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In the dazzling summer of 1926, Ernest Hemingway and his wife Hadley travel from their home in Paris to a villa in the south of France. They swim, play bridge and drink gin. But wherever they go they are accompanied by the glamorous and irrepressible Fife. Fife is Hadleyâe(tm)s best friend. She is also Ernestâe(tm)s lover. Hadley is the first Mrs. Hemingway, but neither she nor Fife will be the last. Over the ensuing decades, Ernestâe(tm)s literary career will blaze a trail, but his marriages will be ignited by passion and deceit. Four extraordinary women will learn what it means to love the most famous writer of his generation, and each will be forced to ask herself how far she will go to remain his wifeâe¦ Luminous and intoxicating, Mrs. Hemingway portrays real lives with rare intimacy and plumbs the depths of the human heart.
The Godless Boys is the astounding literary debut of Naomi Wood, author of Mrs. Hemingway. Imagine an alternative England, where the Church controls the country and non-believers have been exiled to a remote island. On the Island, a fierce group of boys patrols the community, searching for signs of faith and punishing any believers. When a new girl appears, arriving from the mainland to search for her long-lost mother, the gang is split: one boy falls in love with her, another seeks violent revenge. The struggle between them will change everything.
The Hiding Game is an intoxicating story of love and betrayal, set in the Bauhaus art school. Heady, gripping and unforgettable, Naomi Wood's third novel explores the perils of secrecy in a changing and increasingly dangerous world. In Roaring Twenties Germany, Paul, Charlotte and Walter meet at the Bauhaus art school. The trio form a close-knit group, in which passions and rivalries collide. But when Walter is betrayed, he makes a terrible mistake – a secret he will keep from Paul and Charlotte for as long as he can. As political tensions escalate and the Nazis gain power, Walter’s secret – hidden in notebooks, paintings and blueprints – ultimately threatens the very lives of his friends, with devastating consequences. Shortlisted for The Historical Writers' Association Gold Crown Award. Longlisted for The Walter Scott Prize for Historical Fiction.
The Paris Wife was only the beginning of the story . . . A New York Times Book Review Editor's Choice A Richard & Judy UK Pick Paula McLain’s New York Times–bestselling novel piqued readers’ interest about Ernest Hemingway’s romantic life. But Hadley was only one of four women married, in turn, to the legendary writer. Just as T.C. Boyle’s bestseller The Women completed the picture begun by Nancy Horan’s Loving Frank, Naomi Wood’s Mrs. Hemingway tells the story of how it was to love, and be loved by, the most famous and dashing writer of his generation. Hadley, Pauline, Martha and Mary: each Mrs. Hemingway thought their love would last forever; each one was wrong. Told in four parts and based on real love letters and telegrams, Mrs. Hemingway reveals the explosive love triangles that wrecked each of Hemingway's marriages. Spanning 1920s bohemian Paris through 1960s Cold War America, populated with members of the fabled "Lost Generation," Mrs. Heminway is a riveting tale of passion, love, and heartbreak.
Featuring a previously published author introduction, a personal foreword by his son and a new introduction by his grandson, a definitive edition of the lauded World War I classic collects all 39 of the Nobel Prize-winning author's alternate endings to offer new insights into his creative process. Reprint.
Unbelievable Happiness and Final Sorrow by Ruth A. Hawkins Pdf
It was the glittering intellectual world of 1920s Paris expatriates in which Pauline Pfeiffer, a writer for Vogue, met Ernest Hemingway and his wife Hadley among a circle of friends that included Gertrude Stein, F. Scott Fitzgerald, John Dos Passos, and Dorothy Parker. Pauline grew close to Hadley but eventually forged a stronger bond with Hemingway himself; with her stylish looks and dedication to Hemingway's writing, Pauline became the source of "unbelievable happiness" for Hemingway and, by 1927, his second wife. Pauline was her husband's best editor and critic, and her wealthy family provided moral and financial support, including the conversion of an old barn to a dedicated writing studio at the family home in Piggott, Arkansas. The marriage lasted thirteen years, some of Hemingway's most productive, and the couple had two children. But the "unbelievable happiness" met with "final sorrow," as Hemingway wrote, and Pauline would be the second of Hemingway's four wives. Unbelievable Happiness and Final Sorrow paints a full picture of Pauline and the role she played in Ernest Hemingway's becoming one of our greatest literary figures.
