Music Narrative And The Moving Image

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Music, Narrative and the Moving Image

Author : Anonim
Publisher : BRILL
Page : 266 pages
File Size : 53,5 Mb
Release : 2019-05-15
Category : Literary Criticism
ISBN : 9789004401310

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Music, Narrative and the Moving Image by Anonim Pdf

By focusing on discussions of artistic works that show relationships between three individual communicative media, this volume adopts an innovative, trifocal interdisciplinary perspective: the traditional field of Word and Music Studies is here extended to include research on film and other forms of moving visualizations.

Popular Music and the Moving Image in Eastern Europe

Author : Ewa Mazierska,Zsolt Gyori
Publisher : Bloomsbury Publishing USA
Page : 256 pages
File Size : 42,8 Mb
Release : 2018-12-13
Category : Performing Arts
ISBN : 9781501337185

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Popular Music and the Moving Image in Eastern Europe by Ewa Mazierska,Zsolt Gyori Pdf

Popular Music and the Moving Image in Eastern Europe is the first collection to discuss the ways in which popular music has been used cinematically, from musicals to music videos to documentary film, in Eastern Europe from 1945 to the present day. It argues that during the period of state socialism, moving image was an important tool of promoting music in the respective countries and creating popular cinema. Yet despite this importance, filmmakers who specialized in musicals lacked the social prestige of leading 'auteurs' and received little critical attention. The resulting scholarly prejudice towards pop culture created a severe shortage of critical studies of the genre. With the fall of state socialism - and with it, the need for economically viable film and media industries - brought about an unprecedented upsurge of films utilizing popular music, and a greater recognition of popular cinema as a legitimate object of study. Popular Music and the Moving Image in Eastern Europe fills the gap and demonstrates why the popular music-cinema interface needs to be theorized with respect to the political, ideological, and social forces invested in popular culture.

The Musicality of Narrative Film

Author : D. Kulezic-Wilson
Publisher : Springer
Page : 220 pages
File Size : 54,6 Mb
Release : 2015-04-14
Category : Music
ISBN : 9781137489999

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The Musicality of Narrative Film by D. Kulezic-Wilson Pdf

The Musicality of Narrative Film is the first book to examine in depth the film/music analogy. Using comparative analysis, Kulezic-Wilson explores film's musical potential, arguing that film's musicality can be achieved through various cinematic devices, with or without music.

Music, the Moving Image and Ireland, 1897–2017

Author : John O'Flynn
Publisher : Routledge
Page : 323 pages
File Size : 41,9 Mb
Release : 2021-12-30
Category : Music
ISBN : 9781351357869

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Music, the Moving Image and Ireland, 1897–2017 by John O'Flynn Pdf

Music, the Moving Image and Ireland, 1897–2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It identifies and interprets tendencies over the first 120 years of a field comprising the relatively distinct yet often overlapping areas of Irish-themed and Irish-produced film. Dividing into three parts, the book first explores accompaniments and scores for 20th-century Irish-themed narrative features that resulted in significant contributions by many Hollywood, British, continental European and, to a lesser extent, Irish composers, along with the input of many orchestras and other musicians. Its second part is framed by a consideration of various cultural, political and economic developments in both the Republic of Ireland and Northern Ireland from the 1920s (including the Troubles of 1968–1998). Focusing on scoring and other aspects of soundtrack production for domestic newsreel, documentary film and TV programming, it interprets the substantial output of many Irish composers within this milieu, particularly from the 1960s to the 1990s. Also referring to broader cultural and historical themes, the book’s third and final part charts approaches to and developments in music and sound design over various waves of Irish cinema, from its relatively late emergence in the 1970s to an exponential growth and increasingly transnational orientation in the early decades of the 21st century.

Meaning and Interpretation of Music in Cinema

Author : David P. Neumeyer
Publisher : Indiana University Press
Page : 336 pages
File Size : 41,5 Mb
Release : 2015-08-17
Category : Performing Arts
ISBN : 9780253016515

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Meaning and Interpretation of Music in Cinema by David P. Neumeyer Pdf

By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer’s 25-year project in the analysis and interpretation of music in film.

