Moscow A Guide To Soviet Modernist Architecture 1955 1991
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Moscow: A Guide to Soviet Modernist Architecture 1955-1991 by Anna Bronovitskaya,Nikolai Malinin,Olga Kazakova Pdf
Moscow: A Guide to Soviet Modernist Architecture 1955-1991 provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
Soviet Modernism 1955-1991 by Katharina Ritter Pdf
While Constructivism and Stalinist architecture are familiar to a specialist audience, knowledge of postwar Soviet Modernism in architecture is very limited. Much of the former Eastern Bloc's architecture is regarded as monotonous and uninteresting. Yet
The story of a remarkable era of reform, controversy, optimism, and Cold War confrontation in the Soviet Union Beginning with the death of Stalin in 1953, the "sixties" era in the Soviet Union was just as vibrant and transformative as in the West. The ideological romanticism of the revolutionary years was revived, with renewed emphasis on egalitarianism, equality, and the building of a communist utopia. Mass terror was reined in, great victories were won in the space race, Stalinist cultural dogmas were challenged, and young people danced to jazz and rock and roll. Robert Hornsby examines this remarkable and surprising period, showing that, even as living standards rose, aspects of earlier days endured. Censorship and policing remained tight, and massacres during protests in Tbilisi and Novocherkassk, alongside invasions of Hungary and Czechoslovakia, showed the limits of reform. The rivalry with the United States reached perhaps its most volatile point, friendship with China turned to bitter enmity, and global decolonization opened up new horizons for the USSR in the developing world. These tumultuous years transformed the lives of Soviet citizens and helped reshape the wider world.
Soviet Modernism, Brutalism, Post-modernism by Alex Bykov,Ievgeniia Gubkina Pdf
This new publication is a comprehensive study of Soviet Modernism in Ukraine. The authors and architects, Oleksiy Bykov and Ievgeniia Gubkina, have studied modernism in architecture in depth over many years. In this 250-page book, they explore the uniqueness of modernist objects in all its forms - from interior de-sign to city plans - across the entire territory of Ukraine and over three full decades. Furthermore, this title explores the differences between the main concepts in the debate on late Soviet architecture, in which the term "brutalism" has, until now, been understood as a western phenomenon.
To nonspecialists outside Eastern Europe, Soviet architecture conjures up vast, gray cityscapes of monotonous Brutalistbuildings, all created with utility rather than style in mind. This widely held impression glosses over the many stunning works created during the Soviet era and the diversity of architecture throughout the Soviet region. Soviet Modernism 1955-1991 seeks to correct pervasive opinions on Soviet architecture by exploring and documenting buildings throughout the former Eastern Bloc. Poor construction techniques and a lack of funding for conservation mean that these buildings are rapidly decaying. The Vienna Centre of Architecture (Az W)is creating a comprehensive inventory of the notable architecture from fourteen different former Soviet republics. The volume begins with an introduction to the period and an overview of the relationship between Moscow and the other city centers found in the region. The book is then organized geographically into four chapters: the Baltic States, Eastern Europe, the Caucasus, and Central Asia. Each country is represented by a factsheet, which gives a brief account of its national history, a research and travel report by a member of Az W, and a scholarly essay by a local expert. More than four hundred buildings are represented in over eight hundred images, making Soviet Modernism 1955-1991 impressively complete and stunningly illustrated. Essays outside the country profiles cover topics such as Soviet urban planning and typologies found throughout these regions. To nonspecialists outside Eastern Europe, Soviet architecture conjures up vast, gray cityscapes of monotonous Brutalistbuildings, all created with utility rather than style in mind. This widely held impression glosses over the many stunning works created during the Soviet era and the diversity of architecture throughout the Soviet region. Soviet Modernism 1955-1991 seeks to correct pervasive opinions on Soviet architecture by exploring and documenting buildings throughout the former Eastern Bloc. Poor construction techniques and a lack of funding for conservation mean that these buildings are rapidly decaying. The Vienna Centre of Architecture (Az W)is creating a comprehensive inventory of the notable architecture from fourteen different former Soviet republics. The volume begins with an introduction to the period and an overview of the relationship between Moscow and the other city centers found in the region. The book is then organized geographically into four chapters: the Baltic States, Eastern Europe, the Caucasus, and Central Asia. Each country is represented by a factsheet, which gives a brief account of its national history, a research and travel report by a member of Az W, and a scholarly essay by a local expert. More than four hundred buildings are represented in over eight hundred images, making Soviet Modernism 1955-1991 impressively complete and stunningly illustrated. Essays outside the country profiles