Music In The British Provinces 1690 1914

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Music in the British Provinces, 1690-1914

Author : Peter Holman
Publisher : Routledge
Page : 428 pages
File Size : 48,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557320

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Music in the British Provinces, 1690-1914 by Peter Holman Pdf

The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

"Music in the British Provinces, 1690?914 "

Author : Peter Holman
Publisher : Routledge
Page : 467 pages
File Size : 43,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557313

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"Music in the British Provinces, 1690?914 " by Peter Holman Pdf

The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

The Provincial Music Festival in England, 1784–1914

Author : Pippa Drummond
Publisher : Routledge
Page : 353 pages
File Size : 52,6 Mb
Release : 2016-02-24
Category : History
ISBN : 9781317018759

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The Provincial Music Festival in England, 1784–1914 by Pippa Drummond Pdf

A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.

A Provincial Organ Builder in Victorian England

Author : Gordon D.W. Curtis
Publisher : Routledge
Page : 350 pages
File Size : 48,9 Mb
Release : 2016-03-16
Category : Music
ISBN : 9781317187028

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A Provincial Organ Builder in Victorian England by Gordon D.W. Curtis Pdf

William Sweetland was a Bath organ builder who flourished from c.1847 to 1902 during which time he built about 300 organs, mostly for churches and chapels in Somerset, Gloucestershire and Wiltshire, but also for locations scattered south of a line from the Wirral to the Wash. Gordon Curtis places this work of a provincial organ builder in the wider context of English musical life in the latter half of the nineteenth century. An introductory chapter reviews the provincial musical scene and sets the organ in the context of religious worship, public concerts and domestic music-making. The book relates the biographical details of Sweetland's family and business history using material obtained from public and family records. Curtis surveys Sweetland's organ- building work in general and some of his most important organs in detail, with patents and other inventions explored. The musical repertoire of the provinces, particularly with regard to organ recitals, is discussed, as well as noting Sweetland's acquaintances, other organ builders, architects and artists. Part II of the book consists of a Gazetteer of all known organs by Sweetland organized by counties. Each entry contains a short history of the instrument and its present condition. Since there is no definitive published list of his work, and as all the office records were lost in a fire many years ago, this will be the nearest approach to a comprehensive list for this builder.

Life After Death

Author : Peter Holman
Publisher : Boydell & Brewer
Page : 434 pages
File Size : 47,9 Mb
Release : 2010
Category : Music
ISBN : 9781843835745

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Life After Death by Peter Holman Pdf

New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.

The Musical Life of Nineteenth-Century Belfast

Author : Roy Johnston
Publisher : Routledge
Page : 353 pages
File Size : 55,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351542111

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The Musical Life of Nineteenth-Century Belfast by Roy Johnston Pdf

Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfasts thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfasts musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfasts prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.

Music and the Benefit Performance in Eighteenth-Century Britain

Author : Matthew Gardner,Alison DeSimone
Publisher : Cambridge University Press
Page : 303 pages
File Size : 40,7 Mb
Release : 2019-10-31
Category : Music
ISBN : 9781108492935

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Music and the Benefit Performance in Eighteenth-Century Britain by Matthew Gardner,Alison DeSimone Pdf

Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

Music and Institutions in Nineteenth-Century Britain

Author : Paul Rodmell
Publisher : Routledge
Page : 308 pages
File Size : 46,7 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092476

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Music and Institutions in Nineteenth-Century Britain by Paul Rodmell Pdf

In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.

The Music Profession in Britain, 1780-1920

Author : Rosemary Golding
Publisher : Routledge
Page : 230 pages
File Size : 53,6 Mb
Release : 2018-03-15
Category : Music
ISBN : 9781351965743

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The Music Profession in Britain, 1780-1920 by Rosemary Golding Pdf

Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.

The History of Live Music in Britain, Volume I: 1950-1967

Author : Simon Frith,Matt Brennan,Martin Cloonan,Emma Webster
Publisher : Routledge
Page : 249 pages
File Size : 50,7 Mb
Release : 2016-03-09
Category : Music
ISBN : 9781317028864

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The History of Live Music in Britain, Volume I: 1950-1967 by Simon Frith,Matt Brennan,Martin Cloonan,Emma Webster Pdf

The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.

Music in Nineteenth-Century Britain

Author : Rosemary Golding
Publisher : Taylor & Francis
Page : 418 pages
File Size : 50,8 Mb
Release : 2022-08-15
Category : History
ISBN : 9781000564389

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Music in Nineteenth-Century Britain by Rosemary Golding Pdf

This volume of primary source material examines music and British national identity during the ninteenth century. Sources explore the reception of British music, continental and other foreign music, English, Scottish, Welsh and Irish music, and Empire. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.

Music by Subscription

Author : Simon D.I. Fleming,Martin Perkins
Publisher : Routledge
Page : 310 pages
File Size : 50,5 Mb
Release : 2021-12-30
Category : Music
ISBN : 9781000519983

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Music by Subscription by Simon D.I. Fleming,Martin Perkins Pdf

This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.

The Royal College of Music and its Contexts

Author : David C. H. Wright
Publisher : Cambridge University Press
Page : 391 pages
File Size : 55,7 Mb
Release : 2019-09-05
Category : Education
ISBN : 9781107163386

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The Royal College of Music and its Contexts by David C. H. Wright Pdf

A rounded portrait of the Royal College of Music, investigating its educational and cultural impact on music and musical life.

Music, Morality and Social Reform in Nineteenth-Century Britain

Author : Paul Watt
Publisher : Boydell & Brewer
Page : 229 pages
File Size : 53,7 Mb
Release : 2023-11-21
Category : Electronic
ISBN : 9781837650811

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Music, Morality and Social Reform in Nineteenth-Century Britain by Paul Watt Pdf

A pioneering work which delves into and reveals the links between music, moral instruction and social reform. This book discusses the role of music in programmes of personal improvement and social reform in nineteenth-century Britain. The pursuit of morality through music was designed not just to improve personal and communal character but to affect social change and transformation. The book examines the musical education of children, women and men through a variety of literature published for various educational settings including mechanics' institutes. It also considers the role of music in narratives of social programs and community-building projects that sought to promote utility, well-being and freedom from the strictures of Christianity as the dominant moral and cultural force. The first book to connect the threads between music, moral instruction and social reform across the educational life cycle in nineteenth-century Britain, it shows how these threads are found in unlikely places, such as games, manners books, economics treatises and short stories. It deftly illustrates the links between everyday life, popular culture and discourses of morality and social reform of the period.

The Regulation and Reform of Music Criticism in Nineteenth-Century England

Author : Paul Watt
Publisher : Routledge
Page : 131 pages
File Size : 53,7 Mb
Release : 2017-11-22
Category : Music
ISBN : 9781351974004

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The Regulation and Reform of Music Criticism in Nineteenth-Century England by Paul Watt Pdf

Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.