A stunning portrait of the complicated woman who becomes Ernest Hemingway's fourth wife, tracing her adventures before she meets Ernest, exploring the tumultuous years of their marriage, and evoking her merry widowhood as she shapes Hemingway's literary legacy. Mary Welsh, a celebrated wartime journalist during the London Blitz and the liberation of Paris, meets Ernest Hemingway in May 1944. He becomes so infatuated with Mary that he asks her to marry him the third time they meet—although they are married to other people. Eventually, she succumbs to Ernest's campaign, and in the last days of the war joined him at his estate in Cuba. Through Mary's eyes, we see Ernest Hemingway in a fresh light. Their turbulent marriage survives his cruelty and abuse, perhaps because of their sexual compatibility and her essential contribution to his writing. She reads and types his work each day—and makes plot suggestions. She becomes crucial to his work and he depends upon her critical reading of his work to know if he has it right. We watch the Hemingways as they travel to the ski country of the Dolomites, commute to Harry's Bar in Venice; attend bullfights in Pamplona and Madrid; go on safari in Kenya in the thick of the Mau Mau Rebellion; and fish the blue waters of the gulf stream off Cuba in Ernest's beloved boat Pilar. We see Ernest fall in love with a teenaged Italian countess and wonder at Mary's tolerance of the affair. We witness Ernest's sad decline and Mary's efforts to avoid the stigma of suicide by claiming his death was an accident. In the years following Ernest's death, Mary devotes herself to his literary legacy, negotiating with Castro to reclaim Ernest's manuscripts from Cuba, publishing one-third of his work posthumously. She supervises Carlos Baker's biography of Ernest, sues A. E. Hotchner to try and prevent him from telling the story of Ernest's mental decline, and spends years writing her memoir in her penthouse overlooking the New York skyline. Her story is one of an opinionated woman who smokes Camels, drinks gin, swears like a man, sings like Edith Piaf, loves passionately, and experiments with gender fluidity in her extraordinary life with Ernest. This true story reads like a novel—and the reader will be hard pressed not to fall for Mary.
Soon to be a major motion picture, starring Anne Hathaway Shortlisted for the Man Booker Prize So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of My Year of Rest and Relaxation, Homesick for Another World: Stories, and McGlue.
In Our Time is the title of Ernest Hemingway's first collection of short stories, published in 1925 by Boni & Liveright, New York, and of a collection of vignettes published in 1924 in France titled in our time. Its title is derived from the English Book of Common Prayer, "Give peace in our time, O Lord". The stories's themes – of alienation, loss, grief, separation – continue the work Hemingway began with the vignettes, which include descriptions of acts of war, bullfighting and current events. The collection is known for its spare language and oblique depiction of emotion, through a style known as Hemingway's "theory of omission" (iceberg theory). According to his biographer Michael Reynolds, among Hemingway's canon, "none is more confusing ... for its several parts – biographical, literary, editorial, and bibliographical – contain so many contradictions that any analysis will be flawed."
