Musical Form In The Age Of Beethoven

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Musical Form in the Age of Beethoven

Author : Adolf Bernhard Marx
Publisher : Cambridge University Press
Page : 217 pages
File Size : 48,8 Mb
Release : 1997-12-04
Category : Music
ISBN : 9780521452748

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Musical Form in the Age of Beethoven by Adolf Bernhard Marx Pdf

A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.

Conceptualizing Music

Author : Lawrence M. Zbikowski
Publisher : Oxford University Press
Page : 376 pages
File Size : 45,9 Mb
Release : 2002-11-14
Category : Music
ISBN : 9780198032175

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Conceptualizing Music by Lawrence M. Zbikowski Pdf

This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.

Musical Improvisation and Open Forms in the Age of Beethoven

Author : Gianmario Borio,Angela Carone
Publisher : Routledge
Page : 244 pages
File Size : 52,5 Mb
Release : 2019-12-12
Category : Electronic
ISBN : 0367884623

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Musical Improvisation and Open Forms in the Age of Beethoven by Gianmario Borio,Angela Carone Pdf

Improvisation was a crucial aspect of musical life in Europe from the late eighteenth century through to the middle of the nineteenth, representing a central moment in both public occasions and the private lives of many artists. Composers dedicated themselves to this practice at length while formulating the musical ideas later found at the core of their published works; improvisation was thus closely linked to composition itself. The full extent of this relation can be inferred from both private documents and reviews of concerts featuring improvisations, while these texts also inform us that composers quite often performed in public as both improvisers and interpreters of pieces written by themselves or others. Improvisations presented in concert were distinguished by a remarkable degree of structural organisation and complexity, demonstrating performers' consolidated abilities in composition as well as their familiarity with the rules for improvising outlined by theoreticians.

Musical Improvisation and Open Forms in the Age of Beethoven

Author : Gianmario Borio,Angela Carone
Publisher : Routledge
Page : 244 pages
File Size : 40,8 Mb
Release : 2017-12-14
Category : Music
ISBN : 9781315406367

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Musical Improvisation and Open Forms in the Age of Beethoven by Gianmario Borio,Angela Carone Pdf

Improvisation was a crucial aspect of musical life in Europe from the late eighteenth century through to the middle of the nineteenth, representing a central moment in both public occasions and the private lives of many artists. Composers dedicated themselves to this practice at length while formulating the musical ideas later found at the core of their published works; improvisation was thus closely linked to composition itself. The full extent of this relation can be inferred from both private documents and reviews of concerts featuring improvisations, while these texts also inform us that composers quite often performed in public as both improvisers and interpreters of pieces written by themselves or others. Improvisations presented in concert were distinguished by a remarkable degree of structural organisation and complexity, demonstrating performers’ consolidated abilities in composition as well as their familiarity with the rules for improvising outlined by theoreticians.

Music as Thought

Author : Mark Evan Bonds
Publisher : Princeton University Press
Page : 194 pages
File Size : 48,8 Mb
Release : 2015-07-28
Category : Music
ISBN : 9780691168050

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Music as Thought by Mark Evan Bonds Pdf

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from the limits of language. What had once been perceived as entertainment was heard increasingly as a vehicle of thought. Listening had become a way of knowing. Music as Thought traces the roots of this fundamental shift in attitudes toward listening in the late eighteenth and early nineteenth centuries. Focusing on responses to the symphony in the age of Beethoven, Mark Evan Bonds draws on contemporary accounts and a range of sources--philosophical, literary, political, and musical--to reveal how this music was experienced by those who heard it first. Music as Thought is a fascinating reinterpretation of the causes and effects of a revolution in listening.

