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Mogie is a real-life Labradoodle with a special talent: he always knows just what a sick kid needs! Get to know this passionate pup with this story by a Newbery Honoree. Give that dog a puddle and he’d splash. Give him a whistle and he’d roll over. Give him a rule and he’d break it. One day a passel of puppies was born. Each puppy was designated for a Very Important Job, like Service Dog, or Search and Rescue Dog, or Groomed for the Show Ring Dog. Each puppy, that is, except Mogie. Mogie was a ball-chasing, tail-wagging, moon-howling pup. Not the kind of pup for any of those jobs! But there is a place that is just right for Mogie: a very special house where sick children and their families can stay while they undergo long-term treatment. A place with children who NEED a ball-chasing, tail-wagging, moon-howling pup. And there’s one little boy in particular who needs Mogie. And Mogie is about to prove he’s the best darn pooch in the passel. Based on a true story, this heartwarming picture book is published in conjunction with the Ronald McDonald House.
A poignant and unforgettable rags-to-riches family saga following three generations of a remarkable clan from downtown ghetto to Park Avenue opulence Marrying Jack Auerbach was Essie Litsky’s salvation, enabling her to break free of her strict Russian-Jewish immigrant parents and escape New York’s poor, dirty, overcrowded Lower East Side. Together with her husband, Essie amassed a fortune that dwarfed their wildest dreams: She was living in a grand mansion on Park Avenue, collecting priceless art, even conferring with a US president. But money could never buy the affection of family or compensate for the true love Essie let slip away. And now, as she nears the end of her life, she must contend with blackmail and heartless legal assaults coming at her from all sides, the result of the ugly, persisting greed of her own children and grandchildren. But Essie is not dead yet, and those who underestimate the remarkable old woman are in for a shocking and powerful surprise. In this New York Times bestseller, Stephen Birmingham, acclaimed chronicler of the lives of the super-rich and author of “Our Crowd”, introduces three generations of a singular family as it moves from poverty to privilege over the course of a cataclysmic century, led by one of the most endearing and unforgettable heroines in modern American fiction.
Author : Adrian C. Louis Publisher : University of Nevada Press Page : 371 pages File Size : 48,9 Mb Release : 2022-10-11 Category : Fiction ISBN : 9781647790233
By the end of the twentieth century, Adrian C. Louis had become one of the most powerful voices in the canon of Native American literature. Skins, his best-known work, is now offered by the University of Nevada Press with a new foreword by David Pichaske. It’s the early 1990s and Rudy Yellow Shirt and his brother, Mogie, are living on the Pine Ridge Reservation in South Dakota, home of the legendary Oglala Sioux warrior Crazy Horse. Both Vietnam veterans, the men struggle with daily life on the rez. Rudy, a criminal investigator with the Pine Ridge Public Safety Department, must frequently arrest his neighbors and friends, including his brother, who has become a rez wino. But when Rudy falls and hits his head on a rock while pursuing a suspected murderer, Iktome the trickster enters his brain. Iktome restores Rudy’s youthful sexual vigor—long-lost to years of taking high blood pressure pills—and ignites his desire for political revenge via an alter ego, the “Avenging Warrior.” As the Avenging Warrior, Rudy takes direct action to punish local criminals. In a violent act, he torches the local liquor store, nearly burning Mogie alive while he is hiding on the store’s roof, plotting to steal booze. Although the brothers reconcile before Mogie dies, he leaves the Avenging Warrior with one final mission: go to Mount Rushmore and blow the nose off George Washington’s face. Louis’s critically acclaimed novel was made into a movie in 2002, directed by Chris Eyre.
Author : Joanna Hearne Publisher : State University of New York Press Page : 430 pages File Size : 52,7 Mb Release : 2013-01-25 Category : Social Science ISBN : 9781438443997
In Native Recognition, Joanna Hearne persuasively argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity and range of this Native participation have often been obscured by the on-screen, larger-than-life images of Indians in the Western. Not only have Indigenous images mattered to the Western, but Westerns have also mattered to Indigenous filmmakers as they subvert mass culture images of supposedly "vanishing" Indians, repurposing the commodity forms of Hollywood films to envision Native intergenerational continuity. Through their interventions in forms of seeing and being seen in public culture, Native filmmakers have effectively marshaled the power of visual media to take part in national discussions of social justice and political sovereignty for North American Indigenous peoples. Native Recognition brings together a wide range of little-known productions, from the silent films of James Young Deer, to recovered prints of the 1928 Ramona and the 1972 House Made of Dawn, to the experimental and feature films of Victor Masayesva and Chris Eyre. Using international archival research and close visual analysis, Hearne expands our understanding of the complexity of Native presence in cinema both on screen and through the circuits of film production and consumption.
In recent years, works by American Indian artists and filmmakers such as Jaune Quick-To-See Smith, Edgar Heap of Birds, Sherman Alexie, Shelley Niro, and Chris Eyre have illustrated the importance of visual culture as a means to mediate identity in contemporary Native America. This insightful collection of essays explores how identity is created and communicated through Native film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities: Perspectives on Contemporary American Indian Film and Art draws on American Indian Studies, American Studies, Film Studies, Cultural Studies, Women’s Studies, and Postcolonial Studies. Among the artists examined are Hulleah J. Tsinhnahjinnie, Eric Gansworth, Melanie Printup Hope, Jolene Rickard, and George Longfish. Films analyzed include Imprint, It Starts with a Whisper, Mohawk Girls, Skins, The Business of Fancydancing, and a selection of Native Latin films.
