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When a worldwide monster invasion brings civilization to a crashing, blood-soaked halt and puts humanity on the Endangered Species list in the space of a single afternoon, 23-year-old misanthrope Fay Tucker must set out across the ruins of northeast Ohio in search of her little sister Daisy. To see her mission through, the embittered wannabe hermit is forced to associate with “those treacherous simians” (a.k.a. human beings) and soon becomes the nucleus of a small group of equally dysfunctional young women. As their quest takes them from the corpse-strewn streets of suburbia to the red-litten alleys of a city ablaze with unholy fire, from a harpy-besieged National Guard base to an amusement park turned ogre-run death camp, the women are forced to contend with both demons within and monsters without, and Fay finds herself forming bonds with her allies that may prove too strong for even her prickly soul to resist. If, that is, she—and they—can stay alive that long.
In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.
Most people don't believe in monsters, but you know the truth. They're real, and it's your task to bring them down. This revised edition of Monster of the Week brings that adventure to life.Monster of the Week is a standalone action-horror RPG for 3-5 people. Hunt high school beasties a la Buffy the Vampire Slayer, travel the country to bring down unnatural creatures like the Winchester brothers of Supernatural, or head up the government investigation like Mulder and Scully.This book contains everything you need to tackle Bigfoot, collar a chupacabra, and drive away demons. In this revised edition, you'll find:
Twenty years ago plagues swept humanity to the brink of extinction. The very few that survived were left in a world of plenty, but resources start to become scarce with the passage of time, and people have lost most of their abilities to do anything but forage. Two orphans, born after the apocalypse, flee a once safe and nurturing community grown from gathered wanderers now controlled by evil men. There are no laws to be enforced, there is no social conscience to be adhered to, and there is nothing politically correct. The civilized hysteria of the past has given way to hiding when you can, running when you must, and fighting when you are cornered. A dark stranger, immersed in regret and dangerous to himself and everyone he meets, confides the secret of why the world is as it is. Two orphans must survive, and find someone to trust.
Once upon a time, Dinosaurs ruled the Earth.But the Mesozoic era - the Age of Reptiles - came to its cataclysmic end sixty-five million years ago.The Age of Monsters begins tonight.And the world of humankind will crumble. Some will call it Judgment. Some will attempt to fight. Others will simply run. Most will just try and survive. But no one will escape.In the mountains. In the oceans. In the cities and towns. Even up in space.Where were YOU when the world ended?
KG 200 was a secret, specialized branch of the German Luftwaffe formed before World War 2 for espionage and recognizance. Though most of the documents detailing their most secret missions were destroyed before allied powers could seize them, some did survive. One of these missions, code named Apocalypse, was the first known attempt at advanced biological warfare on humans. The records of Apocalypse are incomplete, but the evidence confirms the horrific effects that Apocalypse had on one small farming village in Poland. Only now, decades later, is that evidence being released to the public.
Who would you be during the zombie apocalypse - the hunter or the hunted?Some zombie apocalypse stories are full of fighting and gore and dramatic battles and narrow escapes.If that's the kind of zombie tale you're looking for, look elsewhere, because this is not that story.This is a zombie apocalypse story about the choices we're faced with when trying to survive. Specifically, it's about Willow (just call her Will), her dysfunctional mother, and the fiancé who recently cheated on her. When the three of them stumble across a post-apocalyptic vegan hippie commune in the mountains of North Carolina, they think they've found a true utopia. (Well, except for the veganism. And all the hippies.)The community takes them in without realizing that Will and her companions are harboring a dark secret - a secret Will, her mom, and her fiancé will do almost anything to keep hidden.But when mother nature transforms their new utopia into a dystopia, Will and the community she's with face some hard choices. Ultimately, no matter what the survivors each believe about themselves, they are reminded that the only real choice you can make in a zombie apocalypse is the choice between being the hunter or the hunted.There's not a lot in between.Bigger Monsters is a little bit The Walking Dead, a little bit The L Word, and 100 percent a wild ride.
