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More Writing from the Edge by Wotton Writers Group Pdf
Wotton Writers Group is a mixture of published local authors and enthusiastic amateurs, who meet once a month to socialise and practise their skills. This can take the form of writing to a prompt or sometimes critiquing shared pieces of work. They write poetry as well as prose and welcome writers whatever their genre. In this their second anthology, you will find an entertaining mix – from the observational to the unexpected, historical to the modern day, science fiction to horror, the living room to the magic portal – you are invited to step into other worlds of their creation.
Powerful essays by such luminaries and literary giants as Daniel Day-Lewis and Martin Amis offer a compassionate look at the crises that most affect our world today. An important book for anyone interested in global issues, Writing on the Edge features twelve essays that take the reader to countries in crisis. Award-winning writer Martin Amis experienced firsthand the problems of gang violence in Colombia, South America; New York Times bestselling author Tracy Chevalier focuses on the abuse of women in Burundi, East Africa; Oscar-winning actor Daniel Day-Lewis writes of meeting children raised in war-torn Palestine; Booker Prize-winning author DBC Pierre addresses the unusually high incidence of mental health issues in Armenia. Award-winning photographer Tom Craig was commissioned by the humanitarian charity Médecins Sans Frontières/Doctors without Borders to document the writers in these places in trouble. His striking photographs amplify the sense of compassion required while also demonstrating that beautiful humanity is the victim of tragedy.
In Writing at the Edge, Jeff Park invites the reader to see personal writing as the metaphorical space where individuals negotiate meaning with others and the world. Drawing upon writing process theory, curriculum theory, narrative theory, and many years of practice, this book explores writing in relation to the «self», but dares to include the multiplicities and contradictions of social and cultural constructions of gender, power, and politics. Park uses the metaphor of the «riparian zone» to reconsider the value of writing as a site of negotiation of self, culture, and society. This book is the best of curriculum theory and narrative inquiry, as well as a stunning invitation to those working in language arts, writing, and teacher education to reconsider personal writing as a place of great diversity, beauty, and paradox.
Complex and controversial issues have accompanied the development of English-language literature in Wales, generating a continuing debate over the nature of Welsh writing in English. The main issues include the claim of some Welsh-language writers to represent the only authentic literature of Wales, the question of whether or not an extended literary tradition in English has existed in Wales, the absence (until fairly recently) of a publishing apparatus for English-language writers, the rise of a Welsh nationalism committed to preserving the Welsh language, and the question of whether English-language literature in Wales can be distinguished from English literature proper. The primary impulse for the interviews with the thirteen writers and editors in Writing on the Edge was to explore these and other issues relating to the literary and cultural identity in Wales in the last decade. The book's title reflects these ongoing debates about the nature and direction of contemporary Welsh literature in English, which is often perceived as peripheral both to Welsh-speaking Wales and to the literary culture of England. As one of the contributors to the volume says This is what it is to be Welsh ... It's an edge. There's no moment of life in Wales that hasn't got that edge, unless you decide you're not Welsh.
In Paul’s angry letter, everything is magnified. His obstructers have insidious motives, their Galatian victims are dense and on the brink of spiritual peril, and the law itself is outmoded and a malevolent taskmaster. How do we read beneath the rhetoric? Writing on the Edge surveys ancient Greco-Roman and modern linguistic sources on hyperbole and demonstrates that it is possible to separate out the effect of Paul’s edgy rhetoric on his ideas. Eleven criteria are applied to identify Paul’s most hyperbolic passages in Galatians, followed by a reinterpretation of those passages and the entire thrust of the letter. Paul’s true attitudes emerge, and a more consistent picture of the apostle materializes, one in line with his Torah-observant behavior in Acts.
