Modernity Between Wagner And Nietzsche

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Modernity between Wagner and Nietzsche

Author : Brayton Polka
Publisher : Lexington Books
Page : 219 pages
File Size : 45,7 Mb
Release : 2015-01-06
Category : Religion
ISBN : 9780739193167

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Modernity between Wagner and Nietzsche by Brayton Polka Pdf

Modernity between Wagner and Nietzsche analyzes the operas and writings of Wagner in order to prove that the ideas on which they are based contradict and falsify the values that are fundamental to modernity. This book also analyzes the ideas that are central to the philosophy of Nietzsche, demonstrating that the values on the basis of which he breaks with Wagner and repudiates their common mentor, Schopenhauer, are those fundamental to modernity. Brayton Polka makes use of the critical distinction that Kierkegaard draws between Christianity and Christendom. Christianity represents what Nietzsche calls the faith that is presupposed in unconditionally willing the truth in saying yes to life. Christendom, in contrast, represents the bad faith of nihilism in saying no to life. Polka then shows that Wagner, in following Schopenhauer, represents Christendom with the demonstration in his operas that life is nothing but death and death is nothing but life. In other words, the purpose of the will for Wagner is to annihilate the will, since it is only in and through death that human beings are liberated from life as willfully sinful. Nietzsche, in contrast, is consistent with the biblical concept that existence is created from nothing, from nothing that is not made in the image of God, that any claim that the will can will not to will is contradictory and hence false. For not to will is, in truth, still to will nothing. There is then, Nietzsche shows, no escape from the will. Either human beings will the truth in saying yes to life as created from nothing, or in truly willing nothing, they say no to life in worshiping the God of Christendom who is dead.

Defining Modernism

Author : Andrea Gogröf-Voorhees
Publisher : Peter Lang
Page : 218 pages
File Size : 55,9 Mb
Release : 1999
Category : Literary Criticism
ISBN : 082043793X

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Defining Modernism by Andrea Gogröf-Voorhees Pdf

Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of «modernism» is elucidated. Gogröf-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.

Nietzsche versus Wagner

Author : Friedrich Nietzsche
Publisher : Livraria Press
Page : 106 pages
File Size : 44,8 Mb
Release : 2024-07-02
Category : Philosophy
ISBN : 9783689382476

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Nietzsche versus Wagner by Friedrich Nietzsche Pdf

"Nietzsche versus Wagner", sometimes translated "Nietzsche against Wagner", is a critical examination of the composer Richard Wagner, whom Nietzsche praised in his early years and later declared his enemy. Nietzsche was close to the entire Wagner family, even Wagner's wives, but later had a falling out and spent a significant amount of energy attacking him. In this work, Nietzsche distances himself from Wagner's music and ideology, criticizing the composer's embrace of German nationalism and his turn to Christianity. Nietzsche contrasts Wagner's decadent, pessimistic art with his own vision of a life-affirming, Dionysian aesthetic. The book reflects Nietzsche's broader concerns about the role of art and culture in society and his ongoing exploration of the tensions between Apollonian and Dionysian forces. Nietzsche also addresses the psychological and philosophical implications of Wagner's music, arguing that it represents a retreat from the complexities of reality into the comforting illusions of myth and religion. He sees Wagner's work as symptomatic of a broader cultural malaise characterized by a loss of vitality and authenticity. Through his critique of Wagner, Nietzsche seeks to reaffirm the values of individualism, creativity, and the joyful affirmation of life that he believes are essential to the rejuvenation of culture and the realization of human potential. This is one of three major works attacking Wager's music and legacy Nietzsche issued. This work was assembled and published at the end of 1888 under the title Nietzsche contra Wagner, shortly before his final mental collapse in January 1889. The text was published in December 1888 by C. G. Naumann in Leipzig. This new 2024 translation of the original 1888 German manuscript includes a new afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his key concepts, and summaries of his complete works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German, Latin and Greek manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life and works

Nietzsche, Aesthetics and Modernity

Author : Matthew Rampley
Publisher : Cambridge University Press
Page : 302 pages
File Size : 46,7 Mb
Release : 2000
Category : Art
ISBN : 9780521651554

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Nietzsche, Aesthetics and Modernity by Matthew Rampley Pdf

Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. It also highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice.

