Music Lesson Of Confucius And Other Poems Classic Reprint
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Music-Lesson of Confucius, and Other Poems (Classic Reprint) by Charles Godfrey Leland Pdf
Excerpt from Music-Lesson of Confucius, and Other Poems And learn the secret lore which hides within All sweet well-ordered sounds.' He went his way, Nor rested till he stood before the man. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Music-Lesson of Confucius by Charles Godfrey Leland Pdf
Excerpt from The Music-Lesson of Confucius: And Other Poems The music spoke no more its wonted sounds, But whispered mysteries in a broken tongue Which urged him sorely. Then Confucius said O secret Music sacred tongue of God I hear thee calling to me, and I come 2 Of old I did but know thy outer form And dreamed not of the spirit hid within The Goddess in the Lotus. Yes, I come, And will not rest - nor will I calm my doubt Till I have seen thee plainly with mine eyes, And palpably have touched thee with my hand, T ken shall I know thee - raised to life for me For what thou truly art. Lo I have heard That in the land of Kin a master lives, So deeply skilled in music, that mankind Begin again to give a glowing faith Unto the golden stories which are told Of the strange harmonies which built the world, And of the melody whose key is God. Now I will travel to the land of Kin, Arid know this sage of music, great Siang, And learn the secret lore which hides within All sweet well-ordered sounds.' He went his way, Nor rested till he stood before the man. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Music-lesson of Confucius, and Other Poems by Charles Godfrey Leland Pdf
The Music-Lesson of Confucius, And Other Poems by Charles Godfrey Leland, first published in 1872, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
The Music-Lesson of Confucius, and Other Poems by Charles Godfret Leland Pdf
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1872 edition. Excerpt: ... THE RETURN OF THE GODS. 'Greece so thoroughly wrought out its conception of the beautiful human animal as to make an idol of it, and in order to glorify it on earth they made a divinity of it in heaven.'--The Philosophy of Art, by H. Tatne. LIKE one who looks over a city when day is beginning to break, I look o'er the million-homed age where we live, in the dusk of the dawn, Seeing the sunlight on steeples, or edging the turrets and towers, While the streets and the low-lying houses are grey in the gloaming or gloom. Light in the eye of the thinker; light on the brow of the wise, Dimmering shade in the spirit of him who is hopeless and low. But far on the fire-flashing mountains which circle the town of the time Flame brighter and higher the glories, though deeper and grander the gloom. Like gods freshly set on the summits, just resting a moment, but soon 1 The Return of the Gods. 7 To sweep down the sides to the valleys, and conquer the giants of night. Yes, they are coming in glory again to resplendour the world, The gods whom we thought were long-perished: Olympus is coming again. In the roar of the terrible engine, in boats which go onward by steam, Or the pathways of iron extending from ocean to ocean unbent, In bridges once buried, deep hidden, now binding the summits of cliffs; In wheels which are whirling for ever to multiply comfort for man: All this but the little beginning--all this but the mustard-seed small; When all is unfolded, oh Vulcan, wilt thou not be with us again? When Genius in infinite channels, when Labour writh infinite might Shall have solved all the problems we dream of, while solving, creating anew; When the branches while further diverging send quicker the sap to the root And the highest adventurous blossom...
Author : James St. André Publisher : University of Hawaii Press Page : 302 pages File Size : 44,5 Mb Release : 2018-05-31 Category : History ISBN : 9780824875305
Translating China as Cross-Identity Performance by James St. André Pdf
James St. André applies the perspective of cross-identity performance to the translation of a wide variety of Chinese texts into English and French from the eighteenth to the twentieth centuries. Drawing on scholarship in cultural studies, queer studies, and anthropology, the author argues that many cross-identity performance techniques, including blackface, passing, drag, mimicry, and masquerade, provide insights into the history of translation practice. He makes a strong case for situating translation in its historical, social, and cultural milieu, reading translated texts alongside a wide variety of other materials that helped shape the image of “John Chinaman.” A reading of the life and works of George Psalmanazar, whose cross-identity performance as a native of Formosa enlivened early eighteenth-century salons, opens the volume and provides a bridge between the book’s theoretical framework and its examination of Chinese-European interactions. The core of the book consists of a chronological series of cases, each of which illustrates the use of a different type of cross-identity performance to better understand translation practice. St. André provides close readings of early pseudotranslations, including Marana’s Turkish Spy (1691) and Goldsmith’s Citizen of the World (1762), as well as adaptations of Hatchett’s The Chinese Orphan (1741) and Voltaire’s Orphelin de la Chine (1756). Later chapters explore Davis’s translation of Sorrows of Han (1829) and genuine translations of nonfictional material mainly by employees of the East India Company. The focus then shifts to oral/aural aspects of early translation practice in the nineteenth century using the concept of mimicry to examine interactions between Pidgin English and translation in the popular press. Finally, the work of two early modern Chinese translators, Gu Hongming and Lin Yutang, is examined as masquerade. Offering an original and innovative study of genres of writing that are traditionally examined in isolation, St. André’s work provides a fascinating examination of the way three cultures interacted through the shifting encounters of fiction, translation, and nonfiction and in the process helped establish and shape the way Chinese were represented. The book represents a major contribution to translation studies, Chinese cultural studies, postcolonial studies, and gender criticism.
MUSIC-LESSON OF CONFUCIUS & OT by Charles Godfrey 1824-1903 Leland Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