A man must survive the zombie apocalypse armed with only a shotgun, a Samurai bat, and the will to live among the unliving in this horror series debut. It's been two years since civilization ended in an unstoppable wave of chaos and blood. Now, former house painter Augustus "Gus" Berry lives a day-to-day existence of waking up, getting drunk, and preparing for the inevitable moment when "they" will come up the side of his mountain and penetrate his fortress. Living on the outskirts of Annapolis, Gus goes scavenging for whatever supplies remain in the undead suburbia below. Every time he descends the mountain could be his last. But when Gus encounters another survivor, he soon realizes the zombie horde may not be the greatest threat he faces . . . Combining heart-pounding action in a frozen dystopia with complex characters and dark humor, Mountain Man kicks off Keith C. Blackmore's thrilling survival series-perfect for fans of HBO's The Last of Us.
The Oxford Handbook of Apocalyptic Literature by John J. Collins Pdf
Apocalypticism arose in ancient Judaism in the last centuries BCE and played a crucial role in the rise of Christianity. It is not only of historical interest: there has been a growing awareness, especially since the 2001 terrorist attacks on the United States, of the prevalence of apocalyptic beliefs in the contemporary world. To understand these beliefs, it is necessary to appreciate their complex roots in the ancient world, and the multi-faceted character of the phenomenon of apocalypticism. The Oxford Handbook of Apocalyptic Literature is a thematic and phenomenological exploration of apocalypticism in the Judaic and Christian traditions. Most of the volume is devoted to the apocalyptic literature of antiquity. Essays explore the relationship between apocalypticism and prophecy, wisdom and mysticism; the social function of apocalypticism and its role as resistance literature; apocalyptic rhetoric from both historical and postmodern perspectives; and apocalyptic theology, focusing on phenomena of determinism and dualism and exploring apocalyptic theology's role in ancient Judaism, early Christianity, and Gnosticism. The final chapters of the volume are devoted to the appropriation of apocalypticism in the modern world, reviewing the role of apocalypticism in contemporary Judaism and Christianity, and more broadly in popular culture, addressing the increasingly studied relation between apocalypticism and violence, and discussing the relationship between apocalypticism and trauma, which speaks to the underlying causes of the popularity of apocalyptic beliefs. This volume will further the understanding of a vital religious phenomenon too often dismissed as alien and irrational by secular western society.
Monsters aren’t real. Everyone knows that. Full of creepy-cool atmosphere and monstrous magic, this gripping middle grade debut will sink its claws into fans of supernatural adventures like Holly Black’s Doll Bones and Ellen Oh’s Spirit Hunters. When a sudden earthquake strands Celia’s parents out of town, she finds herself on her own in a shaken city. She tries to reach out to other kids around her apartment building. Some of them, like the sad boy named Demetri, seem wary of letting her too close. The others call themselves Hunters. They claim the earthquake was caused by monsters only kids can see. And they think Celia is destined to save the city. Celia doesn’t feel destined to save anything—but for the first time, she feels like maybe she’s seeing things as they really are….
