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This new edition of O'Neill's unfinished play coincides with the centenary of his birth and includes a substantial amount of material - including an entire scene - that was missing when it was prepared after the playwright's death, but which, Martha Bower argues, he had intended for inclusion.
"More Stately Mansions" is a play by Eugene O'Neill. Originally intended to be part of a nine-play cycle entitled A Tale of Possessors Self-Dispossessed, Mansions was an incomplete rough draft written between 1936 and 1939 that O'Neill did not want posthumously finished or produced. A sequel to "A Touch of the Poet", it picks up four years later in 1832 Massachusetts, with Simon Harford, now married to Sara Melody, finding himself the pawn in a battle between his wife and his mother to control him through love. Played out against the background of an industrial revolution, the struggle ultimately leads to tragedy and despair.Einstein Books' edition of "More Stately Mansions" contains supplementary texts:* An excerpt from "A Touch Of The Poet", the prequel to "More Stately Mansions".* The poem "The Chambered Nautilus" by Oliver Wendell Holmes, from which the title of the play is derived.* A few selected quotes of Eugene O'Neill.
Arguing that the 1964 edition of Eugene O'Neill's unfinished play More Stately Mansions, prepared after the playwright's death, was missing a substantial amount of material that O'Neill intended for inclusion, Martha Bower here presents an entirely new edition of the play with this material--dialogue, character description, an entire scene, the epilogue, and large parts of other scenes--restored. Published to coincide with the centennial of O'Neill's birth, it will stand as an important contribution to O'Neill scholarship.
Critical Companion to Kurt Vonnegut by Susan Farrell Pdf
Kurt Vonnegut is one of the most popular and admired authors of post-war American literaturefamous both for his playful and deceptively simple style as well as for his scathing critiques of social injustice and war. Criti.
Eugene O'Neill and the Reinvention of Theatre Aesthetics by Thierry Dubost Pdf
The plays of Eugene O'Neill testify to his continued search for new dramatic strategies. The author explores the Nobel Prize winner's attempts at creating a new Modern play. He shows how, moving away from melodrama or "the problem play," O'Neill revisited the classical frames of drama and reinvented theater aesthetics by resorting to masks, the chorus, acoustics, silence or immobility for the creation of his dramatic works.
Offers two plays by the renowned American dramatist including his last full-length play concerning the aspirations, pride, and illusions of a former Irish major who settles in nineteenth-century Massachusetts.
Down the Nights and Down the Days by Edward L. Shaughnessy Pdf
This latest book from veteran O’Neillian Edward L. Shaughnessy examines the influence of the Irish playwright’s Catholic heritage on his moral imagination. Critics, due to O'Neill's early renunciation of faith at age 15, have mostly overlooked this presence in his work. While Shaughnessy makes no attempt to reclaim him for Catholicism, he uncovers evidence that O'Neill retained the imprint of his Irish Catholic upbringing and acculturation in his work. Shaughnessy discusses several key plays from the O’Neill cannon, such as Long Day’s Journey into Night, The Iceman Cometh, and Mourning Becomes Electra, as well as the lesser-known Ile and Days Without End. Winner of the Irish in America Manuscript competition, Down the Days and Down the Nights: Eugene O’Neill’s Catholic Sensibility is a compelling investigation into the psyche of one of the most brilliant, internationally honored playwrights of our time.
An original and provocative analysis of Eugene O'Neill's unfinished cycle play project From 1935 to 1939, Eugene O'Neill worked on a series of plays that would trace the history of an American family through several generations. He completed just two of the proposed eleven plays--A Touch of the Poet and More Stately Mansions--which Zander Brietzke argues represent the core of the entire cycle. Combining archival research, literary analysis, and theatrical imagination, Magnum Opus invites an audience to see this unusual and exciting epic as a historical drama of our time.