Music And Myth In Modern Literature

Author : Josh Torabi
Publisher : Routledge
Page : 237 pages
File Size : 40,9 Mb
Release : 2020-12-20
Category : Literary Criticism
ISBN : 9781000294620

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Music and Myth in Modern Literature by Josh Torabi Pdf

This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland’s Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce’s modernist epic Ulysses (1922), and Thomas Mann’s late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche’s conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche’s early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland’s status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers.

Author : Gabriela Chiciudean,Rodica Gabriela Chira,Emilia Ivancu
Publisher : Cambridge Scholars Publishing
Page : 231 pages
File Size : 48,9 Mb
Release : 2018-12-14
Category : Social Science
ISBN : 9781527523432

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Myth, Music and Ritual by Gabriela Chiciudean,Rodica Gabriela Chira,Emilia Ivancu Pdf

Divided into two parts, this volume includes contributions focused on both myth and some of its contemporary reflections (Part I) and the connection between myth, music and ritual (Part II). The fifteen contributions gathered here are authored by academics and researchers from Brazil, France, Poland, Mexico, South Africa and Romania. They focus on a variety of subjects, including folklore, literature, classical and traditional music, science-fiction, philosophy, and religion, among others. The volume operates with an awareness of the capital role the study of the imaginary, with all its implications, is playing in the contemporary world.

Author : Katherine Butler,Samantha Bassler
Publisher : Boydell & Brewer
Page : 344 pages
File Size : 48,7 Mb
Release : 2019
Category : Music
ISBN : 9781783273713

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Music, Myth and Story in Medieval and Early Modern Culture by Katherine Butler,Samantha Bassler Pdf

The complex relationship between myths and music is here investigated.

Author : Paul Bertagnolli
Publisher : Routledge
Page : 388 pages
File Size : 49,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351553032

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Prometheus in Music by Paul Bertagnolli Pdf

The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-Hne, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Hal, Saint-Sa, Holm FaurParry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a na, Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to

Author : Philip Mayerson
Publisher : Focus
Page : 532 pages
File Size : 49,9 Mb
Release : 2001
Category : Art
ISBN : PSU:000048628402

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Classical Mythology in Literature, Art, and Music by Philip Mayerson Pdf

Originally published in the 1960s, this standard illustrated work covers the gods and heroes of the Classical world, with special emphasis on the influence Classical mythology has had on literature, art and music in Western civilization. Designed for high school and college level courses in departments of Classics and humanities.

Author : Eero Tarasti
Publisher : Walter de Gruyter
Page : 369 pages
File Size : 55,9 Mb
Release : 2012-01-02
Category : Language Arts & Disciplines
ISBN : 9783110808759

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Myth and Music by Eero Tarasti Pdf

Author : Vladimir L. Marchenkov
Publisher : Unknown
Page : 0 pages
File Size : 49,6 Mb
Release : 2009
Category : Juvenile Nonfiction
ISBN : 1576471764

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The Orpheus Myth and the Powers of Music by Vladimir L. Marchenkov Pdf

This book examines the key turning points in the history of the Orpheus myth as factors that shaped, and continues to shape, our conceptions of music's powers. From its beginnings in archaic Antiquity to the latest major opera based on it, the story of Orpheus and Eurydice has been used by poets, philosophers, and musicians to express an increasingly complex set of ideas about what music can do. The study follows three threads in the myth's history: changes in form, cultural status, and the resulting visions of the powers of song. The most spectacular change in form is the role played by Eurydice who evolves from a generic, voiceless type into a rich music-philosophical symbol. Equally fascinating is the entangled issue of Orpheus's success and failure. In terms of cultural status, the story remains a genuine myth, ?even alongside its non-mythical forms, ?until the early modern period. Modernity problematizes the existence of myth but its mythophobia becomes a symptom of its own profound irrationality. Accordingly, the powers of music evolve from mythic omnipotence to screaming contradictions that demand, but fail to achieve, resolution. From Monteverdi and Striggio to Birtwistle and Zinovieff, composers and librettists turn to Orpheus and Eurydice to express their sense of music's place in human existence. The undulating tapestry of their strikingly diverse answers points to the need to rethink, once again, the fundamentals of our musical culture.

Author : Victoria Adamenko
Publisher : Pendragon Press
Page : 320 pages
File Size : 47,8 Mb
Release : 2007
Category : Juvenile Nonfiction
ISBN : 157647125X

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Neo-mythologism in Music by Victoria Adamenko Pdf

The Devil and the Perception of Schnittke's Early Style -- The Mythologems in Schnittke's First Symphony -- Postlude -- Appendix 1. An interview with George Crumb -- Appendix 2. The English translation of the texts by García Lorca from George Crumb's Ancient Voices of Children -- Appendix 3. Text excerpts from Stockhausen's Licht -- Selected bibliography -- List of Illustrations -- Index

Author : William Righter
Publisher : Taylor & Francis
Page : 137 pages
File Size : 52,5 Mb
Release : 2024-05-01
Category : Literary Criticism
ISBN : 9781040027714

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Myth and Literature by William Righter Pdf

First published in 1975, Myth and Literature considers three points at which the concept of myth has entered modern literary imagination: the use of myth – or atleast their understanding of myth -- as a creative opening by modern writers, its exploration by critics as an interpretive device, and the analogy between certain ‘sense-making’ functions of ‘myth’, ‘fiction’ and literature itself. All three of these roles show the gradual movement from a point of precise demand to a diffuse and variable concept which is more pervasive because less distinct. The paradox of myth is shown to lie in its simultaneity of its corruption with the growth of its power over the modern literary mind. This book will be of interest to students of literature and history.

