Modernism And The Choreographic Imagination

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Modernism and the Choreographic Imagination

Author : Megan Girdwood
Publisher : Edinburgh Critical Studies in Modernism, Drama and Performan
Page : 0 pages
File Size : 53,6 Mb
Release : 2023-02-18
Category : Christian art and symbolism in literature
ISBN : 1474481639

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Modernism and the Choreographic Imagination by Megan Girdwood Pdf

An account of Salome's dance and its centrality within modernist performance This book explores Salome's quintessential veiled dance through readings of fictional and poetic texts, dramatic productions, dance performances and silent films, arguing for the central place of this dancer - and her many interpreters - to the wider formal and aesthetic contours of modernism. Loïe Fuller, Maud Allan, Oscar Wilde, Ida Rubinstein, Alla Nazimova, Djuna Barnes, Germaine Dulac, Edward Gordon Craig, W. B. Yeats, Ninette de Valois and Samuel Beckett are foregrounded for their innovative engagements with this paradigmatic fin-de-siècle myth, showing how the ephemeral stuff of dance became a constitutive element of the modernist imagination during this period. Megan Girdwood is an Early Career Teaching and Research Fellow in the School of Literatures, Languages and Cultures at the University of Edinburgh.

Social Dance and the Modernist Imagination in Interwar Britain

Author : Rishona Zimring
Publisher : Routledge
Page : 370 pages
File Size : 40,5 Mb
Release : 2016-12-05
Category : Literary Criticism
ISBN : 9781351899598

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Social Dance and the Modernist Imagination in Interwar Britain by Rishona Zimring Pdf

Social dance was ubiquitous in interwar Britain. The social mingling and expression made possible through non-theatrical participatory dancing in couples and groups inspired heated commentary, both vociferous and subtle. By drawing attention to the ways social dance accrued meaning in interwar Britain, Rishona Zimring redefines and brings needed attention to a phenomenon that has been overshadowed by other developments in the history of dance. Social dance, Zimring argues, haunted the interwar imagination, as illustrated in trends such as folk revivalism and the rise of therapeutic dance education. She brings to light the powerful figurative importance of popular music and dance both in the aftermath of war, and during Britain’s entrance into cosmopolitan modernity and the modernization of gender relations. Analyzing paintings, films, memoirs, a ballet production, and archival documents, in addition to writings by Virginia Woolf, D.H. Lawrence, Katherine Mansfield, Vivienne Eliot, and T.S. Eliot, to name just a few, Zimring provides crucial insights into the experience, observation, and representation of social dance during a time of cultural transition and recuperation. Social dance was pivotal in the construction of modern British society as well as the aesthetics of some of the period’s most prominent intellectuals.

Literature, Modernism, and Dance

Author : Susan Jones
Publisher : Oxford University Press
Page : 357 pages
File Size : 49,6 Mb
Release : 2013-08
Category : Literary Criticism
ISBN : 9780199565320

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Literature, Modernism, and Dance by Susan Jones Pdf

Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period

Dance, Modernism, and Modernity

Author : Ramsay Burt,Michael Huxley
Publisher : Routledge
Page : 383 pages
File Size : 42,6 Mb
Release : 2019-09-17
Category : Performing Arts
ISBN : 9780429855948

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Dance, Modernism, and Modernity by Ramsay Burt,Michael Huxley Pdf

This collection of new essays explores connections between dance, modernism, and modernity by examining the ways in which leading dancers have responded to modernity. Burt and Huxley examine dance examples from a period beginning just before the First World War and extending to the mid-1950s, ranging across not only mainland Europe and the United States but also Africa, the Caribbean, the Pacific Asian region, and the UK. They consider a wide range of artists, including Akarova, Gertrude Colby, Isadora Duncan, Katherine Dunham, Margaret H’Doubler, Hanya Holm, Michio Ito, Kurt Jooss, Wassily Kandinsky, Margaret Morris, Berto Pasuka, Uday Shankar, Antony Tudor, and Mary Wigman. The authors explore dancers’ responses to modernity in various ways, including within the contexts of natural dancing and transnationalism. This collection asks questions about how, in these places and times, dancing developed and responded to the experience of living in modern times, or even came out of an ambivalence about or as a reaction against it. Ideal for students and practitioners of dance and those interested in new modernist studies, Dance, Modernism, and Modernity considers the development of modernism in dance as an interdisciplinary and global phenomenon.

