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Lawrence Block, Simon Brett, Ken Bruen, Christopher Coake, Stephen Collins, Tom Franklin, Jonathan Gash, Steve Hamilton, H.R.F. Keating, Laura Lippman, Bradford Morrow, Ian Rankin, John Sandford, William G. Tapply, and John Westermann, along with introductory comments by Otto Penzler, deliver up an ace anthology of original short stories that mix murder and mystery on the fairway. This collection is sure to appeal to sports fans and those eager to read stories by the most celebrated authors in the mystery genre.
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In glittering Newport, Rhode Island, status is everything. But despite being a poorer relation to the venerable Vanderbilts, Emma Cross has shaped her own identity—as a reporter and a sleuth. As the nineteenth century draws to a close,Fancies and Fashion reporter Emma Cross is sent by the Newport Observer to cover an elite house party at Rough Point, a “cottage” owned by her distant cousin Frederick Vanderbilt that has been rented as an artist retreat. To her surprise, the illustrious guests include her estranged Bohemian parents—recently returned from Europe—as well as a variety of notable artists, including author Edith Wharton. But when one of the artists is discovered dead at the bottom of a cliff, Rough Point becomes anything but a house of mirth. After a second murder, no one is above suspicion—including Emma’s parents. As Newport police detective Jesse Whyte searches for a killer, Emma tries to draw her own conclusions—with the help of Mrs. Wharton. But with so many sketchy suspects, she’ll need to canvas the crime scenes carefully, before the cunning culprit takes her out of the picture next . . . Praise for Alyssa Maxwell and her Gilded Newport Mysteries “Another entertaining entry in this cozy series.” —Library Journal on Murder at Beechwood “Maxwell’s second entry has a credible mystery, solved by a female detective who’s likeable.” —Kirkus Reviews on Murder at Marble House
Cielo Drive cuts like a beautiful scar along the bottom of a V-shaped canyon in the hills of Bel Air, off of Benedict. In February, 1969, as she looked out on it from the red farmhouse at 10050 Cielo she and her husband Roman Polanski had just rented, Sharon had no way of knowing that she only had 6 months to live. On the night of August 9th, members of "The Manson Family" would invade that house and murder Sharon and three of her closest friends. But strangely, half a year earlier, she'd had a brush with a different killer. It happened after her younger sister Patti, then 11, looked across at the ominous Spanish-Moorish estate Sharon called "The Haunted House." In "Restless Souls," their remarkable memoir, Alisa Statmen and Brie Tate write that Patti then hiked down and across Cielo, walking up to No. 1436 Bella Drive. There, she encountered an open gate where white pillars bore the name: Falcon Lair. Once the home of Rudolf Valentino, it had been purchased in 1953 by the fabulously wealthy heiress Doris Duke. The wrought iron gates were open when Patti wandered inside. Suddenly, she heard, the caretaker yell, "This is private property!" Startled, she turned and lost her balance, skinning her knee, when just then, a black limo pulled in. A tinted window went down and a tall woman in back lowered her sunglasses to ask who she was. Once she ID'd herself as Patti, whose sister Sharon lived "across in the red barn," Doris knew that this wasn't just any child. She was the sibling of the hottest young star in town. So Doris snapped to the caretaker, "Stop being such an ogre and bring Patti in, so we can clean those scraps. And get me the Polanski's phone number." Later, the Duke staff was bandaging Patti's knee when Sharon arrived, "nervously chewing her lower lip" and apologizing to the blond billionaire who was the 3rd richest woman in the world behind Queen Elizabeth & Queen Juliana. But by then, Sharon Tate was Hollywood royalty herself; her husband Roman, coming off "Rosemary's Baby," was a kind of cinematic prince. So why was she nervous? What would make her bite her lip in the face of a woman whose caretaker's aggressive warning had caused her little sister to draw blood? Since Sharon was killed that summer, we'll never know. But one thing is clear: this wasn't the first time Sharon Tate had been pulled into Doris Duke's orbit. 2 1/2 years earlier, one of Sharon's closest friends, Eduardo Tirella, had been violently killed after Doris crushed him under a two-ton station wagon. At the time, all of Eduardo's friends suspected he'd been murdered. The brutal stabbing of Sharon Tate is the tragic tale of a young woman of great promise cut down in the prime of life. But the same could be said for Eduardo, whose own Hollywood career was just catching fire, when he told the possessive, heiress he was leaving her, just minutes before she ran him down outside the gates of her Newport, RI estate. Because she had the money and power, Doris Duke succeeded in effectively erasing his death from the narrative of her troubled life. For more than 50 years, the real truth behind what happened at Rough Point in 1966 has been hidden. Until now!
