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Author : Kay Kaufman Shelemay
Publisher : Unknown
Page : 415 pages
File Size : 51,7 Mb
Release : 1989
Category : Jews
ISBN : OCLC:998849856
Author : Kay Kaufman Shelemay
Publisher : Unknown
Page : 0 pages
File Size : 55,7 Mb
Release : 1986
Category : Jews, Ethiopian
ISBN : LCCN:lc86071246
Author : E. Rust
Publisher : Bloomsbury Publishing USA
Page : 500 pages
File Size : 46,7 Mb
Release : 1996-08-23
Category : Education
ISBN : 9780313033353
Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.
Author : Kay Kaufman Shelemay
Publisher : University of Illinois Press
Page : 212 pages
File Size : 40,9 Mb
Release : 1994
Category : History
ISBN : 0252064321
"A rich, descriptive account. . . . Shelemay presents extraordinary personal experiences that shaped her research process and make reading this text pleasurable." -- Library Journal "Highly recommended to generalists in music as well as to specialists interested in Ethiopia. . . . Also makes an excellent case study text for university-level courses examining fieldwork issues and conditions." -- Notes "Highly recommended for both undergraduate and graduate collections in ethnomusicology, anthropology, African, and Judaic studies." -- Choice
Author : Tudor Parfitt,Emanuela Trevisan Semi
Publisher : Routledge
Page : 233 pages
File Size : 47,5 Mb
Release : 2013-04-15
Category : Education
ISBN : 9781134367689
With a special focus on Europe and the role of German, English and Italian Jewish communities in creating a new Jewish Ethiopian identity, the book investigates the formation of a new Ethiopian Jewish elite.
Author : Hans Wilhelm Lockot
Publisher : Otto Harrassowitz Verlag
Page : 890 pages
File Size : 47,9 Mb
Release : 1998
Category : Africa, Northeast
ISBN : 3447036117
Erstmals wird hier die Fulle der englischsprachigen Athiopienliteratur geordnet dargeboten. In 100 Sections fuhrt der Autor alle fur die wissenschaftliche Beschaftigung mit Athiopien wichtigen Buch- und Zeitschriftenbeitrage zum Beispiel zur "Historyof Research", "Archaeology", "Religion", aber auch Fragen der "Sociology", "Agriculture", "Zoology" und "Medical Sciences" auf. Wie im Falle der deutschsprachigen Literatur ("Bibliographia Aethiopica: Die athiopienkundliche Literatur des deutschsprachigenRaumes" = Aethiopistische Forschungen 9 [1982]) berucksichtigt der Autor auch alle ihm zuganglichen Besprechungen, womit bei einer Aufnahme von mehr als 24.000 Titeln eine Art "Bibliographic Enzyclopedia" entstanden ist.
Author : Jonathan McCollum,David G. Hebert
Publisher : Lexington Books
Page : 431 pages
File Size : 44,5 Mb
Release : 2014-09-11
Category : Music
ISBN : 9781498507059
Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.
Author : Steven Kaplan
Publisher : NYU Press
Page : 248 pages
File Size : 40,7 Mb
Release : 1992
Category : History
ISBN : 9780814746646
In the first full-length scholarly study of the "Black Jews" of Ethiopia, Kaplan (comparative religion and African studies, Hebrew U. of Jerusalem) considers them as an aspect of Ethiopian history, rather than of Jewish history. They are not, he says, a lost tribe of Israel, but a native ethnic group that emerged in Ethiopia between the 14th and 16th centuries. He traces their cultural development and their relations with the mainstream culture, Ethiopian emperors, native and missionary Christians, and others. Annotation copyright by Book News, Inc., Portland, OR
Author : David F. Kessler
Publisher : Routledge
Page : 237 pages
File Size : 54,6 Mb
Release : 2012-10-12
Category : History
ISBN : 9781136304484
This third, revised edition comprises the whole of the original volume and is enhanced by the addition of a new preface and afterward which seek to reply to criticisms of the authors argument about the origins of the Falashas, and include some new thinking on the subject. Drawing on tradition and legend to reinforce his argument, the author again traces the source of the community to the Jewish settlements which existed in ancient Egypt (particularly at Elephantine on the Nile) and in the ancient Meroitic Kingdom, in present day Sudan known in the Bible as Cush. The story told in this book is remarkable, heroic and stimulating and makes a valuable contribution to our understanding of the history of the horn of Africa.