Dennis Cooper's writing has acquired a ferocious reputation for its bold experimentation, its transgressive content, and its emotional content, which is both romantic and touching, as well as cold and hard-edged. For over 20 years, Cooper has explored the boundaries of human living, with sexuality's centrality to that living. The extreme situations he develops in his writing bring out parts of the gay experience that a consensual 'community' often shies away from - likewise the heterosexual mainstream. His most important genre is undoubtedly fiction, but Cooper has also written poetry, large quantities of journalistic works - notably for Artforum and Spin - and has had great success and recognition recently with theatrical works. Dennis Cooper: Writing at the Edge - now available in paperback - enters deep into the worlds that Cooper fabricates, and into the coolness of his expression. This challenging work is addressed by a group of mostly young and new critical writers and academics who provide creative responses to Cooper's artistry. The contributions, which cover the breadth of Cooper's work, develop themes and devices that advance his profound and disturbing world-view. In addition to the artistic responses, the topics in the critical pieces range from sexuality in the suburbs to neurological responses via the limits and possibilities of bodies. The book also looks at the implications of contemporary electronic communication as outlined in Cooper's recent work, and his use of space. Cooper's writing receives a multi-faceted contextualization. His literary ideas are made accessible to any reader interested in learning why, today, Cooper is regarded as one of the foremost writers in expressing the psychological point behind the centrality of sexual expression.
The Disobedient Museum: Writing at the Edge aims to motivate disciplinary thinking to reimagine writing about museums as an activity where resistant forms of thinking, seeing, feeling, and acting can be produced, and to theorize this process as a form of protest against disciplinary stagnation. Drawing on a range of cultural, theoretical, and political approaches, Kylie Message examines potential links between methods of critique today and moments of historical and disciplinary crisis, and asks what contribution museums might make to these, either as direct actors or through activities that sit more comfortably within their institutional remit. Identifying the process of writing about museums as a form of activism, that brings together and elaborates on cultural and political agendas for change, the book explores how a process of engaged critique might benefit museum studies, what this critique might look like, and how museum studies might make a contribution to discourses of social and political change. The Disobedient Museum is the first volume in Routledge’s innovative ‘Museums in Focus’ series and will be of great interest to scholars and students in the fields of Museum, Heritage, Public History, and Cultural Studies. It should also be essential reading for museum practitioners, particularly those engaged with questions about the role of museums in regard to social activism and contentious contemporary challenges.
Interviews from the Edge by Mark Yakich,John Biguenet Pdf
Interviews from the Edge presents a selection of conversations, drawn from 50 years of the international journal New Orleans Review, that dive head-first into the most enduring aesthetic and social concerns of the last half century. From reflections on the making of literature and films to personal accounts of writing inside racial divides and working against capital punishment, the writers, poets, and activists featured in this book offer not only a fresh perspective on our present struggles but also perhaps a way through them-for writers and readers alike. I think it's frightfully important, and this is really much more difficult than it sounds, only to say what you absolutely believe. Christopher Isherwood Most American writers probably do not think of their writing as a kind of activism. And it shouldn't have to be-I don't think we can impose that on writers-but it can be. I think for many writers, the ones I admire-it is. Viet Thanh Nguyen Do you become a writer because you desire to become famous and make a lot of money? Or do you become a writer because there's something you discovered, this spark, this flash, that you want to share with other human beings knowing that they can enter into the words too? Sister Helen Prejean The hardest part of developing a style is that you have to learn to trust your voice. If I thought of my style, I'd be crippled. Somebody else said to me a long time ago in France, 'Find out what you can do, and then don't do it.' James Baldwin As I have grown older, I have come to see that the romantic notion of the outsider in love with death doesn't solve a thing. It only makes life worse. We have to find ways to create communities. Valerie Martin
The Storytelling Edge by Shane Snow,Joe Lazauskas,Contently, Inc. Pdf
