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"By fearlessly revealing the horrors of her upbringing-- alcoholism, madness, sexual abuse, and that's just for starters-- this supremely gifted actress and filmmaker delivers a story of emotional survival that is raw, wild and shocking, yet also dazzlingly funny."--Amazon.com
A powerful and emotional memoir about a woman whose father was brutally murdered at home by an intruder. Twenty years later, she decides to contact his murderer in prison, and learns startling new information about the crime. Dead Reckoning follows the author’s determination to confront the man who destroyed her world in order to find peace. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
In this book, Charles R. Acland examines the culture that has produced both our heightened state of awareness and the bedrock reality of youth violence in the United States. Beginning with a critique of statistical evidence of youth violence, Acland compares and juxtaposes a variety of popular cultural representations of what has come to be a perceived crisis of American youth. After examining the dominant paradigms for scholarly research into youth deviance, Acland explores the ideas circulating in the popular media about a sensational crime known as the "preppy murder" and the confession to that crime. Arguing that the meaning of crime is never inherent in the event itself, he evaluates other sites of representation, including newspaper photographs (with a comparison to the Central Park "wilding"), daytime television talk shows (Oprah, Geraldo, and Donahue), and Hollywood youth films (in particular River's Edge). Through a cultural studies analysis of historical context, Acland blurs the center of our preconceptions and exposes the complex social forces at work upon this issue in the late 1980s and early 1990s. Acland asks of the social critic, "How do we know that we are measuring what we say we are measuring, and how do we know what the numbers are saying? Arguments must be made to interpret findings, which suggests that conclusions are provisional and, to various degrees, sites of contestation." He launches into this gratifying book to show that beyond the problematic category of "actual" crime, the United States has seen the construction of a new "spectacle of wasted youth" that will have specific consequences for the daily lives of the next generation.
Runaway Devil by Robert Remington,Sherri Zickefoose Pdf
Marc and Debra seemed to have it all—a lovely home in the Prairie town of Medicine Hat, fulfilling careers, a supportive marriage, and two beautiful children: eight-year-old Jacob and twelve-year-old JR. After years of struggle to reach this point, they finally felt their future held promise. But on April 23, 2006, their bodies were discovered in their basement, covered in savage stab wounds. Upstairs, Jacob lay dead on his bed, his toys spattered with blood. Investigators worried for JR’s safety, but unknown to them, the pretty honour roll student had been developing a disturbing alter ego online. Runaway Devil professed a fondness for a darker world of death metal music, the goth subculture, and a love for Jeremy Steinke, a twenty-three-year-old high-school dropout who lived in a rundown trailer park. Soon, shocking evidence in JR’s school locker—printed here for the first time—led police to believe the girl was a suspect in her family’s murders. The case horrified parents everywhere. Journalists Robert Remington and Sherri Zickefoose have been covering it from the beginning, and in Runaway Devil, they reveal what really happened: the unlikely young love, the teenage rebellion, a troubling world of adolescent drifters, and a small community torn apart by an unthinkable crime. A modern cautionary tale, Runaway Devil is also a chilling portrait of an approval-seeking man smitten with a manipulative young girl—who would stop at nothing to get what she wanted.
Stop Teaching Our Kids To Kill, Revised and Updated Edition by Lt. Col. Dave Grossman,Gloria Degaetano Pdf
Completely revised and updated, a much-needed call to action for every parent, teacher, and citizen to help our children and stop the wave of killing and violence gripping America's youth Newtown, Aurora, Virginia Tech, Columbine. Thereis no bigger or more important issue in America than youth violence. Kids, some as young as ten years old, take up arms with the intention to murder. Why is this happening? Lt. Col. Dave Grossman and Gloria DeGaetano believe the root cause is the steady diet of violent entertainment kids see on TV, in movies, and in the video games they play—witnessing hundreds of violent images a day. Offering incontrovertible evidence based on recent scientific studies and research, they posit that this media is not just conditioning children to be violent and see killing as acceptable but teaching them the mechanics of killing as well. Stop Teaching Our Kids to Kill supplies the statistics, interprets the copious research that exists on the subject, and suggests the many ways to make a difference in your home, at school, in your community, in the courts, and in the larger world. In using this book, parents, educators, social-service workers, youth advocates, and anyone interested in the welfare of our children will have a solid foundation for effective action and prevention of future Columbines, Jonesboros, and Newtowns.