Author : Philip Ball
Publisher : University of Chicago Press
Page : 437 pages
File Size : 46,7 Mb
Release : 2022-10-17
Category : Literary Criticism
ISBN : 9780226823843

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The Modern Myths by Philip Ball Pdf

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.

Author : Alex Davis,Lee M. Jenkins
Publisher : Cambridge University Press
Page : 571 pages
File Size : 46,9 Mb
Release : 2015-04-27
Category : Literary Criticism
ISBN : 9781107038677

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A History of Modernist Poetry by Alex Davis,Lee M. Jenkins Pdf

A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.

Author : Katherine O'Callaghan
Publisher : Routledge
Page : 296 pages
File Size : 49,8 Mb
Release : 2018-01-12
Category : Literary Criticism
ISBN : 9781351865883

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Essays on Music and Language in Modernist Literature by Katherine O'Callaghan Pdf

This volume explores the role of music as a source of inspiration and provocation for modernist writers. In its consideration of modernist literature within a broad political, postcolonial, and internationalist context, this book is an important intervention in the growing field of Words and Music studies. It expands the existing critical debate to include lesser-known writers alongside Joyce, Woolf, and Beckett, a wide-ranging definition of modernism, and the influence of contemporary music on modernist writers. From the rhythm of Tagore’s poetry to the influence of jazz improvisation, the tonality of traditional Irish music to the operas of Wagner, these essays reframe our sense of how music inspired Literary Modernism. Exploring the points at which the art forms of music and literature collide, repel, and combine, contributors draw on their deep musical knowledge to produce close readings of prose, poetry, and drama, confronting the concept of what makes writing "musical." In doing so, they uncover commonalities: modernist writers pursue simultaneity and polyphony, evolve the leitmotif for literary purposes, and adapt the formal innovations of twentieth-century music. The essays explore whether it is possible for literature to achieve that unity of form and subject which music enjoys, and whether literary texts can resist paraphrase, can be simply themselves. This book demonstrates how attention to the role of music in text in turn illuminates the manner in which we read literature.

Author : Robert McParland
Publisher : McFarland
Page : 210 pages
File Size : 52,6 Mb
Release : 2018-05-29
Category : Music
ISBN : 9781476632988

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Myth and Magic in Heavy Metal Music by Robert McParland Pdf

 Myth pervades heavy metal. With visual elements drawn from medieval and horror cinema, the genre’s themes of chaos, dissidence and alienation transmit an image of Promethean rebellion against the conventional. In dialogue with the modern world, heavy metal draws imaginatively on myth and folklore to construct an aesthetic and worldview embraced by a vast global audience. The author explores the music of Black Sabbath, Iron Maiden, Judas Priest, Metallica and many others from a mythological and literary perspective.

Author : Rachael Durkin
Publisher : Taylor & Francis
Page : 637 pages
File Size : 55,7 Mb
Release : 2022-05-26
Category : Music
ISBN : 9781000563351

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The Routledge Companion to Music and Modern Literature by Rachael Durkin Pdf

Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. The 37 chapters within consider the partnership through four lenses—the universal, opera and literature, musical and literary forms, and popular music and literature—and touch upon diverse and pertinent themes for our modern times, ranging from misogyny to queerness, racial inequality to the claimed universality of whiteness. This Companion therefore offers an essential resource for all who try to decode the musico-literary exchange.

Author : Claire Bardelmann
Publisher : Routledge
Page : 266 pages
File Size : 51,7 Mb
Release : 2020-09-30
Category : Electronic
ISBN : 036766660X

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Eros and Music in Early Modern Culture and Literature by Claire Bardelmann Pdf

What is the relationship between Eros and music? How does the intersection of love and music contribute to define the perimeter of Early Modern love? The Early Moderns hold parallel discourses on the metaphysical doctrines of love and music as theories of harmony. Statements of love as music, of music as love, and of both as harmonic ideals, are found across a wide range of cultural contexts, highlighting the understanding of love as a cultural construct. The book assesses the complexity of cultural discourses on this linkage of Eros and music. The ambivalence of music as an erotic agent is enacted in the controversy over dancing and reflected in the ubiquitous symbolism of music instruments. Likewise, the trivialization of musical imagery in madrigal lyrics and love poetry highlights a sense of degradation and places the love-music relationship at the meeting point of two epistemes. The book also shows the symbolic deployment of the intertwined ideas of love and music in the English epyllion, and offers close readings of Shakespeare's poems The Rape of Lucrece and Venus and Adonis. The book is the first to propose an overview of the theoretical, cultural and poetical intersections of Eros and music in Early Modern England. It discusses the connections in a richly interdisciplinary manner, drawing on a wealth of primary material which includes rhetoric, natural philosophy, educational literature, medicine, music theory and musical performance, dance books, performance politics, Protestant pamphlets and sermons, and emblem books.