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Motion-Picture Distribution Trade Practices -- 1956, Hearings Before a Subcommittee of ... , 84-2 on Problems of Independant Motion-picture Exhibitors, March 21, 22, and May 21, 22, 1956 by United States. Congress. Senate. Select Committee on Small Business Pdf
United States. Congress. Senate. Committee on Small Business
Author : United States. Congress. Senate. Committee on Small Business Publisher : Unknown Page : 970 pages File Size : 43,9 Mb Release : 1953 Category : Motion picture industry ISBN : LOC:00116213473
Motion Picture Distribution Trade Practices by United States. Congress. Senate. Committee on Small Business Pdf
Investigates large movie distributors' allegedly exorbitant rental pricing methods used in sales to small independent theaters. Mar. 31, Apr. 1 and 2 hearings were held in Los Angeles, Calif.
Motion Picture Distribution Trade Practices, Hearings Before a Subcommittee of ... , 83-1 on ... , March 1 - July 10, 1953 by United States. Congress. Senate. Select Committee on Small Business Pdf
To Prohibit and to Prevent the Trade Practices Known as "compulsory Block-booking" and "blind Selling" of Motion-picture Films in Interstate and Foreign Commerce by United States. Congress. Senate. Committee on Interstate Commerce Pdf
The Feature Film Distribution Deal by John W. Cones Pdf
John W. Cones, whose real goal is to stimulate a long-term film industry reform movement, shows how the financial control of the film industry in the hands of the major studios and distributors actually translates into creative control of the industry. Cones discusses the pros and cons of the debate relating to the industry's so-called net profit problem and the way in which the distribution deal plays an integral part in that problem. He then breaks down five major film finance/distribution scenarios, explaining various distribution deals and suggesting ways of negotiating distribution. Critically examining the specific terms of the distribution deal itself, Cones covers gross receipts exclusions, distributor fees, and distribution expenses. He also investigates the various forms of interest, issues of production costs, matters of creative control, and general contractual provisions. For handy reference, Cones includes an extensive checklist for negotiating any feature film distribution deal. The list deals with distribution fees, distribution expenses, interest, production costs, creative control issues, general contractual provisions, distributor commitments, and the limits of negotiating. His nine appendixes present a "Motion Picture Industry Overview," "Profit Participation Audit Firms," "ADI (Top 50) Market Rankings," an "AFMA Member List, 1992-1993," a "Production-Financing/Distribution Agreement," a "Negative Pickup Distribution Agreement," a "Distribution Rights Acquisition Agreement," a "Distribution Agreement (Rent-a-Distributor Deal)," and a "Foreign Distribution Agreement." Cones wrote this book for independent producers, executive and associate producers and their representatives, directors, actors, screenwriters, members of talent guilds, distributors, and entertainment, antitrust, and securities attorneys. Securities issuers and dealers, investment bankers, and money finders, investors, and financiers of every sort also will be interested. In addition, Cones suggests and hopes that the book will interest "Congress, their research staff, government regulators at the Internal Revenue Service, the Securities and Exchange Commission, the Federal Trade Commission, and law enforcement officials such as the Los Angeles District Attorney and the U.S. Justice Department."
Networks of Entertainment by Frank Kessler,Nanna Verhoeff Pdf
Essays by prominent scholars examining film distribution in the early years of cinema. This collection of essays explores the complex issue of film distribution from the invention of cinema into the 1910s. From regional distribution networks to international marketing strategies, from the analysis of distribution catalogs to case studies on individual distributors, these essays written by well-known specialists in the field discuss the intriguing question of how films came to meet their audiences. Contributors include Richard Abel, Marta Braun, Joseph Garncarz, André Gaudreault, François Jost, Charlie Keil, Martin Loiperdinger, Viva Paci, Wanda Strauven, Gregory Waller, and many more.
Economic Control of the Motion Picture Industry by Mae D. Huettig Pdf
This study was undertaken in conjunction with the Motion Picture Research Project. The research was conducted in Hollywood over a period of two years from April 1939 to April 1941.
Motion-picture Films. Hearing Before a Subcommittee ... on Bills to Prohibit and to Prevent the Trade Practices Known as "compuslory Block-booking" and "blind Selling" in the Leasing of Motion Picture Films in Interstate and Foreign Commerce by United States. Congress. House. Committee on Interstate and Foreign Commerce Pdf
Anti "block-booking" and "blind Selling" in the Leasing of Motion-picture Films by United States. Congress. Senate. Committee on Interstate Commerce Pdf
A history of film distribution in the United States from the 1910s to the 1930s, concentrating on booking, circuiting, and packaging marketing practices. Told not as a “golden age” narrative of films, stars, or individual studios but as an economic history of the industry’s film distribution practices, Playing the Percentages is the story of how Hollywood’s vertically integrated studio system came to be. Studying the history of distribution during the growth of Hollywood, Derek Long makes a case for the domination of the studio system as the result of struggles over distribution practices. Through a combination of archival research, critical surveys of the film industry trade press, and economic analysis, Long uncovers a complex and ever-shifting system of wrangling between distributors and exhibitors. Challenging the overemphasis within scholarship on “block booking” as a monolithic distribution mode, and attending to distribution practices beyond simple circulation, Long highlights the crucial changes in film distribution brought about by live theater, the rise of features, and the transition to sound. Playing the Percentages is a comprehensive history of film distribution in the United States during the silent era that illustrates the importance of power struggles between distributors and exhibitors over booking, pricing, and playing time.