Mozart And Enlightenment Semiotics

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Mozart and Enlightenment Semiotics

Stephen Rumph
Mozart and Enlightenment Semiotics Book PDF

Author : Stephen Rumph
Publisher : Univ of California Press
Page : 283 pages
File Size : 44,5 Mb
Release : 2012
Category : Biography & Autobiography
ISBN : 9780520260863

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Mozart and Enlightenment Semiotics by Stephen Rumph Pdf

"In Mozart and Enlightenment Semiotics, Stephen Rumph shifts the ground of interpretation for late eighteenth century European music by reinstating the semiotics and language theory of the period. In so doing, Rumph challenges and reappraises current orthodoxies. These challenges are extremely valuable, bravely offered, and intuitively right as well as convincingly argued." —Matthew Head, author of Orientalism, Masquerade and Mozart's Turkish Music "Stephen Rumph’s book is, to my knowledge, the first successful attempt to ground classical music in its contemporaneous intellectual context. In this respect, Rumph’s book is a great achievement. It is an imaginative tour-de-force bursting with dazzling insights, and with an apparently encyclopedic range of intellectual reference in several languages." —Michael Spitzer, author of Metaphor and Musical Thought “By keeping so many things in focus at the same time, Stephen Rumph has really written several books in one: an introduction to Enlightenment theories of the sign for scholars of music; a much-needed historical context for modern musical semiotics; a sensitive new exploration of the circulation of meanings in and through Mozart’s music; and an important contribution to the ongoing integration of musicology into cultural studies. I suspect that in the course of several readings, one would come away each time with a different set of equally valuable revelations.” —Elisabeth LeGuin, author of Boccherini's Body: An Essay in Carnal Musicology

The Sculpted Ear

Ryan McCormack
The Sculpted Ear Book PDF

Author : Ryan McCormack
Publisher : Penn State Press
Page : 225 pages
File Size : 41,5 Mb
Release : 2020-04-23
Category : History
ISBN : 9780271087511

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The Sculpted Ear by Ryan McCormack Pdf

Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue—a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make—The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocoön before moving to a discussion of the early modern automaton known as Tipu’s Tiger and the statue of the Commendatore in Mozart’s Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart—with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues have served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history.

1650-1850

Kevin L. Cope
1650 1850 Book PDF

Author : Kevin L. Cope
Publisher : Rutgers University Press
Page : 323 pages
File Size : 53,9 Mb
Release : 2020-02-14
Category : Literary Criticism
ISBN : 9781684481736

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1650-1850 by Kevin L. Cope Pdf

Volume 25 of 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era investigates the local textures that make up the whole cloth of the Enlightenment. Ranging from China to Cheltenham and from Spinoza to civil insurrection, volume 25 celebrates the emergence of long-eighteenth-century culture from particularities and prodigies. Unfurling in the folds of this volume is a special feature on playwright, critic, and literary theorist John Dennis. Edited by Claude Willan, the feature returns a major player in eighteenth-century literary culture to his proper role at the center of eighteenth-century politics, art, publishing, and dramaturgy. This celebration of John Dennis mingles with a full company of essays in the character of revealing case studies. Essays on a veritable world of topics—on Enlightenment philosophy in China; on riots as epitomes of Anglo-French relations; on domestic animals as observers; on gothic landscapes; and on prominent literati such as Jonathan Swift, Arthur Murphy, and Samuel Johnson—unveil eye-opening perspectives on a “long” century that prized diversity and that looked for transformative events anywhere, everywhere, all the time. Topping it all off is a full portfolio of reviews evaluating the best books on the literature, philosophy, and the arts of this abundant era. About the annual journal 1650-1850 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. First published in 1994, 1650-1850 is currently in its 25th volume. ISSN 1065-3112. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Mozart

SimonP. Keefe
Mozart Book PDF

Author : SimonP. Keefe
Publisher : Routledge
Page : 586 pages
File Size : 42,9 Mb
Release : 2018-10-24
Category : History
ISBN : 9781351557924

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Mozart by SimonP. Keefe Pdf

This volume of essays on Wolfgang Amadeus Mozart reflects scholarly advances made over the last thirty years. The studies are broad and focused, demonstrating a large number of viewpoints, methodologies and orientations and the material spans a wide range of subject areas, including biography, vocal music, instrumental music and performance. Written by leading researchers from Europe and North America, these previously published articles and book chapters are representative of both the most frequently discussed and debated issues in Mozart studies and the challenging, exciting nature of Mozart scholarship in general. The volume is essential reading for researchers, students and scholars of Mozart's music.