Native Americans in the Movies by Michael Hilger Pdf
This book looks at portrayals of Native Americans, from the silent and early sound films through the present, covering more than 800 films, including The Vanishing American, They Died with Their Boots On, Cheyenne Autumn, Dances with Wolves, and The Lone Ranger (2013). A completely revised, expanded, and reorganized edition from his 1995 book From Savage to Nobleman (Scarecrow), this new version features an alphabetical arrangement and includes appendixes that list the films by Native American nation, image portrayals, and chronologically. Entries are more detailed and include availability on DVD, Blu-Ray, and Amazon streaming.
From Sherman Alexie's films to the poetry and fiction of Louise Erdrich and Leslie Marmon Silko to the paintings of Jaune Quick-To-See Smith and the sculpture of Edgar Heap of Birds, Native American movies, literature, and art have become increasingly influential, garnering critical praise and enjoying mainstream popularity. Recognizing that the time has come for a critical assessment of this exceptional artistic output and its significance to American Indian and American issues, Dean Rader offers the first interdisciplinary examination of how American Indian artists, filmmakers, and writers tell their own stories. Beginning with rarely seen photographs, documents, and paintings from the Alcatraz Occupation in 1969 and closing with an innovative reading of the National Museum of the American Indian, Rader initiates a conversation about how Native Americans have turned to artistic expression as a means of articulating cultural sovereignty, autonomy, and survival. Focusing on figures such as author/director Sherman Alexie (Flight, Face, and Smoke Signals), artist Jaune Quick-To-See Smith, director Chris Eyre (Skins), author Louise Erdrich (Jacklight, The Last Report on the Miracles at Little No Horse), sculptor Edgar Heap of Birds, novelist Leslie Marmon Silko, sculptor Allen Houser, filmmaker and actress Valerie Red Horse, and other writers including Joy Harjo, LeAnne Howe, and David Treuer, Rader shows how these artists use aesthetic expression as a means of both engagement with and resistance to the dominant U.S. culture. Raising a constellation of new questions about Native cultural production, Rader greatly increases our understanding of what aesthetic modes of resistance can accomplish that legal or political actions cannot, as well as why Native peoples are turning to creative forms of resistance to assert deeply held ethical values.
Author : Frank B. Wilderson III Publisher : Duke University Press Page : 401 pages File Size : 49,7 Mb Release : 2010-02-26 Category : Performing Arts ISBN : 0822391716
Red, White & Black is a provocative critique of socially engaged films and related critical discourse. Offering an unflinching account of race and representation, Frank B. Wilderson III asks whether such films accurately represent the structure of U.S. racial antagonisms. That structure, he argues, is based on three essential subject positions: that of the White (the “settler,” “master,” and “human”), the Red (the “savage” and “half-human”), and the Black (the “slave” and “non-human”). Wilderson contends that for Blacks, slavery is ontological, an inseparable element of their being. From the beginning of the European slave trade until now, Blacks have had symbolic value as fungible flesh, as the non-human (or anti-human) against which Whites have defined themselves as human. Just as slavery is the existential basis of the Black subject position, genocide is essential to the ontology of the Indian. Both positions are foundational to the existence of (White) humanity. Wilderson provides detailed readings of two films by Black directors, Antwone Fisher (Denzel Washington) and Bush Mama (Haile Gerima); one by an Indian director, Skins (Chris Eyre); and one by a White director, Monster’s Ball (Marc Foster). These films present Red and Black people beleaguered by problems such as homelessness and the repercussions of incarceration. They portray social turmoil in terms of conflict, as problems that can be solved (at least theoretically, if not in the given narratives). Wilderson maintains that at the narrative level, they fail to recognize that the turmoil is based not in conflict, but in fundamentally irreconcilable racial antagonisms. Yet, as he explains, those antagonisms are unintentionally disclosed in the films’ non-narrative strategies, in decisions regarding matters such as lighting, camera angles, and sound.
