Musical Modernism At The Turn Of The Twenty First Century

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Musical Modernism at the Turn of the Twenty-First Century

David Metzer
Musical Modernism at the Turn of the Twenty First Century Book PDF

Author : David Metzer
Publisher : Cambridge University Press
Page : 0 pages
File Size : 40,8 Mb
Release : 2011-08-11
Category : Music
ISBN : 1107402808

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Musical Modernism at the Turn of the Twenty-First Century by David Metzer Pdf

Providing an interesting approach to developments in modernist music - from 1980 onwards - this study also presents an intriguing perspective on the larger history of modernism. Far from being supplanted by a postmodern period, argues David Metzer, modernist idioms remain vital in the contemporary scene. The vitality comes from the ways in which those idioms have extended impulses of modernist styles from the early twentieth century. Since that time, works have participated in lines of inquiry into various compositional and aesthetic topics, particularly the explorations of how to build pieces around such aesthetic ideals as purity and silence and how to deliver and manipulate expressive utterances. Metzer shows how these inquiries have played crucial roles in defining directions taken since 1980, and how, through the inquiries, we can gain a clearer idea of what makes the decades after 1980 a distinct period in the history of modernism.

Transformations of Musical Modernism

Erling E. Guldbrandsen,Julian Johnson
Transformations of Musical Modernism Book PDF

Author : Erling E. Guldbrandsen,Julian Johnson
Publisher : Cambridge University Press
Page : 369 pages
File Size : 41,6 Mb
Release : 2015-10-26
Category : Art
ISBN : 9781107127210

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Transformations of Musical Modernism by Erling E. Guldbrandsen,Julian Johnson Pdf

This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

James MacMillan Studies

George Parsons,Robert Sholl
James MacMillan Studies Book PDF

Author : George Parsons,Robert Sholl
Publisher : Cambridge University Press
Page : 265 pages
File Size : 46,7 Mb
Release : 2020-08-06
Category : Music
ISBN : 9781108492539

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James MacMillan Studies by George Parsons,Robert Sholl Pdf

Eleven international scholars analyse key works by Sir James MacMillan, and contextualise his unique musical-theological approach.

British Musical Modernism

Philip Rupprecht,Philip Ernst Rupprecht
British Musical Modernism Book PDF

Author : Philip Rupprecht,Philip Ernst Rupprecht
Publisher : Cambridge University Press
Page : 507 pages
File Size : 50,7 Mb
Release : 2015-07-09
Category : Art
ISBN : 9780521844482

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British Musical Modernism by Philip Rupprecht,Philip Ernst Rupprecht Pdf

The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.

The Routledge Research Companion to Modernism in Music

Björn Heile,Charles Wilson
The Routledge Research Companion to Modernism in Music Book PDF

Author : Björn Heile,Charles Wilson
Publisher : Routledge
Page : 518 pages
File Size : 48,6 Mb
Release : 2018-10-29
Category : Music
ISBN : 9781317042457

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The Routledge Research Companion to Modernism in Music by Björn Heile,Charles Wilson Pdf

Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.

Luigi Dallapiccola and Musical Modernism in Fascist Italy

Ben Earle
Luigi Dallapiccola and Musical Modernism in Fascist Italy Book PDF

Author : Ben Earle
Publisher : Cambridge University Press
Page : 321 pages
File Size : 41,5 Mb
Release : 2013-08-15
Category : History
ISBN : 9780521844031

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Luigi Dallapiccola and Musical Modernism in Fascist Italy by Ben Earle Pdf

Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.

Coherence in New Music: Experience, Aesthetics, Analysis

Mark Hutchinson
Coherence in New Music Experience Aesthetics Analysis Book PDF

Author : Mark Hutchinson
Publisher : Routledge
Page : 214 pages
File Size : 54,6 Mb
Release : 2016-06-10
Category : Music
ISBN : 9781317164654

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Coherence in New Music: Experience, Aesthetics, Analysis by Mark Hutchinson Pdf

What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tō ru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.

Lateness and Modernism

Sarah Collins
Lateness and Modernism Book PDF

Author : Sarah Collins
Publisher : Cambridge University Press
Page : 193 pages
File Size : 43,7 Mb
Release : 2019-08
Category : Juvenile Nonfiction
ISBN : 9781108481496

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Lateness and Modernism by Sarah Collins Pdf

Examines the role of musical figures within 'late modernism', presenting a new understanding of the politics and aesthetics of lateness.

The Mental Life of Modernism

Samuel Jay Keyser
The Mental Life of Modernism Book PDF

Author : Samuel Jay Keyser
Publisher : MIT Press
Page : 240 pages
File Size : 53,9 Mb
Release : 2020-03-03
Category : Science
ISBN : 9780262043496

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The Mental Life of Modernism by Samuel Jay Keyser Pdf

An argument that Modernism is a cognitive phenomenon rather than a cultural one. At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the Industrial Revolution and the technical innovation of photography to Freudian psychoanalysis. In this book, Samuel Jay Keyser argues that the stylistic innovations of Western modernism reflect not a cultural shift but a cognitive one. Behind modernism is the same cognitive phenomenon that led to the scientific revolution of the seventeenth century: the brain coming up against its natural limitations. Keyser argues that the transformation in poetry, music, and painting (the so-called sister arts) is the result of the abandonment of a natural aesthetic based on a set of rules shared between artist and audience, and that this is virtually the same cognitive shift that occurred when scientists abandoned the mechanical philosophy of the Galilean revolution. The cultural explanations for Modernism may still be relevant, but they are epiphenomenal rather than causal. Artists felt that traditional forms of art had been exhausted, and they began to resort to private formats—Easter eggs with hidden and often inaccessible meaning. Keyser proposes that when artists discarded their natural rule-governed aesthetic, it marked a cognitive shift; general intelligence took over from hardwired proclivity. Artists used a different part of the brain to create, and audiences were forced to play catch up.