A shocking chronicle of greed, sexual obsession, manipulation, and murder--from the bestselling author of Small Sacrifices. Computer wizard David Brown convinced his own daughter to prove her love by killing his new wife. Brown then collected a large insurance policy and married his dead wife's teenage sister, whom he had secretly taught to perform sex acts since she was eleven years old. Photographs.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
“McMahon unfurls a whirlwind of suspense...Combining murder mystery and coming-of-age tale with supernatural elements, this taut novel is above all a reflection on the haunting power of memory.” –Entertainment Weekly A woman’s past and present collide in terrifying ways in this explosive debut by New York Times bestselling author Jennifer McMahon. Forty-one-year-old school nurse Kate Cypher has returned home to rural Vermont to care for her mother, who's afflicted with Alzheimer's. On the night she arrives, a young girl is murdered—a horrific crime that eerily mirrors another from Kate's childhood. Three decades earlier, her dirt-poor friend Del—shunned and derided by classmates as "Potato Girl"—was brutally slain. Del's killer was never found, while the victim has since achieved immortality in local legends and ghost stories. Now, as this new murder investigation draws Kate irresistibly in, her past and present collide in terrifying, unexpected ways. Because nothing is quite what it seems . . . and the grim specters of her youth are far from forgotten. More than just a murder mystery, Jennifer McMahon's extraordinary debut novel, Promise Not to Tell, is a story of friendship and family, devotion and betrayal—tautly written, deeply insightful, beautifully evocative, and utterly unforgettable.
The New York Times bestselling author of Love Her to Death shares the true-crime story of a small-town Midwestern teenager murdered by her own friends. Sixteen-year-old Adrianne Reynolds couldn't unravel the twisted tangles of jealousy and domination complicating her new life in East Moline, Illinois. What began as a fresh start after a troubled home life in Texas ended with Adrianne's body charred, stuffed into garbage bags, and scattered. It seemed the work of hardened criminals, but the truth was far more astonishing: her own “best friends” choked Adrianne to death and cut her up. Now, master crime writer M. William Phelps recounts this horrific saga of teen lust and violence in every gripping detail. Praise for Too Young to Kill “Phelps is the Harlan Coben of real-life thrillers.” —Allison Brennan, New York Times bestselling author of Tell No Lies Includes sixteen pages of revealing photos
Dig deep into the unsolved murder of Jackie English and join the hunt for a serial killer Fifty years ago, a serial killer prowled the quiet city of London, Ontario, marking it as his hunting grounds. As young women and boys were abducted, raped, and murdered, residents of the area held their loved ones closer and closer, terrified of the monster — or monsters — stalking the streets. Homicide detective Dennis Alsop began hunting the killer in the 1960s, and he didn’t stop searching until his death 40 years later. For decades, detectives, actual and armchair, and the victims’ families and friends continued to ask questions: Who was the Forest City Killer? Was there more than one person, or did a depraved individual commit all of these crimes on his own? Combing through the files Detective Alsop left behind, researcher Vanessa Brown reopens the cases, revealing previously unpublished witness statements, details of evidence, and astonishing revelations. And through her investigation, Vanessa posits the unthinkable: is it possible that the Forest City Killer is still alive and, like the notorious Golden State Killer, a simple DNA test could bring him to justice?
*Now a Hulu limited series starring Lily Gladstone, Riley Keough, and Archie Panjabi!* “A swift, harrowing classic perfect for these unnerving times.” —Jenny Offill, author of Dept. of Speculation One moonlit night, fourteen-year-old Reena Virk went to join friends at a party and never returned home. In this “tour de force of crime reportage” (Kirkus Reviews), acclaimed author Rebecca Godfrey takes us into the hidden world of the seven teenage girls—and boy—accused of a savage murder. As she follows the investigation and trials, Godfrey reveals the startling truth about the unlikely killers. Laced with lyricism and insight, Under the Bridge is an unforgettable look at a haunting modern tragedy.