David Bowie and the Moving Image

Author : Katherine Reed
Publisher : Bloomsbury Publishing USA
Page : 249 pages
File Size : 41,7 Mb
Release : 2022-12-15
Category : Music
ISBN : 9781501371271

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David Bowie and the Moving Image by Katherine Reed Pdf

The central image of David Bowie's “Life on Mars?” could have been ripped from his own experience: a child sits “hooked to the silver screen,” reliving fantastical scenes played out on film. Throughout his life, Bowie was similarly transfixed by the power of film. From his first film role in The Image to his final music video before his death, “Lazarus,” Bowie's musical output has long been intrinsically linked to images. Analyzing Bowie's music videos, planned film projects, acting roles, and depictions in film, David Bowie and the Moving Image provides a comprehensive view of Bowie's work with film and informs our understanding of all areas of his work, from music to fashion to visual art. It enters the debate about Bowie's artistic legacy by addressing Bowie as musician, actor, and auteur.

Color and the Moving Image

Author : Simon Brown,Sarah Street,Liz Watkins
Publisher : Routledge
Page : 338 pages
File Size : 55,9 Mb
Release : 2013-10-28
Category : Performing Arts
ISBN : 9781136307881

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Color and the Moving Image by Simon Brown,Sarah Street,Liz Watkins Pdf

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color—such as Hitchcock, Jarman and Sirk—as well as others whose use of color has not yet been explored in such detail—including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

Understanding Sound Tracks Through Film Theory

Author : Elsie Walker
Publisher : Oxford University Press
Page : 400 pages
File Size : 49,9 Mb
Release : 2015-02-03
Category : Music
ISBN : 9780190219130

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Understanding Sound Tracks Through Film Theory by Elsie Walker Pdf

Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts.

Selected Essays on Intermediality by Werner Wolf (1992–2014)

Author : Werner Wolf
Publisher : BRILL
Page : 691 pages
File Size : 43,6 Mb
Release : 2017-11-13
Category : Literary Criticism
ISBN : 9789004346642

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Selected Essays on Intermediality by Werner Wolf (1992–2014) by Werner Wolf Pdf

This volume collects twenty-two major essays by Werner Wolf published between 1992 and 2014, which have contributed to establishing ‘intermediality’ as an internationally recognized research field, providing a widely accepted typology of the field and opening intermedial perspectives on areas as varied as narratology, metareferentiality and iconicity.

Philosophy and the Moving Image

Author : Noël Carroll
Publisher : Oxford University Press
Page : 304 pages
File Size : 54,6 Mb
Release : 2021-06-25
Category : Philosophy
ISBN : 9780190683320

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Philosophy and the Moving Image by Noël Carroll Pdf

A wide-ranging, eclectic collection of essays on philosophy and the moving image by a pre-eminent philosopher of art This volume presents a selection of philosopher Noël Carroll's essays-several of which appear in print here for the first time-at the intersection of philosophy, film, and television. The volume begins with broad, foundational issues-what the moving image is, the nature of the medium of film and how we should evaluate it-engaging critically with the most essential problems and puzzles in the field. Carroll then moves to more focused issues in the philosophy of film and television. He reflects on whether ethical defects in fictional characters such as Tony Soprano have an impact on artistic excellence; the role of films in political debates (using the examples of Star Trek and Planet of the Apes); the question of whether film can do philosophy in its own way; and philosophical themes in avant-garde cinema. His analysis touches on a broad range of areas in philosophy including metaphysics, epistemology, ethics, politics, and aesthetics. The book then concludes with philosophical re-assessments of key figures in the philosophy of the moving image-Sergei Eisenstein, Arthur Danto, Bela Balasz, and Stanley Cavell. A wide-ranging and eclectic collection of work by a major figure in aesthetics and the philosophy of film and television, this volume will appeal to scholars, students, and cinephiles alike.

Beyond Media Borders, Volume 2

Author : Lars Elleström
Publisher : Springer Nature
Page : 257 pages
File Size : 52,9 Mb
Release : 2020-10-13
Category : Social Science
ISBN : 9783030496838

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Beyond Media Borders, Volume 2 by Lars Elleström Pdf

This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and clarify how the concepts developed in Elleström’s influential article The Modalities of Media: A Model for Understanding Intermedial Relations (Palgrave Macmillan, 2010) can be used for methodical investigation and interpretation of media traits and media interrelations. The authors work with a wide range of old and new media types that are traditionally investigated through limited, media-specific concepts. The publication is a significant contribution to interdisciplinary research, advancing the frontiers of conceptual as well as practical understanding of media interrelations. This is the second of two volumes. It contains a concluding article by Elleström and seven contributions concentrated on the issue of media transformations: how media characteristics are transferred and transfigured among various media products and media types.