Nietzsche and Wagner

Author : Joachim Köhler
Publisher : Yale University Press
Page : 204 pages
File Size : 44,5 Mb
Release : 1998-01-01
Category : Biography & Autobiography
ISBN : 0300076401

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Nietzsche and Wagner by Joachim Köhler Pdf

"This is the second and final volume of Tim Hilton's life of John Ruskin, one of the greatest writers and thinkers of the nineteenth century. Ruskin was the most prolific English writer there has ever been. His published works alone number some 250 titles and this is besides lectures, diaries, correspondence and tens of thousands of letters that remain unpublished. This is the first biography of Ruskin to return to the original source material, some of which has been read for the first time by the author." "It begins in 1859 with Ruskin, famous as the author of Modern Painters, The Seven Lamps of Architecture and The Stones of Venice, living in south London with his parents, his disastrous marriage over, continuing to write and travel and to tutor, amongst other pupils, Rose La Touche, a girl of ten, with whom he slowly fell in love. This relationship would develop into one of the saddest love affairs of literary history ending in tragedy in 1875, and from which Ruskin would never recover." "From 1875 onwards Ruskin was plagued by bouts of insanity and despair that would lead to total breakdown for the last ten years of his life, but, as Hilton shows, the later years, far from being a period merely of decline, were a time when the great man's intellect and imagination reached new heights. It was in these years that Ruskin produced Praeterita and most of Fors Clavigera the series of monthly letters to British workers which Hilton discusses in the context of the writer's life." "As Slade Professor of Art at the University of Oxford he founded his drawing schools, today the Ruskin School of Art. His books and lectures were on subjects ranging from history of art to social reform to botany."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Nietzsche, Wagner, Europe

Author : Martine Prange
Publisher : Walter de Gruyter
Page : 296 pages
File Size : 47,5 Mb
Release : 2013-08-29
Category : Philosophy
ISBN : 9783110315233

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Nietzsche, Wagner, Europe by Martine Prange Pdf

Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the “nationalist nonsense” and “politics of dissolution” of his day, he advocated the birth of “good Europeans,” i.e. “supra-national” individuals and the “amalgamation of nations.” Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche’s ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. The book claims that Nietzsche always propagated the “aestheticization” of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche’s passion for and later aversion to Wagner’s music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of “Dionysian” music and of Goethe as a model of “Good Europeanism.”

The Wagner Case

Author : Friedrich Nietzsche
Publisher : Livraria Press
Page : 129 pages
File Size : 43,7 Mb
Release : 2024-07-02
Category : Philosophy
ISBN : 9783689382483

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The Wagner Case by Friedrich Nietzsche Pdf

"The Wagner Case: A Musician's Problem" is one part of Nietzsche's broader critique of Richard Wagner, focusing more specifically on the artistic and cultural implications of Wagner's music. Nietzsche analyzes the psychological effects of Wagner's compositions, arguing that they induce a state of passive receptivity and emotional excess that is antithetical to the ideals of clarity, strength, and active engagement with life. He contends that Wagner's music represents a retreat from the challenges of modernity into a world of mythological nostalgia and aesthetic escapism. This critique reflects Nietzsche's broader concerns about the role of art in society and the need for a new cultural paradigm that embraces the complexities and uncertainties of the contemporary world. In this bitter and harsh polemical work, Nietzsche dissects Wagner's music and persona, accusing him of decadence and moral corruption. The text is notable for its sharp, aphoristic style and its blend of psychological insight and cultural criticism. Nietzsche contends that Wagner's art, while powerful and seductive, ultimately embodies the decline of European culture by appealing to base instincts and fostering a regressive, quasi-religious fervor. It was written in May-June 1888 and published later that year. The text was first published by C. G. Naumann in Leipzig. This new 2024 translation of the original 1888 German manuscript includes a new afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his key concepts, and summaries of his complete works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German, Latin and Greek manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life and works

Louis Armstrong, Duke Ellington, and Miles Davis

Author : Aaron Lefkovitz
Publisher : Rowman & Littlefield
Page : 227 pages
File Size : 51,7 Mb
Release : 2018-06-20
Category : Music
ISBN : 9781498567527

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Louis Armstrong, Duke Ellington, and Miles Davis by Aaron Lefkovitz Pdf

This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.