THE ROMANCE OF MY CHILDHOOD AND YOUTH by JULIETTE ADAM Pdf
AT the present time, the interest which a writer’s work may have lies greatly in the study of those first impulses which gave it birth, of the surroundings amid which it was elaborated, and of the connection between the end pursued and the achievement. In former times a writer’s personality was of small importance. His works were deemed sufficient. The duality presented by a study of the causes of production, and the production itself, was a matter of interest only to a small minority of readers. By degrees, however, with the writer’s own consent, indiscreet glances were thrown into the personal lives of those whose mission it was to direct, enlighten, or amuse the lives of other people. Forty or fifty years ago the public first read the book, and judged a writer by his writings, and then would often base their judgments on the opinion of some great critic, who had slowly given proof of his knowledge, and whose ideas were found worthy of adoption. To-day it is quite the contrary. A new book[viii] is so generally and indiscreetly announced that the larger portion of the public is quite aware both of the book and of the process of its production. A number of small reviews of the volume are read; they often are, in fact, just so many interviews with the author, and, under the general impression thus imparted, the book is read—a great favour for the writer are such notices, for people might speak of a book and criticise it in that way without ever having read it. General curiosity is insatiable with regard to the small details concerning the habits and customs of an author if he is already celebrated, or is likely to achieve success. But, on the other hand, if the present custom weakens to an infinite degree the elements of personal appreciation of any work, it adds to knowledge of the author’s portrait, which stands out from all these inquiries and indiscretions, with traits of physiognomy that possess, perhaps, more lively interest. We must obviously submit to the custom, and ask ourselves whether, by means of much observation of both the author and his work, we may not obtain a broader and more enlightened criticism, uniting the author’s intentions with the result achieved by his book. [ix]Or else is it because, overworked as we are, we have perhaps become unable to enjoy the delight of reading a book for itself, containing, by chance, no anecdotes which please us—nothing, in fact, outside the actual interest of the book itself, but forming part of it; or is it that we have no longer any time for profound or matured reflection, or judgments expressed in axioms, the terms of which have long been weighed in the balance of thought? It requires time to discover the master thought of any work of real worth, in order to disclose its high morality, its art tendencies. The maddening rule of our new mode of life being the desire to know all things as quickly as possible, we ask the author, whose motives are known beforehand, what he meant to say, or do, or prove, and in this way we think to gain time and not run the risk of “idle dreaming.” Ah! as to dreams, shall we speak of them?—golden money, no longer current, which we scatter behind us in our haste to pursue what others are pursuing. If, by chance, we find it again, how soiled by the road’s dust it seems! The asking of a question or two, and even the explanation of a phenomenon which is often as clear as day, can be undertaken as we hurry along, but simply to examine the “whys and wherefores”[x] of things, or to attempt to discover the laws of facts, and group them methodically, giving the logical relation of these laws in general origins—verily, only a few vulgar slang words can express the impression made on the minds of those who wish to be considered “modern men,” with respect to these very problems of which we, of the elder generation, are so fond, and which are called by the moderns—“stuff.” “In writing your memoirs you encourage what you appear to condemn,” people will doubtless say to me. But I condemn nothing. I simply note a state of mind and ways of life. I feel sure that if in “my time” an author’s work held the first place, and that if nowadays the author himself excites disproportionate interest, the future will establish an equilibrium between these two extremes. If the candles of literary people of the present time are burned at both ends, it is, perhaps, because there remain few embers of the luminous torches of the past. The authors of the future will be obliged to renew their provision of wood, which must burn itself out, normally, in the middle. However this may be, it is, perhaps, profitable to register the facts in a fleeting epoch for the use of those who are running in pursuit of an epoch which is to take its place. [xi]Old people are fond of describing what took place in former times, and they have a real mission so to do if only they will refrain from trying to enforce upon us the superiority of the teaching of that which has disappeared, and if they will tell their story simply, leaving a younger generation to discover its lesson, and from it form conclusions. Those of the older generation who educated us thought sentimentalism and humanity, which appeared at first brutally, and then were gloriously driven back by the Terror and the Empire, had returned again triumphantly. Moreover, the Revolution and Bonaparte had opened our gates to a foreign influx. Our fathers gave shelter to every Utopian idea brought from Italy, Germany, Austria, and Russia. The mixture was so confusing that all manner of extravagant things sprang from it. The consciences of the “men of progress” were concentrated around the social conception of the “suffering classes,” and the political conception involved in the crimes of the “higher classes.” Love and indignation were the food with which they fed our youthful hearts. The Bible, the socialism of Christ, and examples of sublimity of character taken from Greece and Rome, became the strange mixture that was the[xii] guiding spirit of our fathers’ action, and inspired our primal ideas. People of reason, who possessed solid common-sense, the Bourgeois, were, naturally, to a much overrated degree, our enemies. We are, in all our primal impulses, the children of the men of 1848; our very reaction was born of their