Author : Philip V. Bohlman
Publisher : University of Chicago Press
Page : 240 pages
File Size : 49,6 Mb
Release : 2008-11-15
Category : Music
ISBN : 9780226063270
Tackling the myriad issues raised by Sander Gilman’s provocative opening salvo—”Are Jews Musical?”—this volume’s distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present. Covering the sacred and the secular, the European and the non-European, and all the arenas where these realms converge, these essays recast the established history of Jewish culture and its influences on modernity. Mitchell Ash explores the relationship of Jewish scientists to modernist artists and musicians, while Edwin Seroussi looks at the creation of Jewish sacred music in nineteenth-century Vienna. Discussing Jewish musicologists in Austria and Germany, Pamela Potter details their contributions to the “science of music” as a modern phenomenon. Kay Kaufman Shelemay investigates European influence in the music of an Ethiopian Jewish community, and Michael P. Steinberg traces the life and works of Charlotte Salomon, whose paintings staged the destruction of the Holocaust. Bolstered by Philip V. Bohlman’s wide-ranging introduction and epilogue, and featuring lush color illustrations and a complementary CD of the period’s music, this volume is a lavish tribute to Jewish contributions to modernity.
Author : Michael D. McNally
Publisher : Oxford University Press
Page : 264 pages
File Size : 43,8 Mb
Release : 2000-09-21
Category : Social Science
ISBN : 9780195350678
The Ojibwe or Anishinaabe are a native American people of the northern Great Lakes region. 19th-century missionaries promoted the singing of evangelical hymns translated into the Ojibwe language as a tool for rooting out their "indianness," but the Ojibwe have ritualized the singing to make the hymns their own. In this book, McNally relates the history and current practice of Ojibwe hymn singing to explore the broader cultural processes that place ritual resources at the center of so many native struggles to negotiate the confines of colonialism.
Author : Daniel Summerfield
Publisher : Routledge
Page : 240 pages
File Size : 47,9 Mb
Release : 2017-09-25
Category : History
ISBN : 9781351566346
In the light of the Israeli government's plan to halt Ethiopian immigration, this book provides original research into the transformation of the Falashas to Ethiopian Jews during the twentieth century which made them eligible for immigration into Israel, adding a new dimension to the question of 'Who is a Jew', namely the case of the 'manufactured Jew'.
Author : Nicholas Cook,Mark Everist
Publisher : Oxford University Press, USA
Page : 594 pages
File Size : 40,7 Mb
Release : 1999
Category : Music
ISBN : 9780198790044
Rethinking Music reflects the ideas of 24 distinguished musicologists as they evaluate current thinking about music, its social and ethical dimensions and the relationship between academic study and direct musical experience.
Author : David H. Shinn,Thomas P. Ofcansky
Publisher : Scarecrow Press
Page : 694 pages
File Size : 50,5 Mb
Release : 2013-04-11
Category : History
ISBN : 9780810874572
Ethiopia is clearly one of the most important countries in Africa. First of all, with about 75 million people, it is the third most populous country in Africa. Second, it is very strategically located, in the Horn of Africa and bordering Eritrea, Sudan, Kenya, and Somalia, with some of whom it has touchy and sometimes worse relations. Yet, its capital – Addis Ababa – is the headquarters of the African Union, the prime meeting place for Africa’s leaders. So, if things went poorly in Ethiopia, this would not be good for Africa, and for a long time this was the case, with internal disruption rife, until it was literally suppressed under the strong rule of the recently deceased Meles Zenawi. The Historical Dictionary of Ethiopia, Second Edition covers the history of Ethiopia through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has several hundred cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Ethiopia.
Author : Laudan Nooshin
Publisher : Routledge
Page : 358 pages
File Size : 55,9 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092292
What is it about the history, geographical position and cultures of the Middle East, North Africa and Central Asia that has made music such a potent and powerful agent? This volume presents the first direct look at the complex relationship between music and power across a range of musical genres and countries. Discourses of power in the region centre on some of the most contested social issues, most notably in relation to nationhood, gender and religion. Individual chapters examine the ways in which music serves as a forum for playing out issues of power, ideology, resistance and subversion. How does music become a space for promoting - or conversely, resisting or subverting - particular ideologies or positions of authority? How does it accrue symbolic power in ways that are very particular, perhaps unique? And how does music become a site of social control or, alternatively, a vehicle for agency and empowerment, at times overt and at others highly subtle? What is it about music that facilitates, and sometimes disrupts, the exercise and flows of power? Who controls such flows, how and for what purposes? In asking such questions in the context of countries such as Afghanistan, Egypt, Iran, Tunisia and Tajikistan, the book draws on a wide range of relevant theoretical and critical ideas, and many disciplines including ethnomusicology, anthropology, sociology, politics, Middle Eastern studies, globalization studies, gender studies and cultural and media studies. The countries and areas explored share a great deal in historical and cultural terms, including a legacy of colonial and neo-colonial encounters and predominantly Judeo-Muslim religious traditions. It is hoped that the volume will contribute ultimately to a richer understanding of the role that music plays in these societies.