cover topics such as Soviet urban planning and typologies found throughout these regions. To nonspecialists outside Eastern Europe, Soviet architecture conjures up vast, gray cityscapes of monotonous Brutalistbuildings, all created with utility rather than style in mind. This widely held impression glosses over the many stunning works created during the Soviet era and the diversity of architecture throughout the Soviet region. Soviet Modernism 1955-1991 seeks to correct pervasive opinions on Soviet architecture by exploring and documenting buildings throughout the former Eastern Bloc. Poor construction techniques and a lack of funding for conservation mean that these buildings are rapidly decaying. The Vienna Centre of Architecture (Az W)is creating a comprehensive inventory of the notable architecture from fourteen different former Soviet republics. The volume begins with an introduction to the period and an overview of the relationship between Moscow and the other city centers found in the region. The book is then organized geographically into four chapters: the Baltic States, Eastern Europe, the Caucasus, and Central Asia. Each country is represented by a factsheet, which gives a brief account of its national history, a research and travel report by a member of Az W, and a scholarly essay by a local expert. More than four hundred buildings are represented in over eight hundred images, making Soviet Modernism 1955-1991 impressively complete and stunningly illustrated. Essays outside the country profiles cover topics such as Soviet urban planning and typologies found throughout these regions. To nonspecialists outside Eastern Europe, Soviet architecture conjures up vast, gray cityscapes of monotonous Brutalistbuildings, all created with utility rather than style in mind. This widely held impression glosses over the many stunning works created during the Soviet era and the diversity of architecture throughout the Soviet region. Soviet Modernism 1955-1991 seeks to correct pervasive opinions on Soviet architecture by exploring and documenting buildings throughout the former Eastern Bloc. Poor construction techniques and a lack of funding for conservation mean that these buildings are rapidly decaying. The Vienna Centre of Architecture (Az W)is creating a comprehensive inventory of the notable architecture from fourteen different former Soviet republics. The volume begins with an introduction to the period and an overview of the relationship between Moscow and the other city centers found in the region. The book is then organized geographically into four chapters: the Baltic States, Eastern Europe, the Caucasus, and Central Asia. Each country is represented by a factsheet, which gives a brief account of its national history, a research and travel report by a member of Az W, and a scholarly essay by a local expert. More than four hundred buildings are represented in over eight hundred images, making Soviet Modernism 1955-1991 impressively complete and stunningly illustrated. Essays outside the country profiles cover topics such as Soviet urban planning and typologies found throughout these regions. To nonspecialists outside Eastern Europe, Soviet architecture conjures up vast, gray cityscapes of monotonous Brutalistbuildings, all created with utility rather than style in mind. This widely held impression glosses over the many stunning works created during the Soviet era and the diversity of architecture throughout the Soviet region. Soviet Modernism 1955-1991 seeks to correct pervasive opinions on Soviet architecture by exploring and documenting buildings throughout the former Eastern Bloc. Poor construction techniques and a lack of funding for conservation mean that these buildings are rapidly decaying. The Vienna Centre of Architecture (Az W)is creating a comprehensive inventory of the notable architecture from fourteen different former Soviet republics. The volume begins with an introduction to the period and an overview of the relationship between Moscow and the other city centers found in the region. The book is then organized geographically into four chapters: the Baltic States, Eastern Europe, the Caucasus, and Central Asia. Each country is represented by a factsheet, which gives a brief account of its national history, a research and travel report by a member of Az W, and a scholarly essay by a local expert.
Soviet Architecture, 1917-1962 by Anatole Senkevitch Pdf
Traces the role of the draft horse throughout history and describes the characteristics of some of the most popular breeds including the Belgian, Clydesdale, Percheron, Shire, and Suffolk.
It was prominent architect and publicist Felix Novikov (b. 1927) who first coined the term Soviet modernism, which refers to the third, concluding period (1955-85) of Soviet architecture. The value of Novikov’s creative path lies in the fact that it spans the years both before and after Soviet modernism. Today, the architect continues to be a prolific writer, critic, and initiator of many inspired ideas that materialize into publications, exhibitions, and conferences. He is the key surviving source for the fullest and most accurate understanding of Soviet architecture after World War II. His principal built works are the Palace of Pioneers in Moscow (1962) and the Science Center of Microelectronics (1969) and Moscow Institute of Electronics (1971) in Zelenograd. His numerous books include Formula of Architecture (1984) and Architects and Architecture (2002).
