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It is off-season in a remote Highland sea port: twenty-one-year-old Morvern Callar, a low-paid employee in the local supermarket, wakes one morning to find her strange boyfriend has committed suicide and is dead on their kitchen floor. Morvern's laconic reaction is both intriguing and immoral. What she does next is even more appalling... WINNER OF THE SOMERSET MAUGHAM AWARD
After the scandalous theft of a pub's World Cup cash kitty, a homeless drifter pursues his eccentric uncle: 'The Man Who Walks', up into the Highlands to recover the money - a cool -27,000. The nephew's frantic, stalled progress and other bizarre diversions form this wickedly hilarious novel. But who is The Man Who Walks? Is he simply a water-carrying madman with one glass eye and a fondness for whisky and pony nuts, and who has a physiological inability to handle slopes? Or is he a savant, touched by the hand of God, wandering the back roads along ancient, ancestral tracks? And as the sinister, unstable nephew gains on The Man Who Walks, can it be that it will all end in a field and that this field is Culloden Moor?
Morvern Callar by Gautier Deblonde,Liana Dognini Pdf
Morvern Callar is a 21-year-old supermarket worker from a small port town in the West of Scotland. Morvern believes that life is something that you get on with, as best you can and with what you've got. One morning Morvern finds that what she's got is a dead boyfriend on the kitchen floor. Extraordinarily, she doesn't tell anyone and this and her subsequent choices propel her on a journey that transforms her life.
Heterosexuality in contemporary novels, re-examined using the frameworks of feminism and queer theory. Drawing on feminist and queer theories of sex, gender and sexuality, this study focuses on female identities at odds with heterosexual norms. In particular, it explores narratives in which the conventional equation between heterosexuality, reproductive sexuality and female identity is questioned.
NOW A SELL-OUT PLAY: OUR LADIES OF PERPETUAL SUCCOUR The choir from Our Lady of Perpetual Succour School for Girls is being bussed to the national finals in the big, big city. And it's an important day for The Sopranos - Orla, Kylah, (Ra)Chell, Amanda Konky and Fionnula (the Cooler) - pub-crawling, shoplifting and body-piercing being the top priorities. Then it's time to lose that competition - lose, because a nuclear sub has just anchored in the bay and, tonight, the Man Trap disco will be full of submariners on shore-leave. There is no time for delays. . . But after the fifth bottle of alco-pop up the back of the bus it's clear that all is not going to plan, for anyone. The Sopranos are never going to be the same. 'Compassionate and riotously funny. It is a long time since I read a novel which had me rocking with laughter' -The Times
The Cambridge Introduction to Modern British Fiction, 1950-2000 by Dominic Head Pdf
In this introduction to post-war fiction in Britain, Dominic Head shows how the novel yields a special insight into the important areas of social and cultural history in the second half of the twentieth century. Head's study is the most exhaustive survey of post-war British fiction available. It includes chapters on the state and the novel, class and social change, gender and sexual identity, national identity and multiculturalism. Throughout Head places novels in their social and historical context. He highlights the emergence and prominence of particular genres and links these developments to the wider cultural context. He also provides provocative readings of important individual novelists, particularly those who remain staple reference points in the study of the subject. Accessible, wide-ranging and designed specifically for use on courses, this is the most current introduction to the subject available. An invaluable resource for students and teachers alike.
Disappearing Men examines the complex and rebellious representations of gender in the work of several writers of 'devolutionary' Scottish fiction in the period 1979 to 1999. The study focuses on the context of a 'crisis in masculinity' accompanying the rapidly changing male role in the period, concluding that men often disappear from sight in this writing, highlighting issues of male insecurity and female disorientation in a new gender landscape. Hence the novels examined here by authors James Kelman, Jancie Galloway, Jackie Kay, A.L. Kennedy and Alan Warner, strongly challenge the stereotype of the Scottish 'hardman' and his dominance in 20th century Scottish fiction. Disappearing Men dissects this challenge by giving major consideration to the relationship between the innovative literary forms often found in this writing and the concepts of selfhood they give rise to. The possibilities inherent in these texts of reimagining gender identity and relations make them important contemporary documents of our struggles with realising selfhood and relations with others. A sustained and intimate analysis, this monograph will be of crucial interest to those concerned with issues of gender and representation in our rapidly changing era.