The Murders in the Rue Morgue by Edgar Allan Poe Pdf
"The Rue Morgue Murders" is a pioneering tale in the mystery genre, in which detective Auguste Dupin uses his acute observation and logic to solve a brutal double murder in Paris, revealing a surprising and unusual outcome.
Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.
Campbell and Carter are back in their toughest case yet in the seventh Cotswold village crime novel following An Unfinished Murder. Two years ago, Miff Ferguson chose to opt out of the rat race. Since then he’s been living rough and happily so. Until now. For as the first signs of winter approach, everything in his life is uprooted. While looking for shelter, Miff stumbles across the corpse of a young woman in a dilapidated warehouse. Quickly realizing he is not alone, and has been spotted, Miff becomes embroiled in a game of cat-and-mouse with a killer that forces him to abandon his life and take refuge with his aunt and uncle in the village of Weston St Ambrose. But despite his best efforts to lie low, trouble seems to follow him everywhere, and when another dead body is discovered at a local farm, it’s clear Miff is not free from danger. With the clock ticking, Inspector Jess Campbell and Superintendent Ian Carter must join forces with the team of police at Bamford to piece together the puzzle before another innocent life is lost . . . Praise for the writing of Ann Granger “A well-written, well-crafted traditional British mystery by a writer with an assured grasp of her technique.” —reviewingtheevidence.com “Characterization, as ever with Granger, is sharp and astringent.” —The Times “The story just gets more complex, mysterious and chilling.” —Good Book Guide “For once a murder novel which displays a gentle touch and a dash of wit.” —The Northern Echo “A clever and lively book.” —Margaret York
An epic case of mistaken identity puts a teen looking for a hookup on the run from both the FBI and a murderous cult in this compulsively readable thriller. !--EndFragment-- Finding himself alone in a posh New York City hotel room for the night, Aidan does what any red-blooded seventeen-year-old would do—tries to hook up with someone new. But that lapse in judgement leads him to a room with a dead guy and a mysterious flash drive . . . two things that spark an epic case of mistaken identity that puts Aidan on the run—from the authorities, his friends, his family, the people who are out to kill him—and especially from his own troubled past. Inspired by a Hitchcock classic, this whirlwind mistaken-identity caper has razor-sharp humor, devastating emotional stakes, and a thrilling storyline with an explosive conclusion to make this the most compelling YA novel of the year. Entertainment Weekly's Best YA Books of the Summer Seventeen Magazine's Best YA Books of the Year Goodreads Most Anticipated YA Books of the Year Buzzfeed's Best YA Summer Reads Most Anticipated Queer Books of 2019 (Hypable) Barnes & Noble's Most Anticipated LGBTQAP YAs of the year 11 New YA Books to Get Excited About (Pure Wow) 29 New LGBTQ+ YA Books To Add To Your Reading List (Pride.com)
Murder in an Irish Village by Carlene O'Connor Pdf
Murder has a way of killing business... In the small village of Kilbane, County Cork in Ireland, Naomi’s Bistro has always been warm and welcoming. Nowadays, twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago. It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table with a pair of hot pink barber scissors protruding from his chest. With the local garda suspecting the O’Sullivans, and their business in danger of being shunned, it’s up to Siobhán to solve the crime and save her beloved brood. A charming Irish village mystery, perfect for fans of Betty Rowlands and Dee Macdonald.
Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours. Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche. Exploring the nature of this haunting incident via a collage of poetry, prose, dream-accounts, and documentary sources, including local and national newspapers, related “true crime” books such as The Michigan Murders and Killer Among Us, and fragments from Jane’s own diaries written when she was 13 and 21, its eight sections cover Jane’s childhood and early adulthood, her murder and its investigation, the direct and diffuse effect of her death on Nelson’s girlhood and sisterhood, and a trip to Michigan Nelson took with her mother (Jane’s sister) to retrace the path of Jane’s final hours. Each piece in Jane has its own form, and the movement from each piece to the next--along with the white space that surrounds each fragment--serve as important fissures, disrupting the tabloid, “page-turner” quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Equal parts a meditation on violence (serial, sexual violence in particular), and a conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, shows its readers what poetry is capable of--what kind of stories it can tell, and how it can tell them.
