Money And Magic In Early Modern Drama

Author : David Hawkes
Publisher : Bloomsbury Publishing
Page : 265 pages
File Size : 48,9 Mb
Release : 2022-12-01
Category : Literary Criticism
ISBN : 9781350247062

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Money and Magic in Early Modern Drama by David Hawkes Pdf

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.

Author : David Hawkes
Publisher : Unknown
Page : 288 pages
File Size : 51,5 Mb
Release : 2022
Category : English drama
ISBN : 1350247073

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Money and Magic in Early Modern Drama by David Hawkes Pdf

"This volume considers three powerful ideological forces in early modern England: money, magic and the theatre. With the authorization of usury, financial value was developing into an independent, effective power. The mysterious, invisible nature of money's power struck many contemporaries as magical and contributed to the hysteria behind the great witch-hunts. At the same time, the public theatre emerged as a popular medium well-suited to representing the powers of magic. All the essays in this book examine the convergence of these three forces in a wide range of early modern drama. Part One considers the works of a broad array of figures ranging from Plautus through John Lyly to Christopher Marlowe - discussing plays such as Midas, The Alchemist and The Jew of Malta - while remaining tightly focussed on the nexus of money and magic. While Part Two concentrates on Shakespeare, whose diagnosis of the relations between finance, witchcraft and the stage is particularly acute in plays such as Timon of Athens, The Tempest and A Winter's Tale . The volume is especially timely in the current era of financial deregulation and derivatives, which often seem just as mysterious and occult in their operations as did the burgeoning financial system of sixteenth-century London."--

Author : David Hawkes
Publisher : Bloomsbury Publishing
Page : 265 pages
File Size : 50,9 Mb
Release : 2022-12-01
Category : Drama
ISBN : 9781350247055

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Money and Magic in Early Modern Drama by David Hawkes Pdf

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.

Author : Nandini Das,Nick Davis
Publisher : Taylor & Francis
Page : 194 pages
File Size : 44,5 Mb
Release : 2016-12-08
Category : Literary Criticism
ISBN : 9781317290681

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Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama by Nandini Das,Nick Davis Pdf

This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.

Author : Dr. Shokhan Rasool Ahmed
Publisher : Author House
Page : 103 pages
File Size : 50,5 Mb
Release : 2014-09-02
Category : Literary Criticism
ISBN : 9781496990495

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Magic and Gender in Early Modern England by Dr. Shokhan Rasool Ahmed Pdf

Magic and Gender in Early Modern England surveys the history of male and female magic in early modern England and the factors that influenced what writers include in their work regarding magic and witchcraft. the book includes the following: --Three chapters that focus on how Renaissance drama deals with contemporary issues of witchcraft and how witchcraft was used as an element to explore ideas of power and gender in early modern England --Key secondary readings by influential critics --Selected sources and analogues for Shakespeare's Macbeth, Christopher Marlowe's Dr. Faustus, Thomas Middleton's the Witch, and the Witch of Edmonton by John Ford, Thomas Dekker, and William Rowley

Author : Lisa Hopkins,Helen Ostovich
Publisher : Unknown
Page : 265 pages
File Size : 55,8 Mb
Release : 2014
Category : English drama
ISBN : 131559319X

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Magical Transformations on the Early Modern English Stage by Lisa Hopkins,Helen Ostovich Pdf

Author : Lisa Hopkins,Helen Ostovich
Publisher : Lund Humphries Publishers
Page : 278 pages
File Size : 52,8 Mb
Release : 2014-10-01
Category : English drama
ISBN : 1472432878

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Magical Transformations on the Early Modern English Stage by Lisa Hopkins,Helen Ostovich Pdf

Considering a variety of questions centering on magic and, or in, performance, this volume furthers the debate about the cultural work performed by representations of magic on the early modern English stage. Collectively the essays show that the idea of transformation applies not only to the objects and subjects of magic, but that the plays themselves can be seen as working to effect transformation in the ways that they challenge contemporary assumptions and stereotypes.

Author : Ryan Curtis Friesen
Publisher : Liverpool University Press
Page : 261 pages
File Size : 43,9 Mb
Release : 2019-07-01
Category : Drama
ISBN : 9781837641581

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Supernatural Fiction in Early Modern Drama and Culture by Ryan Curtis Friesen Pdf

Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.

Author : Natasha Korda
Publisher : Routledge
Page : 310 pages
File Size : 49,5 Mb
Release : 2016-02-11
Category : Performing Arts
ISBN : 9781134783045

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Working Subjects in Early Modern English Drama by Natasha Korda Pdf

Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.

