Music In Cuba

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Music in Cuba

Alejo Carpentier
Music in Cuba Book PDF

Author : Alejo Carpentier
Publisher : U of Minnesota Press
Page : 316 pages
File Size : 48,8 Mb
Release : 2001
Category : Music
ISBN : 0816632308

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Music in Cuba by Alejo Carpentier Pdf

"In the wake of the Buena Vista Social Club, the world has rediscovered the rich musical tradition of Cuba. A unique combination of popular and elite influences, the music of this island nation has fascinated since the golden age of the son - that new World aural collision of Africa and Europe that made Cuban music the rage in Paris, New York, and Mexico beginning in the 1920s." "Drawing on such primary documents as obscure church circulars, dog-eared musical scores pulled from attics, and the records of the Spanish colonial authorities, Music in Cuba sweeps from the sixteenth to the twentieth centuries. Carpentier covers European-style elite Cuban music as well as the popular worlds of rural Spanish folk and Afro-Cuban urban music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Cuba and Its Music

Ned Sublette
Cuba and Its Music Book PDF

Author : Ned Sublette
Publisher : Chicago Review Press
Page : 690 pages
File Size : 48,9 Mb
Release : 2007-02
Category : History
ISBN : 9781569764206

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Cuba and Its Music by Ned Sublette Pdf

This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.

Cuban Music

Maya Roy
Cuban Music Book PDF

Author : Maya Roy
Publisher : Unknown
Page : 266 pages
File Size : 51,9 Mb
Release : 2002
Category : History
ISBN : UTEXAS:059173012322858

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Cuban Music by Maya Roy Pdf

Native Americans supplied the maracas. African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.

Cuba: Music and Revolution

Stuart Baker,Gilles Peterson
Cuba Music and Revolution Book PDF

Author : Stuart Baker,Gilles Peterson
Publisher : Unknown
Page : 180 pages
File Size : 54,8 Mb
Release : 2020-10-27
Category : Art
ISBN : 1916359809

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Cuba: Music and Revolution by Stuart Baker,Gilles Peterson Pdf

Spanning Cuban music from rumba to salsa, and graphic styles from socialist realist to geometric abstraction, this volume of Cuban record cover art traces a musical form in constant revolution. The first ever book about Cuban record sleeve design, compiled by Gilles Peterson and Stuart Baker, Cuba: Music and Revolutionfeatures hundreds of rarely seen vinyl records from the start of the Cuban Revolution at the beginning of the 1960s up until 1985, when Cuba's Special Period, brought about by the dissolution of the Soviet Union and the withdrawal of Russia's financial support for the Cuban government, led to the demise of vinyl-record manufacturing in Cuba. The artwork here reflects both the cultural and musical depth of Cuba as well as the political influence of revolutionary communism. Over the past century, Cuban music has produced a seemingly endless variety of styles--rumba, mambo, son, salsa--at a dizzyingly fast rate. Since the 1940s a steady stream of Cuban musicians has also made the migration to the US, sparking changes in North American musical forms: bandleader Machito set New York's jazz and Latin scene on fire, and master drummer Chano Pozo's entry into Dizzy Gillespie's group led to the birth of Latin jazz, to name just two. After the Cuban Revolution in 1959, the new government closed American-owned nightclubs and consolidated the island's recording industry under a state-run monopoly. Out of this new socialist agenda came new musical styles, including the Nueva Trova movement of left-wing songwriters. The 1980s saw more experimentation in modernist jazz, salsa and Afro-Cuban folkloric music. Generously illustrated with hundreds of color images, Cuba: Music and Revolutionpresents the history of Cuban record cover art, including many examples previously unseen outside the island itself.

The Rough Guide to Cuban Music

Philip Sweeney
The Rough Guide to Cuban Music Book PDF

Author : Philip Sweeney
Publisher : Rough Guides
Page : 372 pages
File Size : 41,7 Mb
Release : 2001
Category : Music
ISBN : 1858287618

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The Rough Guide to Cuban Music by Philip Sweeney Pdf

Cuba is home to some of the world's most vibrant popular music in the world, from son and rumba to salsa and chachacha. The Rough Guide to Cuban Music introduces the full range of Cuba's varied musical traditions and tells the story of their greatest performers, legends like Beny More, Celina Gonzalea alongside more recent stars such as Carlos Varela. Includes features on the origins and development of the various musical genres, a biographical directory of over 100 key artists, with dozens of photographs. Also draws up some critical discographies, recommending the pick of each artist's output.