"A terrific and timely book that makes a compelling case for fundamentally rethinking how your business communicates. Recommended!" —Jay Baer, founder of Convince & Convert and author of Hug Your Haters "Once upon a time, storytelling was confused with talking at people. Not anymore. Shane and Joe are your narrators in a journey that will transform how you talk to other human beings to be more believable, relevant, compelling and unforgettable." —Brian Solis, experience architect, digital anthropologist, best-selling author "Shane Snow and Joe Lazauskas spend the overwhelming majority of their time thinking, writing, and theorizing about brand storytelling - so you don't have to. They're smart and they know this topic inside out (and sideways). Read their book. While I can't guarantee you'll rise to Shane and Joe's ridiculously obsessive level, you will be infinitely better prepared to tell your own brand's story. Promise!" —Rebecca Lieb, Analyst, Author & Advisor "The Contently team understands the power of story, and how to craft and spread a great narrative, like no other. In an era where brand, design, and mission are a competitive advantage for every business, Contently underscores the importance of stories and how they transform companies and industries." —Scott Belsky, Entrepreneur, Investor, & Author (Founder of Behance, bestselling author of Making Ideas Happen) "I can't think of a better way to illustrate the power of story telling than by telling great stories. This book should be required reading not just by those with content in their titles, but by anyone in Marketing AND Sales. Then, when you're done, give it to your CEO to read... but make sure you get it back, because I guarantee you'll refer to it more than once." —Shawna Dennis, Senior Marketing Leader "Neuroscience, algorithms, illustrations, personal anecdotes and good, old-fashioned empathy: This entertaining and informative tome journeys to the core of how we communicate and pushes us, as marketers and humans, to do it better, "speeding the reader through and leaving us wanting more." —Ann Hynek, VP of global content marketing at Morgan Stanley Transform your business through the power of storytelling. Content strategists Joe Lazauskas and Shane Snow offer an insider's guide to transforming your business—and all the relationships that matter to it—through the art and science of telling great stories. Smart businesses today understand the need to use stories to better connect with the people they care about. But few know how to do it well. In The Storytelling Edge, the strategy minds behind Contently, the world renowned content marketing technology company, reveal their secrets that have helped award-winning brands to build relationships with millions of advocates and customers. Join as they dive into the neuroscience of storytelling, the elements of powerful stories, and methodologies to grow businesses through engaging and accountable content. With The Storytelling Edge you will discover how leaders and workers can craft the powerful stories that not only build brands and engage customers, but also build relationships and make people care—in work and in life.
Laura Huang, an award-winning Harvard Business School professor, shows that success is about gaining an edge: that elusive quality that gives you an upper hand and attracts attention and support. Some people seem to naturally have it. Now, Huang teaches the rest of us how to create our own from the challenges and biases we think hold us back, and turning them to work in our favor. How do you find a competitive edge when the obstacles feel insurmountable? How do you get people to take you seriously when they're predisposed not to, and perhaps have already written you off? Laura Huang has come up against that problem many times--and so has anyone who's ever felt out of place or underestimated. Many of us sit back quietly, hoping that our hard work and effort will speak for itself. Or we try to force ourselves into the mold of who we think is "successful," stifling the creativity and charm that makes us unique and memorable. In Edge, Huang offers a different approach. She argues that success is rarely just about the quality of our ideas, credentials, and skills, or our effort. Instead, achieving success hinges on how well we shape others' perceptions--of our strengths, certainly, but also our flaws. It's about creating our own edge by confronting the factors that seem like shortcomings and turning them into assets that make others take notice. Huang draws from her groundbreaking research on entrepreneurial intuition, persuasion, and implicit decision-making, to impart her profound findings and share stories of previously-overlooked Olympians, assistants-turned-executives, and flailing companies that made momentous turnarounds. Through her deeply-researched framework, Huang shows how we can turn weaknesses into strengths and create an edge in any situation. She explains how an entrepreneur scored a massive investment despite initially being disparaged for his foreign accent, and how a first-time political candidate overcame voters' doubts about his physical disabilities. Edge shows that success is about knowing who you are and using that knowledge unapologetically and strategically. This book will teach you how to find your unique edge and keep it sharp.
Readings at the Edge of Literature by Myra Jehlen Pdf
Myra Jehlen's aim in these essays is to read for what she calls the edge of literature: the point at which writing seems unable to say more, which is also, for Jehlen, the threshold of the real. It is here, she argues, that the central paradoxes of the American project become clear—self-reliance and responsibility, universal equality and the pursuit of empire, writing from the heart and representing shared values and ideas. Developing these paradoxes to their utmost tension, American writers often produce penetrating critiques of American society without puncturing its basic myths. For instance, Mark Twain's Puddn'head Wilson begins as a slashing satire of racism, only to conclude by demonstrating that even an invisible portion of black blood can make a man a murderer. Throughout these essays Jehlen demonstrates the crucial role that the process of writing itself plays in unfolding these paradoxes, whether in the form of novels by Harriet Beecher Stowe and Virginia Woolf; the histories of Captain John Smith; or even a work of architecture, such as the Guggenheim museum in Bilbao.