From 1989, Or European Music and the Modernist Unconscious

Seth Brodsky
From 1989 Or European Music and the Modernist Unconscious Book PDF

Author : Seth Brodsky
Publisher : Univ of California Press
Page : 364 pages
File Size : 52,6 Mb
Release : 2017-01-24
Category : Music
ISBN : 9780520279360

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From 1989, Or European Music and the Modernist Unconscious by Seth Brodsky Pdf

"Roth Family Foundation music in America imprint."

Modernism and Opera

Richard Begam,Matthew Wilson Smith
Modernism and Opera Book PDF

Author : Richard Begam,Matthew Wilson Smith
Publisher : JHU Press
Page : 391 pages
File Size : 50,6 Mb
Release : 2016-11
Category : Literary Criticism
ISBN : 9781421420622

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Modernism and Opera by Richard Begam,Matthew Wilson Smith Pdf

A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

Out of Time

Julian Johnson
Out of Time Book PDF

Author : Julian Johnson
Publisher : Oxford University Press, USA
Page : 401 pages
File Size : 47,8 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9780190233273

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Out of Time by Julian Johnson Pdf

"In Out of Time, author Julian Johnson begins from the idea that it can, arguing that music renders an account of modernity from the inside, a history not of events but of sensibility, an archaeology of experience. If music is better understood from this broad perspective, our idea of modernity itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new." -- Publisher's description

Music after the Fall

Tim Rutherford-Johnson
Music after the Fall Book PDF

Author : Tim Rutherford-Johnson
Publisher : Univ of California Press
Page : 368 pages
File Size : 54,6 Mb
Release : 2017-02-01
Category : Music
ISBN : 9780520959040

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Music after the Fall by Tim Rutherford-Johnson Pdf

"...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.

Audience Experience and Contemporary Classical Music

Gina Emerson
Audience Experience and Contemporary Classical Music Book PDF

Author : Gina Emerson
Publisher : Taylor & Francis
Page : 198 pages
File Size : 49,8 Mb
Release : 2023-03-03
Category : Music
ISBN : 9781000847949

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Audience Experience and Contemporary Classical Music by Gina Emerson Pdf

This book responds to recent debates on cultural participation and the relevance of music composed today with the first large-scale audience experience study on contemporary classical music. Through analysing how existing audience members experience live contemporary classical music, this book seeks to make data-informed contributions to future discussions on audience diversity and accessibility. The author takes a multidimensional view of audience experience, looking at how sociodemographic factors and the frames of social context and concert format shape aesthetic responses and experiences in the concert hall. The book presents quantitative and qualitative audience data collected at twelve concerts in ten different European countries, analysing general trends alongside case studies. It also offers the first large-scale comparisons between the concert experiences and tastes of contemporary classical and classical music audiences. Contemporary classical music is critically discussed as a ‘high art subculture’ rife with contradictions and conflicts around its cultural value. This book sheds light on how audiences negotiate the tensions between experimentalism and accessibility that currently define this genre. It provides insights relevant to academics from audience research in the performing arts and from musicology, as well as to institutions, practitioners and artists.

György Ligeti’s Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque

Peter Edwards
Gy rgy Ligeti s Le Grand Macabre Postmodernism Musico Dramatic Form and the Grotesque Book PDF

Author : Peter Edwards
Publisher : Routledge
Page : 154 pages
File Size : 52,8 Mb
Release : 2016-08-05
Category : Music
ISBN : 9781315531274

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György Ligeti’s Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque by Peter Edwards Pdf

György Ligeti’s Le Grand Macabre (1974–77, revised 1996) has consolidated its position as one of the major operatic works of the twentieth century. Few operas composed since the 1970s have received such numerous productions, bringing the eclectic score to a global audience. Famously dubbed by Ligeti as an ‘anti-anti-opera’, the piece is a highly ambiguous, apocalyptic fable about the human condition, fear of death and the final judgement. As the first book in English solely dedicated to discussion of this work, György Ligeti’s Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque offers new perspectives on the opera’s musico-dramatic identity in the context of musical postmodernism. Peter Edwards draws on a range of modernist and postmodernist theories to explore the collision of past styles and genre models in the opera, its expressive states and its engagement with the grotesque. This is ably supported by musical analysis and extensive study of Ligeti’s sketch materials held at the Paul Sacher Foundation in Basel. Edwards’s analyses culminate in a new approach to examining the opera’s rich multiplicities, the composition of the musical material and the nature of Ligeti’s relationship with the musical past. This is a key reference work in the fields of musical modernism and postmodernism, opera studies and the music of Ligeti.