Musically Sublime

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Musically Sublime

Kiene Brillenburg Wurth
Musically Sublime Book PDF

Author : Kiene Brillenburg Wurth
Publisher : Fordham Univ Press
Page : 234 pages
File Size : 50,6 Mb
Release : 2009-08-25
Category : Philosophy
ISBN : 9780823230655

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Musically Sublime by Kiene Brillenburg Wurth Pdf

Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an epic of self-transcendence. By contrast, Lyotard sought to substitute open immanence for Kantian transcendence, yet he failed to deconstruct the Kantian epic. The book performs this deconstruction by juxtaposing eighteenth- and nineteenth-century conceptions of the infinite, Sehnsucht, the divided self, and unconscious drives with contemporary readings of instrumental music. Critically assessing Edmund Burke, James Usher, E.T.A. Hoffmann, Novalis, Friedrich Hölderlin, Arthur Schopenhauer, Richard Wagner, and Friedrich Nietzsche, this book re-presents the sublime as a feeling that defers resolution and hangs suspended between pain and pleasure. Musically Sublime rewrites the mathematical sublime as différance, while it redresses the dynamical sublime as trauma: unending, undetermined, unresolved. Whereas most musicological studies in this area have focused on traces of the Kantian sublime in Handel, Haydn, and Beethoven, this book calls on the nineteenth-century theorist Arthur Seidl to analyze the sublime of, rather than in, music. It does so by invoking Seidl's concept of formwidrigkeit ("form-contrariness") in juxtaposition with Romantic piano music, (post)modernist musical minimalisms, and Lyotard's postmodern sublime. It presents a sublime of matter, rather than form-performative rather than representational. In doing so, Musically Sublime shows that the binary distinction Lyotard posits between the postmodern and romantic sublime is finally untenable.

Music and the Sonorous Sublime in European Culture, 1680–1880

Sarah Hibberd,Miranda Stanyon
Music and the Sonorous Sublime in European Culture 1680 1880 Book PDF

Author : Sarah Hibberd,Miranda Stanyon
Publisher : Cambridge University Press
Page : 323 pages
File Size : 41,9 Mb
Release : 2020-05-28
Category : Music
ISBN : 9781108486590

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Music and the Sonorous Sublime in European Culture, 1680–1880 by Sarah Hibberd,Miranda Stanyon Pdf

The first English language collection on the musical sublime. Reveals music's place at the forefront of this interdisciplinary aesthetic category.

Resounding the Sublime

Miranda Eva Stanyon
Resounding the Sublime Book PDF

Author : Miranda Eva Stanyon
Publisher : University of Pennsylvania Press
Page : 286 pages
File Size : 46,8 Mb
Release : 2021-05-07
Category : Literary Collections
ISBN : 9780812253085

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Resounding the Sublime by Miranda Eva Stanyon Pdf

What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.

The Sublime Reader

Robert R. Clewis
The Sublime Reader Book PDF

Author : Robert R. Clewis
Publisher : Bloomsbury Publishing
Page : 456 pages
File Size : 49,5 Mb
Release : 2018-11-29
Category : Philosophy
ISBN : 9781350030176

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The Sublime Reader by Robert R. Clewis Pdf

This is the first English-language anthology to provide a compendium of primary source material on the sublime. The book takes a chronological approach, covering the earliest ancient traditions up through the early and late modern periods and into contemporary theory. It takes an inclusive, interdisciplinary approach to this key concept in aesthetics and criticism, representing voices and traditions that have often been excluded. As such, it will be of use and interest across the humanities and allied disciplines, from art criticism and literary theory, to gender and cultural studies and environmental philosophy. The anthology includes brief introductions to each selection, reading or discussion questions, suggestions for further reading, a bibliography and index – making it an ideal text for building a course around or for further study. The book's apparatus provides valuable context for exploring the history and contemporary views of the sublime.

Redeeming Transcendence in the Arts

Jeremy Begbie
Redeeming Transcendence in the Arts Book PDF

Author : Jeremy Begbie
Publisher : SCM Press
Page : 195 pages
File Size : 40,7 Mb
Release : 2017-10-30
Category : Religion
ISBN : 9780334056942

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Redeeming Transcendence in the Arts by Jeremy Begbie Pdf

How can the arts witness to the transcendence of the Christian God? It is widely believed that there is something transcendent about the arts, that they can awaken a profound sense of awe, wonder, and mystery, of something “beyond” this world. Many argue that this opens up fruitful opportunities for conversation with those who may have no use for conventional forms of Christianity. Jeremy Begbie—a leading voice on theology and the arts—in this book employs a biblical, trinitarian imagination to show how Christian involvement in the arts can (and should) be shaped by a vision of God’s transcendence revealed in the person of Jesus Christ. After critiquing some current writing on the subject, he goes on to offer rich resources to help readers engage constructively with the contemporary cultural moment even as they bear witness to the otherness and uncontainability of the triune God of love.

