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More Australian Legendary Tales by Katie Langloh Parker Pdf
Collected from natives belonging to Murrumbidgee, Darling, Barwon, Paroo, Warrego, Narran, Castlereagh Rivers, Braidwood, Yass and other districts to the Gulf country in Queensland; Author has confined herself as far as possible to the Noongahburrah names to stop confusion over dialects.
More Australian Legendary Tales by Katie Langloh Parker Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
More Australian Legendary Tales (Classic Reprint) by Mrs. K. Langloh Parker Pdf
Excerpt from More Australian Legendary Tales I must begin the preface to a new series of Australian Legendary Tales by thanking the press and public for the, to the collector, gratifying reception they gave the first one. There are many persons who have individually expressed their interest in my work so kindly that I would like to name them here and publicly thank them, but some Of them are of such world-wide fame that to do so might seem a mere self-advertisement at their expense. Should this come under their notice, they will, I hope, understand my reticence, and accept my gratitude. The present series Of legends have all been collected by myself from the Blacks, as were the previous ones. But in this instance I had much help given to me by friends. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This first book by K. Langloh Parker is still one of the best available collections of Australian Aboriginal folklore. It was written for a popular audience, but the stories are retold with integrity, and not filtered, as was the case with similar books from this period. That said, the style of this book reflects Victorian sentimentality and, an occasional tinge of racism that was apparent in those times. However, this volume does contain 31 uniquely Australian tales like: The Galah, and Oolah the Lizard, Bahloo the Moon and the Daens, The Origin of the Narran Lake, Gooloo the Magpie, and the Wahroogah and many more tales with distinctly Aboriginal titles. The texts, with their sentient animals and mythic transformations, have a somnambulistic and chaotic narrative that mark them as authentic dreamtime lore. The mere fact that she cared to write down these stories places her far ahead of her contemporaries, who, at the time, barely regarded native Australians as human. However, children will find here the Jungle Book of Australia, but there is no Mowgli, set apart as a man. For man, bird, and beast are all blended in the Aboriginal psyche. All are of one kindred, all shade into each other; all obey the Bush Law. Unlike any European Marchen, these stories do not have the dramatic turns of Western folk-lore. There are no distinctions of wealth and rank, no Cinderella nor a Puss in Boots. The struggle for food and water is the perpetual theme, and no wonder, for the narrators dwell in a dry and thirsty land. Parker has some odd connections with modern popular culture. She was rescued from drowning by an aborigine at an early age. This incident was portrayed in the film 'Picnic at Hanging Rock'. The song "They Call the Wind Mariah" was based on a story from this book and the pop singer Mariah Cary was reputedly named after this song. 33% of the net profit from this book will be donated to schools, charities and special causes. Yesterday's Books for Tomorrow's Educations"
Australian Legendary Tales by Katie Langloh Parker Pdf
Australian Legendary Tales: Large print by Katie Langloh Parker Therefore, on the authority of Professor Max Muller, that folk-lore of any country is worth collecting, I am emboldened to offer my small attempt, at a collection, to the public. There are probably many who, knowing these legends, would not think them worth recording; but, on the other hand, I hope there are many who think, as I do, that we should try, while there is yet time, to gather all the information possible of a race fast dying out, and the origin of which is so obscure. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Legendary Tales of the Australian Aborigines by David Unaipon Pdf
Collection of traditional Aboriginal stories from South Australia, written David Uniapon, an early Aboriginal activist, scientist, writer and preacher, who appears on the Australian $50 note. The stories originally appeared in 'Myths and Legends of the Australian Aboriginals', but were attributed to W. Ramsay Smith, FRS, anthropologist and Chief Medical Officer of South Australia. For this edition the stories have been re-edited, with the cooperation of Uniapon's descendants, and for the first time appear as the work of their true author. The editors contribute a substantial introduction that gives the historical and cultural context of Uniapon's work, and the story of this publication. Includes photos, glossary and bibliography. Muecke is Professor of Cultural Studies in the Faculty of Humanities and Social Sciences, University of Technology, Sydney. Previous works include 'Reading the Country' and 'Paperbark: A collection of Black Australian writing'. Shoemaker is Dean of Arts at the Australian National University. Previous works include 'Black Words, White Page' and 'Mudrooroo: A critical study'.
