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Monarchy and Matrimony is the first comprehensive study of Elizabeth I's courtships. Susan Doran argues that the cult of the `Virgin Queen' was invented by her ministers, and that Elizabeth was forced into celibacy by political necessity. Doran's detailed examination of the different suits is based on extensive archival research across Europe. Rather than focusing on Elizabeth's personality and image, she views the question within a wider political and religious context. She shows how the question of Elizabeth's marriage was divisive for England, affecting both political life and international relations, and provoking popular propaganda in the form of plays, poetry and paintings.
As a woman wielding public authority, Elizabeth I embodied a paradox at the very center of 16th century patriarchal English society. This text illuminates the ways in which the Queen and her subjects variously exploited or obfuscated this contradiction.
This volume examines analogies between marital and political ideology in early modern culture, analyzing sixteenth- and seventeenth-century marriage tracts and the appropriation of their rhetoric by Shakespeare, Mary Wroth, Francis Beaumont and John Fletcher, and John Webster. Just as the marriage tracts draw explicitly on political metaphors to prescribe marital decorum, early modern political treatises adopt the language of the marriage tracts, using their construction of the family unit as a model for exercising power. on important, often subversive, meanings when they are redeployed in prose fiction and drama. The woman's place within these marital and political discourses and how she fares within early modern domestic and political hierarchies are the book's primary concerns. Included here are detailed discussions of Wroth's Urania, Shakespeare's Taming of the Shrew, Titus Andronicus, Othello, and The Tempest, Beaumont and Fletcher's The Maid's Tragedy, and Webster's The Duchess of Malfi. Sid Ray is Associate Professor of English at Pace University in New York.
A revelatory account of how the loving marriage of King George VI and Queen Elizabeth saved the monarchy during World War II, and how they raised their daughter to become Queen Elizabeth II, based on exclusive access to the Royal Archives—from the bestselling author of Elizabeth the Queen and Prince Charles “An intimate and gripping portrait of a royal marriage that survived betrayal, tragedy, and war.”—Amanda Foreman, bestselling author of Georgiana: Duchess of Devonshire Granted special access by Queen Elizabeth II to her parents’ letters and diaries and to the papers of their close friends and family, Sally Bedell Smith brings the love story of this iconic royal couple to vibrant life. This deeply researched and revealing book shows how a loving and devoted marriage helped the King and Queen meet the challenges of World War II, lead a nation, solidify the public’s faith in the monarchy, and raise their daughters, Princess Elizabeth and Princess Margaret. When King Edward VIII abdicated the throne in 1936, shattering the Crown’s reputation, his younger brother, known as Bertie, assumed his father’s name and became King George VI. Shy, sensitive, and afflicted with a stutter, George VI had never imagined that he would become King. His wife, Elizabeth, a pretty, confident, and outgoing woman who became known later in life as “the Queen Mum,” strengthened and advised her husband. With his wife’s support, guidance, and love, George VI was able to overcome his insecurities and become an exceptional leader, navigating the country through World War II, establishing a relationship with Winston Churchill, visiting Franklin and Eleanor Roosevelt in Washington and in Hyde Park, and inspiring the British people with his courage and compassion during the Blitz. Simultaneously, George VI and Elizabeth trained their daughter Princess Elizabeth from an early age to be a highly successful monarch, and she would reign for an unprecedented seventy years. Sally Bedell Smith gives us an inside view of the lives, struggles, hopes, and triumphs of King George VI and Elizabeth during a pivotal time in history.
The Masters of the Revels and Elizabeth I's Court Theatre by W. R. Streitberger Pdf
The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life. W.R. Streitberger reconsiders the relationship between the biographies of the Masters and the conduct of their duties, rethinking the organization and development of the Office, re-examining its productions, and exploring its impact on the development of the commercial theatre. The nascent capitalist economy that developed alongside and interpenetrated the gift-driven system that was in place during Elizabeth's reign became the vehicle through which the Revels Office along with the commercial theatre was transformed. Beginning in the early 1570s and stretching over a period of twenty years, this change was brought about by a small group of influential Privy Councillors. When this project began in the early 1570s the Queen's revels were principally in-house productions, devised by the Master of the Revels and funded by the Crown. When the project was completed in the late 1590s, the Revels Office had been made responsible for plays only and put on a budget so small that it was incapable of producing them. That job was left to the companies performing at court. Between 1594 and 1600, the revels consisted almost entirely of plays brought in by professional companies in the commercial theatres in London. These companies were patronized by the queen's relatives and friends and their theatres were protected by the Privy Council. Between 1594 and 1600, for example, all the plays in the revels were supplied by the Admiral's and Chamberlain's Players which included writers such as Shakespeare, and legendary actors such as Edward Alleyn, Richard Burbage, and Will Kempe. The queen's revels essentially became a commercial enterprise, paid for by the ordinary Londoners who came to see these companies perform in selected London theatres which were protected by the Council.
Queen and Consort by Lynne Bell,Arthur Bousfield,Garry Toffoli Pdf
In 2007, Queen Elizabeth II and Prince Philip celebrate their sixtieth wedding anniversary. This love story examines their outstandingly successful marriage.
Elizabeth I's Italian Letters by Carlo M. Bajetta Pdf
This is the first edition ever of the Queen’s correspondence in Italian. These letters cast a new light on her talents as a linguist and provide interesting details as to her political agenda, and on the cultural milieu of her court. This book provides a fresh analysis of the surviving evidence concerning Elizabeth’s learning and use of Italian, and of the activity of the members of her ‘Foreign Office.’ All of the documents transcribed here are accompanied by a short introduction focusing on their content and context, a brief description of their transmission history, and an English translation.
Now back in print, this comprehensive collection of essays by Simon Adams brings to life the most enigmatic of Elizabethans--Robert Dudley, Earl of Leicester. Adams, famous for the unique depth and breadth of his research, has gathered here his most important essays looking at the Elizabethan Court, and the adventures and legacy of the Earl.Together with his edition of Leicester's accounts and his reconstruction of Leicester's papers, Adams has published much upon on Leicester's influence and activities. His work has reshaped our knowledge of Elizabeth and her Court, Parliament, and such subjects of recent debate as the power of the nobility and the noble affinity, the politics of faction and the role of patronage. Sixteen essays are found in this collection, organized into three groups: the Court, Leicester and his affinity, and Leicester and the regions. This volume will be essential reading for academics and students interested in the Elizabethan Court and in early modern British politics more generally.
Queens Matter in Early Modern Studies by Anna Riehl Bertolet Pdf
The essays in this book traverse two centuries of queens and their afterlives—historical, mythological, and literary. They speak of the significant and subtle ways that queens leave their mark on the culture they inhabit, focusing on gender, marriage, national identity, diplomacy, and representations of queens in literature. Elizabeth I looms large in this volume, but the interrogation of queenship extends from Elizabeth's historical counterparts, such as Anne Boleyn and Catherine de Medici, to her fictional echoes in the pages of John Lyly, Edmund Spenser, William Shakespeare, Mary Wroth, John Milton, and Margaret Cavendish. Celebrating and building on the renowned scholarship of Carole Levin, Queens Matter in Early Modern Studies exemplifies a range of innovative approaches to examining women and power in the early modern period.