Not many people in Tinker's Cove, Maine, knew Old Dan Malone. The grizzled barkeep's social circle was limited to the rough-hewn lobstermen and other assorted toughs that frequented his bar. But when his body is found bobbing in the town's icy harbor, Lucy Stone makes getting to know more about Old Dan a priority. Local musician Dave Reilly insists Old Dan conned a winning lottery ticket worth five grand from him. Handyman Brian Donohue claims that Old Dan stiffed him for repair work he'd done at the bar. The confusion surrounding the death is only compounded by the arrival of actor Dylan Malone, Old Dan's brother and a prominent, if fading, attraction of the Dublin stage. Dylan has come to direct the production of "Finian's Rainbow," the featured event at Our Lady of Hope's annual St. Patrick's Day extravaganza. Was Old Dan killed by someone he'd cheated or someone he'd loved? While Lucy can't be sure, one thing is abundantly clear--the stage is set for a murder mystery with a killer ending! "Warm and homespun characters, plenty of seaside ambience and a fast-moving plot make this perfect winter cozy." --Publishers Weekly
Investigating the shooting murder of a kayaker at a women-only Minnesota resort, investigator Virgil Flowers finds more suspects than anticipated including the victim's fellow patrons and a talented local country singer.
Scotland Yard’s most unlikely pair of detectives must hide a blossoming romance as they hunt for a dangerous killer. An Irish redhead of humble beginnings and modest means, Kathleen Doyle is the antithesis of Chief Inspector Michael Sinclair, as known as Lord Acton, the brilliant but enigmatic lord with a knack for solving London's most high profile homicides. When a horse trainer is found dead at a racetrack, the duo’s investigation does little to deter the killer at large. Jeopardizing the case are their colleagues at CID headquarters, whose nosing into the nature of Doyle and Acton’s after-hours relationship threatens to lay bare the most classified information of all. As the murders pile up, Doyle and Acton uncover something far more sinister than they could have imagined. Now that they know too much, their partnership could be very brief indeed. . . “Thrilling…Will keep you guessing until the very last page.”—Victoria Thompson, bestselling author of the Gaslight Mysteries “It's been a long time since I encountered two characters this charming and engaging. I look forward to more of their adventures.”—David Morrell, New York Times bestselling author of First Blood and Before I Wake
Perfect for readers looking for a darker twist on Bridgerton, this first in a vibrant, inclusive historical mystery series from an acclaimed author Vanessa Riley portrays the true diversity of the Regency-era, as an aristocrat whose skin color and notorious family history have left her with few friends she can rely on is named as the prime suspect in a murder case… “A great read to add to your current must-read lists.” —Essence Magazine “Riley’s storytelling gift is strong and her prose is lovely and evocative…particularly clever.” – Mystery Scene Magazine “Snappy dialogue, abundant intrigue, and Abbie and Stapleton’s increasingly flirtatious antagonism keep the tension high and the narrative drive strong. Smart, fun, and full of moxie.”—Kirkus Reviews A BiblioLifestyle Most Anticipated Mystery Discovering a body on her property presents Lady Abigail Worthing with more than one pressing problem. The victim is Juliet, the wife of her neighbor, Stapleton Henderson. Although Abigail has little connection with the lady in question, she expects to be under suspicion. Abigail’s skin color and her mother’s notorious past have earned her a certain reputation among the ton, and no amount of wealth or status will eclipse it. Abigail can’t divulge that she was attending a secret pro-abolition meeting at the time of the murder. To her surprise, Henderson offers her an alibi. Though he and Juliet were long estranged, he feels a certain loyalty to his late wife. Perhaps together, he and Abigail can learn the truth. . . . Abigail, whose marriage was not a love match, knows well how appearances can deceive—and how treacherous London’s high society can be. Yet who would have killed Juliet, and why? Taking the reins of her life in a way she never has before, Abby intends to find out—but she may uncover more danger than she ever imagined . . .