Australian Legendary Tales (1896). by by K.Langloh Parker,Tommy McRae,Andrew Lang Pdf
Tommy McRae (c.1835-1901) was an Aboriginal artist who lived in the Upper Murray district of Australia.McRae was a Wahgunyah man of the Kwatkwat people, whose country stretched from south of the Murray River to near the junction of the Goulburn and Murray rivers in Victoria........ Andrew Lang, FBA (31 March 1844 - 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him........... Catherine Eliza Somerville Stow (1 May 1856 - 27 March 1940), who wrote as K. Langloh Parker, was a South Australian born writer who lived in northern New South Wales in the late nineteenth century. She is best known for recording the stories of the Ualarai around her. Her testimony is one of the best accounts of the beliefs and stories of an Aboriginal people in north-west New South Wales at that time. However, her accounts reflect European attitudes of the time. Early life: Parker was born Catherine Eliza Somerville Field at Encounter Bay, in South Australia, daughter of Henry Field, pastoralist, and his wife Sophia, daughter of Rev. Ridgway Newland.Henry Field established Marra station near Wilcannia on the Darling River in New South Wales, and 'Katie' was raised there. The relocation brought the family both prosperity and sorrows. In an incident that took place in January 1862, her sisters Jane and Henrietta drowned while Katie was rescued by her Ualarai nurse, Miola. In recognition, Miola was taken in to be schooled together with the Field's other children.The family moved back to Adelaide in 1872. Marriage: In 1875, on reaching her maturity at 18, she married her first husband, Langloh Parker, 16 years her senior. In 1879 they and moved to his property, Bangate Station, near Angledool, on Ualarai lands by the Narran River. Langloh Parker's holdings consisted of 215,000 acres running some 100,000 sheep and cattle. He found time also to work as magistrate at Walgett. Over the following two decades she collected many of the Ualarai stories and legends which were to fill her books and make her famous. After drought struck the region, the station eventually failed and the Parkers moved to Sydney in 1901, where Langloh was diagnosed with cancer, dying two years later. Hatie travelled to England and married a lawyer, Percival Randolph Stow (son of Randolph Isham Stow), in 1905. The couple eventually returned to Australia, taking up residence in the suburb of Glenelg in Adelaide until her death in 1940............
Australian Legendary Tales: Folklore of the Noongahburrahs as Told to the Piccaninnies by Katie Langloh Parker Pdf
Australia makes an appeal to the fancy which is all its own. When Cortes entered Mexico, in the most romantic moment of history, it was as if men had found their way to a new planet, so strange, so long hidden from Europe was all that they beheld. Still they found kings, nobles, peasants, palaces, temples, a great organised society, fauna and flora not so very different from what they had left behind in Spain. In Australia all was novel, and, while seeming fresh, was inestimably old. The vegetation differs from ours; the monotonous grey gum-trees did not resemble our varied forests, but were antique, melancholy, featureless, like their own continent of rare hills, infrequent streams and interminable deserts, concealing nothing within their wastes, yet promising a secret. The birds and beasts—kangaroo, platypus, emu—are ancient types, rough grotesques of Nature, sketching as a child draws. The natives were a race without a history, far more antique than Egypt, nearer the beginnings than any other people. Their weapons are the most primitive: those of the extinct Tasmanians were actually palaeolithic. The soil holds no pottery, the cave walls no pictures drawn by men more advanced; the sea hides no ruined palaces; no cities are buried in the plains; there is not a trace of inscriptions or of agriculture. The burying places contain relics of men perhaps even lower than the existing tribes; nothing attests the presence in any age of men more cultivated. Perhaps myriads of years have gone by since the Delta, or the lands beside Euphrates and Tigris were as blank of human modification as was the whole Australian continent. The manners and rites of the natives were far the most archaic of all with which we are acquainted. Temples they had none: no images of gods, no altars of sacrifice; scarce any memorials of the dead. Their worship at best was offered in hymns to some vague, half-forgotten deity or First Maker of things, a god decrepit from age or all but careless of his children. Spirits were known and feared, but scarcely defined or described. Sympathetic magic, and perhaps a little hypnotism, were all their science. Kings and nations they knew not; they were wanderers, houseless and homeless. Custom was king; yet custom was tenacious, irresistible, and as complex in minute details as the etiquette of Spanish kings, or the ritual of the Flamens of Rome. The archaic intricacies and taboos of the customs and regulations of marriage might puzzle a mathematician, and may, when unravelled, explain