Culture, Gender and Transformation in Alan Warner’s "Morvern Callar" and Victor Pelevin’s "The Hall of the Singing Caryatids" by Daria Gaiduk Pdf
Master's Thesis from the year 2014 in the subject Literature - Comparative Literature, grade: 1.3, University of Flensburg, language: English, abstract: The aim of this thesis is to compare the books of Alan Warner and Victor Pelevin in terms of culture, gender, and transformation. Both 'Morvern Callar' and ‘The Hall of the Singing Caryatids’ are written in the genre of bildungsroman, which allows us to observe the transformation and growth of protagonists. As both protagonists are young females (one of them working in a brothel, and another one — overcoming suicide of her boyfriend) it is interesting to compare the gender issues they face throughout the narration. The books were published in 1996 (Alan Warner’s Morvern Callar) and 2008 (‘The Hall of the Singing Caryatids’ by Victor Pelevin), at the turn of the twenty-first century and the third millennium. Both writings contain numerous cultural references, music and arts of the time. As well as comparing the cultures represented in the books, I will also investigate the way the Zeitgeist affected the protagonists. ‘Dismemberment of Orpheus’ by Ihab Hassan serves as the axis of comparison and the main source of inspiration for this work. Music (as a part of culture), the dead male figure (referring to gender issues), and dismemberment (definitely transforming young female protagonist’s personality) — are the key elements of this research.
Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness. Bolton's approach demonstrates how the encounter between the philosophy of Luce Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema.
It is the early 1970s and for 16-year-old Simon Crimmons there's really not much to do in the Highlands of Scotland. The only local drama and romance is the West Highland Line, so Simon joins up as a train driver. But that summer he is introduced to a world far more glamorous and strange than the railways can provide.
Out of school & out in the world, gathered in Gatwick to plan a super-cheap last-minute holiday to celebrate their reunion. Kay, Kylah, Manda, Rachel & Finn are joined by Finn's gorgeous friend Ava - a half-French philosophy student & are ready to go on the rampage.
The inspiration for the film starring Tilda Swinton and John C. Reilly, this resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them remains terrifyingly prescient. Eva never really wanted to be a mother. And certainly not the mother of a boy who murdered seven of his fellow high school students, a cafeteria worker, and a much–adored teacher in a school shooting two days before his sixteenth birthday. Neither nature nor nurture exclusively shapes a child's character. But Eva was always uneasy with the sacrifices and social demotion of motherhood. Did her internalized dislike for her own son shape him into the killer he’s become? How much is her fault? Now, two years later, it is time for her to come to terms with Kevin’s horrific rampage, all in a series of startlingly direct correspondences with her estranged husband, Franklin. A piercing, unforgettable, and penetrating exploration of violence and responsibility, a book that the Boston Globe describes as “impossible to put down,” is a stunning examination of how tragedy affects a town, a marriage, and a family.
Alcohollywood - Our Year in Movies 2013 by Jared Latore,Clint Worthington Pdf
Your source for cinebriation - this compilation combines more than 60 reviews from Alcohollywood's written film review columns Fresh Pour and Rare & Vintage from 2013 into a single volume. - Since 2011, Jared and Clint of the Alcohollywood podcast made new drinking games for movies each week - new or old, good or bad, they toasted to it all. In 2013, they added two new columns to supplement their award-nominated podcast, adding even more acerbic wit and in-depth analysis to the world of online film criticism. Every witticism and criticism is included in this single-volume compendium of more than 60 reviews form 2013's output of Alcohollywood's two written columns - Fresh Pour, Clint's weekly review of two new releases, and Rare & Vintage, Jared's archaeological foray into lost forgotten filmic gems. If you're searching for your perfect source for cinebriation, look no further.
'A sequel to his acclaimed début Morvern Callar, These Demented Lands, confirms that Alan Warner boasts an extravagant talent... This novel is set on a Scottish island that contains a variety of weird landmarks and an hallucinogenic cast of characters - including a DJ who wants to set up the rave to end all raves, a visitor whose job is to assess candidates for sainthood and the wonderfully unfazed heroine, Morvern Callar' - Harry Ritchie, Mail on Sunday A powerful, hilarious and original novel about the intersection of lives in the rough and ready communities and wild landscapes of the Scottish Highlands.
High up in the Conrad Flats that loom bleakly over Acton, two future stars of the literary scene - or so they assume - are hard at work, tapping out words of wit and brilliance between ill-paid jobs writing captions for the Cat Calendar 1985 and blurbs for trashy novels with titles like Brothel of the Vampire. Just twenty-one but already well entrenched in a life eked out on dole payments, pints and dollops of porridge and pasta, Llewellyn and Cunningham don't have it too bad: a pub on the corner, a misdirected parental allowance, and the delightful company of Aoife, Llewellyn's model fiancée, mother of his young baby - and the woman of Cunningham's increasingly vivid dreams.Alan Warner's superb new novel sees the author of Morvern Callar at the top of his game.
