Music As A Science Of Mankind In Eighteenth Century Britain

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Music as a Science of Mankind in Eighteenth-Century Britain

Author : Maria Semi,translated by Timothy Keates
Publisher : Routledge
Page : 196 pages
File Size : 47,8 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092209

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Music as a Science of Mankind in Eighteenth-Century Britain by Maria Semi,translated by Timothy Keates Pdf

Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.

Music as a Science of Mankind in Eighteenth-Century Britain

Author : Maria Semi,translated by Timothy Keates
Publisher : Routledge
Page : 221 pages
File Size : 40,6 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092193

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Music as a Science of Mankind in Eighteenth-Century Britain by Maria Semi,translated by Timothy Keates Pdf

Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.

Music as a Science of Mankind in Eighteenth-Century Britain

Author : Dr Maria Semi
Publisher : Ashgate Publishing, Ltd.
Page : 208 pages
File Size : 41,9 Mb
Release : 2013-01-28
Category : Music
ISBN : 9781409495161

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Music as a Science of Mankind in Eighteenth-Century Britain by Dr Maria Semi Pdf

Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation – trying to describe how the human mind could develop ideas and emotions by its means – philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which – in David Hume's words – 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.

Beyond Autonomy in Eighteenth-Century British and German Aesthetics

Author : Karl Axelsson,Camilla Flodin,Mattias Pirholt
Publisher : Routledge
Page : 298 pages
File Size : 48,9 Mb
Release : 2020-10-25
Category : Philosophy
ISBN : 9781000077285

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Beyond Autonomy in Eighteenth-Century British and German Aesthetics by Karl Axelsson,Camilla Flodin,Mattias Pirholt Pdf

This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic. The Introduction and Chapters 2, 10, and 12 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The Advancement of Music in Enlightenment England

Author : Tim Eggington
Publisher : Boydell & Brewer Ltd
Page : 321 pages
File Size : 52,6 Mb
Release : 2014
Category : Music
ISBN : 9781843839064

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The Advancement of Music in Enlightenment England by Tim Eggington Pdf

Casts new and valuable light on English musical history and on Enlightenment culture more generally.

Sound and Sense in British Romanticism

Author : James Grande,Carmel Raz
Publisher : Cambridge University Press
Page : 301 pages
File Size : 44,9 Mb
Release : 2023-08-31
Category : Literary Criticism
ISBN : 9781009277846

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Sound and Sense in British Romanticism by James Grande,Carmel Raz Pdf

A captivating exploration of the newly reimagined world of sound and sense in Britain in the decades around 1800.

Music, Neurology, and Neuroscience: Evolution, the Musical Brain, Medical Conditions, and Therapies

Author : Anonim
Publisher : Elsevier
Page : 292 pages
File Size : 44,9 Mb
Release : 2015-03-02
Category : Medical
ISBN : 9780444635525

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Music, Neurology, and Neuroscience: Evolution, the Musical Brain, Medical Conditions, and Therapies by Anonim Pdf

Did you ever ask whether music makes people smart, why a Parkinson patient's gait is improved with marching tunes, and whether Robert Schumann was suffering from schizophrenia or Alzheimer's disease? This broad but comprehensive book deals with history and new discoveries about music and the brain. It provides a multi-disciplinary overview on music processing, its effects on brain plasticity, and the healing power of music in neurological and psychiatric disorders. In this context, the disorders the plagued famous musicians and how they affected both performance and composition are critically discussed, and music as medicine, as well as music as a potential health hazard are examined. Among the other topics covered are: how music fit into early conceptions of localization of function in the brain, the cultural roots of music in evolution, and the important roles played by music in societies and educational systems. Topic: Music is interesting to almost everybody Orientation: This book looks at music and the brain both historically and in the light of the latest research findings Comprehensiveness: This is the largest and most comprehensive volume on "music and neurology" ever written! Quality of authors: This volume is written by a unique group of real world experts representing a variety of fields, ranging from history of science and medicine to neurology and musicology

Feeling Time

Author : Amit S. Yahav
Publisher : University of Pennsylvania Press
Page : 208 pages
File Size : 48,8 Mb
Release : 2018-03-19
Category : Literary Criticism
ISBN : 9780812295030

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Feeling Time by Amit S. Yahav Pdf

Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished. In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state. Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience.

