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Music from Aleppo during the Syrian War by Clara Wenz Pdf
Aleppo is regarded as one of the historical centres of an urban Arab art music tradition known as 'tarab'. During the war that followed Syria's 2011 political uprisings, vast parts of the city were destroyed. This Element explores how 'tarab' lives on in new contexts. It does so through a focus on the work of Hello Psychaleppo, one of Aleppo's displaced musicians and the pioneer of 'electro-tarab', an eclectic style of urban electronic dance music that is conceived as a homage to Aleppo's musical legacy. Whether local religious chants, Palestinian poetry, or the image of a yellow man, electro-tarab includes an inventory of audio, visual and literary samples. These samples help conceptualise the role music has played during the Syrian war; they offer insights into Aleppo's musical and diasporic afterlife; and they illuminate some of the socio-aesthetic parameters that characterise contemporary Arab electronic music.
*Includes pictures *Includes footnotes, online resources and a bibliography for further reading "I'm not a puppet. I wasn't made by the west to go to the west or any other country. I'm Syrian. I'm made in Syria. I have to live in Syria and die in Syria." - Bashar al-Assad, 2012 In December 2010, a 26-year-old Tunisian street vendor's self immolation triggered protests that spread from his hometown in Sidi Bouzid to cities across the country. The next month, on January 14, the country's autocratic president, Zine el-Abidine Ben Ali, fled the country. This would be the start of what became known as the "Arab Spring," which ultimately saw anti-government protests responded to with violence, reform, or both in countries across the Middle East. In Syria, the protests that began as early as January 2011 and increased in intensity the following March devolved into a complex armed conflict that involves multiple armed groups and wages to this day. Like the other dictators, Bashar al-Assad faced popular demonstrations against his regime at the height of the Arab Spring, but he steadfastly refused to step down from power, and the protests against him and his government quickly turned violent, which eventually enveloped Syria in a civil war that has already killed over 400,000, created over 4 million refugees, and shows no signs of ending anytime soon. In August 2016, over five and a half years after the initial protests, an image of a young boy captivated the world. Young Omran Daqneesh, who had been born around the time the Syrian civil war started, had been pulled out of a destroyed building in the Syrian city of Aleppo by a rescue squad and put inside an ambulance. He stared at the cameras - most likely in shock -covered in blood and debris from the collapsed building. His silence seemed more powerful than all the statements of condemnation from politicians around the world. This boy and his family were actually living the nightmare that Syrians across the country have experienced for more than five years. The video and image went viral and was picked up by several news outlets and spread quickly and globally across social media platforms. Once again, the average citizen was faced with images depicting the consequences of this deadly and seemingly intractable conflict. While citizens and politicians again debate and discuss what to do about the Syrian Civil War, the people on the ground continue to suffer. The city of Aleppo is one of many battlegrounds in the war, but it has been directly in the war since 2012 when protests erupted against the regime of Bashar Al-Assad and the rebels of the Free Syrian Army became involved in the conflict. In many ways, the city of Aleppo and the ongoing battle there can almost be thought of as a metaphor or microcosm for the civil war in general. Historically, Aleppo has been a very large and diverse city, comprised of several religious and ethnic groups living side by side throughout its long period of human inhabitancy. Syria itself is a large and diverse country, whose citizens include Sunnis, Shi'a, Christians, and Druze that come from Arab, Kurdish, Armenian, and other ethnic backgrounds. Interestingly, Aleppo has indeed become a battleground in which all the forces (both domestic and international) have come to exercise their agendas and their might against each other. The longer the parties fight, the further away they seem to get from peace agreements, and the more difficult it becomes to deescalate the conflict. Today, Syria remains a flashpoint in the Middle East, and Aleppo is at the center of it. The Battle of Aleppo: The History of the Ongoing Siege at the Center of the Syrian Civil War looks at the Syrian civil war's most famous battle, and the way it has dominated the world's attention. Along with pictures of important people, places, and events, you will learn about the siege of Aleppo like never before.
