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"The plot has imaginative twists and turns, and the backgrounds are lush and evocative. It's good, satisfying fun." -Publishers Weekly She's one thing by day, something else altogether by night... After escaping the slaughter of her clan at a young age, Scottish noblewoman Sabrina Verrick provides for her siblings by living a double life, until the night she encounters the Duke, and her secret and all she holds dear is threatened... He's so disillusioned, he's completely vulnerable... With his inheritance at stake, Lucien, Duke of Camareigh, sets a trap for the Scottish beauty with the piercing violet eyes, never imagining what will happen when the trap is sprung... As their lives become irreversibly entangled, Lucien and Sabrina become each other's biggest threat, as well as their only salvation... Praise for Laurie McBain: "Ms. McBain's flare for the romantic intermingled with suspense will keep the reader riveted to the story until the last page." -Affaire de Coeur "Vivid sense of description, colorful characters... I found myself happily lost in the magnificence of the storytelling." -Los Angeles Herald Examiner Dominick Trilogy: Moonstruck Madness Chance the Winds of Fortune Dark Before the Rising Storm
Lunacy, the legendary notion of minds unhinged by the moon, continues to captivate the popular imagination. Although it violates the assumptions of modern science and psychiatry, such belief remains common among mental health workers. Furthermore, several studies have found a small, unexplained correlation between behaviour and the lunar cycle. The book is divided into two parts. It begins with a historical account of the lunacy concept, followed by an investigation of hypothetical mechanisms for a lunar effect.
The veil has been lifted. Discover the Gospel truth about the most myth-understood woman of the New Testament. Was Mary Magdalene a prostitute? An adulteress? The wife of Jesus? An ancient goddess? Liz Curtis Higgs, best-selling author of Bad Girls of the Bible and Really Bad Girls of the Bible, combines heartfelt contemporary fiction with extensive biblical research to bring to life the real Mary Magdalene of the Bible. With her own eyes, she saw him. With her own ears, she heard him. With her own hands, she touched him. Unveiling Mary Magdalene opens with the fictional journey of Mary Margaret Delaney, a madwoman adrift in modern Chicago. Her moving story, closely paralleling the biblical account, is followed by a verse-by-verse study of the first-century Mary Magdalene and her life-changing encounters with the Christ. “Liz has done it again! What hope and promise this will bring.” —Kay Arthur “The unforgettable portrait of a courageous woman.” —Rebecca St. James
The Art of Frenzy presents a masterful analysis of public madness from the Renaissance to the Industrial Age. Frenzy--the most flagrant and political form of madness--is the madness of warrior-heroes, kings, scolds, and the possessed. Its representation incorporates a range of traditional characters and figures, from Hercules and Orlando to Medea and Britannia. Understood as abusive power and belligerence out of control, and described in terms drawn equally from definitions of tyranny and liberty, frenzy has always been articulated with a significant degree of political meaning. Integrating art history with cultural studies, political history, and the history of medicine, Jane Kromm draws on a wide range of mediums and contexts--from asylum sculpture to political broadsheets, medical texts, the imagery of revolution, caricature and medical illustrations--to clarify the importance of this interpretative pattern.
Paradise Lost remains as challenging and relevant today as it was in the turbulent intellectual and political environment in which it was written. This edition aims to bring the poem as fully alive to a modern reader as it would have been to Milton's contemporaries. It provides a newly edited text of the 1674 edition of the poem--the last of Milton's lifetime--with carefully modernized spelling and punctuation. Marginal glosses define unfamiliar words, and extensive annotations at the foot of the page clarify Milton's syntax and poetics, and explore the range of literary, biblical, and political allusions that point to his major concerns. David Kastan's lively Introduction considers the central interpretative issues raised by the poem, demonstrating how thoroughly it engaged the most vital--and contested--issues of Milton's time, and which reveal themselves as no less vital, and perhaps no less contested, today. The edition also includes an essay on the text, a chronology of major events in Milton's life, and a selected bibliography, as well as the first known biography of Milton, written by Edward Phillips in 1694.
On the eve of Napoleon's Peninsular War in Spain France was under the Emperors iron hand, the memory of the Reign of Terror made this lesser tyranny tolerable, and Napoleon's military genius was not questioned. Afraid of Royalist plots and conspiracies Napoleon had sent his Prefect to Les Chouettes a province in the West to meet Monsieur Angelot. Unaware of his uncle's conspiracy Angelot meets Prefect and the General Ratoneau, but unfortunate incidents make him a powerful enemy. From that point begins the adventure of Angelot filled with trials and tribulations.
Unveiling Mary Magdalene Workbook by Liz Curtis Higgs Pdf
Whether readers have already enjoyed Unveiling Mary Magdalene or are about to dive in for the first time–individually or in a group setting–this 6-week companion workbook provides a practical, meaningful resource for spiritual growth and a deeper understanding of God’s Word. The questions at the end of each chapter of Unveiling Mary Magdalene are included–and expanded–in the Unveiling Mary Magdalene Workbook, with more in-depth biblical material and plenty of space for jotting down individual answers and observations. Sized to match the original book, the Unveiling Mary Magdalene Workbook enhances the message of Liz Curtis Higgs’s third book in the Bad Girls series, a best-selling combination of solid Bible teaching and Liz’s unique style of “girlfriend theology.”
Angelot – A Tale of the First Empire by Eleanor C. Price Pdf
On the eve of Napoleon's Peninsular War in Spain France was under the Emperors iron hand, the memory of the Reign of Terror made this lesser tyranny tolerable, and Napoleon's military genius was not questioned. Afraid of Royalist plots and conspiracies Napoleon had sent his Prefect to Les Chouettes a province in the West to meet Monsieur Angelot. Unaware of his uncle's conspiracy Angelot meets Prefect and the General Ratoneau, but unfortunate incidents make him a powerful enemy. From that point begins the adventure of Angelot filled with trials and tribulations.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