Ludwig Van Beethoven

Author : Carl Dahlhaus
Publisher : Oxford University Press
Page : 302 pages
File Size : 42,6 Mb
Release : 1991
Category : Music
ISBN : 0198163991

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Ludwig Van Beethoven by Carl Dahlhaus Pdf

Many books have been written about Beethoven. But it is rare to find one that seeks an alternative between the fragmentation found in most specialized studies and the superficial overview typical of popular biography. In this volume, Carl Dahlhaus, one of the century's leading musicologists, combines interpretations of individual works that focus on issues of composition and musical history, with excursions into the musical aesthetics of the period around 1800; an age that was not only a "classical" period in the history of the arts but also one in that aesthetics carved itself a place in the center of philosophical attention. The theme of the book is the reconstruction of Beethoven's "musical thinking" from the evidence in the works themselves and their context in the history of ideas.

The Age of Beethoven, 1790-1830

Author : Gerald Abraham
Publisher : Unknown
Page : 774 pages
File Size : 46,5 Mb
Release : 1982
Category : Music
ISBN : 019316308X

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The Age of Beethoven, 1790-1830 by Gerald Abraham Pdf

Looks at ancient and oriental music and traces the history of western music from medieval times to the twentieth century.

The Age of Mozart and Beethoven

Author : Giorgio Pestelli
Publisher : Cambridge University Press
Page : 336 pages
File Size : 55,7 Mb
Release : 1984-03-01
Category : Music
ISBN : 0521284791

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The Age of Mozart and Beethoven by Giorgio Pestelli Pdf

Giorgio Pestelli examines one of the crucial periods of musical history, from the middle of the eighteenth century to the era of Beethoven. This was a time of great cultural, technical and social changes. The free professional composer, in direct contact with the wide musical public, replaced the dependent court musician. Instrumental music became the centre of new developments, and sonata form, the cornerstone of nineteenth-century musical architecture, dominated its language. With the decrease in private patronage came the birth of the public concert; there was a vast increase in music publishing, and important developments were made in instrumental techniques, the dominant feature being the rise of the piano. Standing out from this common background are three major figures; Haydn, Mozart and Beethoven, whose specific characteristics are discussed in detail, along with their links with many other musicians. Dr Pestelli also emphasizes general lines of development: the galant style, the passion for antiquity and curiosity for the exotic, the debate over 'literary' opera, the Sturm und Drang movement, the influence of the French Revolution and the Restoration, and the origins of romanticism. The originality of the book arises from the fact that it views the music against the background of social, political, philosophical and cultural trends of the time, rather than relying on detailed analyses of specific works.

The Life and Times of Ludwig van Beethoven

Author : Susan Zannos
Publisher : Mitchell Lane Publishers, Inc.
Page : 48 pages
File Size : 46,6 Mb
Release : 2004-03
Category : Juvenile Nonfiction
ISBN : 9781612289113

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The Life and Times of Ludwig van Beethoven by Susan Zannos Pdf

During Beethoven's darkest times, when he stumbled about the streets of Vienna like a ragged madman, people thought his career was over. Many of his friends and patrons had died. He no longer seemed to be producing music except for a few trivial pieces. But appearances were wrong. He was creating what is generally regarded as his greatest single work. Known as the Ninth Symphony, it is much more difficult and massive than any of the preceding eight. But Beethoven was aware that the people of Vienna thought he was crazy. He was afraid his symphony would be rejected. Making things even worse, there had only been time for two rehearsals. By this time he was totally deaf and could not hear how well the musicians performed. On May 7, 1824, Beethoven conducted the Ninth Symphony for its premiere performance in Vienna. When the last notes of the magnificent final movement came to an end, Beethoven stood on the stage with his back to the audience. One of the singers gently turned him around so that he could see the audience. The applause was thunderous. Everyone was standing and cheering. Nearly 180 years later, Beethoven's works are still enjoyed by music lovers all over the world. On January 12, 2003, the Ninth Symphony was added to the "Memory of the World" register so that the compositions of Vienna's "mad genius" will live on forever.

Political Beethoven

Author : Nicholas Mathew
Publisher : Cambridge University Press
Page : 293 pages
File Size : 54,9 Mb
Release : 2013
Category : Music
ISBN : 9781107005891

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Political Beethoven by Nicholas Mathew Pdf

Political Beethoven explores Beethoven's music as an active participant in political life from the Napoleonic Wars to the present day.