Reckless Hearts (Short Story) by Melanie Benjamin Pdf
Melanie Benjamin introduces readers to the lavish, heady world of her novel The Swans of Fifth Avenue with this exclusive ebook short story! In this enchanting prequel, New York society and Hollywood royalty collide during the doomed and decadent life of Ernest Hemingway. Spain, 1959. Slim Hawks Hayward likes to think she doesn’t get jealous. But when her dear friend Lauren “Betty” Bacall learns that Papa Hemingway has come to watch the bullfights and insists that Slim make introductions, she can’t help feeling protective. Slim has known Papa for years. He always makes her feel like the most beautiful woman in the room—even when his wife is standing right beside him. Truth be told, Slim could have learned to love him all those years ago, in the streets of Havana or the mountains of the American West. Now, Slim is sure that Papa will fall for Betty. What she doesn’t anticipate is the feeling that Papa himself has changed—and their relationship will never be the same. Features a captivating preview of Melanie Benjamin’s highly anticipated novel The Swans of Fifth Avenue! Advance praise for Melanie Benjamin’s The Swans of Fifth Avenue “The strange and fascinating relationship between Truman Capote and his ‘swans’ is wonderfully reimagined in this engrossing novel. It’s a credit to Benjamin that we end up caring so much for these women of power, grace, and beauty—and for Capote, too.”—Sara Gruen, New York Times bestselling author of Water for Elephants “A delicious tale . . . Melanie Benjamin has turned Truman Capote’s greatest scandal into your next must-read book-club selection.”—Jamie Ford, New York Times bestselling author of Hotel on the Corner of Bitter and Sweet “Reading The Swans of Fifth Avenue is like being ushered into a party where you’re offered champagne and fed the sumptuous secrets of New York’s elite—without having to pay the price afterward. The swans are outmatched only by the elegance of Melanie Benjamin’s prose—captivatingly earnest and sophisticated.”—Vanessa Diffenbaugh, New York Times bestselling author of The Language of Flowers “Benjamin convincingly portrays a large cast of colorful historical figures while crafting a compelling, gossipy narrative with rich emotional depth.”—Library Journal
From a National Book Critics Circle Award winner, a brilliantly conceived and illuminating reconsideration of a key period in the life of Ernest Hemingway that will forever change the way he is perceived and understood. Focusing on the years 1934 to 1961—from Hemingway’s pinnacle as the reigning monarch of American letters until his suicide—Paul Hendrickson traces the writer’s exultations and despair around the one constant in his life during this time: his beloved boat, Pilar. We follow him from Key West to Paris, to New York, Africa, Cuba, and finally Idaho, as he wrestles with his best angels and worst demons. Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb to the diseases of fame, we see that Pilar was also where he cursed his critics, saw marriages and friendships dissolve, and tried, in vain, to escape his increasingly diminished capacities. Generally thought of as a great writer and an unappealing human being, Hemingway emerges here in a far more benevolent light. Drawing on previously unpublished material, including interviews with Hemingway’s sons, Hendrickson shows that for all the writer’s boorishness, depression, and alcoholism, and despite his choleric anger, he was capable of remarkable generosity—to struggling writers, to lost souls, to the dying son of a friend. We see most poignantly his relationship with his youngest son, Gigi, a doctor who lived his adult life mostly as a cross-dresser, and died squalidly and alone in a Miami women’s jail. He was the son Hemingway forsook the least, yet the one who disappointed him the most, as Gigi acted out for nearly his whole life so many of the tortured, ambiguous tensions his father felt. Hendrickson’s bold and beautiful book strikingly makes the case that both men were braver than we know, struggling all their lives against the complicated, powerful emotions swirling around them. As Hendrickson writes, “Amid so much ruin, still the beauty.” Hemingway’s Boat is both stunningly original and deeply gripping, an invaluable contribution to our understanding of this great American writer, published fifty years after his death.
Annie struggles with grief after the death of her newborn sister. Annie can always count on spending summers at her grandparents’. This summer should be even better because Mama is going to have a baby soon. Before Daddy leaves for his Air Force assignment, he gives Annie a journal for summer memories. But now Annie is grieving over the death of her newborn sister. How can she tell Daddy that ever since the baby died, Mama is slipping away? If Annie wrote those words, Mama might stay that way forever. The only comfort Annie finds is in holding a stone she calls her “rock baby.” Then Annie secretly befriends a mysterious woman who helps Annie accept her loss, while Annie hopes to draw her new friend back into the community. But all that is interrupted when a crisis reveals their unlikely alliance and leads to a surprising turn of events.
A full biography of Ernest Hemingway draws on a wide range of previously untapped material and offers particular insight into the private demons that both inspired and tormented him.