Music In Other Words

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Music in Other Words

Author : Ruth A. Solie
Publisher : Univ of California Press
Page : 235 pages
File Size : 45,5 Mb
Release : 2004-02-19
Category : Music
ISBN : 9780520930063

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Music in Other Words by Ruth A. Solie Pdf

Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to "what goes without saying" on the subject—that cultural information so present and pervasive as to go unsaid—fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people—English and others—experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes—including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility—and in turn suggest the complex links between the history of music and the history of ideas.

Music in Words

Author : Trevor Herbert
Publisher : Oxford University Press
Page : 256 pages
File Size : 50,9 Mb
Release : 2009-02-12
Category : Music
ISBN : 9780199888320

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Music in Words by Trevor Herbert Pdf

Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is a writing guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of the internet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volume gives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format. This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links to key resources.

A Sound Word Almanac

Author : Bernd Herzogenrath
Publisher : Bloomsbury Publishing USA
Page : 161 pages
File Size : 48,9 Mb
Release : 2023-12-14
Category : Music
ISBN : 9798765109069

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A Sound Word Almanac by Bernd Herzogenrath Pdf

This almanac of sound words important to artists and scholars highlights words that expand the way we speak (and write) about sonic experiences. Why write about sound, and how? If sonic philosophy is the attempt "to think about sound by philosophical means," then a metaphilosophical debate appears almost immediately on the horizon: What is called for is an understanding about sound and language, but also about the preconditions of musical understanding. What is at stake is the question of language and sound, as well as expanding how we speak about sonic experience. This almanac tackles these questions from artistic, experimental and personal perspectives. An assemblage of nearly 70 practitioners and theoreticians, artists and scholars offer their favorite 'sound word.' These sound words are onomatopoetical, mythological, practical; words of personal importance to the artists and their craft; words from their memory, related to sound. Many entries are not in English – some are untranslatable – and all are accompanied by a personal, explanatory, poetic entry. These are words that have the potential to change our perspective on listening-musicking-thinking.

The Cambridge Companion to Recorded Music

Author : Nicholas Cook
Publisher : Cambridge University Press
Page : 381 pages
File Size : 46,5 Mb
Release : 2009-11-26
Category : Music
ISBN : 9780521865821

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The Cambridge Companion to Recorded Music by Nicholas Cook Pdf

Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.

Words and Music

Author : Peter Dickinson
Publisher : Boydell & Brewer
Page : 338 pages
File Size : 45,9 Mb
Release : 2016
Category : Music
ISBN : 9781783271061

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Words and Music by Peter Dickinson Pdf

Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time.

The Words and Music of Alanis Morissette

Author : Karen Fournier
Publisher : Bloomsbury Publishing USA
Page : 201 pages
File Size : 53,7 Mb
Release : 2015-01-16
Category : Social Science
ISBN : 9781440830693

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The Words and Music of Alanis Morissette by Karen Fournier Pdf

Through an examination of her music, videos, philanthropic work, and biographical details, this book gives insight into Alanis Morissette's musical career and day-to-day life, from her early pop beginnings in Canada to her work today. As a whole, Alanis Morissette's work has never been critically analyzed. The Words and Music of Alanis Morissette addresses this oversight through its examination of Morissette's work in the context of biographical facts, its relationship to other cultural trends, and its reflection of the female perspective. This book merges biographical information with a critical examination of the music that she produced and performed during all periods of her life, thereby providing a needed overview of Morissette's body of work. All Morissette fans will appreciate learning about the details of her life, but the author's melding of the star's personal life story with an informed analysis of popular music will also appeal to a wider audience—readers interested in music, culture, women's studies, or female musicians, for example. The book provides entertaining and engrossing reading for any Alanis Morissette fan and serves as a resource that documents her broad contributions to the music industry.

Music for Others

Author : Nathan Myrick
Publisher : Oxford University Press, USA
Page : 169 pages
File Size : 50,7 Mb
Release : 2021
Category : Music
ISBN : 9780197550625

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Music for Others by Nathan Myrick Pdf

"Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America-from sporting events to political rallies, concerts to churches. Its use as an affective agent for political and religious programs suggests that it has ethical significance, but it is one of the most undertheorized aspects of both theological ethics and music scholarship. Music for Others: Care, Justice, and Relational Ethics in Christian Music fills part of this scholarly gap by focusing on the religious aspects of musical activity, particularly on the practices of Christian communities. It is based on ethnomusicological fieldwork at three Protestant churches and interviews with a group of seminary students, combined with theories of discourse, formation, response, and care ethics oriented toward restorative justice. The book argues that relationships are ontological for both human beings and musical activity. It further argues that musical meaning and emotion converge in human bodies such that music participates in personal and communal identity construction in affective ways-yet these constructions are not always just. Thus, Music for Others argues that music is ethical when it preserves people in and restores people to just relationships with each other, and thereby with God"--

Words, Music, and the Popular

Author : Thomas Gurke,Susan Winnett
Publisher : Springer Nature
Page : 265 pages
File Size : 52,9 Mb
Release : 2022-01-03
Category : Literary Criticism
ISBN : 9783030855437

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Words, Music, and the Popular by Thomas Gurke,Susan Winnett Pdf

Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or ‘the’ popular and what role(s) does music play in it? What is the function of the popular, and is ‘pop’ a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the ‘popular’? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?