Lifestyle and Medicine in the Enlightenment

Author : James Kennaway,Rina Knoeff
Publisher : Routledge
Page : 242 pages
File Size : 40,6 Mb
Release : 2020-03-09
Category : History
ISBN : 9780429879241

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Lifestyle and Medicine in the Enlightenment by James Kennaway,Rina Knoeff Pdf

The biggest challenges in public health today are often related to attitudes, diet and exercise. In many ways, this marks a return to the state of medicine in the eighteenth century, when ideals of healthy living were a much more central part of the European consciousness than they have become since the advent of modern clinical medicine. Enlightenment advice on healthy lifestyle was often still discussed in terms of the six non-naturals – airs and places, food and drink, exercise, excretion and retention, and sleep and emotions. This volume examines what it meant to live healthily in the Enlightenment in the context of those non-naturals, showing both the profound continuities from Antiquity and the impact of newer conceptions of the body. Chapter 8 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9780429465642

Music and the Sonorous Sublime in European Culture, 1680–1880

Author : Sarah Hibberd,Miranda Stanyon
Publisher : Cambridge University Press
Page : 323 pages
File Size : 55,9 Mb
Release : 2020-05-28
Category : Music
ISBN : 9781108486590

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Music and the Sonorous Sublime in European Culture, 1680–1880 by Sarah Hibberd,Miranda Stanyon Pdf

The first English language collection on the musical sublime. Reveals music's place at the forefront of this interdisciplinary aesthetic category.

Music and Religious Education in Early Modern Europe

Author : Anonim
Publisher : BRILL
Page : 271 pages
File Size : 54,8 Mb
Release : 2023-03-13
Category : History
ISBN : 9789004470392

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Music and Religious Education in Early Modern Europe by Anonim Pdf

Exploring the nexus of music and religious education involves fundamental questions regarding music itself, its nature, its interpretation, and its importance in relation to both education and the religious practices into which it is integrated. This cross-disciplinary volume of essays offers the first comprehensive set of studies to examine the role of music in educational and religious reform and the underlying notions of music in early modern Europe. It elucidates the context and manner in which music served as a means of religious teaching and learning during that time, thereby identifying the religio-cultural and intellectual foundations of early modern European musical phenomena and their significance for exploring the interplay of music and religious education today.

The Routledge Companion to Music, Mind, and Well-being

Author : Penelope Gouk,James Kennaway,Jacomien Prins,Wiebke Thormahlen
Publisher : Routledge
Page : 475 pages
File Size : 45,6 Mb
Release : 2018-12-07
Category : Music
ISBN : 9781351674980

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The Routledge Companion to Music, Mind, and Well-being by Penelope Gouk,James Kennaway,Jacomien Prins,Wiebke Thormahlen Pdf

In recent decades, the relationship between music, emotions, health and well-being has become a hot topic. Scientific research and new neuro-imaging technologies have provided extraordinary new insights into how music affects our brains and bodies, and researchers in fields ranging from psychology and music therapy to history and sociology have turned their attention to the question of how music relates to mind, body, feelings and health, generating a wealth of insights as well as new challenges. Yet this work is often divided by discipline and methodology, resulting in parallel, yet separate discourses. In this context, The Routledge Companion to Music, Mind and Well-being seeks to foster truly interdisciplinary approaches to key questions about the nature of musical experience and to demonstrate the importance of the conceptual and ideological frameworks underlying research in this field. Incorporating perspectives from musicology, history, psychology, neuroscience, music education, philosophy, sociology, linguistics and music therapy, this volume opens the way for a generative dialogue across both scientific and humanistic scholarship. The Companion is divided into two sections. The chapters in the first, historical section consider the varied ways in which music, the emotions, well-being and their interactions have been understood in the past, from Antiquity to the twentieth century, shedding light on the intellectual origins of debates that continue today. The chapters in the second, contemporary section offer a variety of current scientific perspectives on these topics and engage wider philosophical problems. The Companion ends with chapters that explore the practical application of music in healthcare, education and welfare, drawing on work on music as a social and ecological phenomenon. Contextualising contemporary scientific research on music within the history of ideas, this volume provides a unique overview of what it means to study music in relation to the mind and well-being.

Music in Eighteenth-Century Britain

Author : DavidWyn Jones
Publisher : Routledge
Page : 427 pages
File Size : 50,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557405

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Music in Eighteenth-Century Britain by DavidWyn Jones Pdf

This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

Music and Image

Author : Richard Leppert
Publisher : CUP Archive
Page : 270 pages
File Size : 49,9 Mb
Release : 1993-06-24
Category : History
ISBN : 0521448549

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Music and Image by Richard Leppert Pdf

An examination of the place and practice of musical life in eighteenth-century England among the upper classes.

Music and the New Global Culture

Author : Harry Liebersohn
Publisher : University of Chicago Press
Page : 352 pages
File Size : 45,7 Mb
Release : 2019-09-27
Category : Music
ISBN : 9780226649306

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Music and the New Global Culture by Harry Liebersohn Pdf

Music listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.