Music Medicine And Religion At The Ospedale Di Santo Spirito In Rome

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Music, Medicine and Religion at the Ospedale Di Santo Spirito in Rome

Author : Naomi J. Barker
Publisher : Boydell & Brewer
Page : 301 pages
File Size : 49,7 Mb
Release : 2024-02-20
Category : Electronic
ISBN : 9781837650651

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Music, Medicine and Religion at the Ospedale Di Santo Spirito in Rome by Naomi J. Barker Pdf

Explores the use of music as therapy and shows how it operated in the hospital''s institutional, social and historical contexts, undergoing change in response to broader cultural and religious movements.This book explores connections between the physical care of the sick based on the study of medicine, concepts of healing founded on religious thought, and the practice of music at the Ospedale di Santo Spirito (Hospital of the Holy Spirit) in Rome. The hospital was a unique institution that was regulated by the Roman Catholic Church but simultaneously reflected the significant shifts in scientific thought emerging during the period that coincided with post-Tridentine reforms in the church.The volume discusses the hospital''s foundation, architecture and links with the papacy. It also reflects on the then acceptable "ways of knowing" informed by religious concerns and medical traditions. The tripartite relationship between religion, medicine and music within the institution was complex. At times they existed side-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.ide-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.ide-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.ide-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.

Directory of Museums

Author : Kenneth Hudson,Ann Nicholls
Publisher : Springer
Page : 864 pages
File Size : 41,9 Mb
Release : 1975-06-18
Category : Social Science
ISBN : 9781349014880

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Directory of Museums by Kenneth Hudson,Ann Nicholls Pdf

Music and Modernity in Enlightenment Spain

Author : Ana P Sánchez-Rojo
Publisher : Boydell & Brewer
Page : 309 pages
File Size : 47,9 Mb
Release : 2024-07-09
Category : History
ISBN : 9781837651153

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Music and Modernity in Enlightenment Spain by Ana P Sánchez-Rojo Pdf

By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought. Histories of modern Europe often present late eighteenth-century Spain as a backward place, haunted by the Inquisition and struggling to keep pace with modernity. While Spain under Charles III (1759-1788) pushed for economic and cultural modernization, many elites and the public at large resisted Enlightenment ideas. For conservatives, the modern would in time show its fragility, and Spain would withstand the collapse thanks to its firm grounding in the pillars of monarchy, religion, and traditional forms of knowledge. One source of this solid foundation was long-established musical knowledge based on the rules of counterpoint. In contrast, modernizers argued that Spain could be true to its essence, yet modern and cosmopolitan at the same time: they favoured cosmopolitan genres, such as Italian opera and artistic expression rather than counterpoint rules. At other times, ambivalence toward modernity produced creative uses of music, such as reinterpretations of pastoral and sentimental topics to accommodate reformist political trends. To both sides, music was crucial to the integrity of the Spanish nation. Whether and how Spain became modern would in many ways be defined and reinforced by the kinds of music that Spaniards composed and witnessed on stage. Through the study of press debates, opera and musical theatre productions, this book shows how music intersected with wider cultural affairs, such as philosophy and criticism, medicine and the human body, civilization, Bourbon policy and sentimentality. Music and Modernity in Enlightenment Spain for the first time connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought.

MLA International Bibliography of Books and Articles on the Modern Languages and Literatures

Author : Modern Language Association of America
Publisher : Unknown
Page : 3174 pages
File Size : 41,8 Mb
Release : 2002
Category : Languages, Modern
ISBN : STANFORD:36105026449558

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MLA International Bibliography of Books and Articles on the Modern Languages and Literatures by Modern Language Association of America Pdf

Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-

Historical Abstracts

Author : Anonim
Publisher : Unknown
Page : 744 pages
File Size : 43,6 Mb
Release : 1989
Category : History, Modern
ISBN : UOM:39015021468197

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Historical Abstracts by Anonim Pdf

The Works of Thomas Traherne VII

Author : Jan Ross
Publisher : Boydell & Brewer
Page : 567 pages
File Size : 43,9 Mb
Release : 2022-05-20
Category : Christian ethics
ISBN : 9781843846185

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The Works of Thomas Traherne VII by Jan Ross Pdf

Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse]

Oxford Dictionary of National Biography: Gibbes-Gospatric

Author : Henry Colin Gray Matthew,Brian Harrison
Publisher : Unknown
Page : 1066 pages
File Size : 46,9 Mb
Release : 2004
Category : British
ISBN : UOM:39015059134414

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Oxford Dictionary of National Biography: Gibbes-Gospatric by Henry Colin Gray Matthew,Brian Harrison Pdf

55,000 biographies of people who shaped the history of the British Isles and beyond, from the earliest times to the year 2002.

The Creative Labor of Music Patronage in Interwar France

Author : Louis K. Epstein
Publisher : Boydell & Brewer
Page : 256 pages
File Size : 52,7 Mb
Release : 2022
Category : Music
ISBN : 9781783276691

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The Creative Labor of Music Patronage in Interwar France by Louis K. Epstein Pdf

Challenges the longstanding perception that modernist composers made art, not money, and that those who made money somehow failed to make art.Patrons have long appeared as colorful, exceptional figures in music history, but this book recasts patrons and patronage as creative forces that shaped the sounds and meanings of new French music between the world wars. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Patrons developed new pathways to participate in music-making, going beyond commissions to establish ballet companies, manage performance venues, and establish state programs. The impressive variety of patronage activities led to an explosion of new music as well as new styles and -isms, indelibly marking the repertoire that this book examines, including a number of pieces frequently heard in concert halls today. In addition to offering new perspectives on well-known French repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons. as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.