Opera and the Politics of Tragedy

Katharina Clausius
Opera and the Politics of Tragedy Book PDF

Author : Katharina Clausius
Publisher : Boydell & Brewer
Page : 265 pages
File Size : 45,7 Mb
Release : 2023
Category : Music
ISBN : 9781648250491

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Opera and the Politics of Tragedy by Katharina Clausius Pdf

A curated collection of Enlightenment operas, paintings, and literary works that were all marked by the "Telemacomania" scandal, a furious cultural frenzy with dangerous political stakes. Imaginatively structured as a guided tour, Opera and the Politics of Tragedy captures the tumultuous impact of the so-called Telemacomania crisis through its key artifacts: literary pamphlets, spoken dramas, paintings, engravings, and opera librettos (drammi per musica). Prominently featured in the gallery are two operas with direct ties to this aesthetic and political war: Mozart and Cigna-Santi's Mitridate (1770) and Mozart and Varesco's Idomeneo (1781). Reading and listening across the Enlightenment's cultural spaces (its new public museums, its first encyclopedias, and its ever-controversial operatic theater), this book showcases the Enlightenment's disorderly historical revisionism alongside its progressive politics to expose the fertile creativity that can emerge out of the ambiguous space between what is "ancient" and what is "modern."

Mozart Studies 2

Simon P. Keefe
Mozart Studies 2 Book PDF

Author : Simon P. Keefe
Publisher : Cambridge University Press
Page : 271 pages
File Size : 54,6 Mb
Release : 2015-09-10
Category : Music
ISBN : 9781107044234

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Mozart Studies 2 by Simon P. Keefe Pdf

Essays by leading Mozart scholars explore the composer's popular works, biography and reception, appealing to scholars and Mozart-lovers alike.

Morality and Viennese Opera in the Age of Mozart and Beethoven

Martin Nedbal
Morality and Viennese Opera in the Age of Mozart and Beethoven Book PDF

Author : Martin Nedbal
Publisher : Taylor & Francis
Page : 244 pages
File Size : 40,7 Mb
Release : 2016-09-13
Category : Music
ISBN : 9781317094098

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Morality and Viennese Opera in the Age of Mozart and Beethoven by Martin Nedbal Pdf

This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.

Music and the French Enlightenment

Cynthia Verba
Music and the French Enlightenment Book PDF

Author : Cynthia Verba
Publisher : Oxford University Press
Page : 217 pages
File Size : 40,6 Mb
Release : 2017
Category : Music
ISBN : 9780199381029

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Music and the French Enlightenment by Cynthia Verba Pdf

"Prompted by controversial views of the composer-theorist Jean-Philippe Rameau, the leading figures of the French Enlightenment engaged in a vigorous philosophical debate about the nature of music. Their dialogue was one of extraordinary depth and richness, and dealth with some of the most fundamental issues of the French Enlightenment. In the newly revised edition of 'Music and the French Enlightenment', Cynthia Verba updates this fascinating story with the prolific scholarship that has emerged since the book was first published." -- rear cover.

Keys to Play

Roger Moseley
Keys to Play Book PDF

Author : Roger Moseley
Publisher : Univ of California Press
Page : 468 pages
File Size : 49,9 Mb
Release : 2016-10-28
Category : Music
ISBN : 9780520291249

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Keys to Play by Roger Moseley Pdf

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.

The Cambridge Companion to The Magic Flute

Jessica Waldoff
The Cambridge Companion to The Magic Flute Book PDF

Author : Jessica Waldoff
Publisher : Cambridge University Press
Page : 387 pages
File Size : 42,5 Mb
Release : 2023-11-02
Category : Music
ISBN : 9781108426893

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The Cambridge Companion to The Magic Flute by Jessica Waldoff Pdf

A comprehensive, up-to-date, resource providing an essential framework for understanding Mozart's most-performed opera and its extraordinary afterlife.