Cuban Music from A to Z

Helio Orovio
Cuban Music from A to Z Book PDF

Author : Helio Orovio
Publisher : Duke University Press
Page : 252 pages
File Size : 48,9 Mb
Release : 2004-03-12
Category : Biography & Autobiography
ISBN : 0822332124

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Cuban Music from A to Z by Helio Orovio Pdf

DIVThe definitive guide to the composers, artists, bands, musical instruments, dances, and institutions of Cuban music./div

Music and Revolution

Robin D. Moore
Music and Revolution Book PDF

Author : Robin D. Moore
Publisher : Univ of California Press
Page : 734 pages
File Size : 40,6 Mb
Release : 2006
Category : Art
ISBN : 9780520247109

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Music and Revolution by Robin D. Moore Pdf

Annotation A history of Cuban music during the Castro regime (1950s to the present.

Origins of Cuban Music and Dance

Benjamin Lapidus
Origins of Cuban Music and Dance Book PDF

Author : Benjamin Lapidus
Publisher : Scarecrow Press
Page : 222 pages
File Size : 54,7 Mb
Release : 2008-10-17
Category : Music
ISBN : 9781461670292

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Origins of Cuban Music and Dance by Benjamin Lapidus Pdf

Origins of Cuban Music and Dance: Changüí is the first in-depth study of changüí, a style of music and dance in Guantánamo, Cuba. Changüí is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changüí and its relationship to the roots of son, Cuba's national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changüí, connections with the Caribbean that have been largely overlooked in the past. After an initial historical discussion about the region of Guantánamo and the inter-connectedness of its various musical styles with a focus on changüí, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comparison between changüí and son, as well as a bibliography, discography, and videography.

Rhythms of Race

Christina D. Abreu
Rhythms of Race Book PDF

Author : Christina D. Abreu
Publisher : UNC Press Books
Page : 322 pages
File Size : 54,5 Mb
Release : 2015-05-04
Category : Social Science
ISBN : 9781469620855

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Rhythms of Race by Christina D. Abreu Pdf

Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha cha. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers. Keeping in view the wider context of the domestic and international entertainment industries, Abreu underscores how the racially diverse musicians in her study were also migrants and laborers. Her focus on the Cuban presence in New York City and Miami before the Cuban Revolution of 1959 offers a much needed critique of the post-1959 bias in Cuban American studies as well as insights into important connections between Cuban migration and other twentieth-century Latino migrations.

Music in Cuba

Alejo Carpentier
Music in Cuba Book PDF

Author : Alejo Carpentier
Publisher : U of Minnesota Press
Page : 314 pages
File Size : 47,6 Mb
Release : 2001
Category : Music
ISBN : 0816632294

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Music in Cuba by Alejo Carpentier Pdf

Originally published in 1946 and never before available in English. Music in Cuba is not only the best and most extensive study of Cuban musical history, it is a work of literature. Drawing on such primary documents as church circulars and mustical scores. Carpentier encompasses European-style elite Cuban music as well as the popular rural Spanish folk and urban Afro-Cuban music. Perhaps Cubas most important twentieth-century intellectual. Alejo Carpentier (1904-1980) was a novelist, a classically trained pianist and musicologist, and an influential theorist of politics and literature. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution. Book jacket.

From Afro-Cuban Rhythms to Latin Jazz

Raul A. Fernandez
From Afro Cuban Rhythms to Latin Jazz Book PDF

Author : Raul A. Fernandez
Publisher : Univ of California Press
Page : 216 pages
File Size : 43,8 Mb
Release : 2006-05-23
Category : Music
ISBN : 9780520939448

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From Afro-Cuban Rhythms to Latin Jazz by Raul A. Fernandez Pdf

This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research

Translating Cuba

Robert S. Lesman
Translating Cuba Book PDF

Author : Robert S. Lesman
Publisher : Routledge
Page : 194 pages
File Size : 43,8 Mb
Release : 2021-07-13
Category : History
ISBN : 9781000410129

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Translating Cuba by Robert S. Lesman Pdf

Cuban culture has long been available to English speakers via translation. This study examines the complex ways in which English renderings of Cuban texts from various domains—poetry, science fiction, political and military writing, music, film—have represented, reshaped, or amended original texts. Taking in a broad corpus, it becomes clear that the mental image an Anglophone audience has formed of Cuban culture since 1959 depends heavily on the decisions of translators. At times, a clear ideological agenda drives moves like strengthening the denunciatory tone of a song or excising passages from a political text. At other moments, translators’ indifference to the importance of certain facets of a work, such as a film’s onscreen text or the lyrics sung on a musical performance, impoverishes the English speaker’s experience of the rich weave of self-expression in the original Spanish. In addition to the dynamics at work in the choices translators make at the level of the text itself, this study attends to how paratexts like prefaces, footnotes, liner notes, and promotional copy shape the audience’s experience of the text.