Music in the Words: Musical Form and Counterpoint in the Twentieth-Century Novel

Author : Alan Shockley
Publisher : Routledge
Page : 206 pages
File Size : 43,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557290

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Music in the Words: Musical Form and Counterpoint in the Twentieth-Century Novel by Alan Shockley Pdf

There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agapgape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.

Music in German Philosophy

Author : Stefan Lorenz Sorgner,Oliver Fürbeth
Publisher : University of Chicago Press
Page : 312 pages
File Size : 42,8 Mb
Release : 2011-01-15
Category : Philosophy
ISBN : 9780226768397

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Music in German Philosophy by Stefan Lorenz Sorgner,Oliver Fürbeth Pdf

Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.

Music in Words

Author : Trevor Herbert
Publisher : Oxford University Press on Demand
Page : 249 pages
File Size : 53,9 Mb
Release : 2009-02-12
Category : Music
ISBN : 9780195373721

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Music in Words by Trevor Herbert Pdf

A writing guide and style reference manual in one, Music in Words is a compact and indispensable guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis.

The Powers of Music

Author : Ruth Katz
Publisher : Transaction Publishers
Page : 254 pages
File Size : 48,7 Mb
Release : 1994-01-01
Category : Music
ISBN : 1412838495

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The Powers of Music by Ruth Katz Pdf

In this cultural history, Ruth Katz conceives of opera as a laboratory dedicated to exploration of the powers hidden in the interaction between words and music. Opera combines not only music and libretto, but the sensuality, acting out, and lyricism that characterize the popular culture of the Italians. The Powers of Music is thus a contribution to cultural studies, providing unique insight into the social meaning of opera in Italy. According to Katz, opera's origins in Renaissance Italy can be traced to numerous characteristics of life at that time. Among them are: the belief of the Humanists that the magical properties of music could be harnessed; the transition from polyphony to monody that gave musical expression to individualism; the melodramatic propensity of Italian culture reflected in its literary and theatrical arts; and the salons of Florentine aristocrats, scientists, and artists whose agenda included the challenge to rediscover how the ancient Greeks succeeded in heightening the rhetorical power of words by allying them with music. Katz discusses each of these factors in detail. In her new introduction, Katz reconsiders her original work by discussing three topics. The first has to do with the perception that there has been a major change in the academic climate for this kind of analysis. The second relates to her concern with the eighteenth-century expansion of the Florentine comparison of the attributes of the arts, from which music emerges as the purest of all, for being freest of external reference. Third, she reconsiders her initial impression that opera was on the wane. The Powers of Music is an intriguing study that will be of interest to sociologists, cultural historians, and scholars of communication and popular culture.

Words and Music

Author : John Williamson
Publisher : Liverpool University Press
Page : 270 pages
File Size : 52,9 Mb
Release : 2005-01-01
Category : Music
ISBN : 0853236194

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Words and Music by John Williamson Pdf

Word and music studies is a relatively young discipline that has nonetheless generated a substantial amount of work. Recent studies in the field have embraced music in literature (word music, formal parallels to music in literature, verbal music), music and literarature (vocal music) and literature in music (programme music). Other positions have been defined in which song exists as an analysable category distinct from words and music and requiring its own grammar. Much of the literature has tended to focus on readings of the literary text, pushing theoretical and analytical concerns in music to one side, a trend that is as apparent among musicologists as among literary historians. The essays presented here from the third Liverpool Music Symposium seek accordingly to redress this situation. Contributors tackle the study of words and music from a number of standpoints, examining artists as diverse as Eminem, Patti Smith and Arnold Schoenberg.

Music with Words

Author : Virgil Thomson,Thomson/ Virgil / Helin/ Jacquelyn
Publisher : Yale University Press
Page : 196 pages
File Size : 49,6 Mb
Release : 1989-01-01
Category : Music
ISBN : 0300045050

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Music with Words by Virgil Thomson,Thomson/ Virgil / Helin/ Jacquelyn Pdf

This is a group of essays about vocal music, as composers face the writing of it, especially to English words and about the union of poetry and music.

The Oxford Handbook of the New Cultural History of Music

Author : Jane F. Fulcher
Publisher : Oxford University Press
Page : 128 pages
File Size : 55,8 Mb
Release : 2013-11-01
Category : Music
ISBN : 9780199711987

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The Oxford Handbook of the New Cultural History of Music by Jane F. Fulcher Pdf

As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.