Dancing Modernism / Performing Politics

Author : Mark Franko
Publisher : Indiana University Press
Page : 252 pages
File Size : 48,6 Mb
Release : 2023
Category : Art
ISBN : 9780253065438

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Dancing Modernism / Performing Politics by Mark Franko Pdf

"In the much-anticipated update to a classic in dance studies, Mark Franko analyzes the political aspects of North American modern dance in the 20th century. A revisionary account of the evolution of modern dance, this revised edition of Dancing Modernism / Performing Politics features a foreword by Juan Ignacio Vallejos on Franko's career, a new preface, a new chapter on Yvonne Rainer, and an appendix of left-wing dance theory articles from the 1930s. Questioning assumptions that dancing reflects culture, Franko employs a unique interdisciplinary approach to dance analysis that draws from cultural theory, feminist studies, and sexual, class, and modernist politics. Franko also highlights the stories of such dancers as Isadora Duncan, Martha Graham, and even revolutionaries like Douglas Dunn in order to upend and contradict ideas on autonomy and traditionally accepted modernist dance history. Revealing the captivating development of modern dance, this revised edition of Dancing Modernism / Performing Politics will fascinate anyone interested in the intersection of performance studies, history, and politics"--

Dancing Modernism / Performing Politics

Author : Mark Franko
Publisher : Indiana University Press
Page : 281 pages
File Size : 41,5 Mb
Release : 2023-05-02
Category : Performing Arts
ISBN : 9780253065445

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Dancing Modernism / Performing Politics by Mark Franko Pdf

In the much-anticipated update to a classic in dance studies, Mark Franko analyzes the political aspects of North American modern dance in the 20th century. A revisionary account of the evolution of modern dance, this revised edition of Dancing Modernism / Performing Politics features a foreword by Juan Ignacio Vallejos on Franko's career, a new preface, a new chapter on Yvonne Rainer, and an appendix of left-wing dance theory articles from the 1930s. Questioning assumptions that dancing reflects culture, Franko employs a unique interdisciplinary approach to dance analysis that draws from cultural theory, feminist studies, and sexual, class, and modernist politics. Franko also highlights the stories of such dancers as Isadora Duncan, Martha Graham, and even revolutionaries like Douglas Dunn in order to upend and contradict ideas on autonomy and traditionally accepted modernist dance history. Revealing the captivating development of modern dance, this revised edition of Dancing Modernism / Performing Politics will fascinate anyone interested in the intersection of performance studies, history, and politics.

Literature, Modernism, and Dance

Author : Susan Jones
Publisher : OUP Oxford
Page : 357 pages
File Size : 47,9 Mb
Release : 2013-08-01
Category : Literary Criticism
ISBN : 9780191009433

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Literature, Modernism, and Dance by Susan Jones Pdf

This book explores the complex relationship between literature and dance in the era of modernism. During this period an unprecedented dialogue between the two art forms took place, based on a common aesthetics initiated by contemporary discussions of the body and gender, language, formal experimentation, primitivism, anthropology, and modern technologies such as photography, film, and mechanisation. The book traces the origins of this relationship to the philosophical antecedents of modernism in the nineteenth century and examines experimentation in both art forms. The book investigates dance's impact on the modernists' critique of language and shows the importance to writers of choreographic innovations by dancers of the fin de siècle, of the Ballets Russes, and of European and American experimentalists in non-balletic forms of modern dance. A reciprocal relationship occurs with choreographic use of literary text. Dance and literature meet at this time at the site of formal experiments in narrative, drama, and poetics, and their relationship contributes to common aesthetic modes such as symbolism, primitivism, expressionism, and constructivism. Focussing on the first half of the twentieth century, the book locates these transactions in a transatlantic field, giving weight to both European and American contexts and illustrating the importance of dance as a conduit of modernist preoccupations in Europe and the US through patterns of influence and exchange. Chapters explore the close interrelationships of writers and choreographers of this period including Mallarmé, Nietzsche, Yeats, Conrad, Woolf, Lawrence, Pound, Eliot, and Beckett, Fuller, Duncan, Fokine, Nijinsky, Massine, Nijinska, Balanchine, Tudor, Laban, Wigman, Graham, and Humphrey, and recover radical experiments by neglected writers and choreographers from David Garnett and Esther Forbes to Andrée Howard and Oskar Schlemmer.