action. We have been led on solely by their example; haunted, just as they were, by the feeling that we should add to our unlimited dreams what they had deemed to be the counterpoise to the great love of humanity, namely, science; but a science which we thought was to bring relief to the worker, by machinery, a cheaper rate of living to the poor, and a more equal distribution of wealth to the unfortunate. “The rights of man,” that oft-repeated phrase which has never been rightly understood by those who called themselves its defenders, possessed for them, before, during, and after 1848, only one significance, namely: the realisation by society in general of the greatest sum of possible happiness for each individual. Those who at that time proclaimed themselves socialists—and this tradition exists among the same class of the present day—took no account of general[xiii] society, of its affiliations, of its necessary average existence, or of its “badly cut coats,” so to speak. They refused to see opposed to the rights of the socialist man the general social rights, which mean, in plain words, the rights of each individual man, and which, summed up, become the rights of all men. Religious dogma alone can affirm the absolute right of an individual soul, because each soul comes in contact with other souls only in the infinite. Absoluteness can only be realised in evolutions towards death. But contact with living men has its contingencies which society pulverises well or badly, according as individuals mingle together happily or not, or according as they disturb society or serve it well. Social problems, whether robed in dithyrambic form or clad in offensive rags, are unable to force upon society reforms which are laid down in names unless society has become ready to assimilate them; otherwise they upset society, agitate it, and throw it back on reaction. I am the daughter of a man who was a sincere sectarian, disinterested even to self-sacrifice, and who dreamed of absolute liberty and absolute equality. Until the terrible year of 1870, his mind[xiv] mastered my own. For an instant, during the days of the Commune, he thought his dreams were about to be realised. Were he alive now, he would be a disciple of Monsieur Brisson, whose political ancestor he was. He would have pursued only one idea: the upsetting of everything. The revolutionists and the Brissonists are, after all, only belated and antiquated minds, not yet freed from sophistries by the terrible vision of 1870; not stimulated by the lamentations heard from men on French soil, when trodden under foot by Prussia; not armed with patriotic combativeness by the sight of the panting flesh of those provinces which were torn from France, and which, in the figurative image of our country, occupy the place of the heart...FROM THE BOOKS.
Taledo’s Road is a story about the impact of westward expansion on some of the Native American tribes. The main characters and their story are fictional, but many of the historic battles and situations actually took place in American history. This story begins in the American southwest with the Apache bands, and their fight for survival in an ever changing land and country. The time period of this story also includes the issue of slavery, and American the Civil War. Many different topics are covered, such as the Indian Wars involving the Sioux and their Cheyenne allies. The Apaches and their wars for their southwest homeland are mentioned as well. Taledo’s Road illustrates the impact of Manifest Destiny on the Indigenous tribes and people that were previously living in this country. Although the influx of war and diseases devastated the Native American people and destroyed much of their culture, they did survive it. This book tells a tale of how they struggled and fought to survive in the face of unsurmountable odds. The story has some sad parts and situations, but everything can’t be happy when dealing with history.
"With it's tight plot, well-crafted and believable characters, and complex mystery, It's Murder, My Son is a thoroughly enjoyable read. I look forward to many more Mac Faraday mysteries." John J. Lamb, author of the Bear Collector Mysteries"A most unusual and surprising plot, intriguing characters, snappy dialogue, great settings and a dog named Gnarly are the prime ingredients in Lauren Carr's terrific new mystery, It's Murder, My Son."F.M. Meredith, author of An Axe to GrindWhat started out as the worst day of Mac Faraday's life would end up being a new beginning. After a messy divorce hearing, the last person that Mac wanted to see was another lawyer. Yet, this lawyer wore the expression of a child bursting to tell his secret. This covert would reveal Mac as heir to undreamed of fortunes, and lead him to the birthplace of America's Queen of Mystery and an investigation that will unfold like one of her famous mystery novels. Soon after she moves to her new lakefront home in Spencer, Maryland, multi-millionaire Katrina Singleton learns that life in an exclusive community is not all good. For some unknown reason, a strange man calling himself "Pay Back" begins stalking her. When Katrina is found strangled all evidence points to her terrorist, who is nowhere to be found. Three months later the file on her murder is still open with only vague speculations from the local police department when Mac Faraday, sole heir to his unknown birth mother's home and fortune, moves into the estate next door. Little does he know as he drives up to Spencer Manor that he is driving into a closed gate community that is hiding more suspicious deaths than his DC workload as a homicide detective. With the help of his late mother's journal, this retired cop puts all his detective skills to work to pick up where the local investigators have left off to follow the clues to Katrina's killer.
A Good Girl's Guide to Murder by Holly Jackson Pdf
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • Everyone is talking about A Good Girl's Guide to Murder! With shades of Serial and Making a Murderer this is the story about an investigation turned obsession, full of twists and turns and with an ending you'll never expect. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. And don't miss the sequel, Good Girl, Bad Blood! "The perfect nail-biting mystery." —Natasha Preston, #1 New York Times bestselling author