Richard Wagner in Paris

Author : Jeremy Coleman
Publisher : Unknown
Page : 0 pages
File Size : 50,9 Mb
Release : 2019
Category : Music
ISBN : 1783274425

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Richard Wagner in Paris by Jeremy Coleman Pdf

How did Wagner's experiences in Paris influence his works and social character? And how does his sometime desire for recognition by the French cultural establishment square with his German national identity and with the related idea of a universally valid art? Friedrich Nietzsche more than once claimed that Wagner's only true home was in Paris. This book is the first major study to trace Wagner's relationship with Paris from his first sojourn there (1839-1842) to the Paris Tannhäuser (1861). How did Wagner's experiences in Paris influence his works and social character? How does his sometime desire for recognition by the French cultural establishment square with his German national identity and with the related idea of a universally valid art? This book presents Wagner's perennial ambition of an international operatic success in the "capital city of the nineteenth century" and the paradoxical consequences of that ambition upon its failure. Through an examination of previously neglected source materials, the book engages with ideas in the so-called "Wagner debate" as an ongoing philosophical project that tries to come to terms with the composer's Germanness. The book is in three main parts arranged broadly in chronological sequence. The first considers Wagner's earliest years in Paris, focusing on his own French-language drafts of Das Liebesverbot and Der fliegende Holländer. The second part explores his stance towards Paris "at a distance" following his return to Saxony and subsequent political exile. Arriving at Wagner's most often discussed "Paris period" (1859-61), the third part interrogates the concert performances under the composer's direction at the Théâtre-Italien and revisionist aspects of their reception. JEREMY COLEMAN is Lecturer in Music in the School of Performing Arts, Universityof Malta.

Nietzsche's the Case of Wagner and Nietzsche Contra Wagner

Author : Ryan Harvey
Publisher : Edinburgh Critical Guides to N
Page : 208 pages
File Size : 48,6 Mb
Release : 2022-01-31
Category : Music
ISBN : 1474459390

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Nietzsche's the Case of Wagner and Nietzsche Contra Wagner by Ryan Harvey Pdf

The first full-length critical introduction in English to Nietzsche's lifelong obsession with Wagner, and why it matters for understanding Nietzsche's philosophy as a whole

The Birth of Tragedy and The Case of Wagner

Author : Friedrich Nietzsche
Publisher : Vintage
Page : 239 pages
File Size : 47,8 Mb
Release : 2010-05-05
Category : Philosophy
ISBN : 9780307432988

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The Birth of Tragedy and The Case of Wagner by Friedrich Nietzsche Pdf

Two representative and important works in one volume by one of the greatest German philosophers. The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book.

The Case of Wagner

Author : Friedrich Nietzsche
Publisher : Perennial Press
Page : 49 pages
File Size : 41,7 Mb
Release : 2018-03-04
Category : Philosophy
ISBN : 9781531263362

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The Case of Wagner by Friedrich Nietzsche Pdf

In reading these two essays we are apt to be deceived, by their virulent and forcible tone, into believing that the whole matter is a mere cover for hidden fire,-a mere blind of æsthetic discussion concealing a deep and implacable personal feud which demands and will have vengeance. In spite of all that has been said to the contrary, many people still hold this view of the two little works before us; and, as the actual facts are not accessible to every one, and rumours are more easily believed than verified, the error of supposing that these pamphlets were dictated by personal animosity, and even by Nietzsche's envy of Wagner in his glory, seems to be a pretty common one. Another very general error is to suppose that the point at issue here is not one concerning music at all, but concerning religion.

Understanding Nietzsche, Understanding Modernism

Author : Brian Pines,Douglas Burnham
Publisher : Bloomsbury Publishing USA
Page : 343 pages
File Size : 43,9 Mb
Release : 2019-02-21
Category : Literary Criticism
ISBN : 9781501339158

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Understanding Nietzsche, Understanding Modernism by Brian Pines,Douglas Burnham Pdf