Dance and Modernism in Irish and German Literature and Culture

Author : Sabine Egger,Catherine E. Foley,Margaret Mills Harper
Publisher : Rowman & Littlefield
Page : 271 pages
File Size : 48,8 Mb
Release : 2019-12-02
Category : Literary Criticism
ISBN : 9781498594271

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Dance and Modernism in Irish and German Literature and Culture by Sabine Egger,Catherine E. Foley,Margaret Mills Harper Pdf

A collection of scholarly articles and essays by dancers and scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture, Dance and Modernism in Irish and German Literature and Culture: Connections in Motion explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, dance documentation, film, and architecture from the 1920s to today. The contributors discuss modernism, with a specific focus on modern dance, and its impact on different art forms and discourses in Irish and German culture. Within this framework, dance is regarded both as a motif and a specific form of spatial movement, which allows for the transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German cultural connections made through dance, while part 2 studies the role of dance in Irish and German literature, visual art, and architecture.

Performing Femininity

Author : Alexandra Kolb
Publisher : Peter Lang
Page : 340 pages
File Size : 52,5 Mb
Release : 2009
Category : Literary Criticism
ISBN : 3039113518

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Performing Femininity by Alexandra Kolb Pdf

This is the first book to analyse the cultural representations of female identity that were created by the interaction between choreography and literary writing in German modernism. It explores the connections between dance, literature and gender discourses with a focus on a key period of the Austro-German dance scene: the years between 1900 and 1933. Drawing on influential feminist and gender theories, this book evaluates the choreographies of leading artists such as Grete Wiesenthal, Mary Wigman, Valeska Gert, Anita Berber, and the sensational 'dream' dancer Madeleine Guipet. In response to growing criticism of ballet, German modern dance reflected and helped shape a reassessment of images of the female, embracing both essentialist and constructionist models of femininity. It also triggered a range of literary responses from dance artists themselves and from contemporary authors - some high-profile, others less well known. This interdisciplinary work offers analyses and part-translations of texts by Alfred Döblin, Frank Wedekind and Carl Sternheim, amongst others, which have to date received little attention in Anglo-American cultural studies due to their unavailability in English.

Moving Modernism

Author : Nell Andrew
Publisher : Oxford University Press
Page : 256 pages
File Size : 44,5 Mb
Release : 2020-03-11
Category : Performing Arts
ISBN : 9780190057299

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Moving Modernism by Nell Andrew Pdf

The emergence of modern dance and the early history of cinema ran concurrent with the European avant-garde's development of pictorial abstraction in the first decades of the 20th century. However, many assume that modernist abstraction resulted from a century of natural, autonomous evolution to painting styles and tastes. In Moving Modernism, author Nell Andrew challenges this assumption. By examining dance and film created during this period, she argues that performative modes of art created the link between bodily movement and movement depicted in modernist paintings. In a seeming paradox, dance and film - durational arts, involving real bodies in space-participated in the development of abstract art. With archival material collected in North America and Europe, Moving Modernism resurfaces lost performances, identifies working methods, and establishes the circles of aesthetic influence and reception for avant-garde dance pioneers and experimental film makers from the turn of the century to the interwar period. Reexamining the motivation that fueled the emergence of abstraction, Andrew claims that painters sought meaning not only in the material and formal picture but also in temporal and sensorial experience. Andrew looks at major figures and intellectual movements including Loïe Fuller and Symbolism; Valentine de Saint-Point and the Cubo-Futurist and neo-Symbolist movements; and early cinematic abstraction from Edison and the Lumières to Hans Richter and Marcel Duchamp. Close examinations of each figure show that theatrical display, embodied self-projection, and kinesthetic desire are not necessarily in opposition to pictorial abstraction; in fact, they expand our understanding of the urges that created modern art.