Music in the Georgian Novel

Pierre Dubois
Music in the Georgian Novel Book PDF

Author : Pierre Dubois
Publisher : Cambridge University Press
Page : 377 pages
File Size : 43,6 Mb
Release : 2015-08-13
Category : History
ISBN : 9781107108509

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Music in the Georgian Novel by Pierre Dubois Pdf

This book investigates the literary representation of music in the Georgian novel against its musical, aesthetic and cultural background.

The Oxford Handbook of Western Music and Philosophy

Tom?s McAuley,Nanette Nielsen,Jerrold Levinson,Ariana Phillips-Hutton
The Oxford Handbook of Western Music and Philosophy Book PDF

Author : Tom?s McAuley,Nanette Nielsen,Jerrold Levinson,Ariana Phillips-Hutton
Publisher : Oxford University Press
Page : 1151 pages
File Size : 51,6 Mb
Release : 2020-12-04
Category : Music
ISBN : 9780197546260

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The Oxford Handbook of Western Music and Philosophy by Tom?s McAuley,Nanette Nielsen,Jerrold Levinson,Ariana Phillips-Hutton Pdf

Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.

Green and Pleasant Land

Amanda Gilroy
Green and Pleasant Land Book PDF

Author : Amanda Gilroy
Publisher : Peeters Publishers
Page : 224 pages
File Size : 55,8 Mb
Release : 2004
Category : Art
ISBN : 9042914386

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Green and Pleasant Land by Amanda Gilroy Pdf

The present volume, number VIII in the series Groningen Studies in Cultural Change, offers a selection of papers presented at a workshop organised by Amanda Gilroy and Wil Verhoeven entitled Green and Pleasant Land: English Culture and the Romantic Countryside. The contributions in this volume illuminate the ideological investments of particular ways of experiencing the English countryside of the Romantic era. While their analyses of cultural change are historically specific, they explore, too, the conflicted present-day legacies of romantic landscapes.

Schumann's Virtuosity

Alexander Stefaniak
Schumann s Virtuosity Book PDF

Author : Alexander Stefaniak
Publisher : Indiana University Press
Page : 311 pages
File Size : 49,8 Mb
Release : 2016-09-19
Category : Music
ISBN : 9780253022097

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Schumann's Virtuosity by Alexander Stefaniak Pdf

“A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.

Music, Time, and Its Other

Roger W. H. Savage
Music Time and Its Other Book PDF

Author : Roger W. H. Savage
Publisher : Routledge
Page : 232 pages
File Size : 41,6 Mb
Release : 2017-09-13
Category : Music
ISBN : 9781317191933

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Music, Time, and Its Other by Roger W. H. Savage Pdf

Music, Time, and Its Other explores the relation between the enigmatic character of our temporal experiences and music’s affective power. By taking account of competing concepts of time, Savage explains how music refigures dimensions of our experiences through staking out the borderlines between time and eternity. He examines a range of musical expressions that reply to the deficiency born from the difference between time and an order that exceeds or surpasses it and reveals how affective tonalities of works by Bach, Carolan, Debussy, Schoenberg, Messiaen, and Glass augment our understanding of our temporal condition. Reflections on the moods and feelings to which music gives voice counterpoint philosophical investigations into the relation between music’s power to affect us and the force that the present has with respect to the initiatives we take. Music, Time, and Its Other thus sets out a new approach to music, aesthetics, politics, and the critical roles of judgment and imagination.

Music, Madness, and the Unworking of Language

John T Hamilton
Music Madness and the Unworking of Language Book PDF

Author : John T Hamilton
Publisher : Columbia University Press
Page : 421 pages
File Size : 44,8 Mb
Release : 2008-05-06
Category : Music
ISBN : 9780231512541

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Music, Madness, and the Unworking of Language by John T Hamilton Pdf

In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton investigates in this study is the way literary, philosophical, and psychological treatments of music and madness challenge the limits of representation and thereby create a crisis of language. Special focus is given to the decidedly autobiographical impulse of the late eighteenth and early nineteenth centuries, where musical experience and mental disturbance disrupt the expression of referential thought, illuminating the irreducible aspects of the self before language can work them back into a discursive system. The study begins in the 1750s with Diderot's Neveu de Rameau, and situates that text in relation to Rousseau's reflections on the voice and the burgeoning discipline of musical aesthetics. Upon tracing the linkage of music and madness that courses through the work of Herder, Hegel, Wackenroder, and Kleist, Hamilton turns his attention to E. T. A. Hoffmann, whose writings of the first decades of the nineteenth century accumulate and qualify the preceding tradition. Throughout, Hamilton considers the particular representations that link music and madness, investigating the underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences. The gap between sensation and its verbal representation proved especially problematic for romantic writers concerned with the ineffability of selfhood. The author who chose to represent himself necessarily faced problems of language, which invariably compromised the uniqueness that the author wished to express. Music and madness, therefore, unworked the generalizing functions of language and marked a critical limit to linguistic capabilities. While the various conflicts among music, madness, and language questioned the viability of signification, they also raised the possibility of producing meaning beyond significance.