Sense and Sadness is an innovative study of music modality in relation to human emotion and the aesthetics of perception. It is also a musical story of survival through difficulty and pain. Focusing on chant at St George's Syrian Orthodox Church of Aleppo, author Tala Jarjour puts forward the concept of the emotional economy of aesthetics, which enables a new understanding of modal musicality in general and of Syriac musicality in particular. Jarjour combines insights from musicology and ethnomusicology, sound and religious studies, anthropology, history, East Christian and Middle Eastern studies, and the study of emotion, to seamlessly weave together multiple strands of a narrative which then becomes the very story it tells. Drawing on imagination and metaphor, she brings to the fore overlapping, at times contradictory, modes of sense and sense making. At once intimate and analytical, this ethnographic text entwines academic thinking with its subject(s) and subjectivities, portraying events, writing, people, and music as they unfold together through ritual commemorations and a devastating, ongoing war.
Connecting the struggles of the past to those so tragically familiar in the present, author Tala Jarjour considers Syriac chant as living musical practice situated in its historic, social, and cultural context.
Background Music Cultures in Finnish Urban Life by Heikki Uimonen,Kaarina Kilpiö,Meri Kytö Pdf
This Element focuses on how music is experienced, articulated, and reclaimed in urban commercial environments. Special attention is paid to listeners, spaces, and music, co- and re-produced continuously in their triangular relationship affected by social, legal, economic, and technological factors. The study of the historical development of background music industries, construction of contemporary sonic environments, and individual meaning-making is based on extensive data gathered through interviews, surveys, and fieldwork, and supported by archival research. Due to the Finnish context and the ethnomusicological approach, this study is culture-sensitive, providing a fresh 'factory-to-consumer' perspective on a phenomenon generally understood as industry-lead, behavioral, and global. This title is also available as Open Access on Cambridge Core.
Excursions in World Music by Timothy Rommen,Bruno Nettl Pdf
Excursions in World Music is a comprehensive introductory textbook to the musics of the world, creating a panoramic experience for students by engaging the many cultures around the globe, and highlighting the sheer diversity to be experienced in the world of music. At the same time, the text illustrates the often profound ways through which a deeper exploration of these many different communities can reveal overlaps, shared horizons, and common concerns in spite of, and because of, this very diversity. The new eighth edition features six brand new chapters, including chapters on Japan, Sub-Saharan Africa, China and Taiwan, Europe, Maritime Southeast Asia, and Indigenous Peoples. General updates have been made to other chapters, replacing visuals and updating charts/statistics. Another major addition to the eighth edition is the publication of a companion Reader, entitled Critical Issues in World Music. Each chapter in the Reader is designed to introduce students to a theoretical concept or thematic area within ethnomusicology and illustrate its possibilities by pointing to case studies drawn from at least three chapters in Excursions in World Music. Chapters include the following topics: Music, Gender, and Sexuality; Music and Ritual; Coloniality and "World Music"; Music and Space; Music and Diaspora; Communication, Technology, Media; Musical Labor, Musical Value; and Music and Memory. Instructors can use this resource as a primary or secondary path through the materials, either assigning chapters from the textbook and then digging deeper by exploring a chapter from the Reader, or starting with a Reader chapter and then moving into the musical specifics offered in the textbook chapters. Having available both an area studies and a thematic approach to the materials offers important flexibility to instructors and also provides students with additional means of engaging with the musics of the world. A companion website with a new test bank and fully updated instructor’s manual is available for instructors. Numerous resources are posted for students, including streamed audio listening, additional resources (such as links to YouTube videos or websites), a musical fundamentals essay (introducing concepts such as meter, melody, harmony, form, etc.), interactive quizzes, and flashcards.
