Modernist Soundscapes

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Modernist Soundscapes

Author : Angela Frattarola
Publisher : University Press of Florida
Page : 205 pages
File Size : 43,6 Mb
Release : 2018-11-12
Category : Literary Criticism
ISBN : 9780813052434

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Modernist Soundscapes by Angela Frattarola Pdf

At the turn of the twentieth century, new technologies such as the phonograph, telephone, and radio changed how sound was transmitted and perceived. In Modernist Soundscapes, Angela Frattarola analyzes the influence of “the age of noise” on writers of the time, showing how modernist novelists used sound to bridge the distance between characters and to connect with the reader on a more intimate level. Frattarola tunes in to representations of voices, noise, and music in works by Dorothy Richardson, Virginia Woolf, James Joyce, Jean Rhys, and Samuel Beckett. She argues that the common use of headphones, which piped sounds from afar into a listener’s headspace, inspired modernists to record the interior monologues of their characters in a stream-of-consciousness style. Woolf’s onomatopoeia stemmed from a desire to render the sounds of the world without mediation, similar to how some contemporaries hoped that recording technology would eliminate the need for musicians. Frattarola also explains how Beckett’s linguistic repetition mirrors the mechanical reproduction of the tape recorder. These writers challenged ocularcentrism, the traditional emphasis on vision in art and philosophy, and instead characterized the eye as distancing and analytical and the act of listening as immediate and unifying. Contending that the experimentation typically associated with modernist writing is partly due to this new attentiveness to sound, this book introduces a fresh perspective on texts that set the course of contemporary literature.

Jean Rhys's Modernist Bearings and Experimental Aesthetics

Author : Sue Thomas
Publisher : Bloomsbury Publishing
Page : 240 pages
File Size : 48,8 Mb
Release : 2022-01-27
Category : Literary Criticism
ISBN : 9781350275768

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Jean Rhys's Modernist Bearings and Experimental Aesthetics by Sue Thomas Pdf

Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics. Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.

Eardrums

Author : Tyler Whitney
Publisher : Northwestern University Press
Page : 315 pages
File Size : 48,5 Mb
Release : 2019-06-15
Category : Literary Criticism
ISBN : 9780810140233

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Eardrums by Tyler Whitney Pdf

In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his “sound poems,” which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus—all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. Eardrums is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science.

Sounding Modernism

Author : Julian Murphet
Publisher : Edinburgh University Press
Page : 264 pages
File Size : 43,7 Mb
Release : 2017-03-08
Category : Performing Arts
ISBN : 9781474416375

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Sounding Modernism by Julian Murphet Pdf

This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.

Modernist Communities across Cultures and Media

Author : Caroline Pollentier,Sarah Wilson
Publisher : University Press of Florida
Page : 301 pages
File Size : 46,8 Mb
Release : 2019-02-01
Category : Literary Criticism
ISBN : 9780813052472

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Modernist Communities across Cultures and Media by Caroline Pollentier,Sarah Wilson Pdf

Marked by a rejection of traditional affiliations such as nation, family, and religion, modernism is often thought to privilege the individual over the community. The contributors to this volume question this assumption, uncovering the communal impulses of the modernist period across genres, cultures, and media. Contributors show how modernist artists and intellectuals reconfigured relations between the individual and the collective. They examine Dada art practices that involve games and play; shared reactions to the post–World War I rhetoric of Woodrow Wilson; the reception of James Joyce’s Ulysses in Harlem Renaissance circles; the publishing platform of the Bengali literary review Parichay; popular radio shows and news broadcasts; and the universal aspects of film-viewing. They also explore radical reimaginings of community as seen in the collective cohabiting envisioned by Virginia Woolf, the utopian experiment of Black Mountain College, and the communal autobiographies of Gertrude Stein. The essays demonstrate that these pluralist ecosystems based on participation were open to paradox, dissent, and multiple perspectives. Through a transnational and transmedial lens, this volume argues that the modernist period was a breakthrough in a rethinking of community that continues in the postmodern era. Contributors: Hélène Aji | Jessica Berman | Jeremy Braddock | Supriya Chaudhuri | Debra Rae Cohen | Melba Cuddy-Keane | Claire Davison | Irene Gammel

King's Vibrato

Author : Maurice O. Wallace
Publisher : Duke University Press
Page : 232 pages
File Size : 49,5 Mb
Release : 2022-07-29
Category : Social Science
ISBN : 9781478022992

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King's Vibrato by Maurice O. Wallace Pdf

In King’s Vibrato Maurice O. Wallace explores the sonic character of Martin Luther King Jr.’s voice and its power to move the world. Providing a cultural history and critical theory of the black modernist soundscapes that helped inform King’s vocal timbre, Wallace shows how the qualities of King’s voice depended on a mix of ecclesial architecture and acoustics, musical instrumentation and sound technology, audience and song. He examines the acoustical architectures of the African American churches where King spoke and the centrality of the pipe organ in these churches, offers a black feminist critique of the influence of gospel on King, and outlines how variations in natural environments and sound amplifications made each of King’s three deliveries of the “I Have a Dream” speech unique. By mapping the vocal timbre of one of the most important figures of black hope and protest in American history, Wallace presents King as the embodiment of the sound of modern black thought.