Housing Estates in Europe by Daniel Baldwin Hess,Tiit Tammaru,Maarten van Ham Pdf
This open access book explores the formation and socio-spatial trajectories of large housing estates in Europe. Are these estates clustered or scattered? Which social groups originally had access to residential space in housing estates? What is the size, scale and geography of housing estates, their architectural and built environment composition, services and neighbourhood amenities, and metropolitan connectivity? How do housing estates contribute to the urban mosaic of neighborhoods by ethnic and socio-economic status? What types of policies and planning initiatives have been implemented in order to prevent the social downgrading of housing estates? The collection of chapters in this book addresses these questions from a new perspective previously unexplored in scholarly literature. The social aspects of housing estates are thoroughly investigated (including socio-demographic and economic characteristics of current and past inhabitants; ethnicity and segregation patterns; population dynamics; etc.), and the physical composition of housing estates is described in significant detail (including building materials; building form; architectural and landscape design; built environment characteristics; etc.). This book is timely because the recent global economic crisis and Europe’s immigration crisis demand a thorough investigation of the role large housing estates play in poverty and ethnic concentration. Through case studies of housing estates in 14 European centers, the book also identifies policy measures that have been used to address challenges in housing estates throughout Europe.
Following his bestselling quest for Soviet Bus Stops, Canadian photographer Christopher Herwig has completed a subterranean expedition photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture.
Art for Architecture. Georgia by Nini Palavandishvili,Lena Prents Pdf
Whilst Soviet modernist buildings in Georgia have enjoyed worldwide recognition for several decades, the art for architecture from that era - monumental decorative mosaics - still await discovery and appreciation from an international audience. Then, as now, these richly coloured mosaics were an independent, yet inextricable part of Georgia's architecture: they underlined a building's use, structured its façade, or merged into an elaborate whole. Today, however, many of these works, which were far more than just state propaganda, are under threat of destruction. For the first time, this volume documents these unique remnants of Soviet history alongside their precise locations. Using vivid photos and detailed texts, Nini Palavandishvili and Lena Prents guide the reader through a diverse selection of mosaics that distinguish themselves from those of the other Soviet Republics. By drawing attention to this artistic legacy of a bygone era, and in the process revealing its beauty and cultural significance, the authors highlight the importance of protecting and preserving it for the future.
When communism took power in Eastern Europe it remade cities in its own image, transforming everyday life and creating sweeping boulevards and vast, epic housing estates in an emphatic declaration of a noncapitalist idea. The regimes that built them are now dead and long gone, but from Warsaw to Berlin, Moscow to postrevolutionary Kiev, the buildings remain, often populated by people whose lives were scattered by the collapse of communism. Landscapes of Communism is a journey of historical discovery, plunging us into the lost world of socialist architecture. Owen Hatherley, a brilliant, witty, young urban critic shows how power was wielded in these societies by tracing the sharp, sudden zigzags of official communist architectural style: the superstitious despotic rococo of high Stalinism, with its jingoistic memorials, palaces, and secret policemen’s castles; East Germany’s obsession with prefabricated concrete panels; and the metro systems of Moscow and Prague, a spectacular vindication of public space that went further than any avant-garde ever dared. Throughout his journeys across the former Soviet empire, Hatherley asks what, if anything, can be reclaimed from the ruins of Communism—what residue can inform our contemporary ideas of urban life?
The Oxford Handbook of Communist Visual Cultures by Aga Skrodzka,Xiaoning Lu,Katarzyna Marciniak Pdf
Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.
Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.
This sleek and insightful guide showcases modernist buildings from all over the world that are open to visit or even stay at. Modernist fans will want to dive right into the pages of this guide to remarkable buildings designed by famous architectsfrom Alvar Aalto to Charlie Zehnder.Featuring over 130unique structuresthat span the globe, this book covers the full spectrum of modernist principles from Bauhaus to Brutalism. Author and designer Stefi Orazi choses buildings that are open to the public, with some even available for overnight stays. Full-colour photography of the exterior and interiors highlight incredible details such as the bright red drum fireplace in Giancarlo de Carlo's Ca' Romanino, Urbino, Italy, or the constructivist-like staircase in Renaat Braem's house and studio in Antwerp, Belgium. Each building is accompanied by informative text offering visitor information and insights into its history. Whether you're looking for a unique holiday experience or a global overview of Modernist architecture,Modernist Escapesstylishly documents these unforgettable spaces.