What We Remember Will Be Saved by Stephanie Saldaña Pdf
Eggplant seeds, a lullaby in a vanishing language, an embroidered dress. When people flee their homes, the things they save speak of beauty and suffering and the indomitable human spirit. In an era of mass migration in which more than 100 million people are displaced comes this lyrical portrait of Syrian and Iraqi refugees and the belongings they carry. What We Remember Will Be Saved is a book of hope, home, and the stories we hold within us when everything else has been lost. Journalist and scholar Stephanie Saldaña, who lived in Syria before the war, sets out on a journey across nine countries to meet refugees and learn what they salvaged from the ruins when they escaped. Now, in the narratives of six extraordinary women and men, from Mt. Sinjar to Aleppo to Lesvos to Amsterdam, we discover that the little things matter a great deal. Saldaña introduces us to a woman who saved her city in a dress, a musician who saved his stories in songs, and a couple who rebuilt their destroyed pharmacy even as the city around them fell apart. Together they provide a window into a religiously diverse corner of the Middle East on the edge of unraveling, and the people keeping it alive with their stories. Born of years of friendship and reporting, What We Remember Will Be Saved is a breathtaking, elegiac odyssey into the heart of the largest refugee crisis in modern history. It reminds us that refugees are storytellers and speakers of vanishing languages, and of how much history can be distilled into a piece of fabric, or eggplant seeds. What we salvage tells our story. What we remember will be saved.
From a Pulitzer Prize-nominated journalist specializing in the Middle East, this groundbreaking account of the Syrian Civil War reveals the never-before-published true story of a 21st-century humanitarian disaster. In spring 2011, Syrian President Bashar al-Assad turned to his friend and army commander, Manaf Tlass, for advice about how to respond to Arab Spring-inspired protests. Tlass pushed for conciliation but Assad decided to crush the uprising -- an act which would catapult the country into an eight-year long war, killing almost half a million and fueling terrorism and a global refugee crisis. Assad or We Burn the Country examines Syria's tragedy through the generational saga of the Assad and Tlass families, once deeply intertwined and now estranged in Bashar's bloody quest to preserve his father's inheritance. By drawing on his own reporting experience in Damascus and exclusive interviews with Tlass, Dagher takes readers within palace walls to reveal the family behind the destruction of a country and the chaos of an entire region. Dagher shows how one of the world's most vicious police states came to be and explains how a regional conflict extended globally, engulfing the Middle East and pitting the United States and Russia against one another. Timely, propulsive, and expertly reported, Assad or We Burn the Country is the definitive account of this global crisis, going far beyond the news story that has dominated headlines for years.
Author : Michael Richard Thomas Dumper,Bruce Stanley Publisher : Bloomsbury Publishing USA Page : 478 pages File Size : 46,6 Mb Release : 2006-11-16 Category : Social Science ISBN : 9781576079201
Cities of the Middle East and North Africa by Michael Richard Thomas Dumper,Bruce Stanley Pdf
The first work to offer 5,000 years of authoritative historical coverage of ancient and modern cities in the Middle East and North Africa—from their founding to the present—highlighting each city's cultural, social, political, and economic significance. Cities of the Middle East and North Africa: A Historical Encyclopedia is a comprehensive reference work on major ancient and modern cities in the Middle East and North Africa from their beginnings to today. In an unprecedented work of historical research, renowned experts Bruce Stanley and Michael Dumper provide 5,000 years of authoritative historical coverage as they trace the full trajectory of each city, discuss ties to other cities, and present a comparative analysis of the region through the lens of its cities. The A–Z entries feature extensive information about each city's location, geography, demographics, climate and environmental issues, ancient and classical history, Islamic history, post–1800 C.E. history, architecture, religious significance, cultural issues, society, municipal features, economic issues, and contemporary trends. Introductory essays explore urban general history and historiography, urban planning and modernization, poverty, interaction between cities, social welfare, culture, identity issues, and the place of these cities within the world economy.