Native American Literatures by Suzanne Evertsen Lundquist Pdf
Following the structure of other titles in the Continuum Introductions to Literary Genres series, Native American Literatures includes: A broad definition of the genre and its essential elements. A timeline of developments within the genre. Critical concerns to bear in mind while reading in the genre. Detailed readings of a range of widely taught texts. In-depth analysis of major themes and issues. Signposts for further study within the genre. A summary of the most important criticism in the field. A glossary of terms. An annotated, critical reading list. This book offers students, writers, and serious fans a window into some of the most popular topics, styles and periods in this subject. Authors studied in Native American Literatures include: N. Scott Momaday, Leslie Marmon Silko, Louise Erdrich, James Welch, Linda Hogan, Gerald Vizenor, Sherman Alexie, Louis Owens, Thomas King, Michael Dorris, Simon Ortiz, Cater Revard and Daine Glancy>
The Novels of Stephen Birmingham by Stephen Birmingham Pdf
A quartet of novels from the New York Times–bestselling author of “Our Crowd” and master chronicler of Manhattan’s rich, famous, and deceitful. These four gripping novels prove that “when it comes to the folkways of the rich, the powerful, and the privileged, Stephen Birmingham knows what he’s talking about” (Los Angeles Times). Carriage Trade: One of New York’s most elegant and exclusive retail establishments, Tarkington’s has been the preferred shopping experience of Manhattan’s elite for decades. But the unexpected death of founder Silas Tarkington raises serious doubts about the future of the enterprise. At the reading of his will, disturbing questions arise about the tycoon’s past, and suggestions of a dark, secret life threaten to tear the family apart. The truth could destroy much more than the family business—especially as it becomes more and more likely that Silas’s death was no accident. “[A] page turner . . . [that] offers a little bit of the best of everything” (The New York Times). The Wrong Kind of Money: The Liebling family is among the wealthiest in New York, but in the eyes of “old money” gentile aristocrats like the patrician Van Degans, they will always be lower-class Jewish nouveau riche. Jules Liebling got his start selling liquor during Prohibition while in cahoots with dangerous mobsters, and his widow, Hannah, now runs the family business with a tyrannical hand. But when her daughter-in-law meets Georgette Van Degan for lunch at Le Cirque, gossip circulates about a thaw between the families and, quite possibly, a partnership. As rumors fly in this “fast and wonderful” novel that has “something for everyone,” family skeletons on both sides are exposed, leading to jealousy, betrayal, and even violence (Cincinnati Enquirer). The Auerbach Will: The daughter of poor immigrant Russian-Jewish parents on the Lower East Side, Essie Litsky married Jack Auerbach, and together, they rose from poverty and amassed a fortune that dwarfed their wildest dreams. But money could never buy the affection of family or compensate for the true love Essie let slip away. And now, as she nears the end of her life, she must contend with blackmail and heartless legal assaults coming at her from all sides—the result of the ugly, persistent greed of her own children and grandchildren. But Essie is not dead yet, and those who underestimate the remarkable old woman are in for a shocking and powerful surprise. This New York Times bestseller is full of “delicious secrets” drawn from the “gossipy, Uptown/Downtown milieu Birmingham knows so well” (Kirkus Reviews). Shades of Fortune: Mireille “Mimi” Myerson took her grandfather’s struggling cosmetics company and turned it into an empire. But suddenly, as she prepares to launch a new perfume line, she is faced with hidden threats at every turn. Her efforts to further expand the company could be sabotaged from within by her own treacherous family. With the discovery of her husband’s affair and the return of real estate magnate Michael Horowitz, her first and most enduring love, Mimi must determine whom she can trust—especially in light of the shocking revelations that are about to emerge regarding the birth of the Miray Corporation.
What if the next generation is denied the benefits of a government founded on God centered political integrity?Ryker Cuff finds himself thrust into the middle of an American tragedy where USA original fundamentals are perverted or gone, leaving influence on society much different from its founding. Technology has advanced but society reflects an unprincipled philosophy without the authority of God "s word. It is up to an underground organization to research, resurrect roots and teach people what is lost. The Network struggles with organizing and operating under the NMA (Neutral Morals Agency), which polices the governments " new amoral rights. Intrigue, intelligence and ingenuity frame actions as each alliance vies for societal dominance. SThe term tolerance has been overused and abused. It was successfully used to elevate lenience of ideas contrary to unsophisticated Christian conviction. But it was turned upon progressive philosophies in like manner. The term we need is something that matches our goals of tolerance but only supports neutral reactions. The term neutral should be integrated into the idea of freedom. Morgan Tanner, New American Bill of Rights taskforce leader “ 8/18/2022
In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood. Although Indians in film have long been studied, especially as characters in Hollywood westerns, Indian film itself has received relatively little scholarly attention. In Imagic Moments Lee Schweninger offers a much-needed corrective, examining films in which the major inspiration, the source material, and the acting are essentially Native. Schweninger looks at a selection of mostly narrative fiction films from the United States and Canada and places them in historical and generic contexts. Exploring films such as Powwow Highway, Smoke Signals, and Skins, he argues that in and of themselves these films constitute and in fact emphatically demonstrate forms of resistance and stories of survival as they talk back to Hollywood. Self-representation itself can be seen as a valid form of resistance and as an aspect of a cinema of sovereignty in which the Indigenous peoples represented are the same people who engage in the filming and who control the camera. Despite their low budgets and often nonprofessional acting, Indigenous films succeed in being all the more engaging in their own right and are indicative of the complexity, vibrancy, and survival of myriad contemporary Native cultures.
A majestic saga and thoughtful narrative recounting a family's epic struggle, this novel weaves together extraordinary characters bursting with richness, feeling, and dimension. The story of Chin Govender's family is blended into the rich cultural tapestry of Indian life and the intricacies of close communities that form the backdrop for this amazing tale. Painting an evocative portrait of five generations of descendants of former indentured Indian laborers and their struggle to build an identity in an emerging South Africa.