Mona In Three Acts Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Mona In Three Acts book. This book definitely worth reading, it is an incredibly well-written.
In this international bestseller, a woman comes of age in a poignant novel about forgiveness, pain, and self-discovery. Mona's demanding mother ruled their home until a car crash took her life and changed their family forever. Left to tend to a distant father and a needy younger brother, Mona finds her new role almost too much to bear. And when a new stepmother, troubled and depressed, adds yet another crack to the family portrait, Mona's forced to shoulder an even greater share of the emotional burden. Somewhere between her responsibility to her family and to her own life, Mona finds a route of escape: in a theater career she craves. But for every challenge ahead--romantic, professional, sexual, and familial--Mona wonders how much of her future has already been defined by the challenges of her past. An emotional, funny, and universal novel about the people, experiences, and choices that make us who we are, Mona in Three Acts is a revelatory journey of a woman's self-discovery, forgiveness, and courage to finally speak her truth.
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Excerpt from Mona: An Opera in Three Acts In the days of the Roman rule in Britain, Quintus, the son of the Roman Governor by a British captive, has grown up as one of his mother's people, know to them as Gwynn; has won place and power among them as a Bard, making their peace with Rome; and is to wed Mona, the foster-child of Enya and Arth and last of the blood of Boadicea. But a great re-billion has brewed in Britain under Caradoc, their chief Bard and Gloom, the Druid, Foster-brother of Mona. She by birthright and by old signs and prophecies is foretold their leader; and thereto she has been bred up hating Rome and dreaming of great deeds. This Gwynn with-stands in vain; and lest he lose Mona and all his power, is driven to swear fellowship in their conspiracy. Even so, for urging peace he is disowned and cast off by them and by her. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
This encyclopedia includes entries for 1,153 world premiere (and other significant) performances of operas in Europe, the United States, Latin America and Russia. Entries offer details about key persons, arias, interesting facts, and date and location of each premiere. There is a biographical dictionary with 1,288 entries on historical and modern operatic singers, composers, librettists, and conductors. Fully indexed and with a bibliography.