"An astonishing yet true account of a pianist's life in war-torn Syria and his ultimate escape to Germany offers a deeply personal perspective on the most devastating refugee crisis of this century. Aeham Ahmad was born a second-generation refugee--the son of a blind violinist and carpenter who recognized Aeham's talent and taught him how to play piano and love music from an early age. When his grandparents and father were forced to flee Israel and seek refuge from the Israeli-Palestinian conflict in 1948, Aeham's family built a life in Yarmouk, an unofficial refugee camp to more than 160,000 Palestinians in Damascus. While waiting for the conflict to be resolved so that they could return to their homeland, they raised a new generation in Syria. But another fight overtook their asylum. Their only havens were in music and each other. In his escape from Syria, Aeham sought out a safe place for him and his family to call home and build a better future. Heart-wrenching though full of hope, and told in a raw and poignant voice, The Pianist from Syria is a gripping portrait of one man's search for a peaceful life and of a country being torn apart as the world watches in horror."--Jacket.
A muggy night in Abu Dhabi, 2011. Under the stadium lights a 30,000-strong sea of Libyans, Palestinians, Syrians and Egyptians wait in anticipation. Alongside them are Saudis, Iranians and Israelis. Defiance and excitement course through the crowd like electricity. Standing together, they are waiting for Metallica’s first ever show in the Middle East. Many have faced untold violence, but for tonight, nothing else matters... This is the untold story of that crowd. Of the young men and women and the music they make in the backrooms of shabby houses in al-Zarqa and al-Qatif, Nazareth and Cairo. Of illegal shows in Tehran and Riyadh. Of songs that ousted a dictator in Cairo. Of exiles that have ended in glory, in isolation, and in blood. Journalist and lifelong heavy metal fan, Orlando Crowcroft, spent six years penetrating the rock and metal scene in the Middle East. Rock in a Hard Place is a different voice, one that is at odds with the Middle East of violence, extremism, war and ISIS: a voice recognizable to anyone who has ever turned up a speaker or an amp to drown out the din of the everyday, and a voice that may help unite us when we need it most.
This unforgettable novel puts human faces on the Syrian war with the immigrant story of a beekeeper, his wife, and the triumph of spirit when the world becomes unrecognizable. “A beautifully crafted novel of international significance that has the capacity to have us open our eyes and see.”—Heather Morris, author of The Tattooist of Auschwitz WINNER OF THE ASPEN WORDS LITERARY PRIZE • FINALIST FOR THE DAYTON LITERARY PEACE PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE Nuri is a beekeeper and Afra, his wife, is an artist. Mornings, Nuri rises early to hear the call to prayer before driving to his hives in the countryside. On weekends, Afra sells her colorful landscape paintings at the open-air market. They live a simple life, rich in family and friends, in the hills of the beautiful Syrian city of Aleppo—until the unthinkable happens. When all they love is destroyed by war, Nuri knows they have no choice except to leave their home. But escaping Syria will be no easy task: Afra has lost her sight, leaving Nuri to navigate her grief as well as a perilous journey through Turkey and Greece toward an uncertain future in Britain. Nuri is sustained only by the knowledge that waiting for them is his cousin Mustafa, who has started an apiary in Yorkshire and is teaching fellow refugees beekeeping. As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss but dangers that would overwhelm even the bravest souls. Above all, they must make the difficult journey back to each other, a path once so familiar yet rendered foreign by the heartache of displacement. Moving, intimate, and beautifully written, The Beekeeper of Aleppo is a book for our times: a novel that at once reminds us that the most peaceful and ordinary lives can be utterly upended in unimaginable ways and brings a journey in faraway lands close to home, never to be forgotten. Praise for The Beekeeper of Aleppo “This book dips below the deafening headlines, and tells a true story with subtlety and power.”—Esther Freud, author of Mr. Mac and Me “This compelling tale had me gripped with its compassion, its sensual style, and its onward and lively urge for resolution.”—Daljit Nagra, author of British Museum “This novel speaks to so much that is happening in the world today. It’s intelligent, thoughtful, and relevant, but very importantly it is accessible. I’m recommending this book to everyone I care about.”—Benjamin Zephaniah, author of Refugee Boy