Music and Ideology

Mark Carroll
Music and Ideology Book PDF

Author : Mark Carroll
Publisher : Routledge
Page : 667 pages
File Size : 45,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557702

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Music and Ideology by Mark Carroll Pdf

This volume gathers together a cross-section of essays and book chapters dealing with the ways in which musicians and their music have been pressed into the service of political, nationalist and racial ideologies. Arranged chronologically according to their subject matter, the selections cover Western and non-Western musics, as well as art and popular musics, from the eighteenth century to the present day. The introduction features detailed commentaries on sources beyond those included in the volume, and as such provides an invaluable and comprehensive reading list for researchers and educators alike. The volume brings together for the first time seminal articles written by leading scholars, and presents them in such a way as to contribute significantly to our understanding of the use and abuse of music for ideological ends.

Beethoven's Symphonies Arranged for the Chamber

Nancy November
Beethoven s Symphonies Arranged for the Chamber Book PDF

Author : Nancy November
Publisher : Cambridge University Press
Page : 277 pages
File Size : 40,5 Mb
Release : 2021-06-10
Category : Music
ISBN : 9781108831758

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Beethoven's Symphonies Arranged for the Chamber by Nancy November Pdf

Reveals the importance of arrangements of Beethoven's works for nineteenth-century domestic music-making to the history of the classical symphony.

Making Meaning in Popular Song

Theodore Gracyk
Making Meaning in Popular Song Book PDF

Author : Theodore Gracyk
Publisher : Bloomsbury Publishing
Page : 257 pages
File Size : 45,5 Mb
Release : 2022-06-16
Category : Philosophy
ISBN : 9781350249110

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Making Meaning in Popular Song by Theodore Gracyk Pdf

Winner, ASA (American Society for Aesthetics) 2023 Outstanding Monograph Prize For Theodore Gracyk meaning in popular music depends as much on the context of reception and performer's intentions as on established musical and semantic practices. Songs are structures that serve as the scaffolding for meaning production, influenced by the performance decisions of the performer and their intentions. Arguing against prevailing theories of meaning that ignore the power of the performance, Gracyk champions the contextual relevance of the performer as well as novel messaging through creative repurposing of recordings. Extending the philosophical insight that meaning is a function of use, Gracyk explains how both the performance persona and the personal life of a song's performer can contribute to (or undercut) ethical and political aspects of a performance or recording. Using Carly Simon's “You're So Vain”, Pink Floyd, the emergence of the musical genre of post-punk and the practice of “cover” versions, Gracyk explores the multiple, sometimes contradictory, notions of authenticity applied to popular music and the conditions for meaningful communication. He places popular music within larger cultural contexts and examines how assigning a performance or recording to one music genre rather than another has implications for what it communicates. Informed by a mix of philosophy of art and philosophy of language, Gracyk's entertaining study of popular music constructs a theoretical basis for a philosophy of meaning for songs.

The Reinvention of Religious Music

Sander van Maas
The Reinvention of Religious Music Book PDF

Author : Sander van Maas
Publisher : Fordham Univ Press
Page : 242 pages
File Size : 45,5 Mb
Release : 2009-08-25
Category : Philosophy
ISBN : 9780823230594

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The Reinvention of Religious Music by Sander van Maas Pdf

On the basis of a careful analysis of Olivier Messiaen's work, this book argues for a renewal of our thinking about religious music. Addressing his notion of a "hyper-religious" music of sounds and colors, it aims to show that Messiaen has broken new ground. His reinvention of religious music makes us again aware of the fact that religious music, if taken in its proper radical sense, belongs to the foremost of musical adventures. The work of Olivier Messiaen is well known for its inclusion of religious themes and gestures. These alone, however, do not seem enough to account for the religious status of the work. Arguing for a "breakthrough toward the beyond" on the basis of the synaesthetic experience of music, Messiaen invites a confrontation with contemporary theologians and post-secular thinkers. How to account for a religious breakthrough that is produced by a work of art? Starting from an analysis of his 1960s oratorio La Transfiguration de Notre-Seigneur Jésus-Christ, this book arranges a moderated dialogue between Messiaen and the music theology of Hans Urs von Balthasar, the phenomenology of revelation of Jean-Luc Marion, the rethinking of religion and technics in Jacques Derrida and Bernard Stiegler, and the Augustinian ruminations of Søren Kierkegaard and Jean-François Lyotard. Ultimately, this confrontation underscores the challenging yet deeply affirmative nature of Messiaen's music.