Beethoven & Freedom

Author : Daniel K. L. Chua
Publisher : Oxford University Press
Page : 289 pages
File Size : 43,8 Mb
Release : 2017
Category : Music
ISBN : 9780199769322

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Beethoven & Freedom by Daniel K. L. Chua Pdf

Over the last two centuries, Beethoven's music has been synonymous with the idea of freedom, in particular a freedom embodied in the heroic figure of Prometheus. This image arises from a relatively small circle of heroic works from the composer's middle period, most notably the Eroica Symphony. However, the freedom associated with the Promethean hero has also come under considerably critique by philosophers, theologians and political theorists; its promise of autonomy easily inverts into various forms of authoritarianism, and the sovereign will it champions is not merely a liberating force but a discriminatory one. Beethoven's freedom, then, appears to be increasingly problematic; yet his music is still employed today to mark political events from the fall of the Berlin Wall to the attacks of 9/11. Even more problematic, perhaps, is the fact that this freedom has shaped the reception of Beethoven music to such an extent that we forget that there is another kind of music in his oeuvre that is not heroic, a music that opens the possibility of a freedom yet to be articulated or defined. By exploring the musical philosophy of Theodor W. Adorno through a wide range of the composer's music, Beethoven and Freedom arrives at a markedly different vision of freedom. Author Daniel KL Chua suggests that a more human and fragile concept of freedom can be found in the music that has less to do with the autonomy of the will and its stoical corollary than with questions of human relation, donation, and a yielding to radical alterity. Chua's work makes a major and controversial statement by challenging the current image of Beethoven, and by suggesting an alterior freedom that can speak ethically to the twenty-first century.

Music as Philosophy

Author : Michael Spitzer
Publisher : Indiana University Press
Page : 388 pages
File Size : 44,9 Mb
Release : 2021-08-31
Category : Music
ISBN : 9780253060877

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Music as Philosophy by Michael Spitzer Pdf

Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.

Sounding Values

Author : Scott Burnham
Publisher : Routledge
Page : 330 pages
File Size : 40,8 Mb
Release : 2017-05-15
Category : Music
ISBN : 9781351898997

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Sounding Values by Scott Burnham Pdf

For several decades, Scott Burnham has sought to bring a ready ear and plenty of humanistic warmth to musicological inquiry. Sounding Values features eighteen of his essays on mainstream Western music, music theory, aesthetics and criticism. In these writings, Burnham listens for the values-aesthetic, ethical, intellectual-of those who have created influential discourse about music, while also listening for the values of the music for which that discourse has been generated. The first half of the volume confronts pressing issues of historical theory and aesthetics, including intellectual models of tonal theory, leading concepts of sonata form, translations of music into poetic meaning, and recent rifts and rapprochements between criticism and analysis. The essays in the second half can be read as a series of critical appreciations, engaging some of the most consequential reception tropes of the past two centuries: Haydn and humor, Mozart and beauty, Beethoven and the sublime, Schubert and memory.

The Social Worlds of Nineteenth-Century Chamber Music

Author : Marie Sumner Lott
Publisher : University of Illinois Press
Page : 384 pages
File Size : 50,6 Mb
Release : 2015-06-15
Category : Music
ISBN : 9780252097270

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The Social Worlds of Nineteenth-Century Chamber Music by Marie Sumner Lott Pdf

Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvorák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.

Beethoven: The 'Moonlight' and Other Sonatas, Op. 27 and Op. 31

Author : Timothy Jones
Publisher : Cambridge University Press
Page : 164 pages
File Size : 40,5 Mb
Release : 1999-10-21
Category : Music
ISBN : 0521598591

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Beethoven: The 'Moonlight' and Other Sonatas, Op. 27 and Op. 31 by Timothy Jones Pdf

This 1999 book is a comprehensive introduction to Beethoven's most popular piano sonata, and Opp. 27 and 31.