The Resilient Apocalypse by Julia Alexis Kushigian Pdf
"Portraits of 'good battling evil' in the geography of Hell come in many forms in the Hispanic World. Apocalyptic nightmares, fearful images of life, chaos and death are inclusive and interdepEndent, yet simultaneously project an exceptional quality. Where images remain unfulfilled in narrow allegiances to a proscribed End, this investigation explores how narrative logic may challenge unified notions of finalities. Redeploying transglobal character and narrative potential, it distinguishes itself by training the lens on New Beginnings. Its analysis embeds resilient formulas for combating the End through resistance in Latin America and Spain revealed in gilded illustration, decolonizing drama, messianic chronicles and poetry, baroque letters, racially-motivated novels, sexuality-threatening films, and intimidating immigrant photos complete with destruction wreaked by climate change. Through chaos the resilient Apocalypse simultaneously performs as an internal defense (a vehicle for mourning) and a counter-discourse to power (a mechanism for resistance). Its strategy listens to and keeps the enemy 'in sight and in mind,' a formula for grappling with and engaging difference that analyzes the traces left on each other's cultural fabric in an open-Ended, communal struggle. This study argues for decolonizing the politics of the End and reformulating an incomplete, mythical, uncanny quality into a poetics of resistance garnering communal solutions and obligations. Here the Apocalypse is unremittingly sought after to redefine social justice, salvation and reality over time and past collateral damage, ironically providing future hope against itself, the crushing fear of the End. It crystalizes what had yet to be comprehensively explored: how rival traditions internalize competing apocalyptic worldviews to arrive at sustainable plans of action, time-tested, reputable cultural models to control dissension from within and without, and social goals supported by traces the other imprints on their cultural ethos. Bracketing the finality of the End and arguing the process from conflict archaeology toward New Beginnings, salvation, solace or hope, resolves an incomplete myth by negotiating the afterward. Revealing how plural, competing viewpoints of the End go a long way to legitimize each other, this theory of unfulfilled promise forever changes the way we engage the other and value the self"
Do you like ghosts? Or witches? Or aliens? Or werewolves? They're all here... just in time... for the Monster Apocalypse! Brin Skar thought she defeated the vampires, and she thought she escaped the zombies, but as it turns out... the horrors have just begun.When Brin learns that Droz has kidnapped Paul, as well as her own mother, she decides her only choice is to return to Bodie Ghost Town. Joined by Ash, Anaya, Mr. Barker, and others, she sets out to destroy the evil clan leader... in the grisliest showdown of all.Here it is... the final epic chapter of the Grisly High trilogy!
How to Kill Monsters Using Common Household Items by Jason Offutt Pdf
The human race is an endangered species. Vampires, werewolves, Bigfoot, and killer robots – they’re all trying to kill us. Killer robots even have the word “killer” in their name. Can it get more obvious? We need to rid the world of these monsters before they rid the world of us. All of them. But these monsters aren’t real, right? Wrong, and you’re dead. These creatures wander the periphery of our reality, waiting for a moment of weakness, and then attack while we’re home alone in our underwear. “How to Kill Monsters Using Common Household Items” is a guidebook on how to rid your life of these monsters before they kill you, so sharpen that machete and gas up the weed whacker, folks. Each chapter contains: · How to identify the monster · Who’s going to help you kill it · Your arsenal and where to keep it (kitchen, bathroom, living room, garage, etc.). · Behavior of the monster while you’re trying to kill it · Disposing of the body · Monster powers · Monster weaknesses · How to avoid the monster “How to Kill Monsters Using Common Household Items” is a must have home defense guide for the do-it-yourself slayer. After using this book, you too can understand that setting gnomes on fire with a Bic lighter and a can of Aqua Net is funny.
First in the cult classic trilogy: “A fantastic zombie novel . . . There are many layers to this zombie apocalypse, and this book just gets things rolling” (Booklist). Welcome to New York City, Population Zero? The power grid has collapsed. There is no running water, no light, no heat. The massive neon signs of Times Square are dark now, and the subway trains crouch silent in their tunnels, waiting for commuters who will never return. An epidemic of staggering lethality has passed over the city and left nothing living in its wake. And yet the city is not deserted. The dead have returned to life, and they're hungry. The millions of people who once worked and lived in New York have been turned into cannibalistic monsters whose only function is to consume. No living person would dare enter the city--it would be suicide. Dekalb doesn't have a choice. He must protect his daughter's future, and that means retrieving vital medical supplies from the UN building in Midtown. A cadre of teenage girl soldiers have been recruited to help him find what he needs, and get back alive. They're well armed. They're devoted to their mission and willing to sacrifice anything to pull it off. But the odds against them are staggering. Especially when it turns out that not all zombies are created equal. Deep inside the city a medical student named Gary comes back from the dead different--his mind is intact. He can still think and feel. He's hungry, just like the rest, but unlike them he can plan, plot, and scheme. He can even lead the others, bending them to his will. Soon he has a small army at his command, a growing mob of rotting corpses all devoted to one cause: to find meat for their master. When Dekalb and Gary cross paths sparks will fly, destinies will clash--and the future of humanity will be decided, one head shot at a time.