The Pastoral in Charles Griffes's Music

Taylor A. Greer
The Pastoral in Charles Griffes s Music Book PDF

Author : Taylor A. Greer
Publisher : Indiana University Press
Page : 276 pages
File Size : 43,7 Mb
Release : 2024-06-18
Category : Music
ISBN : 9780253069306

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The Pastoral in Charles Griffes's Music by Taylor A. Greer Pdf

At the turn of the century, visionary composer Charles Tomlinson Griffes synthesized highly diverse elements from other musical traditions into his distinct artistic voice. As American as he was far ranging in his interests, Griffes was an aesthetic polyglot, combining elements of literature, visual arts, global folk melodies, and contemporary European art music into a new musical language. The breadth of his sources of inspiration are breathtaking, including the sensual harmonies of fin-de-siècle French music, the British Aesthetic Movement, folk music drawn from the Middle East and Java, and a wide range of poets, including William Blake, Samuel Taylor Coleridge, and William Sharp. The Pastoral in Charles Griffes's Music explores both his music and the rich historical context from which it grew to enrich our understanding of the composer's artistic contribution and reveal new intersections and contradictions in European and American culture during the early twentieth century. Taylor A. Greer also critiques the philosophical foundation of topic theory and its relationship to the pastoral in Griffes's music to reflect on the end of the nineteenth century and clarify our understanding of his artistic influences. With Griffes's conception of the pastoral, he transformed the siciliana-based tradition he inherited from the eighteenth century into a new and vibrant genre that preserved the usual associations of simplicity and tranquility and introduced new elements of tension into the pastoral ideal, including global voices, paradox, and occasional conflict.

The Oxford Handbook of Topic Theory

Danuta Mirka
The Oxford Handbook of Topic Theory Book PDF

Author : Danuta Mirka
Publisher : Oxford University Press
Page : 712 pages
File Size : 45,9 Mb
Release : 2014-10-16
Category : Music
ISBN : 9780199841585

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The Oxford Handbook of Topic Theory by Danuta Mirka Pdf

Topics are musical signs that rely on associations with different genres, styles, and types of music making. The concept of topics was introduced by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. While music theorists and critics were busy classifying styles and genres, defining their affects and proper contexts for their usage, composers started crossing the boundaries between them and using stylistic conventions as means of communication with the audience. Such topical mixtures received negative evaluations from North-German critics but became the hallmark of South-German music, which engulfed the Viennese classicism. Topic theory allows music scholars to gain access to meaning and expression of this music. The Oxford Handbook of Topic Theory consolidates this field of research by clarifying its basic concepts and exploring its historical foundations. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting historical reality of individual topics on the basis of eighteenth-century sources, it relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. With a focus on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation under further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.

Instrumental Music in an Age of Sociability

W. Dean Sutcliffe
Instrumental Music in an Age of Sociability Book PDF

Author : W. Dean Sutcliffe
Publisher : Cambridge University Press
Page : 613 pages
File Size : 49,8 Mb
Release : 2019-10-10
Category : Music
ISBN : 9781107013810

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Instrumental Music in an Age of Sociability by W. Dean Sutcliffe Pdf

Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).

Sourcebook for Research in Music, Third Edition

Allen Scott
Sourcebook for Research in Music Third Edition Book PDF

Author : Allen Scott
Publisher : Indiana University Press
Page : 518 pages
File Size : 44,9 Mb
Release : 2015-06-01
Category : Music
ISBN : 9780253014566

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Sourcebook for Research in Music, Third Edition by Allen Scott Pdf

Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

Theology, Music, and Modernity

Jeremy Begbie,Daniel K L Chua,Markus Rathey
Theology Music and Modernity Book PDF

Author : Jeremy Begbie,Daniel K L Chua,Markus Rathey
Publisher : Oxford University Press
Page : 400 pages
File Size : 47,9 Mb
Release : 2021-02-02
Category : Religion
ISBN : 9780192585707

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Theology, Music, and Modernity by Jeremy Begbie,Daniel K L Chua,Markus Rathey Pdf

Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music—and discourse about music—has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom—especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period—the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.