Wilde in the Dream Factory

Author : Anonim
Publisher : Oxford University Press
Page : 289 pages
File Size : 40,9 Mb
Release : 2024-02-29
Category : Drama
ISBN : 9780198875376

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Wilde in the Dream Factory by Anonim Pdf

Wilde in the Dream Factory studies the influence of Oscar Wilde's work on American cinema and culture, with close readings of Wilde's works alongside screwball comedies and film noir of the 1930s and 40s.

The Choreography of Modernism in France

Author : Julie Townsend
Publisher : Routledge
Page : 264 pages
File Size : 44,7 Mb
Release : 2017-12-02
Category : Literary Criticism
ISBN : 9781351194211

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The Choreography of Modernism in France by Julie Townsend Pdf

"Whether in the pages of a trashy novel, in the glow of gaslights, in a dance hall, or on the walls of art galleries, the figure of the female dancer haunts nineteenth-century French culture. Artists and writers of all kinds took on la danseuse as an emblem of their own artistic prowess. They represented her alternately as an elusive ideal, a saucy prostitute, or a dangerous seductress. Dancers, in turn, produced their own images, novels and autobiographies, thereby contributing to an ongoing cultural debate around performance, spectatorship, desire, and art. In this interdisciplinary study of la danseuse, Julie Townsend examines the rise and fall of classical ballet, the phenomenon of the music hall, and the birth of modern dance. She highlights moments of representational crisis and emergent aesthetics in her consideration of poetry, novels, painting, early film, and women's autobiography."

Electric Salome

Author : Rhonda K. Garelick
Publisher : Princeton University Press
Page : 262 pages
File Size : 52,5 Mb
Release : 2009-02-01
Category : Performing Arts
ISBN : 9780691141091

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Electric Salome by Rhonda K. Garelick Pdf

Loie Fuller was the most famous American in Europe throughout the late nineteenth and early twentieth centuries. Rising from a small-time vaudeville career in the States, she attained international celebrity as a dancer, inventor, impresario, and one of the first women filmmakers in the world. Fuller befriended royalty and inspired artists such as Mallarmé, Toulouse-Lautrec, Rodin, Sarah Bernhardt, and Isadora Duncan. Today, though, she is remembered mainly as an untutored "pioneer" of modern dance and stage technology, the "electricity fairy" who created a sensation onstage whirling under colored spotlights. But in Rhonda Garelick's Electric Salome, Fuller finally receives her due as a major artist whose work helped lay a foundation for all modernist performance to come. The book demonstrates that Fuller was not a mere entertainer or precursor, but an artist of great psychological, emotional, and sexual expressiveness whose work illuminates the centrality of dance to modernism. Electric Salome places Fuller in the context of classical and modern ballet, Art Nouveau, Orientalism, surrealism, the birth of cinema, American modern dance, and European drama. It offers detailed close readings of texts and performances, situated within broader historical, cultural, and theoretical frameworks. Accessibly written, the book also recounts the human story of how an obscure, uneducated woman from the dustbowl of the American Midwest moved to Paris, became a star, and lived openly for decades as a lesbian.

Modern Bodies

Author : Julia L. Foulkes
Publisher : Univ of North Carolina Press
Page : 272 pages
File Size : 44,5 Mb
Release : 2003-11-03
Category : Performing Arts
ISBN : 0807862029

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Modern Bodies by Julia L. Foulkes Pdf

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.

Beckett, Modernism and the Material Imagination

Author : Steven Connor
Publisher : Cambridge University Press
Page : 225 pages
File Size : 46,9 Mb
Release : 2014-06-30
Category : Drama
ISBN : 9781107059221

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Beckett, Modernism and the Material Imagination by Steven Connor Pdf

This is a collection of authoritative essays on Samuel Beckett's writing from a pre-eminent scholar of twentieth-century literature and culture.