“Beautifully written... a riveting account of how melodies and rhythms connect us, and help us deal with alienation and anxiety.”—Dr. Bessel van der Kolk, author of The Body Keeps the Score In this captivating blend of science and memoir, a health journalist and former cellist explores music as a source of health, resilience, connection, and joy. Music isn’t just background noise or a series of torturous exercises we remember from piano lessons. In the right doses, it can double as a mild antidepressant, painkiller, sleeping pill, memory aid—and enhance athletic performance while supporting healthy aging. Though music has been used as a healing strategy since ancient times, neuroscientists have only recently discovered how melody and rhythm stimulate core memory, motor, and emotion centers in the brain. But here’s the catch: We can tune into music every day and still miss out on some of its potent effects. Adriana Barton learned the hard way. Starting at age five, she studied the cello for nearly two decades, a pursuit that left her with physical injuries and emotional scars. In Wired for Music, she sets out to discover what music is really for, combing through medical studies, discoveries by pioneering neuroscientists, and research from biology and anthropology. Traveling from state-of-the-art science labs to a remote village in Zimbabwe, her investigation gets to the heart of music’s profound effects on the human body and brain. Blending science and story, Wired for Music shows how our species’ age-old connection to melody and rhythm is wired inside us.
Syria is now one of the most important countries in the world for the documentary film industry. Since the 1970s, Syrian cinema masters played a defining role in avant-garde filmmaking and political dissent against authoritarianism. After the outbreak of violence in 2011, an estimated 500,000 video clips were uploaded making it one of the first YouTubed revolutions in history. This book is the first history of documentary filmmaking in Syria. Based on extensive media ethnography and in-depth interviews with Syrian filmmakers in exile, the book offers an archival analysis of the documentary work by masters of Syrian cinema, such as Nabil Maleh, Ossama Mohammed, Mohammed Malas, Hala Al Abdallah, Hanna Ward, Ali Atassi and Omar Amiralay. Joshka Wessels traces how the works of these filmmakers became iconic for a new generation of filmmakers at the beginning of the 21st century and maps the radical change in the documentary landscape after the revolution of 2011. Special attention is paid to the late Syrian filmmaker and pro-democracy activist, Bassel Shehadeh, and the video-resistance from Aleppo and Raqqa against the regime of President Bashar al-Assad and the Islamic State. An essential resource for scholars of Syrian Studies, this book will also be highly relevant to the fields of media & conflict research, anthropology and political science.
My Syrian Diary: A Memoir of the Land, The People and Geopolitics by Soumen Ray Pdf
Among all other countries in the West Asia, Syria was the most tranquil one. There was a civil war in its neighbouring country, Lebanon for more than fifteen years. The Palestinians with various militant groups have ben attacking Israel on a continuous basis and the Israeli Defence Force punishing them regularly for their mischievous acts. Iraq on its eastern border, under the worst Arab dictator, was being punished by the international community. On top of these, Syria’s own relations with the mainstream Arab countries in general and, with the West in particular, were frosty. But in Syria the people were leading a normal peaceful life under the leadership of enigmatic President---Hafez al-Assad. The country’s economy was doing well. He ensured that Syria was never in the list of “regime change” of the US and its allies. While there was opposition to his authoritarian rule, it did not affect the social and political fabric of Syria. What went wrong immediately after his death? How his politically novice son and successor, Bashar al-Assad started committing one after another grave mistakes, took self destructive political moves, joined hands with international pariah militant groups to safeguard his position at the cost of Syria and ruined the peaceful oasis? How a secular country where people of different religious faiths living for hundreds of years with perfect harmony and peace, became the hub of militant Islamic fundamentalists and one of the “most dangerous places on the earth”? To provide a perspective to that, I wrote “My Syrian Diary”. I had served as an Indian diplomat in the Middle east for more than a decade. My three years’ tour of duty at the Indian Embassy, Damascus, gave me an excellent opportunity to know the country, its people and the geopolitics of the region.