the less complicated prohibitions of a totemism less antique. The people themselves in their struggle for existence had developed great ingenuities. They had the boomerang and the weet-weet, but not the bow; the throwing stick, but not, of course, the sword; the message stick, but no hieroglyphs; and their art was almost purely decorative, in geometrical patterns, not representative. They deemed themselves akin to all nature, and called cousins with rain and smoke, with clouds and sky, as well as with beasts and trees. They were adroit hunters, skilled trackers, born sportsmen; they now ride well, and, for savages, play cricket fairly. But, being invaded by the practical emigrant or the careless convict, the natives were not studied when in their prime, and science began to examine them almost too late. We have the works of Sir George Grey, the too brief pamphlet of Mr. Gideon Lang, the more learned labours of Messrs. Fison and Howitt, and the collections of Mr. Brough Smyth. The mysteries (Bora) of the natives, the initiatory rites, a little of the magic, a great deal of the social customs are known to us, and we have fragments of the myths. But, till Mrs. Langloh Parker wrote this book, we had but few of the stories which Australian natives tell by the camp-fire or in the gum-tree shade.Australia makes an appeal to the fancy which is all its own. When Cortes entered Mexico, in the most romantic moment of history, it was as if men had found their way to a new planet, so strange, so long hidden from Europe was all that they beheld. Still they found kings, nobles, peasants, palaces, temples, a great organised society, fauna and flora not so very different from what they had left behind in Spain. In Australia all was novel, and, while seeming fresh, was inestimably old. The vegetation differs from ours; the monotonous grey gum-trees did not resemble our varied forests, but were antique, melancholy, featureless, like their own continent of rare hills, infrequent streams and interminable deserts, concealing nothing within their wastes, yet promising a secret. The birds and beasts—kangaroo, platypus, emu—are ancient types, rough grotesques of Nature, sketching as a child draws. The natives were a race without a history, far more antique than Egypt, nearer the beginnings than any other people. Their weapons are the most primitive: those of the extinct Tasmanians were actually palaeolithic. The soil holds no pottery, the cave walls no pictures drawn by men more advanced; the sea hides no ruined palaces; no cities are buried in the plains; there is not a trace of inscriptions or of agriculture. The burying places contain relics of men perhaps even lower than the existing tribes; nothing attests the presence in any age of men more cultivated. Perhaps myriads of years have gone by since the Delta, or the lands beside Euphrates and Tigris were as blank of human modification as was the whole Australian continent. The manners and rites of the natives were far the most archaic of all with which we are acquainted. Temples they had none: no images of gods, no altars of sacrifice; scarce any memorials of the dead. Their worship at best was offered in hymns to some vague, half-forgotten deity or First Maker of things, a god decrepit from age or all but careless of his children. Spirits were known and feared, but scarcely defined or described. Sympathetic magic, and perhaps a little hypnotism, were all their science. Kings and nations they knew not; they were wanderers, houseless and homeless. Custom was king; yet custom was tenacious, irresistible, and as complex in minute details as the etiquette of Spanish kings, or the ritual of the Flamens of Rome. The archaic intricacies and taboos of the customs and regulations of marriage might puzzle a mathematician, and may, when unravelled, explain the less complicated prohibitions of a totemism less antique. The people themselves in their struggle for existence had developed great ingenuities. They had the boomerang and the weet-weet, but not the bow; the throwing stick, but not, of course, the sword; the message stick, but no hieroglyphs; and their art was almost purely decorative, in geometrical patterns, not representative. They deemed themselves akin to all nature, and called cousins with rain and smoke, with clouds and sky, as well as with beasts and trees. They were adroit hunters, skilled trackers, born sportsmen; they now ride well, and, for savages, play cricket fairly. But, being invaded by the practical emigrant or the careless convict, the natives were not studied when in their prime, and science began to examine them almost too late. We have the works of Sir George Grey, the too brief pamphlet of Mr. Gideon Lang, the more learned labours of Messrs. Fison and Howitt, and the collections of Mr. Brough Smyth. The mysteries (Bora) of the natives, the initiatory rites, a little of the magic, a great deal of the social customs are known to us, and we have fragments of the myths. But, till Mrs. Langloh Parker wrote this book, we had but few of the stories which Australian natives tell by the camp-fire or in the gum-tree shade.