Cuba

Jeff Peretz
Cuba Book PDF

Author : Jeff Peretz
Publisher : Alfred Music Publishing
Page : 56 pages
File Size : 55,5 Mb
Release : 2007
Category : Music
ISBN : 0739043013

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Cuba by Jeff Peretz Pdf

The signature sound of Cuban music is popular throughout the world. At its heart is the clave---the underlying groove that defines the music of Cuba. In Guitar Atlas: Cuba, author Jeff Peretz breaks down this fundamental rhythm and shows that the clave can be played by any guitarist. For those who do not play Cuban music, the concepts in this book improve sense of rhythm and syncopation in any style. In addition to teaching the music itself, this book also explores the background of Cuban music, including African and European cultural influences as well as the impact of the political events of the 20th century. You'll learn about the different styles of music from all over the island and the musicians who popularized them, and explore the unique instruments of Cuba. A CD with demonstrations of all examples and compositions is included.

Timba: The Sound of the Cuban Crisis

Vincenzo Perna
Timba The Sound of the Cuban Crisis Book PDF

Author : Vincenzo Perna
Publisher : Routledge
Page : 376 pages
File Size : 47,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351539081

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Timba: The Sound of the Cuban Crisis by Vincenzo Perna Pdf

Cuban music is recognized unanimously as a major historical force behind Latin American popular music, and as an important player in the development of US popular music and jazz. However, the music produced on the island after the Revolution in 1959 has been largely overlooked and overshadowed by the Buena Vista Social Club phenomenon. The Revolution created the conditions for the birth of a type of highly sophisticated popular music, which has grown relatively free from market pressures. These conditions premised the new importance attained by Afro-Cuban dance music during the 1990s, when the island entered a period of deep economic and social crisis that has shaken Revolutionary institutions from their foundations. Vincenzo Perna investigates the role of black popular music in post-Revolutionary Cuba, and in the 1990s in particular. The emergence of timba is analysed as a distinctively new style of Afro-Cuban dance music. The controversial role of Afro-Cuban working class culture is highlighted, showing how this has resisted co-optation into a unified, pacified vision of national culture, and built musical bridges with the transnational black diaspora. Musically, timba represents an innovative fusion of previous popular and folkloric Afro-Cuban styles with elements of hip-hop and other African-American styles like jazz, funk and salsa. Timba articulates a black urban youth subculture with distinctive visual and choreographic codes. With its abrasive commentaries on issues such as race, consumer culture, tourism, prostitution and its connections to the underworld, timba demonstrates at the 'street level' many of the contradictions of contemporary Cuban society. After repeatedly colliding with official discourses, timba has eventually met with institutional repression. This book will appeal not only to ethnomusicologists and those working on popular music studies, but also to those working in the areas of cultural and Black studies, anthropology, Latin American st

Writing Rumba

Miguel Arnedo-Gómez
Writing Rumba Book PDF

Author : Miguel Arnedo-Gómez
Publisher : University of Virginia Press
Page : 236 pages
File Size : 44,6 Mb
Release : 2006
Category : Literary Criticism
ISBN : 0813925428

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Writing Rumba by Miguel Arnedo-Gómez Pdf

Arising in the heyday of the music recently made famous by the Buena Vista Social Club, afrocubanismo was an artistic and intellectual movement in Cuba in the 1920s and 1930s that tried to convey a national and racial identity. Through poetry, this movement was the first serious attempt on the part of mostly white Cuban intellectuals to produce a national literature that incorporated elements from the Afro-Cuban traditions of lower-class urban blacks. One of its main objectives was to project an image of Cuban identity as a harmonious process of fusion between black and white people and cultures. The notion of a unified nation without racial conflicts and the idea of a mulatto Cuban culture and identity continue to play a prominent role in the Cuban imagination. The first book-length treatment of the poetry of this movement, Writing Rumba: The Afrocubanista Movement in Poetry questions the assumption that the poetry did manage to symbolize racial reconciliation and unification. At the same time it reveals a process of literary transculturation by which the dominant literature of European origins was radically transformed through the incorporation of formal principles from Afro-Cuban dance and music forms. To make his case, Miguel Arnedo-G mez establishes the nature of the movement s connections to Cuban blacks during this time, analyzes the poetry's links with the represented cultures on the basis of anthropological and ethnographic research, and explores the thought of leading figures of the movement, tying their discourse to specific sociocultural factors in Cuba at the time. Relating the poetry to music and dance, he further illuminates the interplay of power and culture in a social context. Essential for understanding Cuban nationalism and race relations today, Writing Rumba will appeal to an interdisciplinary audience not only in regional, cultural, and anthropological fields but also in the fields of music, dance, and literature.