Silent Modernism

Author : Annika J. Lindskog
Publisher : Unknown
Page : 374 pages
File Size : 42,6 Mb
Release : 2017
Category : Modernism (Literature)
ISBN : 9197693561

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Silent Modernism by Annika J. Lindskog Pdf

Dissensuous Modernism

Author : Allyson C. DeMaagd
Publisher : University Press of Florida
Page : 201 pages
File Size : 40,8 Mb
Release : 2022-02-22
Category : Literary Criticism
ISBN : 9780813070025

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Dissensuous Modernism by Allyson C. DeMaagd Pdf

Placing women writers at the center of the sensory and technological experimentation that characterized the modernist movement, this book shows how women of the era challenged gendered narratives that limited their power and agency and waged dissent through their radical sensuous writing.

Bodies of Modernism

Author : Maren Linett
Publisher : University of Michigan Press
Page : 269 pages
File Size : 48,7 Mb
Release : 2017
Category : Literary Criticism
ISBN : 9780472053315

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Bodies of Modernism by Maren Linett Pdf

Reveals the links, both positive and negative, between disabled bodies and aspects of modernism and modernity through readings of a wide range of literary texts

Modernism's Metronome

Author : Ben Glaser
Publisher : JHU Press
Page : 303 pages
File Size : 51,6 Mb
Release : 2020-11-03
Category : Literary Criticism
ISBN : 9781421439532

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Modernism's Metronome by Ben Glaser Pdf

Despite meter's recasting as a rigid metronome, diverse modern poet-critics refused the formal ideologies of free verse through complex engagements with traditional versification. In the twentieth century, meter became an object of disdain, reimagined as an automated metronome to be transcended by new rhythmic practices of free verse. Yet meter remained in the archives, poems, letters, and pedagogy of modern poets and critics. In Modernism's Metronome, Ben Glaser revisits early twentieth-century poetics to uncover a wide range of metrical practice and theory, upending our inherited story about the "breaking" of meter and rise of free verse.

Arab Modernism as World Cinema

Author : Peter Limbrick
Publisher : Univ of California Press
Page : 301 pages
File Size : 51,7 Mb
Release : 2020-03-10
Category : Performing Arts
ISBN : 9780520974333

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Arab Modernism as World Cinema by Peter Limbrick Pdf

Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.

Sounds of Modern History

Author : Daniel Morat
Publisher : Berghahn Books
Page : 352 pages
File Size : 53,7 Mb
Release : 2014-09-01
Category : History
ISBN : 9781782384229

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Sounds of Modern History by Daniel Morat Pdf

Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern phenomena such as urbanization, industrialization and mechanization, the rise of modern sciences, and of course the emergence of new sound recording and transmission media. This book contributes to our understanding of modern European history through the lens of sound by examining diverse subjects such as performed and recorded music, auditory technologies like the telephone and stethoscope, and the ambient noise of the city.

Landscapes of Liminality

Author : Dara Downey,Ian Kinane,Elizabeth Parker
Publisher : Rowman & Littlefield
Page : 255 pages
File Size : 43,8 Mb
Release : 2016-11-16
Category : Literary Criticism
ISBN : 9781783489862

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Landscapes of Liminality by Dara Downey,Ian Kinane,Elizabeth Parker Pdf

Landscapes of Liminality expands upon existing notions of spatial practice and spatial theory, and examines more intricately the contingent notion of “liminality” as a space of “in-between-ness” that avoids either essentialism or stasis. It capitalises on the extensive research that has already been undertaken in this area, and elaborates on the increasingly important and interrelated notion of liminality within contemporary discussions of spatial practice and theories of place. Bringing together international scholarship, the book offers a broad range of cross-disciplinary approaches to theories of liminality including literary studies, cultural studies, human geography, social studies, and art and design. The volume offers a timely and fascinating intervention which will help in shaping current debates concerning landscape theory, spatial practice, and discussions of liminality.

Resonant Alterities

Author : Sylvia Mieszkowski
Publisher : transcript Verlag
Page : 403 pages
File Size : 48,9 Mb
Release : 2014-11-30
Category : Literary Criticism
ISBN : 9783839422021

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Resonant Alterities by Sylvia Mieszkowski Pdf

»Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties.

Critical Rhythm

Author : Ben Glaser,Jonathan Culler
Publisher : Fordham Univ Press
Page : 288 pages
File Size : 47,8 Mb
Release : 2019-01-08
Category : Literary Criticism
ISBN : 9780823282050

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Critical Rhythm by Ben Glaser,Jonathan Culler Pdf

This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory. Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm. Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts. Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy