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Author : J. Raymond Tobin,Joseph Raymond Tobin
Publisher : Praeger
Page : 164 pages
File Size : 47,6 Mb
Release : 1971
Category : Sonata form
ISBN : NWU:35556013035266
Author : Joseph Raymond Tobin
Publisher : Unknown
Page : 156 pages
File Size : 48,7 Mb
Release : 2001-01-01
Category : Music
ISBN : 0722254830
Author : Edward Klorman
Publisher : Cambridge University Press
Page : 359 pages
File Size : 54,5 Mb
Release : 2016-04-21
Category : Art
ISBN : 9781107093652
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author : Joseph Raymond Tobin
Publisher : Unknown
Page : 0 pages
File Size : 53,6 Mb
Release : 1929
Category : Electronic
ISBN : OCLC:687180168
Author : Joseph Raymond Tobin
Publisher : Unknown
Page : 156 pages
File Size : 41,7 Mb
Release : 1992
Category : Electronic
ISBN : OCLC:59907061
Author : F. Helena Marks
Publisher : Unknown
Page : 216 pages
File Size : 48,7 Mb
Release : 1979
Category : HISTORY
ISBN : UOM:39015009601462
Discover more about the format of the piano sonata, complete with descriptive charts, sample stanzas, scores and detailed analyses, using Mozart's sonatas as a basis.
Author : James Hepokoski,Warren Darcy
Publisher : Oxford University Press
Page : 692 pages
File Size : 40,7 Mb
Release : 2011-02-11
Category : Music
ISBN : 9780199890231
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author : F. Helena Marks
Publisher : Unknown
Page : 167 pages
File Size : 47,5 Mb
Release : 2017
Category : Sonata form
ISBN : 1440088799
Author : John Irving
Publisher : Cambridge University Press
Page : 239 pages
File Size : 50,7 Mb
Release : 1997-04-17
Category : Music
ISBN : 9780521496315
An examination of Mozart's piano sonatas, showing them to be a microcosm of the composer's changing style.
Author : F. Helena Marks
Publisher : Unknown
Page : 167 pages
File Size : 54,8 Mb
Release : 1921
Category : Sonata
ISBN : LCCN:24027889
Author : John Martin Harutunian
Publisher : Edwin Mellen Press
Page : 336 pages
File Size : 40,8 Mb
Release : 2005
Category : Music
ISBN : STANFORD:36105114517852
This book presents a clear and comprehensive picture of these two great figures of Western music. As contemporaneous composers Franz Joseph Haydn and Wolfgang Amadeus Mozart spoke the same musical language of late eighteenth-century Classicism. They shared the summit in the development of a procedure known as sonata style
Author : F. Helena Marks
Publisher : Unknown
Page : 224 pages
File Size : 43,6 Mb
Release : 2015-02-13
Category : Electronic
ISBN : 1295996081
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Janet Salsbury,Johann Nepomuk Della Croce
Publisher : CreateSpace
Page : 56 pages
File Size : 46,8 Mb
Release : 2014-02-15
Category : Music
ISBN : 1495968472
A knowledge of the Sonata Form is necessary to an UNDERSTANDING of FORM in ALL music. This book gives a clear explanation of the Sonata Form together with a detailed analysis of the Form, with musical examples of each one of the 22 Sonatas of Mozart. The UNDERSTANDING that this book creates, opens up the whole field of Musical Form. * * * * An excerpt from the first chapter: SONATA FORM. Also called: (1) First-Movement Form, (2) Symphony Form, (3) Sonata-Allegro Form, (all so named because the First Movements of Sonatas, Symphonies, etc., are most frequently constructed on this particular design), and (4) formerly called Binary Form, because the movement is founded on two subjects. Sonata Form consists of three parts: (1) A. Enunciation or Exposition. (2) B. Free Fantasia or Development, and (3) A2. Recapitulation. The Enunciation, or Part I., consists of two Subjects, - a Principal or 1st Subject invariably in the tonic key; and a Second Subject, the key of which up to the time of Beethoven was almost invariably in the Dominant when the movement was in a major key, or in the relative major when the movement was in a minor key. Beethoven, and composers since his time, have taken more liberty in the choice of key. These two subjects, not being in the same key, are generally connected by means of a passage known as the Transition, Connecting Episode or Bridge Passage. The Transition may consist of new matter or be formed from part of the Principal Subject. The Development, or Part II. of a Sonata, consists: (1) of the development of ideas in the Enunciation, thus presenting them in different aspects to those already given, or (2) of an entirely new episode, or (3) of both Thematic Development and Episodical Matter. Professor Prout in his 'Applied Forms,' says "With Mozart's Sonata movements in general more Episode and less Thematic treatment will mostly be found in the Free Fantasia than with either Haydn or Beethoven."
Author : F. Helena Marks
Publisher : Nabu Press
Page : 224 pages
File Size : 52,8 Mb
Release : 2014-03
Category : Electronic
ISBN : 1295821656
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author : William E. Caplin
Publisher : Oxford University Press
Page : 320 pages
File Size : 42,5 Mb
Release : 2000-12-28
Category : Music
ISBN : 9780199881758
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.