Author : Dr Michelle M Dowd,Ms Natasha Korda
Publisher : Ashgate Publishing, Ltd.
Page : 314 pages
File Size : 42,9 Mb
Release : 2013-05-28
Category : Performing Arts
ISBN : 9781409478379

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Working Subjects in Early Modern English Drama by Dr Michelle M Dowd,Ms Natasha Korda Pdf

Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.

Author : Brian Sheerin
Publisher : Routledge
Page : 175 pages
File Size : 49,6 Mb
Release : 2016-04-28
Category : Literary Criticism
ISBN : 9781317152019

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Desires of Credit in Early Modern Theory and Drama by Brian Sheerin Pdf

Desires of Credit in Early Modern Theory and Drama traces the near-simultaneous rise of economic theory, literary criticism, and public theater in London at the turn of the seventeenth century, and posits that connecting all three is a fascination with creating something out of nothing simply by acting as if it were there. Author Brian Sheerin contends that the motivating force behind both literary and economic inquiry at this time was the same basic quandary about the human imagination--specifically, how investments of belief can produce tangible consequences. Just as speculators were realizing the potency of collective imagination on economic circulation, readers and dramatists were becoming newly introspective about whether or not the 'lies' of literature could actually be morally 'profitable.' Could one actually benefit by taking certain fictions 'seriously'? Each of the five chapters examines a different dimension of this question by highlighting a particular dramatization of economic trust on the Renaissance stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and Jonson. The book fills a gap in current scholarship by keeping economic and dramatic interests rigorously grounded in early modern literary criticism, but also by emphasizing the productive nature of debt in a way that resonates with recent economic sociology.

Author : Elizabeth Williamson
Publisher : Ashgate Publishing, Ltd.
Page : 256 pages
File Size : 53,7 Mb
Release : 2009
Category : Literary Criticism
ISBN : 0754668274

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The Materiality of Religion in Early Modern English Drama by Elizabeth Williamson Pdf

The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. The study explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of certain stage properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage.

Author : Ian McAdam
Publisher : Medieval & Renaissance Literar
Page : 1100 pages
File Size : 44,5 Mb
Release : 2009
Category : Drama
ISBN : STANFORD:36105133017553

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Magic and Masculinity in Early Modern English Drama by Ian McAdam Pdf

"The prevalent worldview of early modern England, shaped by Protestantism, dismissed magical belief as an ideological delusion inherent to Catholicism, while also encouraging a strong sense of individualism, through which a new masculinity found expression. This study asks why, then, did magical self-empowerment retain such a hold on that society's imagination?"--Provided by publisher.

Author : Anne Enderwitz
Publisher : Oxford University Press
Page : 289 pages
File Size : 41,8 Mb
Release : 2023-06-29
Category : Drama
ISBN : 9780192866813

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Economies of Early Modern Drama by Anne Enderwitz Pdf

This book provides new insights into how theatre responded to changing economic practices and structures. It reviews discourses on household management and commerce to create a rich context for the discussion of socio-economic actions and transactions in Macbeth, Othello, and Timon of Athens, as well as in city comedies by Ben Jonson and Thomas Middleton. By approaching discourses on economy and commerce as complementary, the book opens up a diverse field of socio-economic practices, including the gendered division of duties in the household, new modes of valuation, and evolving credit instruments. Theatre provides unique access to this field. In contrast to practical and policy-oriented discourses, it addresses socio-economic change and its vicissitudes in a spirit of experimentation, testing the ethical limits of socio-economic action and accustoming audiences to the demands of a changing socio-economic reality. Theatre thus offers a vital contribution to the prehistory of political economy. On the London stages, self-interest emerges as a key motive of socio-economic action, and theatre playfully explores its ambiguous status as a partly rational and partly excessive force that has a new ordering function but also creates social conflict. At the same time, by staging the contradictory demands of ethics and efficiency in economic decision-making, early modern plays offer access to a changing understanding of prudence that has a Machiavellian touch: by aligning with the pursuit of private interest, prudence sheds some of its ethical content and becomes foremost an instrumental faculty.

Author : David Woodman
Publisher : Rutherford [N.J.] : Fairleigh Dickinson University Press
Page : 160 pages
File Size : 50,5 Mb
Release : 1973
Category : Literary Criticism
ISBN : UOM:39015005085629

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White Magic and English Renaissance Drama by David Woodman Pdf