Van Gogh, Seurat, Cezanne, and Gauguin - and how they responded to cultural and spiritual crisis in the avant-garde world. Boime reconsiders familiar masterpieces and draws analogies with literary sources and social, personal, and political strategies to produce revelations that have eluded most art historians"--Provided by publisher.

Women Artists and the Parisian Avant-garde

Author : Gillian Perry
Publisher : Manchester University Press
Page : 236 pages
File Size : 52,9 Mb
Release : 1995
Category : Painting, French
ISBN : 0719041651

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Women Artists and the Parisian Avant-garde by Gillian Perry Pdf

A re-presentation of women artists whose works were widely exhibited and regularly featured in the French art press and in modern art surveys from 1900 to the 1920s, but who largely disappeared from public view after World War II. The analysis of their work unravels the cultural, aesthetic, and economic reasons for their absence, particularly the issue of "feminine" and "masculine" categories in art. The artists featured include: Emilie Charmy, Jacqueline Marval, Maria Blanchard, Alice Halicka, Marevna, Alice Bailly, Marie Vassiliev, Suzanne Roger, and Mela Muter. The text includes fine color reproductions, bibliographic appendices, and an excerpt from Marevna's writings. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR

The Nude in French Art and Culture, 1870-1910

Author : Heather Dawkins
Publisher : Cambridge University Press
Page : 244 pages
File Size : 40,7 Mb
Release : 2002-02-11
Category : Art
ISBN : 0521807557

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The Nude in French Art and Culture, 1870-1910 by Heather Dawkins Pdf

This study examines the forces that made the nude a contentious image in the early Third Republic. Analyzing the evolving relationship between the fine art nude, print culture, and censorship, Heather Dawkins explores how artists, art critics, politicians, bureaucrats, lawyers, and judges evaluated the nude. She reveals how spectatorship of the nude was refracted through the ideals of art, femininity, republican liberty, and public decency. Dawkins also investigates how women reshaped private perception of the nude to accommodate their own experience and subjectivity.

"Women, Femininity and Public Space in European Visual Culture, 1789?914 "

Author : Temma Balducci
Publisher : Routledge
Page : 357 pages
File Size : 41,8 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351536592

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"Women, Femininity and Public Space in European Visual Culture, 1789?914 " by Temma Balducci Pdf

Focusing on images of or produced by well-to-do nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-?is the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By contrast, the essays collected in Women, Femininity and Public Space in European Visual Culture, 1789-1914 demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting. In examining the relationship between affluent women, femininity and the public, the essays gathered here consider works by an array of artists that includes canonical ones such as Mary Cassatt and Fran?s G?rd as well as understudied women artists including Louise Abb? and Broncia Koller. The essays also consider works in a range of media from fashion prints and paintings to private journals and architectural designs, facilitating an analysis of femininity in public across the cultural production of the period. Various European centers, including Madrid, Florence, Paris, Brittany, Berlin and London, emerge as crucial sites of production for genteel femininity, providing a long-overdue rethinking of modern femininity in the public sphere.

A Cultural History of Dress and Fashion in the Age of Empire

Author : Denise Amy Baxter
Publisher : Bloomsbury Publishing
Page : 571 pages
File Size : 45,9 Mb
Release : 2018-11-01
Category : History
ISBN : 9781350114074

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A Cultural History of Dress and Fashion in the Age of Empire by Denise Amy Baxter Pdf

During the nineteenth and early twentieth centuries the production of dress shifted dramatically from being predominantly hand-crafted in small quantities to machine-manufactured in bulk. The increasing democratization of appearances made new fashions more widely available, but at the same time made the need to differentiate social rank seem more pressing. In this age of empire, the coding of class, gender and race was frequently negotiated through dress in complex ways, from fashionable dress which restricted or exaggerated the female body to liberating reform dress, from self-defining black dandies to the oppressions and resistances of slave dress. Richly illustrated with over 100 images and drawing on a plethora of visual, textual and object sources, A Cultural History of Dress and Fashion in the Age of Empire presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to illustrate the diversity and cultural significance of dress and fashion in the period.

Mary Cassatt between Paris and New York

Author : Ruth E. Iskin
Publisher : Univ of California Press
Page : 0 pages
File Size : 43,8 Mb
Release : 2025-01-28
Category : Art
ISBN : 9780520355460

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Mary Cassatt between Paris and New York by Ruth E. Iskin Pdf

The first comprehensive study of Cassatt’s life, work, and legacy through the prism of a transatlantic framework. This book re-envisions Mary Cassatt in the context of her transatlantic network, friendships, exhibitions, politics, and legacy. Rather than defining her as either an American artist or a French impressionist, author Ruth E. Iskin argues that we can best understand Cassatt through the complexity of her multiple identifications as an American patriot, a committed French impressionist, and a suffragist. Contextualizing Cassatt’s feminist outlook within the intense pro- and anti-suffrage debates in the United States, Iskin shows how these impacted her artistic representations of motherhood, fatherhood, and older women. Mary Cassatt between Paris and New York also argues for the historical importance of her work as an advisor to American collectors, and demonstrates the role of museums in shaping her legacy, highlighting the combined impact of gender, national, and transnational dynamics.