Friedrich Nietzsche believed his own work represented the dawning of a new historical era, and, despite the fact that he lived most of his sane life suffering in obscurity, it is not an exaggeration to say that his vision helped lay the foundations for modernism in style, substance and attitude. Nietzsche was himself devoted to the modern, for he reinterpreted every philosophy, every historical figure and event, every movement that came before him. This reconceptualization of the past through new, modern eyes opened up Nietzsche's thinking to exploring daring possibilities for the future. This prophetic boldness, which is so unique to his style, seduced the modernist generation across the spectrum. He was read by early Zionists as well as by Nazi racial theorists; by Thomas Mann and as well as by Salvador Dali. His influence stretched from psychoanalysis to anarchist politics. Understanding Nietzsche, Understanding Modernism traces the effect of Nietzsche's thinking upon a diverse set of problems: from ontology, to politics, to musical and literary aesthetics. The first section of the volume is a series of essays, each exploring a major work of Nietzsche's, explaining its significance while contributing new interpretations of the text. The middle portion connects Nietzsche's thought to the various strands of modernism in which it reveals itself. The final section is a glossary of key terms that Nietzsche uses throughout his works. An excellent resource for any scholar attempting to conceptualize the foundations of modernism or the historical importance of Nietzsche, this volume seeks to outline the philosopher's works and their reception amongst the generations that immediately followed his passing.

The Philosophies of Richard Wagner

Author : Julian Young
Publisher : Lexington Books
Page : 171 pages
File Size : 52,7 Mb
Release : 2014-09-09
Category : Philosophy
ISBN : 9780739199930

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The Philosophies of Richard Wagner by Julian Young Pdf

In addition to being a great composer, Richard Wagner was also an important philosopher. Julian Young begins by examining the philosophy of art and society Wagner constructs during his time as a revolutionary anarchist-communist. Modernity, Wagner argued, is to be rescued from its current anomie through the rebirth of Greek tragedy (the original Gesamtkunstwerk) in the form of the “artwork of the future," an artwork of which his own operas are the prototype. Young then examines the entirely different philosophy Wagner constructs after his 1854 conversion from Hegelian optimism to Schopenhauerian pessimism. “Redemption” now becomes, not a future utopia in this world, but rather “transfigured” existence in another world, attainable only through death. Viewing Wagner’s operas through the lens of his philosophy, the book offers often novel interpretations of Lohengrin, The Ring cycle, Tristan und Isolde, Die Meistersinger, and Parsifal. Finally, Young dresses the cause of Friedrich Nietzsche’s transformation from Wagner’s intimate friend and disciple into his most savage critic. Nietzsche’s fundamental accusation, it is argued, is one of betrayal: that Wagner betrayed his early, “life affirming” philosophy of art and life in favor of “life-denial." Nietzsche’s assertion and the final conclusion of the book is that our task, now, is to “become better Wagnerians than Wagner.”

Understanding Nietzsche, Understanding Modernism

Author : Brian Pines,Douglas Burnham
Publisher : Bloomsbury Publishing USA
Page : 344 pages
File Size : 53,6 Mb
Release : 2019-02-21
Category : Literary Criticism
ISBN : 9781501339165

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Understanding Nietzsche, Understanding Modernism by Brian Pines,Douglas Burnham Pdf

Friedrich Nietzsche believed his own work represented the dawning of a new historical era, and, despite the fact that he lived most of his sane life suffering in obscurity, it is not an exaggeration to say that his vision helped lay the foundations for modernism in style, substance and attitude. Nietzsche was himself devoted to the modern, for he reinterpreted every philosophy, every historical figure and event, every movement that came before him. This reconceptualization of the past through new, modern eyes opened up Nietzsche's thinking to exploring daring possibilities for the future. This prophetic boldness, which is so unique to his style, seduced the modernist generation across the spectrum. He was read by early Zionists as well as by Nazi racial theorists; by Thomas Mann and as well as by Salvador Dali. His influence stretched from psychoanalysis to anarchist politics. Understanding Nietzsche, Understanding Modernism traces the effect of Nietzsche's thinking upon a diverse set of problems: from ontology, to politics, to musical and literary aesthetics. The first section of the volume is a series of essays, each exploring a major work of Nietzsche's, explaining its significance while contributing new interpretations of the text. The middle portion connects Nietzsche's thought to the various strands of modernism in which it reveals itself. The final section is a glossary of key terms that Nietzsche uses throughout his works. An excellent resource for any scholar attempting to conceptualize the foundations of modernism or the historical importance of Nietzsche, this volume seeks to outline the philosopher's works and their reception amongst the generations that immediately followed his passing.