Conversion in Late Antiquity and the Early Middle Ages

Author : Kenneth Mills,Anthony Grafton
Publisher : Boydell & Brewer
Page : 312 pages
File Size : 46,7 Mb
Release : 2003
Category : History
ISBN : 1580461255

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Conversion in Late Antiquity and the Early Middle Ages by Kenneth Mills,Anthony Grafton Pdf

A re-examination of the social processes behind religious conversions in the Ancient and Early Middle Ages. This volume explores religious conversion in late antique and early medieval Europe at a time when the utility of the concept is vigorously debated. Though conversion was commonly represented by ancient and early medieval writersas singular and personally momentous mental events, contributors to this volume find gradual and incomplete social processes lurking behind their words. A mixture of examples and approaches will both encourage a deepening of specialist knowledge and spark new thinking across a variety of sub-fields. The historical settings treated here stretch from the Roman Hellenism of Justin Martyr in the second century to the ninth-century programs of religious and moral correction by resourceful Carolingian reformers. Baptismal orations, funerary inscriptions, Christian narratives about the conversion of stage-performers, a bronze statue of Constantine, early Byzantine ethnographic writings, and re-located relics are among the book's imaginative points of entry. This focused collection of essays by leading scholars, and the afterword by Neil McLynn, should ignite conversations among students of religious conversion andrelated processes of cultural interaction, diffusion, and change both in the historical sub-fields of Late Antiquity and the Early Middle Ages and well beyond. This book is one of two collections of essays on religious conversion drawn from the activities of the Shelby Cullum Davis Center for Historical Studies at Princeton University between 1999 and 2001. The other volume, Conversion: Old Worlds and New, is also published by the Universityof Rochester Press. Contributors: Susan Elm, Anthony Grafton, Richard Lim, Rebecca Lyman, Michael Maas, Neil McLynn, Kenneth Mills, Eric Rebillard, Julia M. H. Smith, Raymond Van Dam.

Institutional Patronage in Post-Tridentine Rome

Author : Noel O'Regan
Publisher : Routledge
Page : 136 pages
File Size : 45,9 Mb
Release : 1995
Category : Language Arts & Disciplines
ISBN : STANFORD:36105019200505

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Institutional Patronage in Post-Tridentine Rome by Noel O'Regan Pdf

The archconfraternity of SS. Trinità was one of the less well-known institutions for musical patronage in sixteenth-century Rome. Yet in focusing on its activities in the period 1550-1650, this book sheds light on networks of urban patronage that were equally important in commissioning the sacred music of the period as the Cappella Pontificia and the Cappella Giulia at St Peter's. Not only did SS. Trinità provide Palestrina with his only known major involvement in sacred music outside the Cappella Giulia after 1571 it also employed at some time or another every major composer active in the city. Noel O'Regan discusses the importance of SS. Trinità in the sphere of Roman sacred music during this period and the ways in which this music was affected by social and religious factors in the play for power and prestige in post-tridentine Rome.

Rome Measured and Imagined

Author : Jessica Maier
Publisher : University of Chicago Press
Page : 297 pages
File Size : 43,6 Mb
Release : 2015-05-07
Category : Art
ISBN : 9780226127637

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Rome Measured and Imagined by Jessica Maier Pdf

At the turn of the fifteenth century, Rome was a city in transitionparts ancient, medieval, and modern; pagan and Christianand as it emerged from its medieval decline through the return of papal power and the onset of the Renaissance, its portrayals in print transformed as well. Jessica Maier s book explores the history of the Roman city portrait genre during the rise of Renaissance print culture. She illustrates how the maps of this era helped to promote the city, to educate, and to facilitate armchair exploration and what they reveal about how the people of Rome viewed or otherwise imagined their city. She also advances our understanding of early modern cartography, which embodies a delicate, intentional balance between science and art. The text is beautifully illustrated with nearly 100 images of the genre, a dozen of them in color."

Medieval Theology and the Natural Body

Author : Peter Biller,Alastair J. Minnis
Publisher : Boydell & Brewer Ltd
Page : 266 pages
File Size : 50,6 Mb
Release : 1997
Category : History
ISBN : 0952973405

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Medieval Theology and the Natural Body by Peter Biller,Alastair J. Minnis Pdf

An introductory essay by Peter Biller on medieval and contemporary concerns with the body is followed by Alcuin Blamire's examination of the paradoxes inherent in the metaphor of man as head, woman as body, in authors ranging from St Augustine to Christine de Pizan. Peter Abelard, a writer who 'dislocated' this image, is the principal figure of the next two papers. David Luscombe's study looks successively at Abelard's view of the role of senses in relation to thought and mind, the problem of body in resurrected beings, and dualities in his correspondence with Heloise. W.G.

Religion and the Conduct of War, C. 300-1215

Author : David S. Bachrach
Publisher : Boydell Press
Page : 238 pages
File Size : 43,9 Mb
Release : 2003
Category : History
ISBN : 0851159443

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Religion and the Conduct of War, C. 300-1215 by David S. Bachrach Pdf

An analysis of the dynamic interpenetration of religion and war in the West from the fourth to the 13th centuries.

The Cambridge History of Western Music Theory

Author : Thomas Christensen
Publisher : Cambridge University Press
Page : 128 pages
File Size : 49,5 Mb
Release : 2006-04-20
Category : Music
ISBN : 9781316025482

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The Cambridge History of Western Music Theory by Thomas Christensen Pdf

The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

America in the French Imaginary, 1789-1914

Author : Diana R. Hallman,César A. Leal
Publisher : Boydell & Brewer
Page : 410 pages
File Size : 53,7 Mb
Release : 2022-05-17
Category : Music
ISBN : 9781783277001

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America in the French Imaginary, 1789-1914 by Diana R. Hallman,César A. Leal Pdf

Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.