Music, Performance, and the Realities of Film

Author : Ben Winters
Publisher : Routledge
Page : 284 pages
File Size : 41,6 Mb
Release : 2014-02-05
Category : Art
ISBN : 9781135022556

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Music, Performance, and the Realities of Film by Ben Winters Pdf

This book examines the relationship between narrative film and reality, as seen through the lens of on-screen classical concert performance. By investigating these scenes, wherein the performance of music is foregrounded in the narrative, Winters uncovers how concert performance reflexively articulates music's importance to the ontology of film. The book asserts that narrative film of a variety of aesthetic approaches and traditions is no mere copy of everyday reality, but constitutes its own filmic reality, and that the music heard in a film's underscore plays an important role in distinguishing film reality from the everyday. As a result, concert scenes are examined as sites for provocative interactions between these two realities, in which real-world musicians appear in fictional narratives, and an audience’s suspension of disbelief is problematised. In blurring the musical experiences of onscreen observers and participants, these concert scenes also allegorize music’s role in creating a shared subjectivity between film audience and character, and prompt Winters to propose a radically new vision of music’s role in narrative cinema wherein musical underscore becomes part of a shared audio-visual space that may be just as accessible to the characters as the music they encounter in scenes of concert performance.

Film Music in the Sound Era

Author : Jonathan Rhodes Lee
Publisher : Routledge
Page : 1096 pages
File Size : 43,5 Mb
Release : 2020-03-10
Category : Music
ISBN : 9781000091281

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Film Music in the Sound Era by Jonathan Rhodes Lee Pdf

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

Popular Music and the Moving Image in Eastern Europe

Author : Ewa Mazierska,Zsolt Gyori
Publisher : Bloomsbury Publishing USA
Page : 256 pages
File Size : 44,7 Mb
Release : 2018-12-13
Category : Performing Arts
ISBN : 9781501337192

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Popular Music and the Moving Image in Eastern Europe by Ewa Mazierska,Zsolt Gyori Pdf

Popular Music and the Moving Image in Eastern Europe is the first collection to discuss the ways in which popular music has been used cinematically, from musicals to music videos to documentary film, in Eastern Europe from 1945 to the present day. It argues that during the period of state socialism, moving image was an important tool of promoting music in the respective countries and creating popular cinema. Yet despite this importance, filmmakers who specialized in musicals lacked the social prestige of leading 'auteurs' and received little critical attention. The resulting scholarly prejudice towards pop culture created a severe shortage of critical studies of the genre. With the fall of state socialism - and with it, the need for economically viable film and media industries - brought about an unprecedented upsurge of films utilizing popular music, and a greater recognition of popular cinema as a legitimate object of study. Popular Music and the Moving Image in Eastern Europe fills the gap and demonstrates why the popular music-cinema interface needs to be theorized with respect to the political, ideological, and social forces invested in popular culture.

Music in the Apocalyptic Mode

Author : Anonim
Publisher : BRILL
Page : 427 pages
File Size : 53,8 Mb
Release : 2023-04-03
Category : Literary Criticism
ISBN : 9789004537996

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Music in the Apocalyptic Mode by Anonim Pdf

In this volume, the first panoramic study of music in the apocalyptic mode, an international and trans-disciplinary array of scholars and composers explore the resonance of the ancient biblical Revelation of John across the centuries in musical works as diverse as El Cant de la Sibil·la, the Dies Irae, cantatas and oratorios by Bach and Telemann, Wagner's Der Ring des Nibelungen, Schoenberg’s Second String Quartet, African American Spirituals, Messiaen’s Quatuor pour la fin du temps, Christian “ApokRock,” Hip-hop, Grimes’s album Miss Anthropocene, and the songs of Bob Marley and Bob Dylan. This innovative volume will engage scholars, students, and all those interested in the intersection of music, religion, history, and popular culture.